Not only am I the author of seven women’s fiction novels, I’m a voracious reader who believes she was raised by Judy Blume and Sidney Sheldon. In our broken home, reading was an escape, a salve for the wound, a place where I felt heard and understood. My novels touch on deep emotions—real and relatable. If I don’t capture thatfeeling when I’m reading through my drafts, I dig deeper. And that’s the thing about a great book, that gut punch, that slide under my skin, I get you. There’s no better read than the one that pulls the heartstrings and gives you all the feels.
The Pact was one of those books that made me want to become a writer. Picoult captured a controversial topic amongst young lovers and friends, and she did it with compassion and heart. I felt in my bones…I need to write a book like that. And that’s what I strive to do: to make readers feel. To make them think. To leave them wondering: what would I do in a similar situation? And mostly, opening their eyes to all the different sides to a single story, and seeing themselves…and the growth that’s possible. The Pact tells a great story, but the complexities of our lives are the real takeaway.
THE INTERNATIONALLY BESTSELLING AUTHOR 'Picoult is a master manipulator, weaving gripping, dramatic plotlines. We defy you not to be gripped.' Glamour
For eighteen years the Hartes and the Golds have lived next door to each other, sharing everything from takeaways to school drop-offs. So it's no surprise when teenagers Chris and Emily, soul mates since they were born, start dating.
When the late-night call comes in from hospital, no one is prepared for the appalling truth: Emily has died from a gunshot wound to the head as part of an apparent suicide pact. The gun holds a single unspent bullet…
Why did I love this book? Number one, I finished it!--with a lot of help from an online course offered through the Community of Writers in the High Sierras and led by author Peter Orner. I also listened to an audio version of the novel as I read it, which was tremendously helpful. There are no chapter headings in Ulysses and so many characters. The dialogue is not punctuated as such and is intermingled with the internal thoughts of not always identified narrators. There are Latin phrases. Every line contains some obscure literary, historical, or Irish reference.
Ulysses was published in 1922 by Sylvia Beach, the proprietor of the famous Paris bookstore Shakespeare and Company. The novel chronicles a day in the life of three characters in Dublin on June 16, 1904. It’s considered by many to be a masterpiece. It’s criticized by some as needing a stricter editor. It’s…
James Joyce's masterpiece, Ulysses, tells of the diverse events which befall Leopold Bloom and Stephen Dedalus in Dublin on one day in June 1904. It is considered to be one of the most important works of modernist literature and was hailed as a work of genius by W. B. Yeats, T. S. Eliot and Ernest Hemingway. Scandalously frank, wittily erudite, mercurially eloquent, resourcefully comic and generously humane, Ulysses offers the reader a life-changing experience
I loved this book because it was difficult to read. For me, the sign of a good book is one that makes the reader feel, truly feel the characters’ emotions in their own body.
Christina Lauren does a masterful job in this book. There were several moments when I wanted to turn away, to hide my eyes as the characters came to terms with things that had not been said years previous, but that had set them on paths that took them away from each other in the most brutal ways.
I also laughed and cringed with the familiar pains and experiences of adolescence and enjoyed how Lauren and let us live them through others, making the characters our friends on this crazy life path.
An uplifting and unforgettable read that will make you fall in love with life again . . .
'You can never go wrong with Christina Lauren!' Paige Toon
'A true joy from start to finish' Kristin Harmel
Macy is settling into an ambitious if emotionally tepid routine: work hard as a new paediatrics resident, plan her wedding to an older, financially secure man, keep her head down and heart tucked away.
But when she runs into Elliot - the first and only love of her life - the careful bubble she's constructed begins to dissolve. Once upon a time, Elliot…
I have always liked antiheroes and characters that are in some way doomed. To me, there’s something romantic about them. And over time I have come to replace the fictional protagonists of noir and horror with antiheroes from real life. With miserable authors who wrote about their own lives, where instead of gangsters or monsters, they waged battle against themselves, against their own demons and despair. Books like these have kept me company during some of the darkest periods of my life, and their unflinching honesty has inspired me to become a writer. Perhaps they can do the same for you.
It takes courage to name your book that. Especially in the 90s before self-publishing became a thing. Which did not stop its renegade author from selling xeroxed copies of it in the streets.
Its titular protagonist, who is jobless and homeless after his girlfriend kicks him out, is based on the author himself. He struggles with feelings of inadequacy and a sense of purposelessness. He works odd jobs, writes an occasional poem, meets eccentric strangers, engages in substance abuse, and gets into sticky situations on account of his bad decisions.
While I don’t know about you, I can strongly relate to the character. The book's dark humor is also enough to make it one of my favorites.
Arthur Nersesian's underground literary treasure is an unforgettable slice of gritty New York City life...and the darkly hilarious odyssey of an anonymous slacker. He's a perennial couch-surfer, an aspiring writer searching for himself, and he's just trying to survive. But life has other things in store for the fuck-up. From being dumped by his girlfriend to getting fired for asking for a raise, from falling into a robbery to posing as a gay man to keep his job at a porn theatre, the fuck-up's tragi-comedy is perfectly realised by Arthur Nersesian, who manages to create humour and suspense out of…
I have always liked antiheroes and characters that are in some way doomed. To me, there’s something romantic about them. And over time I have come to replace the fictional protagonists of noir and horror with antiheroes from real life. With miserable authors who wrote about their own lives, where instead of gangsters or monsters, they waged battle against themselves, against their own demons and despair. Books like these have kept me company during some of the darkest periods of my life, and their unflinching honesty has inspired me to become a writer. Perhaps they can do the same for you.
Told with unflinching honesty, this dark Japanese classic is often considered a kind of suicide note by its author, who killed himself shortly before its publication.
Whilst I cannot say that I’ve necessarily gone through some of the extreme experiences of its protagonist, I can nevertheless say that I’ve experienced a very similar sense of alienation, which has at times made me feel less than human, making this one of the most relatable books that I have ever read.
Considering its contents, I should probably not tell that to my psychiatrist. I'm just kidding; I don’t have one. However, considering the book’s classic status, it seems that I am far from the only one who relates to its author’s struggles.
Portraying himself as a failure, the protagonist of Osamu Dazai's No Longer Human narrates a seemingly normal life even while he feels himself incapable of understanding human beings. Oba Yozo's attempts to reconcile himself to the world around him begin in early childhood, continue through high school, where he becomes a "clown" to mask his alienation, and eventually lead to a failed suicide attempt as an adult. Without sentimentality, he records the casual cruelties of life and its fleeting moments of human connection and tenderness.
Horror spoke to me early. In fifth grade a teacher submitted my story which landed in an anthology of Maine authors alongside Stephen King. King being a local made writing real. Whether movies or books I could not consume enough of the horror genre. My local bookstore had me (a customer) curate their horror section given my knowledge and depth of reading in the field. Anthologies excited me most with so many authors packed into one volume. I detoured into producing/writing in Hollywood for years in the non-horror field. But now I author books in the genre that means the most to me. I also edit the Little Coffee Shop of Horrors Anthology series.
Like the title suggests, this anthology is for those on the outside. It is a weird blend of strange works from well-known authors in the industry. I tend to like anthologies such as this because it creates work somewhat out of the norm for the writers. The standout story here is from Tanith Lee. I do not recommend it purely for the story as I do not consider it the best of this bunch. What did strike me was the prose. From her first words the reader knows they are in the hands of a master. It is simply impossible to stop reading once one starts because of the incredible descriptions and tone of the story. It is technically an excerpt from one of her novels but it does wow with the beauty of the words on the page. If someone believes horror cannot be literary they have not read…
Some of today's leading masters of speculative fiction, dark fantasy, and horror contribute a collection of original tales of the macabre in an anthology that features works by Neil Gaiman, Poppy Z. Brite, Yvonne Navarro, Tanith Lee, John Shirley, Brian Hodge, and Kathe Koja, among others. Original.
I love fantasies that dream up totally new worlds! Some people condemn the fantasy genre as formulaic, and sometimes they’re right—but it shouldn’t be so! Fantasies can explore worlds as wide and wild and wonderful as the human imagination itself! Anything’s possible! But I also love a fantasy world that’s as real, coherent, and consistent as our own real world. I think that’s the ultimate challenge for any author: to create it all from the grassroots up. And for any reader, the trip of a lifetime! My personal preference is for worlds a bit on the dark side—just so long as they blow my mind!
It was a toss-up here between this book and The Scar, set in a different part of the same world. One of Miéville’s acknowledged influences is the wonderful Mervyn Peake, and like Peake, he’s never in a hurry to get a story underway.
I’d have probably tossed Perdido Street Station aside after 100-200 pages except for a friend’s fervent recommendation—and I’d have missed out big time if I had! Because the story as it develops is truly grand, truly epic. Like Peake, Miéville has a gift for raising action to a mythical status. I love, love, love a novel that builds up to a long, rolling, thunderous climax!
Winner of the August Derleth award and the Arthur C. Clarke Award, Perdido Street Station is an imaginative urban fantasy thriller, and the first of China Mieville's novels set in the world of Bas-Lag.
The metropolis of New Crobuzon sprawls at the centre of its own bewildering world. Humans and mutants and arcane races throng the gloom beneath its chimneys, where the rivers are sluggish with unnatural effluent, and factories and foundries pound into the night. For more than a thousand years, the parliament and its brutal militia have ruled over a vast array of workers and artists, spies, magicians,…
Both my books have a survival theme. Whether it’s foraging for mushrooms, wild camping, or trying to survive lockdown, I’ve always been interested in the relationship between endurance and creativity; what happens when humans are pushed to their limits. After teaching English in a secondary school for 25 years, I decided that I wanted to write a book of my own. I hid away in my caravan in West Wales, living off tomato soup and marshmallows, to write The Island. The books on this list represent the full gamut of survival: stripping yourself raw, learning nature’s lore, healing, falling, getting back up again. Ultimately, to read is to escape into story. To read is to survive.
I just love this book. Again, it’s set against such an evocative landscape – this time in Western Australia. It tells the story of a tentative love affair between a reckless poacher and the wife of a wealthy landowner – and the inevitable fall-out. There’s even a soundtrack to go with it – Winton’s a musician too.
The writing’s so pitch-perfect that I had to keep stopping to scribble phrases down. It’s that good. Why is it about survival? As well as Luther Fox, the poacher, struggling to get over the tragedy of his past, the last third of the book focuses on his walkabout up north to Coronation Island, where he deliberately shipwrecks himself. Cue the wilderness: scavenging, hunting, sheltering. True, haunting, survival in its rawest sense as he battles to redemption.
Georgie Jutland is a mess. At forty, with her career in ruins, she finds herself stranded in White Point with a fisherman she doesn't love and two kids whose dead mother she can never replace. Her days have fallen into domestic tedium and social isolation. Her nights are a blur of vodka and pointless loitering in cyberspace. Leached of all confidence, Georgie has lost her way; she barely recognises herself.
One morning, in the boozy pre-dawn gloom, she looks up from the computer screen to see a shadow lurking on the beach below, and a dangerous new element enters her…
As a writer, artist, and actor throughout my life, I’ve explored and enjoyed many artistic forms. While I appreciate books across many genres, I elevate to the highest level those works that manage to break conventional boundaries and create something original. In my own work, I have always challenged myself to create something unique with a medium that has never been done before. At the same time, I have sought to discover a process and resulting work that inspires readers’ own creativity and challenges them to expand their imagination.
First published in 1959, Naked Lunch was shocking then, and it still retains its power today. Both in content and structure, Naked Lunch is powerful and wholly original. In effect, it becomes more than a work of fiction, it becomes an experience. Burroughs invented a technique called the “cut-up method,” where he cut up his coherent storyline into paragraphs, scenes, and even sentences, then reordered them both randomly and editorially. The disorder thematically represents the chaos of existence and the universe, and it also disrupts the reader. Like the book or not, it shakes you into realizing that there are possibilities beyond the conventional.
Burrough’s language is honed to a razor’s edge, and I find that many of the sentences in Naked Lunch burn like fire. The meaning of the title as Burroughs explains it is to bare the naked truth of reality on the end of a fork. From…
Since its original publication in Paris in 1959, Naked Lunch has become one of the most important novels of the twentieth century.
Exerting its influence on the relationship of art and obscenity, it is one of the books that redefined not just literature but American culture. For the Burroughs enthusiast and the neophyte, this volume—that contains final-draft typescripts, numerous unpublished contemporaneous writings by Burroughs, his own later introductions to the book, and his essay on psychoactive drugs—is a valuable and fresh experience of a novel that has lost none of its relevance or satirical bite.
I have always been drawn to the weird, fantastic, supernatural, and unexplained. Whether it’s film or TV (The Twilight Zone, the X-files, Ingmar Bergman) or gothic and speculative literature, I become mesmerized by the mysteries involved. I have written 10 books (poetry and fiction). Of the fiction, most is either speculative, as in magical realism, or somewhat gothic in nature. My newest novel, due out in 2025, is pure gothic and takes place in a haunted abbey inhabited by ghosts and the devil himself. And yet, behind it all is an exploration of human faith and frailty and a search for answers about our beliefs.
Franz Kafka is best known for this book, though he has written many others, including The Trial. The novel explores social and political topics through the use of the fantastic, in this case, a man who wakes up one morning and finds he has turned into a gigantic cockroach.
I am drawn to books that explore things in ways that have not been explored before and books that make one think. I read this one in college; it has stuck with me and influenced me through my writing career.
“When Gregor Samsa woke up one morning from unsettling dreams, he found himself changed in his bed into a monstrous vermin.”
With this startling, bizarre, yet surprisingly funny first sentence, Kafka begins his masterpiece, The Metamorphosis. It is the story of a young man who, transformed overnight into a giant beetlelike insect, becomes an object of disgrace to his family, an outsider in his own home, a quintessentially alienated man. A harrowing—though absurdly comic—meditation on human feelings of inadequacy, guilt, and isolation, The Metamorphosis has taken its place as one of the most widely read and influential works of twentieth-century…
