Here are 90 books that My Book of Life by Angel fans have personally recommended if you like
My Book of Life by Angel.
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I am convinced that my life would be better if I had read more books by Latina/Latine authors while growing up. To be able to see oneself in a story is powerful. I didn’t have that for a long time. It made me feel invisible. It made me feel like being an author was as realistic as becoming an astronaut or a performer in Cirque du Soleil. Now, as a professor of Creative Writing and author of several books (and more on the way!), I dedicated my life to writing the books I needed as a young Latina. I hope others find something meaningful in my stories, too.
This is the first book I ever read by a Latina author. I was nineteen years old and a student at a small private liberal arts college in Connecticut. My professor assigned it to my American Literature class. I thought she’d made a mistake because some of the words in the book were in Spanish. I didn’t know you could do that—write in English but have some words in Spanish peppered throughout the dialogue and text. I was stunned.
I remember reading about Esperanza and her experiences in her Mexican neighborhood in Chicago, meeting characters on Mango Street, and falling in love with both the story and Cisneros’ playful, vulnerable, poetic writing style. After reading this book, I knew I also wanted to be a writer.
NATIONAL BESTSELLER • A coming-of-age classic, acclaimed by critics, beloved by readers of all ages, taught in schools and universities alike, and translated around the world—from the winner of the 2019 PEN/Nabokov Award for Achievement in International Literature.
The House on Mango Street is the remarkable story of Esperanza Cordero, a young Latina girl growing up in Chicago, inventing for herself who and what she will become. Told in a series of vignettes-sometimes heartbreaking, sometimes deeply joyous-Sandra Cisneros' masterpiece is a classic story of childhood and self-discovery. Few other books in our time have touched so many readers.
I’m a writer, theatre artist and calligrapher who has spent a lifetime dedicated to the look, sound, texture and meaning of words. Writing in verse and prose poetry gives me a powerful tool to explore hard themes. Poetry is economical. It makes difficult subjects personal. Through poetry, I can explore painful choices intimately and emerge on a different path at a new phase of the journey. While my semi-autobiographical novel These Are Not the Words “is about” mental health and drug addiction, I’ve shown this through layers of images, sounds, textures, tastes—through shards of memories long submerged, recovered through writing, then structured and fictionalized through poetry.
I’ll Be Watchingis a verse novel that evokes place and character in tight, specific moments. It’s a page-turner that tells a harrowing story of children in 1941 surviving on their own through the brutal winter in a small Prairie town. Nuanced and impressionistic, moments are layered to create a world of childhood without a supportive adult net. I love the restraint and the specificity of Porter’s writing. She has focussed on childhood, during the war, in a very ordinary, very unlikely location and written a thriller.
In a small prairie town like Argue, Saskatchewan, everyone knows everybody else's business. It's common knowledge that the Loney family has been barely hanging on, but when the Loney children's father George dies in a drunken stupor and their stepmother takes off with a traveling Bible salesman, it looks as though the children are done for. Who's to save them when everyone is coping with their own problems the lingering Depression and the loss of the town's young men to the Second World War? Under the watchful eye of their ghostly parents and…
I’m a writer, theatre artist and calligrapher who has spent a lifetime dedicated to the look, sound, texture and meaning of words. Writing in verse and prose poetry gives me a powerful tool to explore hard themes. Poetry is economical. It makes difficult subjects personal. Through poetry, I can explore painful choices intimately and emerge on a different path at a new phase of the journey. While my semi-autobiographical novel These Are Not the Words “is about” mental health and drug addiction, I’ve shown this through layers of images, sounds, textures, tastes—through shards of memories long submerged, recovered through writing, then structured and fictionalized through poetry.
In A Wreath for Emmett Till, Marilyn Nelson reminds us of the unique beauty of a life, of the vibrancy of youth at 14 years old. Written as a “crown of sonnets,” where the last line of one sonnet becomes the first of the next, it is a book that bears witness and conveys huge themes of justice, loss, and remembrance while focussing on small moments, gestures, and images. I am in awe of Nelson’s ability to use a very formalized writing style to depict one of the most brutal murders of the twentieth century.
In 1955, people all over the United States knew that Emmett Louis Till was a fourteen-year-old African American boy lynched for supposedly whistling at a white woman in Mississippi.The brutality of his murder, the open-casket funeral, and the acquittal of the men tried for the crime drew wide media attention.
Award-winning poet Marilyn Nelson reminds us of the boy whose fate helped spark the civil rights movement.This martyr's wreath, woven from a little-known but sophisticated form of poetry, challenges us to speak out against modern-day injustices, to 'speak what we see.'
I’m a writer, theatre artist and calligrapher who has spent a lifetime dedicated to the look, sound, texture and meaning of words. Writing in verse and prose poetry gives me a powerful tool to explore hard themes. Poetry is economical. It makes difficult subjects personal. Through poetry, I can explore painful choices intimately and emerge on a different path at a new phase of the journey. While my semi-autobiographical novel These Are Not the Words “is about” mental health and drug addiction, I’ve shown this through layers of images, sounds, textures, tastes—through shards of memories long submerged, recovered through writing, then structured and fictionalized through poetry.
Little Comrades is a memoir written in prose poetry. It is about growing up in a dedicated Communist home in the 1930’s in Canada. It is a home where The Party is more important than the family. Young Laurie and her brother Andy try to understand the world that they are growing up in while their abusive, alcoholic father uses his commitment to the cause to justify brutality and abandonment. In the end, it is a story of triumph but the journey to that “happy” ending is colored by the reaction of The Party, and eventually, the horrors of McCarthyism. Full disclosure—Laurie Lewis is my mother. It was not until she was 80 that she was able to tell the tale, just showing that a story cannot be told until it is ready.
Little Comrades tells the story of a girl growing up in a dysfunctional left-wing family in the Canadian West during the Depression, then moving, alone with her mother, to New York City during America's fervently anti-Communist postwar years. With wit and honesty, Laurie Lewis describes an unusual childhood and an adventurous adolescence.
Navigating life with grief has been a lifelong journey for me ever since I was a young child. At 8 years old, I was in a car accident which took the lives of my parents and four of my siblings. Since then, I’ve faced a huge mountain in front of me – How do you move forward in life when you have lost everything? This journey led me to now share my story of childhood loss and healing in hopes of helping others. As a counselor, I’m a huge mental health advocate and love books which tackle hard emotions that help readers of all ages feel more understood and equipped for their journey ahead.
This is a children’s book for primarily ages 4-8. It describes what it’s like for a child to be experiencing grief through a biblical lens.
I can’t recommend this book enough because as someone who experienced loss as a child, I needed this book then. It has beautiful words and imagery to guide the child and hold their emotions. It would be a fantastic book to read through in a counseling session with a child experiencing loss.
I have been working with grieving individuals for over 30 years. Early in my career, I realized that my purpose in life was to help people who were grieving the loss of a loved one. I wrote my first book about grief over 25 years ago. It has been my mission to help people find light in the darkness. One way to do this is to have a broader perspective, to realize that there is more going on than we can see or understand. When you have a higher, broader perspective on your grief, you’re able to make meaning out of loss and find beauty in the brokenness.
I read this book again and again when I want to remember that death is not something to be terrified of. In fact, when I read this book, death feels more like a natural process that can be welcomed. I feel a kind of calmness towards the whole human race as we all seek to live, knowing that we will eventually die. To truly understand death, you also have to understand life.
The first book that explains how to open to the immensity of living with death—and how participating fully in life is the perfect preparation for whatever may come next.
In Who Dies?, the Levines provide calm compassion rather than the frightening melodrama of death.
I am a historian of twentieth-century Argentina and a professor of modern Latin American history currently teaching at the University of Houston. Born and raised in Argentina, I completed my undergraduate studies at the National University of Rosario and moved to the United States in 2000 to continue my education. I received my M.A. in history from New York University and my Ph.D. in history from Indiana University, Bloomington. I have written extensively about gender, working-class history, consumer culture, and sexuality in Argentina. I am the author of Workers Go Shopping in Argentina: The Rise of Popular Consumer Culture and Destape! Sex, Democracy, and Freedom in Postdictatorial Argentina.
In this first book in English about the history of sexual commerce in Peru during the state regulation of brothels, Drinot tells a multilayered story of the complex interactions among sex workers, clients, the police, the government, feminists, and physicians. With a remarkable diversity of archival sources, Drinot explores topics that are frequently disregarded in the history of prostitution like the meanings of masculinity and the interaction between race and venereal diseases that, in the case of Lima, resulted in the stigmatization of Chinese migrants and indigenous men as infectious agents.
The creation of Lima's red light district in 1928 marked the culminating achievement of the promoters of regulation who sought to control the spread of venereal disease by medically policing female prostitutes. Its closure in 1956 was arguably the high point of abolitionism, a transnational movement originating in the 1860s that advocated that regulation was not only ineffective from a public health perspective, but also morally wrong. The Sexual Question charts this cyclic process of regulation and abolition in Peru, uncovering the ideas, policies, and actors shaping the debates on prostitution in Lima and beyond. The history of prostitution, Paulo…
I have been a passionate time traveler since my school days, gobbling down as many books as I could find on castles, galleons, pyramids, and anything else besides. Writing about the past has released me from the present day, and taught me about my own origins. When a reader picks up one of my books, I hope that they’ll follow me back in time for an adventure that brings the past to life and tells us something about ourselves. These books are, in fact, much more than mere books; they are a portal to history, and I thoroughly recommend them.
I think if we went back in time to 1700s London, we would see very little of the wealthy, privileged world so often depicted on stage and screen, and find ourselves far more excited by the filth and clatter of real London–the London of street sellers, stray dogs, pillorying, bawdy houses, and taverns. I know I would.
Without a doubt, all echelons of society took an interest in bawdy houses back then, particularly those in and around Covent Garden, where sex workers milled around the hummums and various shops, pamphleteers, and stalls, selling their wares.
In Hallie Rubenhold’s brilliant book, we get a glimpse into a surprising world, where (mainly) women found misery but also–in some cases–agency and wealth by selling themselves to well-to-do ‘gents’. This book is thrilling and heartbreaking in equal measure, and it proved to be an essential companion as I wandered through the backstreets of old…
***By the No. 1 Sunday Times bestselling author of THE FIVE*** 'A fascinating expose of the seamy side of eighteenth century life' MAIL ON SUNDAY 'Rubenhold's pages practically reek with smelly, pox-ridden Georgian Soho' GUARDIAN -------------------------------------------------------
In 1757, a down-and-out Irish poet, the head waiter at the Shakespear's Head Tavern in Covent Garden, and a celebrated London courtesan became bound together by the publication of a little book: Harris's List of Covent Garden Ladies. This salacious work - detailing the names and 'specialities' of the capital's sex-workers- became one of the eighteenth century's most scandalous bestsellers.
Having grown up with an older generation—my great-grandparents, great-great aunts and uncles, and a godmother, all who were born between 1877 and 1900—I learned to appreciate how they lived and what they went through. As a child, I found a hand-written poem about a brothel queen who caused a gunfight between her paramour and a stranger. Then, in college, I met a wonderful old man who told me stories about the former red-light district right in my own neighborhood. Once I learned the often tragic, but also successful stories of these ladies, I decided to be their voice and remind America how important they were to our history.
Of the six books the late Ms. Butler authored in her lifetime, this one is by far my favorite. Her academic account of the prostitution industry is all facts, with plenty of sources to back them up. There is no flowery talk here, just the truth of how women of the demimonde lived during the late 1800s.
This book is in good used condition. Ex-library book. History of prostitution in the American West 1865-1890. Good book for anyone interested in learning more about: Prostitutes -- West (U.S.) -- History -- 19th century.
I’ve been writing poetry for most of my life and only recently began a real crash course in fiction with my first novel. It’s the hardest thing I’ve ever done, but not for the reasons I thought. In poetry, you learn to locate meaning, but you don’t learn narrative structure. Who knew being an existential genius was easier than finishing a sentence? Once I started studying literature that I felt embodied both, I was able to visualize how my poetic voice wasn’t just applicable, but useful, in the world of fiction.
Novellas are a perfect place to start for poets who are interested in writing longer, more narrative work. They’re slim, lyrical, and less daunting. I read this novella in college & haven’t stopped thinking about it since. It takes place in what I can only refer to as a “Sleeping Brothel” where elderly men pay to sleep beside young women. The story is haunting, but it doesn’t take cheap horror shots. Instead, it delves into the complexity of loneliness, the shared vulnerability of sleep, and the human need for comfort.
Three surreal, erotically charged stories from Nobel Prize winner Yasunari Kawabata.
In the three long tales in this collection, Yasunari Kawabata examines the boundaries between fantasy and reality in the minds of three lonely men. Piercing examinations of sexuality and human psychology—and works of remarkable subtlety and beauty—these stories showcase one of the twentieth century’s great writers—in any language—at his very best.
