54 books like The Secret River

The challenge of writing historical fiction set in the distant past is bridging the vast gap between our modern understanding of the world and that of our distant forebears, since even our most basic assumptions and values undergo enormous changes over time. Those who love Renault’s works about classical antiquity relish the ability of her novels to truly carry us into another world, to make it felt and intelligible. This novel follows the fortunes of the mythic hero Theseus, from his origins in Troizen to his departure for Athens to find his father, his achievement of the kingship of Eleusis, his voluntary enslavement in Crete as a bull-dancer, an acrobat who vaults over living animals for spectacle, his confrontation with the minotaur and his eventual return home, older and more baffled by existence. It gives dimension to the mythic hero, a complexity that is at once familiar and profoundly, unsettlingly… show more.

I found this book (whose subtitle is “An Ambiguous Utopia”) one of the most thought-provoking works of fiction I have read.

The Dispossessed was my first introduction to anarchism as a political platform, and while it didn’t make an anarchist out of me, it was the book that allowed me to imagine anarchism as a coherent political philosophy. Practically every page of the book offers a critique of modern capitalism, and it’s impossible to read this book without considering the structures in our world today that ensure a system of haves and have-nots.

When August’s grandfather—the bedrock of a multi-generational Wiradjuri family—dies, she must return to Australia, and to the town of Prosperous. There, she comes face-to-face with the things that have driven her out, a process that began long before her birth. The book’s three narrators chart the casualties of colonialism: the loss of indigenous culture, the stamping out of language, the land that is taken and forever altered. But the book is so much more than a catalogue of losses, and Winch’s song is ultimately one of identity—and history—reclaimed.  

Amelia Peabody, the heroine of this series, is that rarity, a female archeologist elbowing her way into digs and expeditions, the domain of men in 1890s Egypt. Amelia fearlessly deals with master criminals and tomb robbers, using a stout belt and large umbrella, solving crimes with panache.

In this book, the first of the series, she rescues a damsel in distress, falls in love, and uncovers the secret of a walking mummy.

It’s a rollicking romp of a read but doesn’t shy away from showing the divisions of the times between Europeans and ‘natives,’ men and women, rich and poor. The author is an Egyptologist herself, and her expertise shows through; as an academic myself, I’m very inspired by her work! This is one of my absolute favourites.

Five marriageable girls, a nervy mother, a sarcastic father, a sensible best friend, and a plethora of good-looking young men in uniform and breeches. What’s not to like?

This novel has everything. The story of two people who fall in love with each other in spite of themselves is still as fresh as paint today, and the supporting cast is fantastic. Austen’s writing is pin-sharp, revolutionary, and addictive.

I’ve read the novel hundreds of times, but I never tire of its wit, romance, and perfect plotting. Whether you love a good romance, enjoy digging around in the dusty corners of Regency fiction, or just like seeing a baddie getting their comeuppance, it is universally acknowledged that this is the book for you.

I had the privilege of interviewing Tony Birch at Perth Festival 2020, just before COVID struck with force. I was deeply moved by The White Girl and felt so much for the characters, especially the matriarch, Odette, and her love for her granddaughter. Seeing the world through Odette’s eyes was a powerful way of exposing how prejudice, policing laws and the removal of children impacted Aboriginal communities throughout Australia. Tony spoke beautifully in our interview about the strength of the Aboriginal women in his family and how those experiences inspired the award-winning novel.

I have just started reading this book (actually listening to it as an audiobook) and already it is one of my favourites. De Kretser is such an incredible writer. I found myself ‘rewinding’ the audiobook to hear sentences again and again. I lived with my young family in France in 2012 for the year, and De Kretser’s observations of French life are so (at times) cuttingly on point. I particularly loved the repetition of whether or not something was deemed interessant. "What is interesting about potatoes?" she asks. Her exposure of the historical French treatment of Algerians is woven into the Parisian narrative seamlessly, and at times shockingly. De Kretser is a very powerful, clever, and generous writer. 

The book provided instructive reading when I was researching my book. In particular, I was interested in Malouf’s way of approaching the story of colonisation in Australia through an ‘in-between’ character, Gemmy, modelled on a real-life ship’s boy cast ashore in northern Australia in the early nineteenth century. The boy is raised by Aboriginal people. He loses his mother tongue and, when confronted with white settlers, is treated as a ‘savage,' a theme the book explores through a range of points of view. Who are the true savages in the story was a question I was interested to pose in my own book. 

This is a gripping, suspenseful, atmospheric mystery set in colonial Australia with an enigmatic pairing of a convict and a housekeeper who investigate a series of murders in the penal colony of New South Wales.

It has an intricate plot that keeps the reader guessing and is built upon a historical foundation that adds authenticity to the tale. The brutality of the transportation system contrasts with the humanity and tenacity of those who rail against it. 

As my stories all have a colonial Australian focus, with a commitment to accurate history, this book rings a bell for me. There is much about the background, the atmosphere, the setting, and the language that resonates with me, and it is a cracking good read to boot. 

Tom is an old mate, and a magician with words. He is also a prodigious researcher. Books: yes. The bibliography in The Commonwealth of Thieves runs to seven tight-packed pages, divided between primary sources (three pages) and secondary sources. The bibliography is underpinned by no fewer than 27 pages of notes. The Australian history I was taught at school was hogwash. Tom has set it straight in this brilliantly researched and off-the-wall history of our early days.