Here are 58 books that The Secret River fans have personally recommended if you like
The Secret River.
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We all read (or write) fiction for a bit of escapism, don’t we? To come face-to-face with the good, the bad, and the ugly of bygone days… The ancient Mediterranean is the place I would most love to visit in a time machine (albeit fully armed and in a hazmat suit), and these writers are – for me – the best at transporting readers there from the comfort of a sofa. I’ve tried plenty of historical fiction set in other times and places - much of it very good, but the smell of olive groves, the chirruping of cicadas, and the Aegean sun always call me back!
Some authors have an innate faculty for bringing the dim and distant past into such razor-sharp clarity that it’s hard not to believe that they were once present at the time. That’s how it is with Mary Renault (real name Eileen Mary Challans): any number of her books could have made this list.
What I particularly love about this duology (the sequel The Bull From the Sea isn’t quite as strong) is that Renault retold the ancient tale of Theseus and the Minotaur as historical fiction. Though she followed the main beats of the well-known story, she boldly stripped it of gods, monsters, and magic, and the narrative doesn’t suffer at all from it. If anything, it makes it even more compelling because it feels like she has stumbled upon a possible origin to the myth.
Theseus is the grandson of the King of Troizen, but his paternity is shrouded in mystery - can he really be the son of the god Poseidon? When he discovers his father's sword beneath a rock, his mother must reveal his true identity: Theseus is the son of Aegeus, King of Athens, and is his only heir. So begins Theseus's perilous journey to his father's palace to claim his birth right, escaping bandits and ritual king sacrifice in Eleusis, to slaying the Minotaur in Crete. Renault reimagines the Theseus myth, creating an original, exciting story.
I used to love dystopian books, but recently, I’ve become increasingly interested in hopeful narratives. I’ve been a climate activist in a couple of movements, and I care deeply about the world, but with all the challenges and negativity we are facing, it’s easy to fall into despair. That’s why I think stories that show cooperation, community, respect for nature and each other, working for a better world, and making it happen are so important. We need those stories to get inspired to act instead of thinking that we’re all doomed anyway. They are also healing—a refuge for a tormented mind.
The book offers an in-depth exploration of how an anarchist, anti-capitalist society without money or government would work and juxtaposes it against a more familiar, wasteful, capitalist world. It's thought-provoking and can be a great tool for self-exploration because this world isn’t easy to live in and has its own challenges. Even though it took me a long time to get into the story, once I did, I was fascinated by all the details. It's unlike other stories. It offers ideas that don't often get explored in speculative fiction, and it left me with a lot to think about.
One of the very best must-read novels of all time - with a new introduction by Roddy Doyle
'A well told tale signifying a good deal; one to be read again and again' THE TIMES
'The book I wish I had written ... It's so far away from my own imagination, I'd love to sit at my desk one day and discover that I could think and write like Ursula Le Guin' Roddy Doyle
'Le Guin is a writer of phenomenal power' OBSERVER
The Principle of Simultaneity is a scientific breakthrough which will revolutionize interstellar civilization by making possible instantaneous…
My mother, father, and I were each born in different countries, and into different languages. In my childhood, we were a hybridized wonder—one part jetsam, one part flotsam—and a country unto ourselves. Our house was filled with all kinds of books, our dinnertimes with lively conversation (and occasional shouting), our plates with food cooked according to the recipes of family ghosts. I can honestly say that no other family was like ours, especially not in the American suburbs of the 1980s. As a writer, I have always been fascinated by the tug-and-pull of intergenerational trauma, and by the dislocation of immigration and exile.
When August’s grandfather—the bedrock of a multi-generational Wiradjuri family—dies, she must return to Australia, and to the town of Prosperous. There, she comes face-to-face with the things that have driven her out, a process that began long before her birth. The book’s three narrators chart the casualties of colonialism: the loss of indigenous culture, the stamping out of language, the land that is taken and forever altered. But the book is so much more than a catalogue of losses, and Winch’s song is ultimately one of identity—and history—reclaimed.
"A beautifully written novel that puts language at the heart of remembering the past and understanding the present."-Kate Morton
"A groundbreaking novel for black and white Australia."-Richard Flanagan, Man Booker Prize winning author of The Narrow Road to the Deep North
A young Australian woman searches for her grandfather's dictionary, the key to halting a mining company from destroying her family's home and ancestral land in this exquisitely written, heartbreaking, yet hopeful novel of culture, language, tradition, suffering, and empowerment in the tradition of Louise Erdrich, Sandra Cisneros, and Amy Harmon.
Knowing that he will soon die, Albert "Poppy" Gondiwindi…
Dolça Llull Prat, a wealthy Barcelona woman, is only 15 when she falls in love with an impoverished poet-solder. Theirs is a forbidden relationship, one that overcomes many obstacles until the fledgling writer renders her as the lowly Dulcinea in his bestseller.
I’ve been reading mysteries since I “borrowed” my Grandpa’s Miss Marple’s as an elementary schooler. (And yes, my maiden name really IS Marple) And I’ve always been drawn to smart, competent women characters–even better if they’re funny. Women who do their own fighting and their own detecting and then hand the killer off to the cops with a smile and a great line. These women inspired me–and now I get to write a lady who at least belongs in the room with them!
This book made me love historical mysteries. I absolutely adore the main character, Amelia Peabody, who lives in Victorian times but is very much NOT a Victorian woman: smarter and tougher than the guys and not afraid to own it. Like Amelia, Ancient Egypt has always fascinated me, and I love a good adventure.
The only thing I enjoy more is a will-they-or-won’t-why with whip-smart banter, and Amelia and Emerson deliver there, too. They drew me in immediately, with plenty of historical background, a twisty plot that kept me guessing until the end, and a great romantic payoff, too. I think the Peabody and Emerson books are the best historical mystery series ever. Fight me.
Amelia Peabody is Elizabeth Peters' most brilliant and best-loved creation, a thoroughly Victorian feminist who takes the stuffy world of archaeology by storm with her shocking men's pants and no-nonsense attitude!
In this first adventure, our headstrong heroine decides to use her substantial inheritance to see the world. On her travels, she rescues a gentlewoman in distress - Evelyn Barton-Forbes - and the two become friends. The two companions continue to Egypt where they face mysteries, mummies and the redoubtable Radcliffe Emerson, an outspoken archaeologist, who doesn't need women to help him solve mysteries -- at least that's what he…
Ever since my younger years, I’ve spent many hours dwelling within the realms of my imagination, daydreaming myself into whirlwind romances from slow-burn to forbidden and everything in between. Why? The best answer I can give right now is my love of love, my innate understanding that the invisible string that pulls two people so fiercely together at the right time and place ultimately are the connections and relationships that propel us into up-leveling ourselves, evolving into our next best versions. So when I read, watch, or write romance, it’s beyond the physical–it’s emotional, mental, and truly spiritual.
I return to this book time and again because of the captivating connection Elizabeth and Darcy share. It’s not just the tension on the surface, but it’s what goes on emotionally and psychologically with them that has me enchanted.
Austen does a fantastic job of portraying how love will sneak up on you when you’re not even looking for it, how it will push you to face the parts of yourself you’ve been avoiding for too long and to stand boldly in your authentic character while holding compassion for another’s perspective.
Every time I read this book, I feel I know the characters at a more intimate level as new fractals of their personalities and behaviors shine through.
Jane Austen's best-loved novel is an unforgettable story about the inaccuracy of first impressions, the power of reason, and above all the strange dynamics of human relationships and emotions.
Part of the Macmillan Collector's Library; a series of stunning, clothbound, pocket sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition is illustrated by Hugh Thomson and features an afterword by author and critic, Henry Hitchings.
A tour de force of wit and sparkling dialogue, Pride and…
I studied Human Zoos, the subject of Paris Savages, for my PhD. Tens of thousands of performers were transported to Europe and America for exhibition, reaching a peak in the late nineteenth and early twentieth centuries. However, the stories of this time are largely Eurocentric. I sought to shine a light evocatively into this largely forgotten part of history, and to see it through fresh eyes. Paris Savages is an epic and very human tale that saw me reflect on teenage memories of exploring Fraser island. I also travelled to Europe to follow in the footsteps of the three Aboriginal performers the story is based on: Bonny, Jurano, and Dorondera.
I had the privilege of interviewing Tony Birch at Perth Festival 2020, just before COVID struck with force. I was deeply moved by The White Girl and felt so much for the characters, especially the matriarch, Odette, and her love for her granddaughter. Seeing the world through Odette’s eyes was a powerful way of exposing how prejudice, policing laws and the removal of children impacted Aboriginal communities throughout Australia. Tony spoke beautifully in our interview about the strength of the Aboriginal women in his family and how those experiences inspired the award-winning novel.
"A profound allegory of good and evil, and a deep exploration of human interaction, black and white, alternately beautiful and tender, cruel and unsettling."-Guardian
Australia's leading indigenous storyteller makes his American debut with this immersive and deeply resonant novel, set in the 1960s, that explores the lengths we'll go to save the people we love-an unforgettable story of one native Australian family and the racist government that threatens to separate them.
Odette Brown has lived her entire life on the fringes of Deane, a small Australian country town. Dark secrets simmer beneath the surface of Deane-secrets that could explain why…
When King Priam's pregnant daughter was fleeing the sack of Troy, Stan was there. When Jesus of Nazareth was beaten and crucified, Stan was there - one crossover. He’s been a Hittite warrior, a Silk Road mercenary, a reluctant rebel in the Peasant’s Revolt of 1381, and an information peddler…
I studied Human Zoos, the subject of Paris Savages, for my PhD. Tens of thousands of performers were transported to Europe and America for exhibition, reaching a peak in the late nineteenth and early twentieth centuries. However, the stories of this time are largely Eurocentric. I sought to shine a light evocatively into this largely forgotten part of history, and to see it through fresh eyes. Paris Savages is an epic and very human tale that saw me reflect on teenage memories of exploring Fraser island. I also travelled to Europe to follow in the footsteps of the three Aboriginal performers the story is based on: Bonny, Jurano, and Dorondera.
I have just started reading this book (actually listening to it as an audiobook) and already it is one of my favourites. De Kretser is such an incredible writer. I found myself ‘rewinding’ the audiobook to hear sentences again and again. I lived with my young family in France in 2012 for the year, and De Kretser’s observations of French life are so (at times) cuttingly on point. I particularly loved the repetition of whether or not something was deemed interessant. "What is interesting about potatoes?" she asks. Her exposure of the historical French treatment of Algerians is woven into the Parisian narrative seamlessly, and at times shockingly. De Kretser is a very powerful, clever, and generous writer.
'Every page of her story feels charged, like an open circuit waiting for its switch; a lurking wallop. It's magnificent, peerless writing' Guardian
'When my family emigrated it felt as if we'd been stood on our heads.'
Michelle de Kretser's electrifying take on scary monsters turns the novel upside down - just as migration has upended her characters' lives.
Lyle works for a sinister government department in near-future Australia. An Asian migrant, he fears repatriation and embraces 'Australian values'. He's also preoccupied by his ambitious wife, his wayward children and his strong-minded elderly mother. Islam has been banned in the…
I studied Human Zoos, the subject of Paris Savages, for my PhD. Tens of thousands of performers were transported to Europe and America for exhibition, reaching a peak in the late nineteenth and early twentieth centuries. However, the stories of this time are largely Eurocentric. I sought to shine a light evocatively into this largely forgotten part of history, and to see it through fresh eyes. Paris Savages is an epic and very human tale that saw me reflect on teenage memories of exploring Fraser island. I also travelled to Europe to follow in the footsteps of the three Aboriginal performers the story is based on: Bonny, Jurano, and Dorondera.
The book provided instructive reading when I was researching my book. In particular, I was interested in Malouf’s way of approaching the story of colonisation in Australia through an ‘in-between’ character, Gemmy, modelled on a real-life ship’s boy cast ashore in northern Australia in the early nineteenth century. The boy is raised by Aboriginal people. He loses his mother tongue and, when confronted with white settlers, is treated as a ‘savage,' a theme the book explores through a range of points of view. Who are the true savages in the story was a question I was interested to pose in my own book.
Originally published in 1996, this is a comprehensive and authoritative sourcebook packed with all the practical information parents need at every stage of their child's life, from before birth to age five years. Over 350 colour photographs and illustrations.
History has always been a captivating adventure for me, a stage to rekindle the echoes of times long past. My journey began amid musty archives in Hobart, where I stumbled upon a handwritten prison record about my wife's feisty ancestor, transported in the 1830s. There and then, I resolved to breathe life into the fading embers of her existence, and after extensive research, I wrote my first novel, a tapestry of historical events intertwined with the resurrection of long-forgotten souls. Since then, I've applied lessons from masters like Conan Doyle to create exciting, atmospheric stories that turn us all into time travelers on an exhilarating voyage.
This is a gripping, suspenseful, atmospheric mystery set in colonial Australia with an enigmatic pairing of a convict and a housekeeper who investigate a series of murders in the penal colony of New South Wales.
It has an intricate plot that keeps the reader guessing and is built upon a historical foundation that adds authenticity to the tale. The brutality of the transportation system contrasts with the humanity and tenacity of those who rail against it.
As my stories all have a colonial Australian focus, with a commitment to accurate history, this book rings a bell for me. There is much about the background, the atmosphere, the setting, and the language that resonates with me, and it is a cracking good read to boot.
A fast-paced, witty and gripping historical crime opener to The Monsarrat Series from Tom Keneally and his eldest daughter Meg
In an Australian penal colony at the edge of the known world, gentleman convict Hugh Monsarrat has risen from convicted forger to trusted clerk of the settlement's commandant.
Not long after the commandant heads off in search of a rumoured river, his beautiful wife Honora falls ill with a sickness the doctor is unable to identify. And when Honora dies, it becomes clear she has been slowly poisoned.
Monsarrat and perceptive housekeeper Mrs Mulrooney feel suspicious as regards the motives…
Sor Juana Ines de la Cruz, this brilliant 17th century nun flew through Mexico City on the breeze of poetry and philosophy. She met with princes of the Church, and with the royalty of Spain and Mexico. Then she met a stunning, powerful woman with lavender eyes, la Vicereine Maria…
I’ve now written four books, of which three are Australian history. My first two books were World War 2 military history. My publishers persist in calling each book a best-seller, and who am I to disagree? I live in France and my third book A Good Place To Hide is about a French community that rescued Jews from the Nazis. My fourth book Ten Rogues took me back to Australian history, telling the story of a bunch of ten convicts who in 1834 nicked a brig and sailed it from Tasmania to Chile without a map or a compass.
Tom is an old mate, and a magician with words. He is also a prodigious researcher. Books: yes. The bibliography in The Commonwealth of Thieves runs to seven tight-packed pages, divided between primary sources (three pages) and secondary sources. The bibliography is underpinned by no fewer than 27 pages of notes. The Australian history I was taught at school was hogwash. Tom has set it straight in this brilliantly researched and off-the-wall history of our early days.
In this spirited history of the remarkable first four years of the convict settlement of Australia, Thomas Keneally offers us a human view of a fascinating piece of history. Combining the authority of a renowned historian with a brilliant narrative flair, Keneally gives us an inside view of this unprecedented experiment from the perspective of the new colony’s governor, Arthur Phillips. Using personal journals and documents, Keneally re-creates the hellish overseas voyage and the challenges Phillips faced upon arrival: unruly convicts, disgruntled officers, bewildered and hostile natives, food shortages, and disease. He also offers captivating portrayals of Aborigines and of…
