100 books like Perdido Street Station

I found this book (whose subtitle is “An Ambiguous Utopia”) one of the most thought-provoking works of fiction I have read.

The Dispossessed was my first introduction to anarchism as a political platform, and while it didn’t make an anarchist out of me, it was the book that allowed me to imagine anarchism as a coherent political philosophy. Practically every page of the book offers a critique of modern capitalism, and it’s impossible to read this book without considering the structures in our world today that ensure a system of haves and have-nots.

This book presents perhaps the most prescient and today-relevant sci-fi premise ever: how could technology evolve without thinking machines?

After reading this book, I finally understood that my thinking does not have to be constrained by the "scientific consensus" of the day. The book presents a future so radically different from what most futurists are envisioning that it not only freed my thinking about science and futurism...it freed my mind of all constraints.

Even further, it beckoned me to explore the limits of my own human potential.

This is an amazing book to really get sucked into.

Written in 1976, it is a fantasy to go hide in from today’s dystopia of post-COVID and early climate change. You can join 1960s Consuela Ramos in her escape from a forced hospitalization in a mental institution to a utopian world that she visits with Luciente, a time-traveler.

That future is full of amazing people who do not celebrate hierarchies of race and gender but live in anarchist poly-amorous villages where hard labor is performed by machines and babies are produced in breeders with biological components of three parents.

The book is rich in blueprints for liberated education, conflict resolution, socio-economic innovation, and relationships. The beautiful world is threatened by a wicked parallel future world that Consuela must help to prevent.

Wells is one of the great early masters of science fiction, creator of The Time Machine and The War of the Worlds, but with Moreau he was also one of the masters of what David Cronenberg fans know as body horror—the gross, startling, and menacing intermingling of the human body with exterior elements.

In this case, pumas, pigs, you name it. With characters like Ape-Man and Sloth-Man, there is a definitely campiness here, but never enough to distract from the fact that it’s deeply, resonantly disturbing.  

For me, the worst thing about New York is getting stuck in traffic.

In the New York of 2140, that’s not a problem because rising sea levels have drowned much of Manhattan and motorboats zip through the flooded streets like it’s a high-rise Venice. Future New York is also a city whose residents are coping with the planet’s new reality.

In the midst of climate gloom, it is refreshing to imagine a scenario where New Yorkers can come together through cooperative action to take control of their own future.

The delicious worldbuilding, with its gorgeous, sensual details, and the intriguing story setup, were the things that grabbed me and pulled me into the book. The characters—funny, complicated, and utterly loveable—convinced me to stay.

But it was the complex, beautiful exploration of identity, belonging, love, grief, and longing that’s stayed with me since I listened to the last word of the audiobook. This book manages to be both an exciting and action-packed adventure and a beautiful tribute to the bittersweet complexities of being human. 

Felix Gilman’s The Half-Made World is a brilliant steampunk allegory about what philosopher Jürgen Habermas calls the colonization of the life-world for a faithless utilitarian reason. Gilman imagines a war that pits defenders of wonder, magic, and voodoo against soulless drones seeking gain through environmental degradation. This is a common enough trope in science fiction but what brings it to another level is Gilman’s personification of wonder and magic in a sleazy, violent anti-hero who is frequently possessed by demons. Gilman embodies the colonizers of the world as monstrous, dragon-like railway engines who order men around using telegrams. The innocent reader who will decide the fate of the world is a brilliant, female doctor who is trying to cure herself of her opium addiction. Gilman’s understanding of the rhythm of nineteenth-century language is amazing. His characters each have unique voices and his beautiful prose suggests that Gilman has spent years… show more.

The world-building in The Hundred Thousand Kingdoms explores how the powering of societies can come at a human cost—though in this case, the humans have outsourced that cost to the gods. Enslaved by the Arameri aristocratic family that rules over the Hundred Thousand Kingdoms, gods and godlings power the Arameri’s control of the city of Sky, allowing the city to flourish but at the expense of the common people’s or the gods’ agency. Compared to the other books listed here, this tale is more concerned with the structures of class and authority (and less so utility) that help turn the gears of society, but its examinations of these aspects of civics are still insightful and, ultimately, optimistic.

I think the best way to understand this novel is to read it as a story about a father and a son. Victor Frankenstein creates a son whom he immediately rejects. The son seeks love and receives hate. The father fears and loathes what he has created. He refuses to take responsibility for what he has done, and the results come back to haunt him.

I think this speaks clearly to the choice we fathers must make when we start down this road, and it shows what can become of unloved sons. I’ve read this story many times, and I know I will return to it many times more.

Without a doubt, Neuromancer is the most recognizable, well-known, and highly regarded cyberpunk novel—and rightfully so. 

Published in 1984, Neuromancer was directly inspired by City Come A-Walkin’ and then surpassed it, deepening the technical elements, exploring the ever-more-important aspects of computer networks and hacking (Gibson having coined the phrase, “cyberspace”), and solidifying the literary style of cyberpunk. 

For me, though, the fact that Gibson was responding to Shirley enriches both novels. I love the concept of one artist responding to another’s work; from Horace to Shakespeare, to Dryden to Pope, to Hammett to Chandler, the best art is inspired by art, and the same is true in cyberpunk. It’s a microcosm of the human condition and, come to think of it, so is Neuromancer.