I grew up on a family farm surrounded by larger vegetable and dairy operations that used migrant labor. From an early age, my siblings and I were acquainted with the children of these workers, children whom we shared a school desk with one day and were gone the next. On summer vacations, our parents hauled us around in a station wagon with a popup camper, which they parked in out-of-the-way hayfields and on mountainous plateaus, shunning, much to our chagrin, normal campgrounds, and swimming pools. Thus, I grew up exposed to different cultures and environments. My writing reflects my parents’ curiosity, love of books and travel, and devotion to the natural world.
I loved this book because it made me cry with its emotional impact. It opened my eyes to the mistreatment of Native Americans and the Spanish/Mexican inhabitants of southern California when the territory was annexed by the United States after the Spanish-American War.
This is the love story between the mixed-race orphan girl, Ramona, and Alessandro, the head of the Native American sheep shearers. When they fall in love, knowing her aunt, who took her in and owns the rancho, will never let her marry a Native American, they elope. But Alessandro’s tribe is soon driven off their land by American settlers flooding the area, and he and Ramona are thrown into poverty as they travel from locale to locale, desperately trying to find a place to call home.
Ramona (1884) is a novel by Helen Hunt Jackson. Inspired by her activism for the rights of Native Americans, Ramona is a story of racial discrimination, survival, and history set in California in the aftermath of the Mexican American War. Immensely popular upon publication, Ramona earned favorable comparisons to Harriet Beecher Stowe's Uncle Tom's Cabin and remains an influential sentimental novel to this day. Orphaned after the death of her foster mother, Ramona, a Scottish-Native American girl, is taken in by her reluctant foster aunt Senora Gonzaga Moreno. Early on, she experiences discrimination due to her mixed heritage and troubled…
Imagine waking up one morning to find brown, evil-smelling water flowing from your taps. This is what happened in Flint, Michigan, one morning in 2014. Some people blamed the residents of Flint for the debacle, but the city manager made the arbitrary decision to tap into the Flint River to save money. It's ironic that within a week, GM hooked themselves back up to the Detroit waterline as the untreated water was ruining their equipment.
The story follows two families through generations, converging in the present. I found the flashback to the sit-down strike in 1936 at GM in Flint (Chevy in the Hole) especially interesting. It was the beginning of a strong UAW.
The main characters, who are determined to coax life back into a city everyone else has given up on, are flawed, thus likeable and real. Gus, newly committed to sobriety, and Monae, an urban farmer, seem at first an unlikely pair, but their relationship is done so well that I forgot that they’re an interracial couple, an admirable writing feat in today's polarized society.
A New York Times Book Review Editors' Choice Finalist for the 2022 Heartland Booksellers Award
A gorgeous, unflinching love letter to Flint, Michigan, and the resilience of its people, Kelsey Ronan's Chevy in the Hole follows multiple generations of two families making their homes there, with a stunning contemporary love story at its center.
In the opening pages of Chevy in the Hole, August “Gus” Molloy has just overdosed in a bathroom stall of the Detroit farm-to-table restaurant where he works. Shortly after, he packs it in and returns home to his family in Flint. This latest slip and recommitment…
This book centers around the plight of twelve young, urban Native Americans in Oakland, California, who, having lost connection to the land and their heritage, struggle to make sense of their identity. For various reasons, they all travel to and converge at the Big Oakland Powwow.
It is a gut-wrenching story that grapples with the disenfranchisement of Native Americans, starting with the colonies; the novel opens with a true account of the so-called Indian Wars. An account of history that was rewritten to make us feel good about Thanksgiving. I loved it for the opening scene and the historical references. An impossible to put down novel.
** Shortlisted for the 2020 International Dublin Literary Award **
One of Barack Obama's best books of 2018, the New York Times bestselling novel about contemporary America from a bold new Native American voice
'A thunderclap' Marlon James 'Astonishing' Margaret Atwood, via Twitter 'Pure soaring beauty' Colm Toibin
Jacquie Red Feather is newly sober and hoping to reconnect with her estranged family. That's why she is there. Dene is there because he has been collecting stories to honour his uncle's death, while Edwin is looking for his true father and Opal came to watch her boy Orvil dance.
This book is the story of four teenagers desperate to escape the mining towns of Ishpeming and Negaunee but doomed to immersion in the violence simmering just beneath the surface.
Riekki did a good job of instilling a sense of impending doom from the opening pages, and I couldn’t put it down. It showed me a side of the UP I didn’t know existed, one beyond the beauty of the peninsula, shining a light on the dirty underbelly of mining—what it offers and what it leaves behind—the cavings—underground passages left by the mining company. Riekki’s description of the bottomless pit in the woods is Poe creepy.
Physically and emotionally brutalized, these four characters—angst-filled Craig; J., never touched by a woman; Antony, with the walls he puts up; and Hollow, determined to escape, are a downtrodden, culturally isolated group. I rooted for them and recognized them as characters that can be found everywhere, not only in isolated communities.
From a bold new novelist comes a complex tale of friendship and brutality. Set in Michigan s Upper Peninsula, U.P. is the story of four teens immersed in an ugly world, one whose threat of violence is always simmering beneath the surface. R.A. Riekki s distinctive characters and their poignant quest for freedom is a swan song to lost youth, redefining the traditional coming-of- age-story. Four boys, four distinct narratives that converge into a harrowing and heartbreaking whole.
A mystical love story that crosses borders, I found this a delightful read. The story takes place along a stretch of border between Canada and Northwest Washington State that’s nothing more than a long grassy ditch separating once congenial communities.
Brandon Vanderkool, a dyslexic, bird-watching artist, brings an unusual perspective to his employment with the Border Patrol. Though surprisingly adept at his job (smugglers and illegals walk right into his arms while he’s owl-watching), it’s his talent for painting and obsession with birds that endeared him to me.
When he crosses paths with his childhood friend, Canadian Madeline Rousseau, and her basement full of flowering cannabis, I impatiently root for them to act on their mutual attraction and recognize how ill-suited they are to their occupations. The ending is spot-on and mystically electrifying!
Set in the previously sleepy hinterlands straddling Washington state and British Columbia, Border Songs is the story of Brandon Vanderkool, six foot eight, frequently tongue-tied, severely dyslexic, and romantically inept. Passionate about bird-watching, Brandon has a hard time mustering enthusiasm for his new job as a Border Patrol agent guarding thirty miles of largely invisible boundary. But to everyone’s surprise, he excels at catching illegal immigrants, and as drug runners, politicians, surveillance cameras, and a potential sweetheart flock to this scrap of land, Brandon is suddenly at the center of something much bigger than himself.
After her mother is killed in a rare Northern Michigan tornado, Sadie Wixom is left with only her father and grandfather to guide her through young adulthood. Miles away in western Saskatchewan, Stefan Montegrand and his Indigenous family are displaced from their land by multinational energy companies. They are taken in temporarily by Sadie’s aunt, a human rights activist who heads a cultural exchange program.
Stefan promptly runs afoul of local authority, but Sadie, intrigued by him, has grown sympathetic to his cause. Their mutual attraction is stymied when Stefan’s older brother becomes embroiled in the resistance, and Stefan is compelled to return to Canada. Concerned for his safety, Sadie impulsively follows on a trajectory doomed by cultural misunderstanding and oncoming winter.
Unlike the typical tales of a flawless fighting unit, this story follows Commander Kami Trenn and her ragtag squad of mixed-race space marines.
Dog Squad fights a mysterious adversary whose presence remains shrouded in secrecy. The fate of the universe hangs in the balance, but will they be able to make enough of a difference?
Can they hope to uncover the enemy’s plans for galactic dominance before the Alliance falls? Maybe. If they can stop fighting each other.
Across the void formed by two galactic spiral arms, vast forces face each other.
The tenuous Alliance, sixty civilizations united only by fear of invasion, prepare to resist the encroachment of their as-yet unseen enemy, known only as the Creeps.
The Void has become a battleground. Three thousand light years across, and populated by a scattering of ten thousand ‘dark’ worlds, it is the Alliance’s last chance to protect their way of life. Self-destructive, robotic drones pour across the Void in ever-increasing numbers, testing the Alliance fleets to breaking point.
