100 books like School for Barbarians

Elli tells the true story of a teenage Holocaust survivor – when I first read the book I was still a teenager myself; I could sympathise with Elli’s everyday fears and anxieties over boys she liked or troubles with her family, even as her world descended into the most unimaginable of horrors. It’s one of the most moving books I’ve ever read, and her story stayed with me for a very long time after I finished reading.

Nick Stargardt’s Witnesses of War is the kind of book I’d love to write – it’s really one of the most comprehensive and accessible studies of children’s experiences under Nazism out there. The author doesn’t shy away from describing the lives of the Third Reich’s youthful victims in harrowing detail, but he also explores the lives of children who were seduced by the Nazi dictatorship. "In war," he writes, "all children are victims." 

This is a book that grabbed my attention straight away because it shows just how powerful the human spirit can be. Eisen explores the ways in which children caught in the horror of the Holocaust attempted to make sense of their surroundings. They might be playing in bomb craters; they might even be playing alongside the death-camps of Auschwitz, but these children’s spirit of play survived even in the shadow of annihilation. 

I first had the privilege of reading Survivors when we were searching for a new professor of transnational history in my department at Durham University; Rebecca is now a treasured colleague, and her ability to tell these child survivors’ stories is second to none! Her writing is humane, passionate, and exquisite. I would recommend this book to anyone who truly wants to understand the impact of the Holocaust on those who survived it as children.

This book was originally published by Doubleday, New York, in 1944. This book also contains material obtained from Heinrich Pfeifer, not only from Pfeifer’s own experience but from Pfeifer’s secret network of sympathisers and informants deep within the Nazi Establishment.

It is alarming in the extreme, detailing as it does how the Nazis of the SS and SD had since 1943 started planning to metastasize their doctrines all round the world, and found a Nazi International organisation, with the eventual hope of creating a Fourth Reich which was not dependent upon the territory of Germany, but was spread across the world invisibly, so that no armies could ever conquer it.

They planned the ratlines and escape routes to all the friendly countries such as Argentina and Chile. Their ratline HQ was in Madrid, with the full cooperation of the Franco Government. One of the two chief organisers was SS Lieutenant… show more.

I chose this memoir because it tells the compelling story of Germans and Austrians who joined the British forces to strike back against Nazi Germany—a story that is missing from most histories. First, they had to undergo many metamorphoses—a main theme of this memoir. Peter Masters—originally a member of a respectable Jewish family in Vienna—escapes to Britain and is a refugee from Nazi oppression, but in 1940 the British government identify him as an enemy alien and intern him. For his fourth metamorphosis he becomes a soldier in the British army, but the British government bans Austrians and Germans from bearing arms. After this ban is lifted there is a final metamorphosis when he joins a British commando unit. He writes, "The antithesis of 'lambs to the slaughter,' we fought and many of us died... Those who died preferred their fate to being gassed and cremated by the Nazi brute."

If you want to know about art thefts in Europe during World War II, this is the book to read. This is the Bible!

Lynn Nicolas provides an exhaustive account of why the works were taken, where the looting took place, how it was done, how many artworks were plundered (the answer is in the hundreds of thousands), and what attempts were made after the war to recover the works and restore them to their owners.

I was awed by the extent of her research, which is truly groundbreaking. Before The Rape of Europa was published in 1994, little was known about the means and scale – and even the fact – of Nazi looting.  

I understand the heavy baggage of shame and guilt Barbara Leimsner, as well as many others of German descent who were born during and after the war, felt in their German heritage. As a child, the author accepted her father’s Nazi assertions until she learned of the Holocaust in school and rebelled against his beliefs.

This well-written book points out how generations of Germans, not directly touched by the war, feel guilty about the actions taken by earlier generations. It shows how fascist ideology took hold of a nation's young families and serves as a warning for today. 

The story of the nondescript German diplomat who became one of the United States' greatest spies in Nazi Germany reads like a thriller.

It was important to me because it showed how a single person, working alone, could do incredible damage to the Nazi war effort.

Kolbe’s story did not come out until well after the war, when declassified CIA documents revealed 1,600 diplomatic cables copied by Fritz Kolbe, a career-functionary in the German Foreign Office. Koble had smuggled the documents into Switzerland – mainly tucked down into his pants – to be passed to the OSS bureau head, Allen Dulles.

Only a tight circle of people knew who Kolbe was; even the president, Franklin D Roosevelt, who read his reports with astonishment, only knew of Kolbe by the codename, George Wood.

Kolbe disappeared into obscurity after the war, but the CIA left a wreath on his grave.

There are dozens of excellent books about Germany and Germans in the wake of defeat – I could mention Giles MacDonogh’s After the Reich, or R.M. Douglas’s Orderly and Humane – but Douglas Botting’s book is by far the most engaging history of the subject that I’ve ever read. It was written in the 1980s, so it is not quite as up-to-date as the more recent histories, but what it lacks in cutting-edge research it more than makes up for in narrative immediacy. It is impossible not to be moved by Botting’s descriptions of postwar chaos, of orphans hiding in the ruins, of lawlessness, starvation, desperation and retribution. An absolute classic.