80 books like Little Comrades

Namrata Poddar is an Indian American writer of fiction and nonfiction, literature and writing faculty at UCLA, and Interviews Editor for Kweli where she curates the series, “Race, Power and Storytelling.” Her work has explored ways in which writers from across the world decolonize Literature. Her debut novel, Border Less, was a finalist for Feminist Press’s Louise Meriwether Prize, longlisted for The Center for Fiction First Novel Prize, and featured in several media outlets including the “Most Anticipated” 2022 books for The Millions and Ms. Magazine. She holds a PhD in French literature from the University of Pennsylvania, an MFA in Fiction from Bennington College, and a Mellon Postdoctoral Fellowship in Transnational Cultures from UCLA. 

I’m a writer, theatre artist and calligrapher who has spent a lifetime dedicated to the look, sound, texture and meaning of words. Writing in verse and prose poetry gives me a powerful tool to explore hard themes. Poetry is economical. It makes difficult subjects personal. Through poetry, I can explore painful choices intimately and emerge on a different path at a new phase of the journey. While my semi-autobiographical novel These Are Not the Words “is about” mental health and drug addiction, I’ve shown this through layers of images, sounds, textures, tastes—through shards of memories long submerged, recovered through writing, then structured and fictionalized through poetry.

I’m a writer, theatre artist and calligrapher who has spent a lifetime dedicated to the look, sound, texture and meaning of words. Writing in verse and prose poetry gives me a powerful tool to explore hard themes. Poetry is economical. It makes difficult subjects personal. Through poetry, I can explore painful choices intimately and emerge on a different path at a new phase of the journey. While my semi-autobiographical novel These Are Not the Words “is about” mental health and drug addiction, I’ve shown this through layers of images, sounds, textures, tastes—through shards of memories long submerged, recovered through writing, then structured and fictionalized through poetry.

I’m a writer, theatre artist and calligrapher who has spent a lifetime dedicated to the look, sound, texture and meaning of words. Writing in verse and prose poetry gives me a powerful tool to explore hard themes. Poetry is economical. It makes difficult subjects personal. Through poetry, I can explore painful choices intimately and emerge on a different path at a new phase of the journey. While my semi-autobiographical novel These Are Not the Words “is about” mental health and drug addiction, I’ve shown this through layers of images, sounds, textures, tastes—through shards of memories long submerged, recovered through writing, then structured and fictionalized through poetry.

Strangers in a strange land – an evocative phrase that originated in “Exodus” (the one by Moses, not Leon Uris) and has echoed within my own life. As a diplomat, I lived nearly fourteen years overseas and know the particular dislocation of trying to make a new life in a country not my own. This experience forms the center of my four published novels. It’s also the theme of The Hero’s Journey a story at the heart of every culture; the hero sets off toward unknown lands and comes back transformed, as did I. Here’s my list of the five greatest novels about strangers in a strange land.

Marxian Economics and its relevance to a better world and socialism has been my passion since I became an adult. My expertise in this subject, such as it is, has been sharpened by the study of Marx and Engels’ great works, but also by the efforts of so many others since; some of whom are included in my five best books. But above all, it is the knowledge that in this world of nearly 8 billion people, most do not have a happy and fulfilling life but face daily toil and struggle to live (and die). Humanity has the power and technology to do better; we just need to organise our social and governmental structures to achieve it.

My expertise as a scholar of the women’s music movement spans 40 years--ever since I attended my first concert and music festival in 1981. A lecturer at UC-Berkeley, I’m the author of 19 books on women’s history, and published the first book on women’s music festivals, Eden Built By Eves, in 1999 (now out of print.) More recently I’ve organized exhibits on the women’s music movement for the Library of Congress, co-authored The Feminist Revolution (which made Oprah’s list), and I’m now the archivist and historian for Olivia Records.

The executions of Julius and Ethel Rosenberg seem so distant that it is jarring for me to contemplate that I was born in 1960, only seven years after their deaths. Growing up Jewish, I often heard the Rosenberg case invoked as an example of anti-Semitism. But it was not until I was an undergraduate history major that I read the scholarly literature about the Rosenbergs and subscribed to the newsletter of the Committee to Reopen the Rosenberg Case. My ongoing interest in the case helps me remind students about two crucial points: ongoing historical scholarship gets us closer to the “truth” but we may never know what “actually” happened. Which is OK.

My passion for Central American politics and history derived quite directly from the conflicts in the region from the late 1970s onwards. Previously I had worked in Bolivia, where I had studied as a doctoral student, and although many people still view Latin American countries as pretty homogenous, I quickly discovered that they are very far from being so. I had to unlearn quite a bit and acquire new skills, although luckily, indigenous languages are really only dominant in Guatemala. Now we can be rather less partisan although many injustices remain.

The defining event in my parents’ lives, World War II has always been in my blood. When I was growing up, it would surface now and again when old comrades came to visit or when we came across souvenirs from the war. My favorite was a carefully etched German map showing sea lanes in the Caribbean, exotic and somehow menacing at the same time. My curiosity piqued, I knew I wanted to be in the thick of history—which meant reading and writing about the war, getting my PhD in history, and becoming a Marine and an intelligence officer.