100 books like Dreaming in Hindi

In the summer of 1996, Ms. Brkic joined a Physicians for Human Rights forensic team in Eastern Bosnia to excavate the mass graves of the Srebrenica massacre. Ms. Brkic, who grew up in Northern Virginia, had family connections in the Balkans. Her grandmother, Andelka, was from Herzegovina, in a small village among limestone hills. The family survived the Second World War and the Communist takeover of their country. Her father escaped from Yugoslavia in 1959 and settled in America. 

Stone Fields juxtaposes the family story with the story of the summer Ms. Brkic spent on the forensic team in Tuzla and with her friends and relatives in Zagreb. The author portrays the many ways that people can lose their homes—through war, genocide, political oppression, emigration, family discord—with heartbreaking clarity, always aware of the dignity, as well as the tragedy, of the survivors’ lives.

Come On Shore and We Will Kill and Eat You All portrays the contact between seeming opposites: the author who grew up in Boston and traveled to New Zealand when she was a graduate student in Australia and the Maori man she met there and married; the “colonizers” who were her direct ancestors and the “natives” her husband descended from; the history of the encounters between the two groups (including the story of Captain Cook).  At the heart of this complex, mesmerizing, and unflinching story is the couple’s devotion to their three sons—boys growing up in a Boston suburb and navigating their identities as “a little bit of the conqueror and the conquered, the colonizer and the colonized” as Ms. Thompson explains to them in a letter she tucks into the folder containing her life insurance policy.

Christopher Davenport, who later became a Foreign Service Officer with the U. S. Department of State and served in various countries including Vietnam, Guatemala, Tajikistan, and Georgia, was a Peace Corps volunteer in 1994. In Papua New Guinea’s Eastern Highlands, he was placed with a local family in a village of subsistence farmers. Except when attending classes in town (a hike and a long car ride away) with other Peace Corps volunteers scattered through the area, he worked, attended village gatherings, ate, and slept with his host family who treated him like an adopted son. The Tin Can Crucible—the title refers to the ingenuity of the local people—tells an honest, unsettling, and thoughtful story about what happened when the rhythm of this peaceful life was shattered by an accusation of witchcraft and examines the moral and ethical ambiguities and complexities of the role of philanthropy and the well-meant intentions… show more.

When Pamela Petro traveled to Lampeter, Wales for the first time to enroll in a year-long master’s degree program, she had no idea that the open vista of sheep pastures and low hills around the town would strike a chord in her—she found herself nodding as if she was in agreement with the landscape—or that she would spend the rest of her life returning to Wales from the various American cities where she made a life as a writer and a teacher. The Long Field takes us on a journey through time and ideas as well as of places. 

The book masterfully weaves together the accounts of various trips to Wales and elsewhere, the childhood spent in suburban New Jersey where, in spite of the family she loved and was loved by, Ms. Petro was overcome by a desire not to stay in one place, and most important of all,… show more.

This great Hindi novel evokes the vast placid plains of North India, and the social and psychological violence that lies so close to the surface in the lives of the poor. It is the story of Hori Ram, to whom a neighbour gifts a cow, which his estranged brother poisons, thereby deepening the already impoverished family’s misery beneath the humiliations of caste and poverty, and it provided me with insights into the lives of poor people in India which volumes of academic work on poverty failed to do.

This Kannada classic written by S L Byrappa humanises each character of Mahabharata and turns the ancient epic into a modern novel. The book won the Kendra Sahitya Academy Award and is one of the greatest Indian books written in any Indian language. There is no magic, gods, or superhumans in this novel and this makes it poignant, deep, and moving. This is Mahabharata as raw as it can get and reads like historical fiction. If Bhima is lyrical, Parva is powerful fiction. It grabs you from the first page and shakes up many of our beliefs.

When one of her family members goes to school to learn English, Luli passes the time in the classroom next door with other children her age. She can’t speak English, and neither can they.

“All around the room, children played alone.” Luli notices that although the kids don’t share the same language, many do speak the language of tea. And that’s when she decides to plan a tea party for her friends. “Hands curled around warm cups. Mouths curved into shy smiles.” The mood shifts. The playroom is no longer quiet. Luli’s teapot is empty, “but her heart was full.”

Beautifully written, with charming illustrations, Luli and the Language of Tea is about community, shared traditions, and the language of small thoughtful acts that bring people together. 

This is a book that changed my life. In fact, I probably want to be Elizabeth Gilbert. Witty, wise, and wonderful, it made me want to go to Italy to eat, to pilgrimage to India to pray, to fall in love in Bali, and to write about that journey.

I read it nearly twenty years ago and it still inspires me today.

This account of a backpacker’s quest for hedonistic excess made me want to pack my bags and set off into the unknown. A kaleidoscopic rollercoaster of an adventure story moving from India to Thailand, Australia, Hong Kong, and Indonesia… the whole odyssey, like so many of my favorite reads, starts from a simple sliding door moment.

With all its gripping twists and turns, this was vicarious living at its best. Such an adrenaline hit. And it’s all true!

In some travel writing, animals may be mentioned only in passing and are poorly observed, not so in this superbly written, sumptuous book. It is rich with icy imagery or steamy tropical atmosphere but there is humour, and how impressive that this successful wildlife cameraman and talented writer is so self-effacing. He seriously underplays the risks he faces, like his instructions if bitten by a seal on Bird Island: ‘Clean out the wound as much as you can with a scrubbing brush… and hope it is nowhere important… if it is really bad we’d have to radio for a ship to come and get you, but that could take weeks.’

Brilliant from beginning to end. I was totally immersed.