Here are 95 books that Rabette Run fans have personally recommended if you like
Rabette Run.
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I was a cop for fourteen years and a barrister in the UK for another fourteen years appearing in criminal trials. I've seen and heard enough real cops, lawyers, and criminals to last me a lifetime and more. It left an indelible mark on my own writing and reading preferences. I love true crime but also good crime fiction with realistic characters, settings, and plausible storylines. There's a thread that connects me to most of the authors whose books I have recommended. They're either former lawyers with investigative experience or experienced journalists with experience of a crime beat. Chandler is the exception, but I must say he would've probably fitted right into the police forces.
I am a fan of this style of writing. Some may call it pulp fiction. Perhaps, hard-boiled? I suppose it is like comparing bare-knuckle fighting and boxing under the Marquis of Queensbury rules. Chandler's style, and those like him, is down and dirty, and supposed to be realistic. Indeed, in his essay, he writes: "Fiction in any form has always intended to be realistic." He was writing in the context of denigrating the old-fashioned British-style mystery. I do believe he has a point. Anyone who is familiar with his work and style can understand my penchant for liking crime fiction that is realistic. The remainder of my picks reflect this.
This is a collection of early short stories and an essay which gave the book its name. The latter is fairly short and its main idea is an argument for the virtues of a noir mystery as opposed to a traditional British one. Considering the fact that this comes from a guy who became a classic of the former even before his death and that he picked up some below the average examples of the latter, I agree.
The stories themselves left me out cold for the most part. I can actually describe the plot in practically all of them…
I love to read about strong, independent, imperfect women who are capable of getting themselves out of their own messes. That's why my female protagonists are strong, independent, imperfect women who don't need a man to save them.
Detective Renée Ballard is a woman I hate to love. She sleeps during the day in a tent on the beach–who needs a solid roof over your head when you’re working graveyard for the L.A.P.D.–and occasionally shags the lifeguard. She is a loner, super smart, super tough, touchy, relentlessly driven, bitchy. What’s not to like?
This book got pretty scary. I like to be scared, and there are three more in the series.
In this first installment of the Renée Ballard series, #1 bestselling author Michael Connelly introduces a "complicated and driven" young detective fighting to prove herself on the LAPD's toughest beat (The New York Times). Renée Ballard works the midnight shift in Hollywood, beginning many investigations but finishing few, as each morning she turns everything over to the daytime units. It's a frustrating job for a once up-and-coming detective, but it's no accident. She's been given this beat as punishment after filing a sexual harassment complaint against a supervisor. But one night Ballard catches two assignments she doesn't want to part…
Having spent my youth watching dramasCrown Court andL.A. Lawon TV and reading Rumpole of the Bailey, it’s not surprising I became a lawyer and then went on to write legal thrillers myself. The courtroom is an inherently theatrical place, where emotions and tensions run high. It’s a place where egos collide, theories are propounded and punctured and the liberty (and sometimes the life) of the accused is at stake. It follows, then, that lawyers operate in a totally even-handed system, where they’ll always achieve a fair and just result and uncover the truth. All the books I’ve recommended challenge this notion in different (but equally brilliant) ways.
"The serial killer isn’t on trial he’s on the jury."
Actor Bobby Solomon is accused of murdering his wife and bodyguard in a frenzied attack. Eddie Flynn, former conman turned lawyer, is brought in to assist the defence team. Eddie’s the full package—resourceful, quick-witted, a masterful cross-examiner, and he can handle himself in a fight. He also believes in Bobby’s innocence. But he’s up against an ingenious, ruthless killer who will stop at nothing to achieve his cause.
If the central premise—that of a killer infiltrating the jury and undermining the entire justice system—isn’t sufficiently terrifying, then the array of corrupt police officers and self-serving lawyers (on both sides) should tip you over the edge. Happily, Eddie stands head and shoulders above them all.
'THIRTEEN is my favourite read of the year.' Sarah Pinborough
'Outstanding.' Lee Child
'Smart and original. This is a belter of a book.' Clare Mackintosh
****************
They were Hollywood's hottest power couple. They had the world at their feet. Now one of them is dead and Hollywood star Robert Solomon is charged with the brutal murder of his beautiful wife.
This is the celebrity murder trial of the century and the defence want one man on their team: con artist turned lawyer Eddie Flynn.
I was a cop for fourteen years and a barrister in the UK for another fourteen years appearing in criminal trials. I've seen and heard enough real cops, lawyers, and criminals to last me a lifetime and more. It left an indelible mark on my own writing and reading preferences. I love true crime but also good crime fiction with realistic characters, settings, and plausible storylines. There's a thread that connects me to most of the authors whose books I have recommended. They're either former lawyers with investigative experience or experienced journalists with experience of a crime beat. Chandler is the exception, but I must say he would've probably fitted right into the police forces.
Capital Kill is a classic example of an author “writing what he knows.” Marc Rainer is a former prosecutor in the courts of Washington D.C. and a former lawyer with the US Air Force's Judge Advocate General (JAG) Corps. He is married to a former Air Force OSI Special Agent.
His protagonist, Jeff Trask, shares the same background. In the book we also get to meet Lynn, an Air Force OSI Special Agent.
This is the first in a series based on Jeff Trask and it is labelled as “crime drama.” It is. But it is also a delightful mix of police procedural and legal courtroom thriller. I loved it!
A few short blocks from the safety of the museums and monuments on the National Mall, a ruthless killer prowls the streets of Washington, D.C. Federal prosecutor Jeff Trask joins a team of FBI agents and police detectives as they try to solve the series of brutal murders. As the body count rises, the investigation leads to a chilling confrontation with the leader of an international drug smuggling ring, and no one is safe, not even the police.
Written by former Washington prosecutor Marc Rainer, Capital Kill is a swirling thrill ride through the labyrinth of a major federal investigation…
The first record I ever bought was Magical Mystery Tour when I was no more than twelve or so. It’s what made me want to be a musician myself. I’ve got every Beatle record and I am the kind of guy to study carefully who played what, who wrote what, and how they put it all together. Just before Covid shut down everything, I even went to Abbey Road studios where we recorded some of the songs for my novel (we wrote and recorded all the songs of the fictitious band Downtown Exit). Working in Abbey Road was a dream come true – to record in the same rooms that the Beatles used. Imagine that. It was wonderful.
Rolling Stone magazine chose Love Me Do: the Beatles Progress as the best of all the Beatles’ books which is a little unfair because it barely moves beyond 1963. On the other hand, it’s a riveting, eye witness account (author Michael Braun was a journalist embedded with the Beatles on some of their first tours) and it covers the first blast of Beatlemania, the screaming fans, and of course their legendary appearance on the Ed Sullivan show in February of 1964.
Rolling Stone magazine named this the #1 Beatles Book. It is the classic behind-the-scenes story of The Beatles first British tour. The year is 1963. 'Love Me Do' is The Beatles first hit single, closely followed by 'Please Please Me,' which reached No. 1. John, Paul, George, and Ringo celebrate their newfound success with a hectic six-week tour, briefly interrupted by a historic live appearance at the Royal Variety Performance at the London Palladium.
It is the beginning of Beatlemania, and American writer Michael Braun is there as the drama unfolds. Eavesdropping on The Beatles' private conversations. Recording every last…
I started my career teaching high school. I attended amazing professional development institutes, where scholars showed me how the stories I’d learned and then taught to my own students were so oversimplified that they had become factually incorrect. I was hooked. I kept wondering what else I’d gotten wrong. I earned a Ph.D. in modern US History with specialties in women’s and gender history and war and society, and now I’m an Associate Professor of History at Iowa State University and the Coordinator of ISU’s Social Studies Education Program. I focus on historical complexity and human motivations because they are the key to understanding change.
I’ve read thousands of books on US history (for real). Many have made me rethink the narratives I learned in high school and college, but this is the only one that made me rethink what we mean when we say “US History.”
I can’t count the number of times this book made me say, “Wow!” out loud. As just a taste, Immerwahr writes that by 1940, 1 in 8 Americans lived outside of the states themselves, Asians constituted the largest American minority, the center of population was in New Mexico, and Manila was one of the country’s largest cities.
All of what I thought I knew changed once I included the reality of the American empire.
Named one of the ten best books of the year by the Chicago Tribune A Publishers Weekly best book of 2019 | A 2019 NPR Staff Pick
A pathbreaking history of the United States’ overseas possessions and the true meaning of its empire
We are familiar with maps that outline all fifty states. And we are also familiar with the idea that the United States is an “empire,” exercising power around the world. But what about the actual territories―the islands, atolls, and archipelagos―this country has governed and inhabited?
In How to Hide an Empire, Daniel Immerwahr tells the fascinating story…
The first record I ever bought was Magical Mystery Tour when I was no more than twelve or so. It’s what made me want to be a musician myself. I’ve got every Beatle record and I am the kind of guy to study carefully who played what, who wrote what, and how they put it all together. Just before Covid shut down everything, I even went to Abbey Road studios where we recorded some of the songs for my novel (we wrote and recorded all the songs of the fictitious band Downtown Exit). Working in Abbey Road was a dream come true – to record in the same rooms that the Beatles used. Imagine that. It was wonderful.
Revolution in the Head should come with a warning. This one is only for the most serious of Beatle fanatics. It’s an encyclopedic tome listing every song they ever recorded, who played on it, and even what days it was recorded (Strawberry Fields was recorded over five different sessions through November 1966). There are also many longer sections dealing with the particular cultural moments surrounding the writing of the songs and a whole lot of controversial opinion-making about just which ones are good songs and which are not.
This “Bible of the Beatles” captures the iconic band’s magical and mysterious journey from adorable teenagers to revered cultural emissaries. In this fully updated version, each of their 241 tracks is assessed chronologically from their first amateur recordings in 1957 to their final “reunion” recording in 1995. It also incorporates new information from the Anthology series and recent interviews with Paul McCartney. This comprehensive guide offers fascinating details about the Beatles’ lives, music, and era, never losing sight of what made the band so important, unique, and enjoyable.
Music has obsessed me since I got my first record player, around age five, and learned how to play the stack of used Beatles records that seeded my collection. I could probably pick a favorite music book from every decade of my life, and this list isn’t far off.
This floppy paperback matched the dimensions of an actual record, a geometry that made you feel you were flipping through your Beatles albums as you read it. It came to me as a birthday or Christmas present, probably around age eight. I read it cover to cover, over and over, memorizing entire passages like biblical verses. It was pretty much my only book until I discovered Mad magazine, around age ten. You could do a lot worse.
A comprehensive critical guide to the recordings of the Beatles includes over two hundred photographs tracing the lives and careers of these legendary rock stars
I never thought I’d be a poetry lover. I got my Bachelor’s Degree in English Literature. During that time, I took quite a few poetry classes, even though I didn’t consider myself a huge poetry fan. Over the course of those classes, I learned that poetry isn’t all about abstract, obscure themes, and academic language. It’s also a way for humans to communicate the feelings and experiences in one heart to another. Once I learned that poetry doesn’t have to be difficult and confusing, I found that I really enjoyed it, and I’d like to help other people discover that poetry can be more accessible and satisfying than what they may have studied in school.
I met this author at a local author fair and picked up a copy of his book because he (as well as me!) is a Beatles fan. He said it included poems about the Beatles so I hoped I’d enjoy the book as much as I enjoyed chatting with Ryan. Turned out, I did. Ryan approaches poetry with a powerful mix of wordplay and rhythm. Every poem has a driving beat and becomes a sort of immersive experience. Although this also deals with themes of mental illness, it’s a book that just made me smile to read because it’s so unique. The illustrations make it visually stunning as well.
Open your heart to a compilation of musical poetry and surreal expression drawn from madness and mania.
Artfully weaving a rhythmic tapestry of touching poetry that flows like music, this deeply personal memoir invites readers on a fascinating deep dive into the author’s raw and heartfelt world of living rhythms and authentic feelings. As a deft amalgamation of spoken word, truth to power, clever wordplay, and thoughtful reflections, Euphoric Wonderland illuminates a mad spark of creativity as it draws uplifting inspiration from even the darkest of times.
Stimulate your imagination and open your mind to a psychedelic and enigmatic assemblage…
The first record I ever bought was Magical Mystery Tour when I was no more than twelve or so. It’s what made me want to be a musician myself. I’ve got every Beatle record and I am the kind of guy to study carefully who played what, who wrote what, and how they put it all together. Just before Covid shut down everything, I even went to Abbey Road studios where we recorded some of the songs for my novel (we wrote and recorded all the songs of the fictitious band Downtown Exit). Working in Abbey Road was a dream come true – to record in the same rooms that the Beatles used. Imagine that. It was wonderful.
The author is the thing here. Geoff Emerick was the sound engineer at Abbey Road Studios during the recording of the later Beatle albums – Sgt. Pepper, the White Album, and, yes, Abbey Road. Of course, every Beatle fan knows that George Martin was the Beatle’s producer but it was Emerick who set up the microphones and the tape loops. It was Emerick who captured Ringo’s drumming the best (pillow in the bass drum) and to a large degree, it was he who helped the Beatles shape their legendary sound.
An all-access, firsthand account of the life and music of one of history's most beloved bands--from an original mastering engineer at Abbey Road Geoff Emerick became an assistant engineer at the legendary Abbey Road Studios in 1962 at age fifteen, and was present as a new band called the Beatles recorded their first songs. He later worked with the Beatles as they recorded their singles “She Loves You” and “I Want to Hold Your Hand,” the songs that would propel them to international superstardom. In 1964 he would witness the transformation of this young and playful group from Liverpool into…
