This is right up my street, set in colonial Australia. I love the way real-world events are intertwined with the fictional story and the way the characters (both heroes and villains) are developed.
I spent a lot of time researching the lives of my wife’s forbears who were transported as convicts to Van Diemen’s Land in the 1830s, so a lot of what is described here rings true to me. It is a period poisoned by injustice and enriched by the power of resilient characters who triumph over adversity. This book recreates the emotions and images of this period and does a great job of expounding the fabric that underpinned the birth of Australia.
A fast-paced, witty and gripping historical crime opener to The Monsarrat Series from Tom Keneally and his eldest daughter Meg
In an Australian penal colony at the edge of the known world, gentleman convict Hugh Monsarrat has risen from convicted forger to trusted clerk of the settlement's commandant.
Not long after the commandant heads off in search of a rumoured river, his beautiful wife Honora falls ill with a sickness the doctor is unable to identify. And when Honora dies, it becomes clear she has been slowly poisoned.
Monsarrat and perceptive housekeeper Mrs Mulrooney feel suspicious as regards the motives…
The first time I left home, at 21, I ran out of money after three months, but I was so dead set on staying abroad that I pushed on. I ended up being gone for 18 months and traveled through 40 countries. Before I turned 30, I completed 10 six-month trips abroad, each with a long overland journey built-in, and hit close to 100 countries. Most of my travel was in the last decade before cell phones and the internet. I’ve been a member of The Explorers Club for twenty+ years and chair its Southwest Chapter.
Maybe the best way to feel the road is through the eyes of someone deprived of his/her freedom. I’ve never been in a foreign prison, but I have sat in a few jails, and the prospects of long-term confinement always terrified me.
In the early 1930s, Henri Charriere was sentenced to life imprisonment in the brutal penal colony of French Guiana for a crime he didn’t commit.
In this memoir, I yearned for blue skies and open roads as I followed Henri’s desperate escape attempts and refusal to accept confinement. I’ve never wanted someone to get away so badly.
An immediate sensation upon its publication in 1969, Papillon is a vivid memoir of brutal penal colonies, daring prison breaks and heroic adventure on shark-infested seas.
Condemned for a murder he did not commit, Henri Charriere, nicknamed Papillon, was sent to the penal colony of French Guiana. Forty-two days after his arrival he made his first break for freedom, travelling a thousand gruelling miles in an open boat. He was recaptured and put into solitary confinement but his spirit remained untamed: over thirteen years he made nine incredible escapes, including from the notorious penal colony on Devil's Island.
Tahir Shah has spent his professional life searching for the hidden underbelly of lands through which he travels. In doing so he often uncovers layers of life that most other writers hardly even realise exist. With a world-wide following, Tahir’s work has been translated into more than thirty languages, in hundreds of editions. His documentaries have been screened on National Geographic TV, The History Channel, Channel 4, and in cinemas the world over. The son of the writer and thinker Idries Shah, Tahir was born into a prominent Anglo-Afghan family, and seeks to bridge East with West through his work.
This book haunts me in a way that almost no other published work does. It’s like one of those movies we all have on a secret list – that we adore but can’t bear to ever watch again (like the Killing Fields or Fight Club). A memoir of almost unparalleled beauty and horror, it tells the true-life tale of the daughter of General Oufkir, who was put to death for attempted regicide. Malika and her five siblings were imprisoned for fifteen years in a penal colony, from where they mounted a daring escape.
The daughter of a former aide to the king of Morocco, who was executed after a failed assassination attempt on the ruler, describes how she, her five siblings, and her mother were imprisoned in a desert penal colony for twenty years.
I’ve loved fairytales, myths, and history since childhood. After graduating with honors in Russian and Chinese history, I’ve been researching and writing for decades. My work ranges from educational materials to award-winning nonfiction books for children on the theme of heroism. I’ve traveled the world, partly for research, but mostly out of a passion for discovery. My last nonfiction work was a book about women writers. I also penned a historical trilogy that started out as one book, plotted out when I was eighteen. It grew. And, returning full circle to my first loves, my most recent book for children is a traditional Buddhist tale from ancient India.
This book was my introduction to Australian literature. I loved its eloquent evocation of a world totally new and mysterious to its characters. Although I was vaguely familiar with Australia’s penal colony past and with the destruction wrought on Aboriginal lives and culture, this book brought it home. I deeply appreciated the way it took me into the minds of men and women, most of them well-meaning but ignorant, and showed me how they missed the point of where they were and how to thrive there. The tragedy of that ignorance resonates with me, since I see it all around the world.
SHORTLISTED FOR THE MAN BOOKER PRIZE WINNER OF THE 2006 COMMONWEALTH WRITERS' PRIZE LONGLISTED FOR THE IMPAC DUBLIN PRIZE
London, 1806. William Thornhill, happily wedded to his childhood sweetheart Sal, is a waterman on the River Thames. Life is tough but bearable until William makes a mistake, a bad mistake for which he and his family are made to pay dearly.
His sentence: to be transported to New South Wales for the term of his natural life. Soon Thornhill, a man no better or worse than most, has to make the most difficult decision of his life.
I’ve now written four books, of which three are Australian history. My first two books were World War 2 military history. My publishers persist in calling each book a best-seller, and who am I to disagree? I live in France and my third book A Good Place To Hide is about a French community that rescued Jews from the Nazis. My fourth book Ten Rogues took me back to Australian history, telling the story of a bunch of ten convicts who in 1834 nicked a brig and sailed it from Tasmania to Chile without a map or a compass.
Tom is an old mate, and a magician with words. He is also a prodigious researcher. Books: yes. The bibliography in The Commonwealth of Thieves runs to seven tight-packed pages, divided between primary sources (three pages) and secondary sources. The bibliography is underpinned by no fewer than 27 pages of notes. The Australian history I was taught at school was hogwash. Tom has set it straight in this brilliantly researched and off-the-wall history of our early days.
In this spirited history of the remarkable first four years of the convict settlement of Australia, Thomas Keneally offers us a human view of a fascinating piece of history. Combining the authority of a renowned historian with a brilliant narrative flair, Keneally gives us an inside view of this unprecedented experiment from the perspective of the new colony’s governor, Arthur Phillips. Using personal journals and documents, Keneally re-creates the hellish overseas voyage and the challenges Phillips faced upon arrival: unruly convicts, disgruntled officers, bewildered and hostile natives, food shortages, and disease. He also offers captivating portrayals of Aborigines and of…
I am a lifelong reader of science fiction and fantasy from all eras, coming from a family that was obsessed with both science and speculative fiction. I am the co-creator of Forbidden Futures magazine, the world’s only full color, fully illustrated genre fiction periodical, and I have been writing and publishing science fiction and horror comics, art, and stories for over four decades. I have contributed to the worlds of Star Wars, Aliens VS Predator, Dungeons and Dragons, DC and MARVEL comics, and The Wheel Of Time. I am an instructor teaching fantasy illustration, comics, and graphic novel writing at The Academy of Art University in San Francisco.
In this book the people and families of a human penal colony on a water-covered alien world are driven from their homes and into open waters after offending the indigenous alien species.
Out in the planet-wide ocean on a flotilla of ships, they encounter bizarre creatures and odd experiences. As the community falls apart, individuals come together, but ultimately, they will find that the planet itself is guiding them towards total unity.
This book will make you consider the bond between all living creatures, the need for forgiveness and progress forward, and succumbing to what is inevitable.
"This is hard sci-fi done right." -Publishers Weekly (starred review). "One of the enduring classics of science fiction." -George R.R. Martin
Deep in the future, natives of the planet Hydros, an ocean planet whose inhabitants live on artificial floating islands, force the entire human population of the island of Sorve into exile, leaving the outcasts to ponder their fate, their past, and the true purpose of humanity.
After a human offense against the natives of Hydros, the human population of the island of Sorve are ordered to leave. Forbidden on all other islands, in a flotilla of ships they seek…
Sara Wheeler is a prize-winning non-fiction author. Sara is a Fellow of the Royal Society of Literature, a Contributing Editor of The Literary Review, a Trustee of The London Library, and former chair of the Stanford Dolman Travel Book of the Year award. She contributes to a wide range of publications in the UK and US and broadcasts regularly on BBC Radio. Her five-part series, ‘To Strive, To Seek’, went out on Radio 4, and her book Cherry was made into a television film.
The writer’s account of a journey across Siberia and into the Russian Far East to investigate prison conditions on an island in the Sea of Okhotsk north of Japan. A book of investigative journalism and a finely worked travel narrative conjuring spongy mud, ‘smoky, dreamy mountains’ and ‘lithe’ rivers while the author dreams of turbot, asparagus and kasha.
In 1890, the thirty-year-old Chekhov, already knowing that he was ill with tuberculosis, undertook an arduous eleven-week journey from Moscow across Siberia to the penal colony on the island of Sakhalin. Now collected here in one volume are the fully annotated translations of his impressions of his trip through Siberia and the account of his three-month sojourn on Sakhalin Island, together with his notes and extracts from his letters to relatives and associates.
Highly valuable both as a detailed depiction of the Tsarist system of penal servitude and as an insight into Chekhov's motivations and objectives for visiting the colony…
Jackson Ford is the author of The Frost Files series, including The Girl Who Could Move Sh*t with Her Mind and Random Sh*t Flying Through the Air. He may or may not be the alter ego of author Rob Boffard, a South African author based in Vancouver, but he is definitely 100% a jackass.
That title. That. Title. It's also a pretty killer idea, with some razor-sharp social commentary. Women that society views as difficult are quite literally shipped off to a prison planet. Only someone like Kelly Sue DeConnick could pull this off, and her tag team with the artist Valentine De Landro makes this a must-read. It's funny, emotional, and has the added benefit of making you think.
"...one of the
most unique and subversive artifacts of pop culture in recent memory." -
Salon.com
"Seldom do comics burst
onto the scene and shatter our worldview by being entirely poignant, raw, and
captivating - but then, most comics aren't Bitch Panet." -
Entertainment Weekly
Eisner
Award-nominated writer Kelly Sue DeConnick (Pretty Deadly, Captain
Marvel) and Valentine De Landro (X-Factor) team up to bring you the
premiere volume of Bitch Planet, a deliciously vicious riff on
women-in-prison sci-fi exploitation.
In
a future just a few years down the road in the wrong direction, a woman's
failure to comply with her…
I was living in Xinjiang on 9/11 and got to witness the swiftness with which the state imposed strict regulations that harmed the Uyghur community. For me, this was an indelible lesson in the abuses of power and authority on people who just wanted to work, raise families, and enjoy their lives. Since then I’ve tried to raise awareness, first in my memoir, The Tree That Bleeds, then in my journalism. I hope my work helps people think about how to respond as both politically engaged citizens and consumersto one of the worst human rights violations of the 21st century.
Byler’s concise book is a vital read because it foregrounds the experiences of people detained in the camps, stories that overlap and cohere into a raw portrait of systematic brutality and dehumanising routines. Into these are woven an account of the digital surveillance technologies that underpin the network of detention, many of which are not unique to China, the difference between its use of them and many Western countries’ being only a matter of scale. The book also offers an important section on the increasing role of forced labour in Xinjiang, emphasising the need for greater scrutiny and accountability of supply chains that potentially rely on goods and labour from the region.
How China used a network of surveillance to intern over a million people and produce a system of control previously unknown in human history
Novel forms of state violence and colonization have been unfolding for years in China's vast northwestern region, where more than a million and a half Uyghurs and others have vanished into internment camps and associated factories. Based on hours of interviews with camp survivors and workers, thousands of government documents, and over a decade of research, Darren Byler, one of the leading experts on Uyghur society and Chinese surveillance systems, uncovers how a vast network of…
I am a Dutch astronomer and historian of maritime navigation who somehow landed a coveted academic job in Sydney, Australia. I spend much of my free time on weekends at the Australian National Maritime Museum as a guide on our vessels, as a speaker, as a consultant on matters related to the historical determination of longitude at sea, and as a deckhand on our historic tall ships. I’ve written 2 history of science books, including a biography of William Dawes, the astronomer on the ‘First Fleet’ from England to Australia (1787–1788). In addition to this, I enjoy writing about the history of medicine and diseases during the Age of Sail.
This is a heavy tome, but it is really compelling reading for a history buff like me. Hughes tells the story of the British colonisation of the continent we now know as Australia by focusing on details, details, details—and people! This is not a dry academic book taking the reader through a timeline. Instead, I like its focus on the people at the basis of this brutal period in the history of Australia, associated with huge human costs—both for the convicts forcibly transported half a world away and for the Indigenous population.
Hughes is a storyteller, and he does engage in some speculation, but overall, his facts hold up, and so this book is a must-read for anyone with even a passing interest in how modern Australia developed over the past 250 years.
In 1787, the twenty-eighth year of the reign of King George III, the British Government sent a fleet to colonise Australia.
Documenting the brutal transportation of men, women and children out of Georgian Britain into a horrific penal system which was to be the precursor to the Gulag and was the origin of Australia, The Fatal Shore is the definitive, masterfully written narrative that has given its true history to Australia.
'A unique phantasmagoria of crime and punishment, which combines the shadowy terrors of Goya with the tumescent life of Dickens' Times
