Fans pick 30 books like Rough Justice

Many authors who write about international criminal justice forget that those who are the subject of criminal investigations have their own interests and goals in how they respond. The states in which these investigations take place try to use the courts and tribunals for their own purposes, like neutralizing opposition or presenting themselves as good international citizens.

In this book, Clark reports on his decade-long investigation into the effect of the ICC on politics in African states, especially the DRC and Uganda. I love how he draws on a variety of sources and hundreds of interviews to produce a detailed and nuanced story. 

Mark Kersten is one of the world’s leading authorities on the role that criminal justice plays in conflict. This book is my favorite guide to understanding the effect that international criminal courts and tribunals can have in the midst of an ongoing conflict because Kersten studies the multifaceted effects that ICC intervention has.

In contrast to the advocates and skeptics, Kersten argues we should remain agnostic and also accept that the ICC may sometimes have no effect at all. I also think it’s a great example of how careful fieldwork in fragile contexts can lead to important insights on the validity of some of our assumptions of how international criminal justice works. 

If you want to have an informed conversation about the effectiveness of international criminal justice, it is vital to understand two things. One, that whether or not it’s effective entirely depends on how you measure ‘effectiveness’. And two, that the local context in which an international court operates is going to have a major effect on how effective it can be at anything.

I enjoyed Wierda’s book because she clearly works out these important starting points and studies the ICC’s impact in four very different countries: Afghanistan, Colombia, Libya and Uganda. She also is careful to distinguish between different kinds of effectiveness (systemic, transformative, reparative and demonstrative), enabling us to have much more sophisticated conversations about the results of ICC interventions. 

Since international criminal courts and tribunals do not have their own police powers, they’re always dependent on the cooperation of others for the execution of their arrest warrants. Important here is that most of these courts do not allow for trials without the suspect in custody, making arrests a key condition for their effectiveness. I have always found the stories behind why some fugitives get arrested and others do not one of the most fascinating parts of international criminal justice.

This book tells the stories of several high-profile fugitives and how they were ultimately (not) arrested. It not only often reads like a detective thriller but also emphasizes the strong dependence on “the ebb and flow of political will” of states. 

I’m drawn to inconvenient truths and Canadian Erna Paris reveals them in exceptionally readable prose. Paris discusses why it took more than fifty years to establish a permanent International Criminal Court to try war crimes, crimes against humanity, and genocide. She examines the reasons for U.S. opposition to the permanent International Criminal Court established in 2002, identifies U.S. officials who worked to undermine efforts to develop the ICC, exposes the real reasons they did so, and debunks the official position of protecting US soldiers.

The UN peacekeeping operation in the Democratic Republic of Congo, deployed in 1999 and still ongoing, has an annual budget of 1.13 billion dollars. It has over 16,000 military and police personnel and nearly 3,000 civilian specialists. Although it is preparing to withdraw, its duration, scale, and significance make it a fascinating case study of the UN’s work on the ground. 

Buitelaar’s book examines how the UN operates by zooming in on its cooperation with other international institutions—in this case, the International Criminal Court (ICC). Drawing on interviews with senior mission officials, the book convincingly demonstrates that individuals matter at the UN. Mission leadership’s decisions shaped whether and how peacekeepers supported the ICC’s work in an environment characterized by the US’ ambivalent attitude towards the court.

This is the grand exhibition catalogue that burst through the professional art world’s wall of denial that modern, especially abstract, art would have any spiritual content. The extensive exhibition this book accompanied opened at the Los Angeles County Museum of Art in 1986 and then travelled to The Hague, where it influenced young European art historians (though was largely ignored in the United States). This catalogue contains excellent articles by 17 noted “rebellious” art historians, including an overview by the head curator of the exhibition, Maurice Tuchman. The many color plates are stunning. This book is indispensable for anyone seeking to learn about the subject.

Another crime book that takes you places you never thought you’d venture into. Fesperman creates a sympathetic protagonist Vlado Petric. Vlado, a former homicide detective in Sarajevo, lives in exile but is recruited to return to the place of horrors that have haunted his life. His assignment: help capture an aging Nazi collaborator who has become a war profiteer, surrounded by a sympathetic population who will protect him with their lives. The story is dark and filled with suspense and dread. The Balkans were and are a very dangerous place. As a writer Fesperman creates suspense and fear in a very different place with very different people.

I do love a chase thriller, especially one that has you scratching your head until the author reveals a clue or adds more calculated confusion or a red herring. This plot starts with a terrorist attack in Europe and involves a clever barrister and an agent trying to solve a mystery that introduces us to a double agent.

I think the plot is a very clever one where no one can be trusted until the mystery is solved. Kent is really good at characterization and some of his descriptive work I found very colorful. A damn good read.

From the mind of a nineteen-year-old member of the English Parliament, this book inaugurated the splatter side of the horror tradition, and it freaked late 18th-century critics out. I love it for all its gruesome irreverence, for how far it’s willing to go for shocks, for its wild, gender-bending sexuality, and so much more.

Although I find parts of it genuinely disgusting, I think it’s more amusing than scary… that said, its inset storytelling and interwoven major plotlines are a hoot to follow. The corruption of the title character is so, so easy and goes so, so far.

The object of his primary lust is so ridiculously pure… orchestrated to maximize the impact of the final confrontations, of course, and they are extreme.