Half a century ago (hard to believe!), as a young newspaper reporter, I began every day at a police station, reading the log and talking to the watch commander. Occasionally, I was able to contact the detectives as well. For me, the way crimes and criminal investigations unfolded, and the personalities of the officers involved, were multi-dimensional and touched with surprising, and often unexpected, moments of humor. In my reading as well as my writing, I seek a balance between authenticity and a sense of the absurd, without which the experience of solving murders—real or fictional—could become emotionally crushing.
In Elizabethan England, Christmas revelries were presided over by a Lord of Misrule. During this season of legitimized misconduct, the brilliant Sir Francis Bacon requires surreptitious help in solving the murder of a fellow barrister in hopes of regaining the queen’s favor, from which he’s been ousted. It falls to his protégé, Thomas Clarady, to probe through disguises and earn the trust of a range of women, from the educated to the bawdy, in order to find the answers in time to prevent catastrophe. I love the Tudor period with all its riches, and this first entry in the Francis Bacon Mystery Series feels emotionally and historically credible.
Brilliant Francis Bacon is at a loss -- and in danger. Bacon must put down his books and investigate the murder of a fellow barrister at Gray's Inn in order to regain the queen's favor. He recruits his unwanted protégé, Thomas Clarady, to do the tiresome legwork. The son of a wealthy privateer, Tom will gladly do anything to climb the Elizabethan social ladder. The first clues point to a Catholic conspirator, but other motives for murder quickly emerge. Rival barristers contend for the victim's legal honors and wealthy clients. Highly-placed courtiers are implicated as the investigation reaches from Whitehall…
Puzzles intrigued me since I was a three-year-old. Puzzle pieces that fit into pre-sized spaces. Then, disassembling and reassembling small 3-D animal shapes. Crosswords were next. Finally, Nancy Drew entered my life. I was addicted. Sherlock and Agatha became my mentors. But I loved to paint as well, so art was my first major at Michigan State University. Changed it to advertising in my senior year. Shortly after, Leo Burnett hired me to write print and radio media for Buster Brown shoes. Television was next. I solved many advertising puzzles at Foote, Cone & Belding, but after retiring, mystery re-entered my life when I wrote my first book.
A murder in the world of law courts in London’s legal community brings in P.D. James’ iconic detective Adam Dalgleish to investigate—a protagonist with razor focus and discernment, and a man famous for his poetry in the literary world.
James has incredible skill marrying the unexpected attributes of detection with the sensitivity and intimacy of a novel. She is a queen in my mystery reading world.
Venetia Aldridge QC is a distinguished barrister. When she agrees to defend Garry Ashe, accused of the brutal murder of his aunt, it is one more opportunity to triumph in her distinguished career as a criminal lawyer. But just four weeks later, Miss Aldridge is found dead at her desk.
Commander Adam Dalgliesh, called in to investigate, finds motives for murder among the clients Venetia has defended, her professional colleagues, her family - even her lover. As Dalgliesh narrows the field of suspects, a second brutal murder…
Having spent my youth watching dramasCrown Court andL.A. Lawon TV and reading Rumpole of the Bailey, it’s not surprising I became a lawyer and then went on to write legal thrillers myself. The courtroom is an inherently theatrical place, where emotions and tensions run high. It’s a place where egos collide, theories are propounded and punctured and the liberty (and sometimes the life) of the accused is at stake. It follows, then, that lawyers operate in a totally even-handed system, where they’ll always achieve a fair and just result and uncover the truth. All the books I’ve recommended challenge this notion in different (but equally brilliant) ways.
When Armani-loving lawyer, Leanne Mitchell, is asked to defend millionaire Clive Omartian on fraud charges, she believes her career is on an upward trajectory. But her success puts her at odds with the head of her Chambers, who is desperate to be awarded ‘Silk’ and with her instructing solicitor and old friend, as she begins to suspect he knows more about their client than he is letting on. Before she realises, she’s being dragged into dangerous waters.
Oozing authenticity, twisty and turny, the reader shares Lee’s pain, not just the wounds she suffers from courtroom barbs, but in her everyday experience as a young, black, working-class woman barrister in a mainly white, male, privileged world. Despite huge challenges she remains feisty and principled. A real hero for our times.
'Impressive and unique. As relevant today as it was over two decades go' Bernardine Evaristo, from the Introduction
A gripping, propulsive courtroom thriller following barrister Lee Mitchell as she uncovers the dark secrets of London's obscenely rich
Lee Mitchell is a thirty-year-old barrister from a working-class Caribbean background: in the cut-throat environment of the courtroom, everything is stacked against her.
After she takes on the high-profile case of notorious millionaire playboy Clive Omartian - arrested along with his father and stepbrother for eye-wateringly exorbitant fraud - the line between her personal and professional life becomes dangerously blurred. Spiralling further into…
What the readers are saying... ★★★★★ The perfect escapist read for our times ‘★★★★★ The sort of book you ‘watch’ while reading... utterly brilliant ★★★★★ If possible, I would have awarded this 10 stars. This book is much more than amazing. ★★★★★ The author, Nick Rippington, himself describes it as "Alice in Wonderland... with guns." Well, he's right and it's not hype.
Graphic designer Emerson Rabette is forced to use the London Underground to get to a meeting with his employers. There's a problem, as he's terrified of the tube. He is no ordinary commuter and this is no ordinary…
This book is the third in the Benson/DeVere legal crime series. While I’ve loved every book in the series, this one is my favourite.
So brilliantly written, packed with beautiful sentences, and such wisdom! I loved this book, could not put it down. In a packed genre, this series and this book stands out. I have recommended this series and especially this book to everyone. It deals with serious social issues but never comes across as preachy.
You are absolutely absorbed in the story, completely invested in the characters’ lives. Loved, loved, loved this book.
William Benson. Criminal barrister. Convicted murderer....
Convicted of murder sixteen years ago, William Benson is ostracised by the establishment and his family. Supported by a close-knit group including solicitor Tess de Vere, he's defied them all and opened his own Chambers. Now he faces the case of his life - and the terminal illness of Helen Camberley who helped him leave his prison life behind
Jorge Menderez, a doctor from Spain, has been found dead in a deserted warehouse in East London. A troubled man, he'd turned to counsellor Karen Lynwood seeking help. Now Karen's husband, John, is accused of…
Having spent my youth watching dramasCrown Court andL.A. Lawon TV and reading Rumpole of the Bailey, it’s not surprising I became a lawyer and then went on to write legal thrillers myself. The courtroom is an inherently theatrical place, where emotions and tensions run high. It’s a place where egos collide, theories are propounded and punctured and the liberty (and sometimes the life) of the accused is at stake. It follows, then, that lawyers operate in a totally even-handed system, where they’ll always achieve a fair and just result and uncover the truth. All the books I’ve recommended challenge this notion in different (but equally brilliant) ways.
A young man accused of murder stands before the jury in court. Fed up with his barrister’s advice to ‘only tell the jury what they can believe’ he makes his own closing speech. He tells ‘the whole truth’ in his own words.
In setting out the details of his chaotic life, he aims to provide an innocent explanation for the eight pieces of circumstantial evidence against him. It’s only if the jury can understand what it’s like to be him (echoes here of Atticus Finch’s famous line, "You never really understand a person until you… climb into his skin and walk around in it.") that he will receive a fair trial.
A highly original angle for the modern, courtroom drama, executed to perfection. Clearly (as is only right) there’s a subtly-woven, social commentary agenda too.
2013 Christy Award winner! 2013 Carol Award finalist (ACFW) To everyone who knows her, Annalise Decker is a model wife and mother. She’s a permanent member of the PTA, never misses her kids’ sporting events, and is constantly campaigning for her husband’s mayoral race.
No one knows that Annalise was once Deidre O’Reilly, a troubled young woman whose testimony put a dangerous criminal behind bars. Relocated through the Witness Security Program to the sleepy town of Deep Haven, Deidre got a new identity and a fresh start, which began when she fell in love with local real estate agent Nathan…
I have beena lawyer for more than 50 years and I love what I do. I also want to share my enthusiasm for what I regard as the world’s most exciting profession, where every day is a little different. I am also a legal writer. But I don’t just write for other lawyers. I want to make the law accessible to everyone.That includes anyone who may be thinking seriously about a legal career but has yet to make the leap.
This anonymously written and entertaining book will tell you what your barrister is really thinking, behind the polite smile and measured language, when they are defending you against a criminal charge.An insider’s view of the UK criminal justice system and its failings. Ever wondered why there are so many miscarriages of justice? Not just those which make the headlines. The writer contrasts the professionalism of the crown court trial,with its judge and jury, with the wild westof the magistrates’ court, in whichmore than 91% of UK criminal prosecutions begin and end.
An anonymous barrister's darkly comic and moving first-hand account of life in the legal system, and how it's failing us all.
The Sunday Times number one bestseller. Winner of the Books are My Bag Non-Fiction Award. Shortlisted for Waterstones Book of the Year. Shortlisted for Specsavers Non-Fiction Book of the Year.
'Eye-opening, funny and horrifying' - Observer
You may not wish to think about it, but one day you or someone you love will almost certainly appear in a criminal courtroom. You might be a juror, a victim, a witness or - perhaps through no fault of your own -…
I was a cop for fourteen years and a barrister in the UK for another fourteen years appearing in criminal trials. I've seen and heard enough real cops, lawyers, and criminals to last me a lifetime and more. It left an indelible mark on my own writing and reading preferences. I love true crime but also good crime fiction with realistic characters, settings, and plausible storylines. There's a thread that connects me to most of the authors whose books I have recommended. They're either former lawyers with investigative experience or experienced journalists with experience of a crime beat. Chandler is the exception, but I must say he would've probably fitted right into the police forces.
I am a fan of this style of writing. Some may call it pulp fiction. Perhaps, hard-boiled? I suppose it is like comparing bare-knuckle fighting and boxing under the Marquis of Queensbury rules. Chandler's style, and those like him, is down and dirty, and supposed to be realistic. Indeed, in his essay, he writes: "Fiction in any form has always intended to be realistic." He was writing in the context of denigrating the old-fashioned British-style mystery. I do believe he has a point. Anyone who is familiar with his work and style can understand my penchant for liking crime fiction that is realistic. The remainder of my picks reflect this.
This is a collection of early short stories and an essay which gave the book its name. The latter is fairly short and its main idea is an argument for the virtues of a noir mystery as opposed to a traditional British one. Considering the fact that this comes from a guy who became a classic of the former even before his death and that he picked up some below the average examples of the latter, I agree.
The stories themselves left me out cold for the most part. I can actually describe the plot in practically all of them…
I have been writing for many years, and my main preference is political thrillers with criminal overtones. I first became interested in politics when I worked at several political conferences in the 60’s and 70’s. I have been involved in several criminal cases, including my own, and within my family, I have a nephew in the police force. For many years I have had the opportunity to mix with the upper tiers of society as well as the criminal classes and this has given me great insight into creating my characters and plots.
I do love a chase thriller, especially one that has you scratching your head until the author reveals a clue or adds more calculated confusion or a red herring. This plot starts with a terrorist attack in Europe and involves a clever barrister and an agent trying to solve a mystery that introduces us to a double agent.
I think the plot is a very clever one where no one can be trusted until the mystery is solved. Kent is really good at characterization and some of his descriptive work I found very colorful. A damn good read.
'Packed with deception and espionage ... Kent has become the British Baldacci, and there can be no higher praise.' Daily Mail
Don't miss Book 5 from criminal barrister and crime author Tony Kent: THE SHADOW NETWORK
How do you take down an enemy when no one believes they exist? When the lawyers of alleged war criminal Hannibal Strauss are caught up in a terror attack in The Hague, barrister Michael Devlin immediately suspects all is not what it seems. Teaming up once more with Agent Joe Dempsey, they…
Having spent my youth watching dramasCrown Court andL.A. Lawon TV and reading Rumpole of the Bailey, it’s not surprising I became a lawyer and then went on to write legal thrillers myself. The courtroom is an inherently theatrical place, where emotions and tensions run high. It’s a place where egos collide, theories are propounded and punctured and the liberty (and sometimes the life) of the accused is at stake. It follows, then, that lawyers operate in a totally even-handed system, where they’ll always achieve a fair and just result and uncover the truth. All the books I’ve recommended challenge this notion in different (but equally brilliant) ways.
"The serial killer isn’t on trial he’s on the jury."
Actor Bobby Solomon is accused of murdering his wife and bodyguard in a frenzied attack. Eddie Flynn, former conman turned lawyer, is brought in to assist the defence team. Eddie’s the full package—resourceful, quick-witted, a masterful cross-examiner, and he can handle himself in a fight. He also believes in Bobby’s innocence. But he’s up against an ingenious, ruthless killer who will stop at nothing to achieve his cause.
If the central premise—that of a killer infiltrating the jury and undermining the entire justice system—isn’t sufficiently terrifying, then the array of corrupt police officers and self-serving lawyers (on both sides) should tip you over the edge. Happily, Eddie stands head and shoulders above them all.
'THIRTEEN is my favourite read of the year.' Sarah Pinborough
'Outstanding.' Lee Child
'Smart and original. This is a belter of a book.' Clare Mackintosh
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They were Hollywood's hottest power couple. They had the world at their feet. Now one of them is dead and Hollywood star Robert Solomon is charged with the brutal murder of his beautiful wife.
This is the celebrity murder trial of the century and the defence want one man on their team: con artist turned lawyer Eddie Flynn.
