70 books like Capital Kill

I am a fan of this style of writing. Some may call it pulp fiction. Perhaps, hard-boiled? I suppose it is like comparing bare-knuckle fighting and boxing under the Marquis of Queensbury rules. Chandler's style, and those like him, is down and dirty, and supposed to be realistic. Indeed, in his essay, he writes: "Fiction in any form has always intended to be realistic." He was writing in the context of denigrating the old-fashioned British-style mystery. I do believe he has a point. Anyone who is familiar with his work and style can understand my penchant for liking crime fiction that is realistic. The remainder of my picks reflect this. 

Detective Renée Ballard is a woman I hate to love. She sleeps during the day in a tent on the beach–who needs a solid roof over your head when you’re working graveyard for the L.A.P.D.–and occasionally shags the lifeguard. She is a loner, super smart, super tough, touchy, relentlessly driven, bitchy. What’s not to like?

This book got pretty scary. I like to be scared, and there are three more in the series.

"The serial killer isn’t on trial he’s on the jury."

Actor Bobby Solomon is accused of murdering his wife and bodyguard in a frenzied attack. Eddie Flynn, former conman turned lawyer, is brought in to assist the defence team. Eddie’s the full package—resourceful, quick-witted, a masterful cross-examiner, and he can handle himself in a fight. He also believes in Bobby’s innocence. But he’s up against an ingenious, ruthless killer who will stop at nothing to achieve his cause. 

If the central premise—that of a killer infiltrating the jury and undermining the entire justice system—isn’t sufficiently terrifying, then the array of corrupt police officers and self-serving lawyers (on both sides) should tip you over the edge. Happily, Eddie stands head and shoulders above them all.

Not only did this novel remind me of Lewis Carroll's works, but it also reminded me of the Beatles' Magical Mystery Tour and other works of theirs in their hallucinogenic-inspired songs and albums. Rippington himself is aware of that in his writing as he references both Alice in Wonderland and the phrase 'magical mystery tour.'

So far, I may have misled you because this book is a real thriller. It travels along at the speed of sound and though the things happening to Emerson Rabette are fantastic, they are so believable at the same time. That's difficult to do as a writer but Mr. Rippington manages it with ease and much panache.

I bought this book in Hatchard’s bookshop because I liked the cover, and because I like stories about Hell. A great choice on my part—this wonderful crime/fantasy novel features a detective called Thomas Fool in the most lawless land there can be. Thomas has to investigate a series of grisly murders which threaten the Devil’s domain; and to make his police procedural story work Unsworth has to invent a whole new mythology of Hell in which murder is even possible. The writing is stunningly evocative and the logic of the world building is remarkable even if it is,  ultimately, bonkers. This book and its sequel, The Devil’s Evidence, are the noirest of noirs and are completely unputdownable. 

This was the first book I’ve read from the point of view of an investigative journalist, and I really enjoyed this angle. And I really loved the character of Ingrid, a very strong female lead who will stop at nothing to get to the truth. Ingrid delves deeper into the story of 8-year-old Kelly Doherty’s murder, believing that there's a chance the man convicted is innocent. But she's soon warned off by someone who’ll do anything to keep the past buried.   

Claire's writing style is entertaining and engaging. This atmospheric story is told from multiple viewpoints, which keeps the pages turning quickly. It's dark and chilling with a plot that builds and builds and kept me guessing until the climactic ending that I totally didn’t see coming. 

I was thrilled to stumble upon another brilliant female detective series, and I zipped through this twisty little number in two days! When a woman is found hanging in her Dublin home, all signs point to suicide. Enter DCS Frankie Sheehan, a detective with a sharp eye, a potty mouth, and an innate ability to climb inside the heads of the victims. She’s brilliant!

Suffering from PTSD driven by a vicious attack during a previous investigation, Frankie soon learns that the lines between killer and victim are becoming increasingly blurred. This atmospheric and immersive police procedural just blew me away. Olivia's writing style is compelling and absorbing, with a strong sense of setting and characters I will never forget.

Ghosts was the first book of Ed McBain’s 87th Precinct series that I read, primarily because I was interested in the paranormal aspect—I’ve always been a sucker for ghost stories. This was the first true police procedural I’d read, and I was most impressed with McBain’s mastery of writing dialogue. I was hooked and I’ve read most of the series since. As I wrote my own debut novel I referred to McBain’s novels many times to see how he handled dialogue tags and beats throughout his books. His dialogue is almost seamless. I’d recommend the 87th Precinct series to any writer serious about writing police procedurals.

When a local drug dealer goes missing in the small town of Wortley, West Leeds, no one cares. No one except Detective Sergeant Joe Romano, back on home turf in ‘God’s Own County’ of Yorkshire. And even when the drug dealer turns up dead some believe it poetic justice. Romano believes every life counts though, and with the killer about to strike again he puts everything on the line, including his career, to prove that no one has the right to kill. This is a very modern take on the classic police procedural novel, a world-weary cop fighting against the world-weary system in order to do the right thing. 

Graham Masterton grew to fame with his horror novels, including the best-selling novel The Manitou. It was only decades later that he began his Katie Maguire series of police procedurals, which have been equally successful. Having read Masterton over the years, I was fascinated by his shift from horror to crime fiction, often incorporating horror elements into his work. I started primarily as a horror writer, but have now shifted toward crime fiction. Masterton’s novels have been great “guides” in this respect.