The most recommended books about communists

The child of Communist parents, Alix would grow up to be one of the most profound movers and shakers of the lesbian music movement, producing the first full-length lesbian album, Lavender Jane Loves Women, in 1973. But this memoir is a series of chapters on her early years growing up in the 1950s with progressive activists and folk club life, embarking on her own career in the folk circuit, singing against the backdrop of repressive politics, and coming into the women’s movement as a married mother about to fall in love with another woman.

In this deft work of nonfiction, Duffy tells the life and times of William Bailey, a rough-hewn, big-hearted longshoreman turned Communist activist, and how on one summer day in 1935 he and several compatriots came to stage a remarkable protest by hauling down a swastika flag from the SS Bremen, the flagship of Hitler’s commercial fleet. Events unfold as the deluxe passenger liner, which was heartily patronized by many Americans and Europeans, hosted a glitzy party while docked in Manhattan harbor. It was years before the outbreak of World War II, but Hitler already had commenced his anti-Semitic and other repressive initiatives. The trial and acquittal of Bailey et al., and the diplomatic fallout, was what Duffy describes as “the first blow landed against the Third Reich by foreign adversaries, delivered without guns or bombs.”

It’s a page-turner, taking us through the lives and tribulations of Karl Marx’s wife, Jenny, and her daughters, in living and working with the world’s most well-known revolutionary. It’s a rare glimpse into the human side of the formidable critic of capitalism showing him as a devoted father and husband. And above all, the book opens us up to the important but forgotten role of Jenny in the romance of revolutionary change in the mid-19th century.

This book is incredible, because it tells the story of Stalinist terror through a single house. Moreover, Slezkine creates a world history around this house of victims and perpetrators, which literally begins in the primordial mud and ends on the Day of Judgment. Slezkine takes no prisoners: either you follow him and the apocalyptic horsemen, or you don't, he doesn't care. Like a man possessed, he tells the story of one of the greatest crimes of the 20th century and I found it almost impossible to escape his spell. 

This 2021 book, the latest in the Rosenberg oeuvre, not only recounts the history of what happened to the Rosenbergs but chronicles past historical accounts. One of the most important legacies of this literature is to remind us how all events are historically grounded. The Schneirs wrote that the Rosenberg trial “was a product of its times, displaying in microcosm many of the prevalent sociopolitical assumptions and preoccupations of the day.” The same could be said of the books by the Schneirs, the Meeropols, and Doctorow, which viewed the Rosenbergs through the sympathetic prism of American progressivism of the 1960s and 1970s.

Sebba also explores the enduring mystery of the “single-minded” Ethel Rosenberg, a “tragic figure” who herself committed no espionage but orphaned her sons rather than naming names or implicating her husband.

I’ve never encountered such a duplicitous and complicated character as the Captain. Having to survive life in Vietnam before and during America’s entry into the war, and after as an immigrant in America, I kept thinking I understood why the character behaved the way he did. His actions made sense. Then I’d get what I thought was a glimpse at his heart and intentions and know I had him all wrong, only to turn the page and see a completely different facet of him again.

Over and over his past and present and desires for the future kept morphing him. The stunning thing about this story is I totally understood why he would be this complex as each section doled out enough clues how someone like him could be so strange and malleable and twisted up in the most odd and fascinating ways. 

Dalton was a wonderful poet and radical activist tragically executed by his Salvadorean comrades in 1975 when they erroneously believed him to be working for the CIA. The Salvadorean left has a poor record in devouring its own in bouts of paranoia that attended the civil war of the 1980s. Marmol, who survived deep into old age, was a ringleader of an uprising in 1932 that briefly promised a peasant overthrow of a state controlled by an oligarchy of a dozen families. The uprising was repressed with such force that the military was able to retain political power for the next four decades. This book is beautifully written and translated wonderfully well by Richard Schaaf and Kathleen Ross.

Did young communists fall in love, conduct passionate affairs under the noses of disapproving commissars, and break every revolutionary rule in the book?

The topic seemed so fascinating that I read Elizabeth McGuire’s book in one sitting. She took me on an exciting journey with a generation of young Chinese revolutionaries who were swept up in the maelstrom of the Russian revolution. I learned how they were seduced by the Russian language, how they devoured great works of Russian literature, and the writings of revolutionaries, terrorists, and anarchists.

The stories of Chinese students as translators, educators, and aspiring revolutionaries, as well as their experiences, love affairs, and adventures in the Soviet Union, really gripped my imagination. This was a novel way of understanding Russia's special friendship and enmity with China.

Lisa Kirschenbaum, also offering a transnational approach to Comintern history, highlights the role of the Comintern apparatus and shared experiences in forming a common bond between communists. Whether it is the various training schools in the Soviet Union, the propaganda efforts English-language communists worked for, or their service in Spain during the Spanish Civil War as part of the international brigades, communists remained committed to their ideals, even as the Soviet Union drifted away from them. Focusing on the grassroots support for communism, Kirschenbaum treats their belief in the movement as legitimate. This belief helps explain not only why so many people came to identify with key ideas in the movement, such as anti-fascism, but also why some left the movement following the Stalinist terror or the Nazi-Soviet pact. 

All my life, I have felt like an "outsider." Wright’s book depicts American racism and its devastating consequences in raw and unflinching terms.

The main character Damon Cross, a Chicago negro, disillusioned with the futility of life and the mess he has made of it, reminds me of when I was homeless. The fossilized, decadent cultural barons of American art have always kept me at bay. My entire career has been as an outsider. Outcast. The invisible man. Interloper. Picasso had a blue period. I had a blues period.

All my life, I have used painting and writing as a means of exorcising demons from my being in the world. Art has saved me from dementia. If I didn’t have art to channel my creative impulses, I’m sure I would have become Wright’s Damon Cross.

In the novel, Damon Cross becomes homeless and loses his identity in a subway crash… show more.