Fans pick 100 books like Wizard of the Crow

When I was a university student, I wanted to know how African presidencies function, not only how African presidents acquire and keep power, but also how they imagine it, how they anticipate political battles, who they trust, and who they fear. All too often, the literature focuses on colonial legacy and neo-colonization and describes African presidents with too little agency. As a doctoral researcher, I stumbled on a biography of Jomo Kenyatta and got caught by the intricacies of his political career. Since then, Kenyan political history has become my area of specialization, and while my background in political science keeps inspiring me, I have a passion for historical writing.

When I was a university student, I wanted to know how African presidencies function, not only how African presidents acquire and keep power, but also how they imagine it, how they anticipate political battles, who they trust, and who they fear. All too often, the literature focuses on colonial legacy and neo-colonization and describes African presidents with too little agency. As a doctoral researcher, I stumbled on a biography of Jomo Kenyatta and got caught by the intricacies of his political career. Since then, Kenyan political history has become my area of specialization, and while my background in political science keeps inspiring me, I have a passion for historical writing.

When I was a university student, I wanted to know how African presidencies function, not only how African presidents acquire and keep power, but also how they imagine it, how they anticipate political battles, who they trust, and who they fear. All too often, the literature focuses on colonial legacy and neo-colonization and describes African presidents with too little agency. As a doctoral researcher, I stumbled on a biography of Jomo Kenyatta and got caught by the intricacies of his political career. Since then, Kenyan political history has become my area of specialization, and while my background in political science keeps inspiring me, I have a passion for historical writing.

When I was a university student, I wanted to know how African presidencies function, not only how African presidents acquire and keep power, but also how they imagine it, how they anticipate political battles, who they trust, and who they fear. All too often, the literature focuses on colonial legacy and neo-colonization and describes African presidents with too little agency. As a doctoral researcher, I stumbled on a biography of Jomo Kenyatta and got caught by the intricacies of his political career. Since then, Kenyan political history has become my area of specialization, and while my background in political science keeps inspiring me, I have a passion for historical writing.

As a physicist by education and therefore fundamentally interested in how things work, my early career was spent in secure communications before moving into finance, specifically payments. I helped to found one of the leading consultancies in the field and worked globally for organizations ranging from Visa and AMEX to various governments and multiple Central Banks. I wrote, it turned out, one of the key books in the field, Identity Is The New Money (2014), and subsequently, Before Babylon, Beyond Bitcoin (2017), about the history and future of money. The Currency Cold War (2020) was a prescient implication of digital currencies, particularly CBDC.

I write about inequality in international development, American communities, environmental movements, and workplaces. I’ve been doing this reporting for over a decade. I’ve also worked in global health, an experience that has given me a first-hand glimpse into the depths and texture of inequality we have manufactured in our current world, including within the organizations and movements that purportedly challenge such global inequality. As a reader, I’m equally passionate about immersive nonfiction and fiction. I’ll dive into anything that’s driven by a good story.

I’m a mathematician and incurable book-lover. It’s been one of the joys of my life to explore the links between mathematics and literature. The stories we tell ourselves about mathematics and mathematicians are fascinating, and especially the ways in which mathematicians are portrayed in fiction. I’m the first female Professor of Geometry at Gresham College, London, a role created in 1597. I don’t fit the mathematician stereotype of the dishevelled old man, obsessed only with numbers (well, perhaps I am slightly dishevelled), so I particularly relish books featuring mathematicians who bring more to the party than this. I hope you’ll enjoy my recommended books as much as I did!  

I am an avid reader of fantasy novels and a Nigerian. Born and raised in southern Nigeria, I grew up during a time when Nigerian culture closely resembled that of a century ago. Since the 1980s, my country has undergone significant cultural changes, and I am drawn to stories that remind me of a simpler time, before I started adulting. I am also deeply fascinated with history. I have delved into anthropological articles and textbooks dating back to the eighteenth century to gain a better understanding of my heritage and people. These readings have greatly influenced my own writing, allowing me to paint the vivid historical pictures that captivate me.

I was born in Akure, a hilly, ancient, rainforest town that became the chief administrative town of the newly created Ondo State in 1976. As a child, I witnessed the old town’s effort, both deliberate and inevitable, to wear a modern look. I’m naturally attracted to stories, fiction or non-fiction, that gives voice to the individual right to resist the old or the new; resistance that will not be without consequences. Kasali’s Africa is the theatre of ideas for Kasali, a rural farmer courted by the educated elites, and his view on what Africa should be. If you love Africa, I know you will enjoy these books.

I was born in Akure, a hilly, ancient, rainforest town that became the chief administrative town of the newly created Ondo State in 1976. As a child, I witnessed the old town’s effort, both deliberate and inevitable, to wear a modern look. I’m naturally attracted to stories, fiction or non-fiction, that gives voice to the individual right to resist the old or the new; resistance that will not be without consequences. Kasali’s Africa is the theatre of ideas for Kasali, a rural farmer courted by the educated elites, and his view on what Africa should be. If you love Africa, I know you will enjoy these books.