Here are 53 books that The Star Beast fans have personally recommended if you like
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Whereas many seek out stories of human triumph and heroic deeds, I have always been captivated by stories that show humanity for what it is–a bastion of innovation and wonder but also a complex and ethically questionable force of nature. I began writing my book when I was twelve years old, and I immediately knew that my characters would not be one-sided, cast in light or shadow. Instead, they would love at times and hate others, try their hardest to do what is right, but sometimes end up doing more harm than good. Remember that a ‘hero’ is a product of perspective when reading these books.
Like The Ballad of Songbirds and Snakes, Frank Herbert’s book tells the story of a man who could be the villain or the hero, depending on who you ask. I love watching how an intelligent yet malleable person can be swept up in feelings of duty, responsibility, and leadership only to make highly questionable decisions.
Paul Atreides’ moral ambiguity is undeniably engineered by the shifting and slimy political landscape of the Dune universe, driving home the idea in my mind that good worldbuilding can set the stage for truly complicated characters.
Before The Matrix, before Star Wars, before Ender's Game and Neuromancer, there was Dune: winner of the prestigious Hugo and Nebula awards, and widely considered one of the greatest science fiction novels ever written.
Melange, or 'spice', is the most valuable - and rarest - element in the universe; a drug that does everything from increasing a person's lifespan to making interstellar travel possible. And it can only be found on a single planet: the inhospitable desert world of Arrakis.
Whoever controls Arrakis controls the spice. And whoever controls the spice controls the universe.
I have been an avid sci-fi/fantasy lover and tabletop gamer my whole life. Many of my best memories involve me inventing stories explaining why my buddy’s armies and mine were duking it out on the battlefield or interpreting what the dice rolls really meant for my character. Today, I write for one of my favorite game universes, Kings of War. I have made a living out of stories by writing them or teaching about them. I love making my universes believable while still maintaining integrity to their original source material. I also love making flawed, relatable characters to give readers hope as they read about them overcoming those flaws.
The late Sir Pratchett was a hero of mine. The Discworld universe is one of the most well-put-together, zany, yet relatable places. The amount of depth that he was able to achieve with a setting that others might consider a joke is astounding.
In order for a universe to connect with me, it has to have characters that I love dearly. Granny Aching and her granddaughter Tiffany are among the few literary characters that have ever brought me to tears on multiple occasions. I used to read this book to my students, and there is one scene in particular towards the end that causes me to choke up every time I read it.
It’s simple and powerful, and it speaks to me on a personal level. I lost my mom back in 2008, and the scene to which I am referring here hits on that sense of loss so well…
A nightmarish danger threatens from the other side of reality . . .
Armed with only a frying pan and her common sense, young witch-to-be Tiffany Aching must defend her home against the monsters of Fairyland. Luckily she has some very unusual help: the local Nac Mac Feegle - aka the Wee Free Men - a clan of fierce, sheep-stealing, sword-wielding, six-inch-high blue men.
Together they must face headless horsemen, ferocious grimhounds, terrifying dreams come true, and ultimately the sinister Queen of the Elves herself . . .
I love to cheer for underdogs, and young women who are in this category have my special devotion. As a child of the 1960s, I remember a time when women didn’t have the same rights and opportunities as men, and we still seem to be fighting it today. Coming from a trauma-based childhood myself, I find myself comparing and contrasting coping mechanisms. Luckily, I haven’t found it necessary to kill anyone with dragon stone or jacked-up hornets so far. It delights me when these girls win, whether they game the system or fight their way with guns and knives.
Lessa is an amazing heroine who rises from scullery maid to ruler of a full Weyr of dragons, thanks to a persistent dragon rider who recognizes her hidden talents.
I admired her as much in either position, whether she was subtly using her powers to tear down her oppressor from the kitchen corner or flying high on her dragon, protecting those under her care from certain death. No matter what privilege or honors come to her, she remains humble and thereby gathers the admiration and love of all who know her.
Volume I of The Dragonriders of Pern®, the groundbreaking series by master storyteller Anne McCaffrey
On a beautiful world called Pern, an ancient way of life is about to come under attack from a myth that is all too real. Lessa is an outcast survivor—her parents murdered, her birthright stolen—a strong young woman who has never stopped dreaming of revenge. But when an ancient threat to Pern reemerges, Lessa will rise—upon the back of a great dragon with whom she shares a telepathic bond more intimate than any human connection. Together, dragon and rider will fly . . . and…
To hide a corporation’s failure to properly service a space ship, Captain Jonas Stryker is prosecuted but saved from imprisonment by a dying man, who hires Stryker to collect asteroids for their mineral content. Stryker soon finds he must stop a shadowy corporate group called The Board, who employ space piracy, terrorism, and even weaponised asteroids to overthrow the Federation government.
Set in Lagrange points, space stations, the Moon and outback Australia, it is a fast-moving story with some speculative future technology. If you were interested in the NASA attempt to alter the orbit of the asteroid Dimorphos, you might…
When a trial to cover-up a corporate failure ends Captain Jonas Stryker's career, he wants revenge against The Board, a ruthless, shadowy organization with limitless funds that employs space piracy, terrorism, and even weaponised asteroids. Posing as a space miner, Stryker learns that The Board wants him killed, while a young female SCIB police agent wants retribution against him for having her career spoiled at his trial. As Stryker avoids attempts to kill him, he becomes the only chance to prevent The Board from overturning the Federation Government and imposing a Fascist-style rule. A story of greed, corruption and honour,…
As a transplant to California, albeit more than 50 years ago, I am still fascinated by what makes this place at the edge of the Pacific so unique. It has accepted so many people, from so many places over a fairly recent period. I always feel I can deduce more history from well rendered characters set in specific times and places. Their wholeness and their meaning, as well as that of their culture, are to be found in literature.
A street at the edge of the Pacific in Monterey where sardines are brought in to be canned, is the setting for a collection of colorful characters Steinbeck knew.
Chief among them is Doc, based on Steinbeck’s friend Ed Ricketts, who operated a lab that collected and prepared aquatic specimens for schools and museums. The lab is still there, next to the Monterey Bay Aquarium.
The canneries closed by the 1970’s and today Cannery Row is a thumping tourist trap. But I loved the book because of Doc, a gentleman, and a scholar if there ever was one.
In the din and stink that is Cannery Row a colourful blend of misfits - gamblers, whores, drunks, bums and artists - survive side by side in a jumble of adventure and mischief. Lee Chong, the astute owner of the well-stocked grocery store, is also the proprietor of the Palace Flophouse that Mack and his troupe of good-natured 'boys' call home. Dora runs the brothel with clockwork efficiency and a generous heart, and Doc is the fount of all wisdom. Packed with invention and joie de vivre CANNERY ROW is Steinbeck's high-spirited tribute to his native California.
As an engineer, scientist, and historian, I’ve always been fascinated by how science has always served the political goals of nations and empires. Today, we look at the Space Race to land a person on the Moon as a part of the Cold War effort to establish the intellectual and cultural dominance of the United States and the Soviet Union, even as it created new technologies and completely changed our understanding of the world. When I came across the Geodesic Mission to the Equator 1735-1744, I realized that even in the 18th century, voyages of discovery could do more than simply find new lands to conquer and exploit–they could, and did extend our knowledge of nature and mankind.
When British scientist and novelist CP Snow lamented that society had become divided between scientific and literary cultures, he sought a way to bridge that gap. He needed to look no further than Mary Terrall’s hero, Pierre-Louis Moreau de Maupertuis, who was the very model of a modern scientist-artist.
Maupertuis achieved early scientific fame by leading a geodesic voyage to Lapland (modern-day Sweden and Finland) in 1736, where, after a year of fighting extreme cold and summer plagues of mosquitoes, he proved Newton’s theory that the Earth was flattened at the poles. Maupertuis became a regular fixture in the cafes and literary salons of 18th-century Paris and Berlin and helped transform European society in the Age of Enlightenment.
Self-styled adventurer, literary wit, and statesman of science, Pierre-Louis Moreau de Maupertuis (1698 - 1759) stood at the center of Enlightenment science and culture. With "The Man Who Flattened the Earth", Mary Terrall offers an elegant portrait of this remarkable man, revealing just how his private life and public works made him a man of science in eighteenth-century Europe. Maupertuis entered the public eye with a much-discussed expedition to Lapland and went on to make significant and often intentionally controversial contributions to physics, life science, and astronomy. Equally at ease in cafes and royal courts, Maupertuis used his social connections…
I’ve been a sci-fi/fantasy fan ever since my dad introduced me to the original Star Trek (in reruns) and The Lord of the Rings in my youth. I’ve always loved thinking about possibilities—large and small—so my work tends to think big when I write. I also write poetry, which allows me to talk about more than just the everyday or at least to find the excitement within the mundane in life. These works talk about those same “possibilities”—for better or worse, and in reading, I walk in awareness of what could be.
I have adored my next pick for its long narrative threads ever since I read it in my youth. It is the first book of a trilogy, but its ideas about human dignity and honor transcended the first book and pulled me into reading the second and third.
E. P. Dutton, 1973. Trade paperback. This 1971 novel is the first book in "The Exiles" series, which also includes "Flight of Exiles" (1972) and "End of Exile" (1975). The three novels were later collected as "The Exiles Trilogy."
As a child, I spent summers looking for adders on the Common and winters walking through snowstorms pretending to be a Hobbit in Tolkien's Middle Earth. My travels and studies taught me the importance of respecting different cultures and our planet. Glasgow Libraries gave me my first storytelling work in 1992, and I have a Master's degree in Scottish Folklore. I live in Scotland, sharing stories through writing and storytelling. Having collected hundreds of traditional folktales about our ancestors' wisdom and folly, I co-authored my first book, Dancing With Trees, Eco-Tales from the British Isles, to reflect our need to understand nature's wisdom and help us live sustainably on Earth.
A comprehensive natural world storytelling collection comprising ten chapters, organised by themes such as Earth, Fire, Water, Plants, Animals, and Stewardship.
A page of 'Lessons' at the end of every chapter helps you explore the environmental meaning within the stories. Plus an 'Activities' section at the end of the book. The stories are from over forty countries, retold sensitively by Caduto, an ecologist and master storyteller.
Amongst my favourite stories are: Earth Words from France, about a secret language hidden in fern roots and what is lost when we become separated from nature; The First Bats from Guatemala and Mexico, a funny tale which can be adapted to any place on Earth that has bats, and The Seven Sisters an Aboriginal story which introduces the origin of the Pleiades constellation.
Is there any genre so purely escapist as a portal fantasy adventure? I grew up on stories like these, devouring any book I could find that had a portal in it, from Alice in Wonderlandto The Chronicles of Narnia to Tunnel in the Sky. Books, in a way, are portals to other places and times, and as a child I wandered through the stacks of the local library, plumbing the depths of every strange world I could get my hands on. If you want to experience the long-lost thrill of falling into a story, few do it like those that take their characters through portals to other worlds.
The doorway in this novel is a departure from the usual.
And though it is unusual, yet it ties to humankind's fascination with portals.
The first portal in storytelling history, really, is the threshold a person must pass through to get from life to death.
That threshold has been epitomized in mythology as long as human beings have been using stories to explain the strangeness of existence.
In this sci-fi story, deathis once again the portal between worlds. What would you do if, right before you died, an alien entity asks if you’d like to be saved?
Would you do it?
That’s exactly what happens to Meredith Gale. She regrets jumping off that bridge, so she says yes.
The story that follows is surprising and witty and full of heart. A friendly robot pulls the girl from the sea, along with a dozen others like her, every one of…
Welcome Children of Earth. Do not be afraid. After a devastating car crash leaves her addicted to pills and her best friend dead, Meredith Gale has finally been pushed to her breaking point. Ending her life seems like the only way out, and that choice has left her dangling by her fingertips from a bridge above the freezing water of the San Francisco Bay.
But someone, or some thing, has other plans for Meredith. As her fingers slip from the cold steel of the bridge, a disembodied voice ask her a simple question: “Candidate 13: Do you wish to be…
I’m Tasmanian. I’ve loved books set in other worlds since I encountered Robert Heinlein’s juveniles in my teens. I often find books set in the mundane world of here-and-now implausible or dull, because the adventures seem contrived or else result from characters doing something stupid or bad. If characters venture to other worlds, or other planets though—that’s a different ballgame! I read a great deal of fantasy and sci-fi, and when I was fourteen, I started writing my own. I enjoy a wide variety of genres, but my favourite stories are those where I can follow relatable characters through wild adventures and believe every line.
Restoree is a stand-alone novel by Anne McCaffrey of the Dragon Riders of Pern fame. The protagonist, Sara, is swept up in a mass kidnapping and carried away to a planet where she ends up in a new body. She is given the job of caring for a man who seems largely unresponsive. Sara and the reader slowly come to understand what’s happening and she makes a bold move to rescue herself, her charge, and the other restorees. Like all the best science fiction, Restoree is less about the trappings and more about the human story.
There was a sudden stench of a dead sea creature. There was the sudden horror of a huge black shape closing over her. There was nothing...
Then there were pieces of memory, isolated fragments that were so horrible her mind refused to accept them. Intense heat and shivering cold; excruciating pain; dismembered pieces of the human body. Sawn bones and searing screams.
And when she awoke she found she was in a world that was not earth, and with a face and body that were not her own. She had become a Restoree...
For me, writing space opera was obvious because it's what I like to read. There's so much scope for human and non-human societies out there, complete with the history of how they were created, and the inevitable cut-and-thrust of politics. If the book also has a love story– where do I pay my money? I do like the science in my science fiction to be convincing, though. My background as a computer programmer helps with that and I'm often grateful for my history degree when coming up with convincing empires and events.
The Star King is one of the first science fiction romances I read. It has everything I want in a space opera – politics, fast-paced action, danger, drama, angst, all mixed up with a great love story. I fell in love with the characters, especially the dishy alien alpha male. And I particularly like that the romance is between two mature people with life experience.
An alien king, an Earth woman. Fated mates—Or is fate stacked against them?
Rom B’Kah is fighting for the survival of his people when a beautiful and mysterious warrior from Earth saves his life. When she vanishes without a trace, he vows to find her again.
Years after battlefield trauma sends her life into a tailspin, Jas Hamilton has given up on love. When a galactic empire makes first contact with Earth, she sets out to reclaim her lost sense of adventure—and finds it in the arms of the golden-eyed alien warrior she’s spent a lifetime trying to forget.
