Here are 100 books that Ramona fans have personally recommended if you like
Ramona.
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As a transplant to California, albeit more than 50 years ago, I am still fascinated by what makes this place at the edge of the Pacific so unique. It has accepted so many people, from so many places over a fairly recent period. I always feel I can deduce more history from well rendered characters set in specific times and places. Their wholeness and their meaning, as well as that of their culture, are to be found in literature.
Susan Ward joins her husband, a mining engineer, at a mercury mine near San Jose, California, coming west from New York.
She is an illustrator and writer and, as her grandson tells it, never completely adjusts to life in the West. We get much description of California, however, in the layered times in which her story is told. She and her husband settle in Grass Valley, where her husband works for quartz and gold mines.
Wallace Stegner’s use of Mary Hallock Foote’s memoir and diaries as the basis for this story is still controversial. Foote lived from 1847 to 1938 and wrote beautifully, illuminating life during this time. The controversy makes the story even more intriguing.
The novel tells the story of Lyman Ward, a retired professor of history and author of books about the Western frontier, who returns to his ancestral home in the Sierra Nevada. Wheelchair-bound with a crippling bone disease, Ward embarks nonetheless on a search to rediscover his grandmother, no long dead, who made her own journey to Grass Valley nearly a hundred years earlier.
As an immigrant in the United States, I have been fascinated by the dynamics between races and cultures—both in the country and globally. As I travel extensively (63 countries so far), I experience some of the biases firsthand—sometimes in the unlikeliest places. I have come to realize that despite the difference in the color of our skin—and the clothes we wear—we are more alike than different.
I loved the book because it’s an insightful window into the challenges of a troubled community, the native Indians, who are still haunted by the painful past and face an uncertain future. I loved how the writer picks the thread of stories of many characters who have chosen to live outside reservations and then knits them all together in the end.
Unique characters with unique stories and strong evocative writing make There There a remarkable debut.
** Shortlisted for the 2020 International Dublin Literary Award **
One of Barack Obama's best books of 2018, the New York Times bestselling novel about contemporary America from a bold new Native American voice
'A thunderclap' Marlon James 'Astonishing' Margaret Atwood, via Twitter 'Pure soaring beauty' Colm Toibin
Jacquie Red Feather is newly sober and hoping to reconnect with her estranged family. That's why she is there. Dene is there because he has been collecting stories to honour his uncle's death, while Edwin is looking for his true father and Opal came to watch her boy Orvil dance.
I grew up on a family farm surrounded by larger vegetable and dairy operations that used migrant labor. From an early age, my siblings and I were acquainted with the children of these workers, children whom we shared a school desk with one day and were gone the next. On summer vacations, our parents hauled us around in a station wagon with a popup camper, which they parked in out-of-the-way hayfields and on mountainous plateaus, shunning, much to our chagrin, normal campgrounds, and swimming pools. Thus, I grew up exposed to different cultures and environments. My writing reflects my parents’ curiosity, love of books and travel, and devotion to the natural world.
Imagine waking up one morning to find brown, evil-smelling water flowing from your taps. This is what happened in Flint, Michigan, one morning in 2014. Some people blamed the residents of Flint for the debacle, but the city manager made the arbitrary decision to tap into the Flint River to save money. It's ironic that within a week, GM hooked themselves back up to the Detroit waterline as the untreated water was ruining their equipment.
The story follows two families through generations, converging in the present. I found the flashback to the sit-down strike in 1936 at GM in Flint (Chevy in the Hole) especially interesting. It was the beginning of a strong UAW.
The main characters, who are determined to coax life back into a city everyone else has given up on, are flawed, thus likeable and real. Gus, newly committed to sobriety, and Monae, an urban farmer, seem…
A New York Times Book Review Editors' Choice Finalist for the 2022 Heartland Booksellers Award
A gorgeous, unflinching love letter to Flint, Michigan, and the resilience of its people, Kelsey Ronan's Chevy in the Hole follows multiple generations of two families making their homes there, with a stunning contemporary love story at its center.
In the opening pages of Chevy in the Hole, August “Gus” Molloy has just overdosed in a bathroom stall of the Detroit farm-to-table restaurant where he works. Shortly after, he packs it in and returns home to his family in Flint. This latest slip and recommitment…
As a transplant to California, albeit more than 50 years ago, I am still fascinated by what makes this place at the edge of the Pacific so unique. It has accepted so many people, from so many places over a fairly recent period. I always feel I can deduce more history from well rendered characters set in specific times and places. Their wholeness and their meaning, as well as that of their culture, are to be found in literature.
A street at the edge of the Pacific in Monterey where sardines are brought in to be canned, is the setting for a collection of colorful characters Steinbeck knew.
Chief among them is Doc, based on Steinbeck’s friend Ed Ricketts, who operated a lab that collected and prepared aquatic specimens for schools and museums. The lab is still there, next to the Monterey Bay Aquarium.
The canneries closed by the 1970’s and today Cannery Row is a thumping tourist trap. But I loved the book because of Doc, a gentleman, and a scholar if there ever was one.
In the din and stink that is Cannery Row a colourful blend of misfits - gamblers, whores, drunks, bums and artists - survive side by side in a jumble of adventure and mischief. Lee Chong, the astute owner of the well-stocked grocery store, is also the proprietor of the Palace Flophouse that Mack and his troupe of good-natured 'boys' call home. Dora runs the brothel with clockwork efficiency and a generous heart, and Doc is the fount of all wisdom. Packed with invention and joie de vivre CANNERY ROW is Steinbeck's high-spirited tribute to his native California.
As a transplant to California, albeit more than 50 years ago, I am still fascinated by what makes this place at the edge of the Pacific so unique. It has accepted so many people, from so many places over a fairly recent period. I always feel I can deduce more history from well rendered characters set in specific times and places. Their wholeness and their meaning, as well as that of their culture, are to be found in literature.
The juxtaposition of Eve Babitz’s unabashed hedonism and her incisive ability to nail a situation are not what you normally expect.
This book ranges all over southern California of the 1960s and 1970s, always coming back to the place Eve loved best, Los Angeles, a place of “vast sprawls, smog, and luke nights: L.A. It is where I work best, where I can live, oblivious to physical reality.”
When I moved to Los Angeles, I was disposed to love it, but it was hard to find any confirmation in books! I am delighted with Eve Babitz, who, with extravagant and precise language, celebrates the place.
No one burned hotter than Eve Babitz. Possessing skin that radiated “its own kind of moral laws,” spectacular teeth, and a figure that was the stuff of legend, she seduced seemingly everyone who was anyone in Los Angeles for a long stretch of the 1960s and ’70s. One man proved elusive, however, and so Babitz did what she did best, she wrote him a book.
Slow Days, Fast Company is a full-fledged and full-bodied evocation of a bygone Southern California that far exceeds its mash-note premise. In ten sun-baked, Santa Ana wind–swept sketches, Babitz re-creates a Los Angeles of movie…
As a transplant to California, albeit more than 50 years ago, I am still fascinated by what makes this place at the edge of the Pacific so unique. It has accepted so many people, from so many places over a fairly recent period. I always feel I can deduce more history from well rendered characters set in specific times and places. Their wholeness and their meaning, as well as that of their culture, are to be found in literature.
In San Diego, “Little Angel” visits his half-brother, the patriarch of a large Hispanic clan at what they both suspect will be his last birthday party. “Big Angel,” grew up in Mexico and Urrea treats us to the story of his life, how he won his wife, how he ended up in San Diego. “Little Angel,” the author, tries to locate himself in this family, though he is half Gringo.
I loved the deep honesty that goes on in this family gathering, the fun and the sorrow. And it certainly locates the reader in place, in time, and in a culture. All of Urrea’s books are amazing.
"All we do, mija, is love. Love is the answer. Nothing stops it. Not borders. Not death."
In his final days, beloved and ailing patriarch Miguel Angel de La Cruz, affectionately called Big Angel, has summoned his entire clan for one last legendary birthday party. But as the party approaches, his mother, nearly one hundred, dies herself, leading to a farewell doubleheader in a single weekend. Among the guests is Big Angel's half brother, known as Little Angel, who must reckon with the truth that although he shares a father with his siblings, he has not, as a half gringo,…
I grew up on a family farm surrounded by larger vegetable and dairy operations that used migrant labor. From an early age, my siblings and I were acquainted with the children of these workers, children whom we shared a school desk with one day and were gone the next. On summer vacations, our parents hauled us around in a station wagon with a popup camper, which they parked in out-of-the-way hayfields and on mountainous plateaus, shunning, much to our chagrin, normal campgrounds, and swimming pools. Thus, I grew up exposed to different cultures and environments. My writing reflects my parents’ curiosity, love of books and travel, and devotion to the natural world.
This book is the story of four teenagers desperate to escape the mining towns of Ishpeming and Negaunee but doomed to immersion in the violence simmering just beneath the surface.
Riekki did a good job of instilling a sense of impending doom from the opening pages, and I couldn’t put it down. It showed me a side of the UP I didn’t know existed, one beyond the beauty of the peninsula, shining a light on the dirty underbelly of mining—what it offers and what it leaves behind—the cavings—underground passages left by the mining company. Riekki’s description of the bottomless pit in the woods is Poe creepy.
Physically and emotionally brutalized, these four characters—angst-filled Craig; J., never touched by a woman; Antony, with the walls he puts up; and Hollow, determined to escape, are a downtrodden, culturally isolated group. I rooted for them and recognized them as characters that can be…
From a bold new novelist comes a complex tale of friendship and brutality. Set in Michigan s Upper Peninsula, U.P. is the story of four teens immersed in an ugly world, one whose threat of violence is always simmering beneath the surface. R.A. Riekki s distinctive characters and their poignant quest for freedom is a swan song to lost youth, redefining the traditional coming-of- age-story. Four boys, four distinct narratives that converge into a harrowing and heartbreaking whole.
I grew up on a family farm surrounded by larger vegetable and dairy operations that used migrant labor. From an early age, my siblings and I were acquainted with the children of these workers, children whom we shared a school desk with one day and were gone the next. On summer vacations, our parents hauled us around in a station wagon with a popup camper, which they parked in out-of-the-way hayfields and on mountainous plateaus, shunning, much to our chagrin, normal campgrounds, and swimming pools. Thus, I grew up exposed to different cultures and environments. My writing reflects my parents’ curiosity, love of books and travel, and devotion to the natural world.
A mystical love story that crosses borders, I found this a delightful read. The story takes place along a stretch of border between Canada and Northwest Washington State that’s nothing more than a long grassy ditch separating once congenial communities.
Brandon Vanderkool, a dyslexic, bird-watching artist, brings an unusual perspective to his employment with the Border Patrol. Though surprisingly adept at his job (smugglers and illegals walk right into his arms while he’s owl-watching), it’s his talent for painting and obsession with birds that endeared him to me.
When he crosses paths with his childhood friend, Canadian Madeline Rousseau, and her basement full of flowering cannabis, I impatiently root for them to act on their mutual attraction and recognize how ill-suited they are to their occupations. The ending is spot-on and mystically electrifying!
Set in the previously sleepy hinterlands straddling Washington state and British Columbia, Border Songs is the story of Brandon Vanderkool, six foot eight, frequently tongue-tied, severely dyslexic, and romantically inept. Passionate about bird-watching, Brandon has a hard time mustering enthusiasm for his new job as a Border Patrol agent guarding thirty miles of largely invisible boundary. But to everyone’s surprise, he excels at catching illegal immigrants, and as drug runners, politicians, surveillance cameras, and a potential sweetheart flock to this scrap of land, Brandon is suddenly at the center of something much bigger than himself.
I was the ten-year-old child who devoured David Copperfield (and then every other Dickens book), the teenager who began a lifelong love of Russian literature after discovering Dostoevsky’s Crime and Punishment. To this day, my greatest reading pleasure is to lose (and find) myself in the rich, expansive world of a nineteenth-century novel. In my contemporary rom-com, Blame It on the Brontës, my heroine is torn between her literary ideal of love and the reality of losing the love of her life. To paraphrase Keats, she tries to reconcile “the truth of imagination” with “the holiness of the heart’s affections.” As a romance writer, it is my quest, too.
In this book, George Eliot’s novel of provincial life in 1830s England, nearly everyone marries the wrong person. Even the future happiness of its heroine, Dorothea, when she finally unites with her true love, Will, is questionable. And yet it stands for me, not only as one of the finest novels ever written but one of literature’s greatest romances.
Virginia Woolf famously wrote that it is a novel “for grown-up people.” I believe it is essential reading because it reflects real life where couples are mismatched, love goes unrequited, and ambitions are thwarted. It illuminates the small ways our better selves become compromised—and the larger gestures by which we are redeemed. As Eliot’s characters zigzag their way to each other, it is love that brings this redemption. How very romantic!
One of the BBC's '100 Novels That Shaped Our World'
'One of the few English novels written for grown-up people' Virginia Woolf
George Eliot's nuanced and moving novel is a masterly evocation of connected lives, changing fortunes and human frailties in a provincial community. Peopling its landscape are Dorothea Brooke, a young idealist whose search for intellectual fulfilment leads her into a disastrous marriage to the pedantic scholar Casaubon; Dr Lydgate, whose pioneering medical methods, combined with an imprudent marriage to the spendthrift beauty Rosamond, threaten to undermine his career; and the religious hypocrite Bulstrode, hiding scandalous crimes from his…
I boast a two-decade-long career in the software industry. Over the years, I have diligently honed my programming skills across a multitude of languages, including JavaScript, C++, Java, Ruby, and Clojure. Throughout my career, I have taken on various management roles, from Team Leader to VP of Engineering. No matter the role, the thing I have enjoyed the most is to make complex topics easy to understand.
This book fundamentally changed how I think about business processes and problem-solving. I was drawn into the story of a plant manager struggling to save his factory and found Goldratt’s Theory of Constraints incredibly insightful for me as a programmer inside a development team.
The narrative format made complex concepts easy to understand and apply. I learned to identify and address bottlenecks in any system, which has been invaluable in both professional and personal contexts. Despite being a business book, I found it engaging and applicable to my day-to-day challenges as a programmer.
*A Graphic Novel version of this title is now available: "The Goal: A Business Graphic Novel"
30th Anniversary Edition. Written in a fast-paced thriller style, The Goal, a gripping novel, is transforming management thinking throughout the world. It is a book to recommend to your friends in industry - even to your bosses - but not to your competitors. Alex Rogo is a harried plant manager working ever more desperately to try improve performance. His factory is rapidly heading for disaster. So is his marriage. He has ninety days to save his plant - or it will be closed by…
