As a transplant to California, albeit more than 50 years ago, I am still fascinated by what makes this place at the edge of the Pacific so unique. It has accepted so many people, from so many places over a fairly recent period. I always feel I can deduce more history from well rendered characters set in specific times and places. Their wholeness and their meaning, as well as that of their culture, are to be found in literature.
Ramona is the daughter of an indigenous woman and a Scottish man, living on a large ranchero in southern California in the early 19th Century. She falls in love with Alessandro, but must run away with him because her aunt can’t stand the fact that he is an Indian.
Alessandro progressively loses his land and his sheep, as Americans move into the area. Her story is somewhat based on the changing fortunes of a Tongva woman named Victoria Reid who was educated at Mission San Gabriel.
This beautifully told and romantic story thrilled me when I first moved into the Los Angeles area. It is celebrated as a pageant every year in Hemet, California.
Ramona (1884) is a novel by Helen Hunt Jackson. Inspired by her activism for the rights of Native Americans, Ramona is a story of racial discrimination, survival, and history set in California in the aftermath of the Mexican American War. Immensely popular upon publication, Ramona earned favorable comparisons to Harriet Beecher Stowe's Uncle Tom's Cabin and remains an influential sentimental novel to this day. Orphaned after the death of her foster mother, Ramona, a Scottish-Native American girl, is taken in by her reluctant foster aunt Senora Gonzaga Moreno. Early on, she experiences discrimination due to her mixed heritage and troubled…
Susan Ward joins her husband, a mining engineer, at a mercury mine near San Jose, California, coming west from New York.
She is an illustrator and writer and, as her grandson tells it, never completely adjusts to life in the West. We get much description of California, however, in the layered times in which her story is told. She and her husband settle in Grass Valley, where her husband works for quartz and gold mines.
Wallace Stegner’s use of Mary Hallock Foote’s memoir and diaries as the basis for this story is still controversial. Foote lived from 1847 to 1938 and wrote beautifully, illuminating life during this time. The controversy makes the story even more intriguing.
The novel tells the story of Lyman Ward, a retired professor of history and author of books about the Western frontier, who returns to his ancestral home in the Sierra Nevada. Wheelchair-bound with a crippling bone disease, Ward embarks nonetheless on a search to rediscover his grandmother, no long dead, who made her own journey to Grass Valley nearly a hundred years earlier.
A street at the edge of the Pacific in Monterey where sardines are brought in to be canned, is the setting for a collection of colorful characters Steinbeck knew.
Chief among them is Doc, based on Steinbeck’s friend Ed Ricketts, who operated a lab that collected and prepared aquatic specimens for schools and museums. The lab is still there, next to the Monterey Bay Aquarium.
The canneries closed by the 1970’s and today Cannery Row is a thumping tourist trap. But I loved the book because of Doc, a gentleman, and a scholar if there ever was one.
In the din and stink that is Cannery Row a colourful blend of misfits - gamblers, whores, drunks, bums and artists - survive side by side in a jumble of adventure and mischief. Lee Chong, the astute owner of the well-stocked grocery store, is also the proprietor of the Palace Flophouse that Mack and his troupe of good-natured 'boys' call home. Dora runs the brothel with clockwork efficiency and a generous heart, and Doc is the fount of all wisdom. Packed with invention and joie de vivre CANNERY ROW is Steinbeck's high-spirited tribute to his native California.
The juxtaposition of Eve Babitz’s unabashed hedonism and her incisive ability to nail a situation are not what you normally expect.
This book ranges all over southern California of the 1960s and 1970s, always coming back to the place Eve loved best, Los Angeles, a place of “vast sprawls, smog, and luke nights: L.A. It is where I work best, where I can live, oblivious to physical reality.”
When I moved to Los Angeles, I was disposed to love it, but it was hard to find any confirmation in books! I am delighted with Eve Babitz, who, with extravagant and precise language, celebrates the place.
No one burned hotter than Eve Babitz. Possessing skin that radiated “its own kind of moral laws,” spectacular teeth, and a figure that was the stuff of legend, she seduced seemingly everyone who was anyone in Los Angeles for a long stretch of the 1960s and ’70s. One man proved elusive, however, and so Babitz did what she did best, she wrote him a book.
Slow Days, Fast Company is a full-fledged and full-bodied evocation of a bygone Southern California that far exceeds its mash-note premise. In ten sun-baked, Santa Ana wind–swept sketches, Babitz re-creates a Los Angeles of movie…
In San Diego, “Little Angel” visits his half-brother, the patriarch of a large Hispanic clan at what they both suspect will be his last birthday party. “Big Angel,” grew up in Mexico and Urrea treats us to the story of his life, how he won his wife, how he ended up in San Diego. “Little Angel,” the author, tries to locate himself in this family, though he is half Gringo.
I loved the deep honesty that goes on in this family gathering, the fun and the sorrow. And it certainly locates the reader in place, in time, and in a culture. All of Urrea’s books are amazing.
"All we do, mija, is love. Love is the answer. Nothing stops it. Not borders. Not death."
In his final days, beloved and ailing patriarch Miguel Angel de La Cruz, affectionately called Big Angel, has summoned his entire clan for one last legendary birthday party. But as the party approaches, his mother, nearly one hundred, dies herself, leading to a farewell doubleheader in a single weekend. Among the guests is Big Angel's half brother, known as Little Angel, who must reckon with the truth that although he shares a father with his siblings, he has not, as a half gringo,…
In this last book in my series about the Mikkelson siblings, Line and her husband Stephen are an integral part of the small, vibrant community of Santa Cruz with its new university. Their grown children are dispersing. On the mountain above, her sister Marty moves in with the love of her life, Doug, a viticulturalist who maintains the ranch for a small winery. She happily becomes a step-mom to Doug’s four young children. Despite full California lives, Line and Marty keep in touch with Paul, who is helping revive the family cabin on a Minnesota lake.
Willem and Jurriaan have a miserable childhood thanks to their cruel, controlling mother—Louisa Veldkamp, a world-renowned pianist. Dad turns a blind eye. One day, Louisa vanishes without a trace during a family vacation.
Adoptee Anneliese Bakker survives a toxic childhood and leaves home, vowing never to return. While searching for her biological mother, she meets the adult Willem, and they fall in love. Pregnant and engaged, she moves into the family mansion, wanting nothing more than to create a loving family for her child. But the Veldkamps are cold and distant. And why is Louisa a taboo subject?
An expectant mother gets more than she bargained for when she marries into a seemingly perfect family in this gripping debut novel–a must read for fans of A. J. Finn and B. A. Paris.
After surviving a nightmarish childhood, Anneliese Bakker is on the mend and searching for her birth mother. But when she meets Willem, she falls madly in love and finally finds a safe place to land. Engaged and expecting her first child, she moves into the Veldkamp mansion on a stately, tree-lined avenue in Amsterdam. And yet, nothing about Willem’s family is as it seems. Instead of…
