Here are 54 books that Of Time and Stars fans have personally recommended if you like
Of Time and Stars.
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I’ve known I was “special” since I was a child. I saw, felt, and heard things that others did not. Eventually I embraced my clairaudient mediumship gifts and turned it into a thriving business, allowing me to live a life of purpose: helping others find their passions and live their most joyful lives. But the journey never ends; I am always on a mission to transform. Consistently, literature has been where I turn when I am seeking wisdom on becoming the best version of myself. I also pursued certification as a Book Therapist - the first thing I’ll recommend to friends, family, or clients is the best book for their dilemma!
J.R.R. Tolkien's masterful storytelling is unmatched, and The Lord of the Rings weaves together moral dilemmas and profound philosophical ideas seamlessly, encouraging me to contemplate the nature of power, the importance of preserving the natural world, and the significance of individual choices.
The book's themes of heroism, friendship, sacrifice, and the struggle between good and evil resonate deeply. In addition, each of his characters feels like an aspect of oneself; the introspection it inspires is brilliant!
The Lord of the Rings instills a sense of wonder, ignites the imagination, and imparts timeless wisdom, which heavily transformed my perspective on life, my values, and my understanding of the human condition.
One Ring to rule them all, One Ring to find them, One Ring to bring them all and in the darkness bind them
In ancient times the Rings of Power were crafted by the Elven-smiths, and Sauron, the Dark Lord, forged the One Ring, filling it with his own power so that he could rule all others. But the One Ring was taken from him, and though he sought it throughout Middle-earth, it remained lost to him. After many ages it fell by chance into the hands of the hobbit Bilbo Baggins.
I have always been intrigued by fantastical world-building that is complex, detailed, forensically credible, and immeasurably encyclopedic in scope. It should propel you to a world that feels almost as real as the world you leave behind but with intricate magic systems and razor-shape lore. Ironically, some of my choices took a while to love, but once they “sunk in,” everything changed. Whenever life gets too much, it has been cathartic, essential even, to transport to another universe and find solace in prose dedicated to survival, soul, and renewal.
Thomas Covernant is a leper shunned by society but finds himself in the Land where some herald him as the one who’ll save them from an evil sorcerer, Lord Foul. He is not always a sympathetic character, but being on society’s edge where all and sundry openly shun him can do that to anyone.
What I loved the most was the captivating Land with its many peoples and inhabitants, such as the sentient woods and the Forestals that ward them, the Elohim, a benign people with special powers, the Giants and the evil Viles, Waynhim, and ur-viles.
Outside being exotic, the world feels credible and immersive, especially the “wild magic” Covernant begins to wield. I ended up caring passionately about what happened to the Land and wanting Covernant to acknowledge his worth.
'Comparable to Tolkien at his best' WASHINGTON POST
Instantly recognised as a modern fantasy classic, Stephen Donaldson's uniquely imaginative and complex THE CHRONICLES OF THOMAS COVENANT, THE UNBELIEVER became a bestselling literary phenomenon that transformed the genre.
Lying unconscious after an accident, writer Thomas Covenant awakes in the Land - a strange, beautiful world locked in constant conflict between good and evil.
But Covenant, too, has been transformed: weak, angry, and alone in our world, he now holds powers beyond imagining and is greeted as a saviour. Can this man truly become the hero the Land requires?
From as early as I can remember, I've been fascinated by science and the supernatural. I guess it was the bookcases of my parents and relatives that stoked my imagination as a child. From books about mysteries of the universe, to stories of fairies, nymphs and banshees, all asked questions that I longed to know the answers to. It’s a habit I've maintained throughout my life, always investigating, always challenging my beliefs. I like to think this has given me the skills to write a good, fantasy story. While I create worlds, characters, and rules of magic based on a logic that’s believable, as the world my characters live in is very real to them.
I first read Wyndham when staying at my grandmothers aged eleven during a long summer holiday. I devoured the books left there by my uncle, and Chocky was the one that ‘blew my mind’. The main character was a similar age to me at the time, and the thought that an alien could inhabit his mind was both scary and fascinating. I imagined what I would do if an alien had chosen me, and what I would do with the superpowers it might bring. I was halfway through writing my first book in 2010 when I suddenly realised it was this book that provided the inspiration—now that’s a sign of a good book. I re-read Chocky for the first time last year and found it evoked the memories of my late grandmother and my summers back in the 70s.
Matthew, they thought, was just going through a phase of talking to himself. And, like many parents, they waited for him to get over it, but it started to get worse. Mathew's conversations with himself grew more and more intense - it was like listening to one end of a telephone conversation while someone argued, cajoled and reasoned with another person you couldn't hear. Then Matthew started doing things he couldn't do before, like counting in binary-code mathematics. So he told them about Chocky - the person who lived in his head.
The aftermath of human first contact, written from the extraterrestrial's perspective.
Kelvoo is overcome with wonder at the arrival of the humans. With flawless memories and innate curiosity, Kelvoo’s community embraces the benevolent humans and their knowledge of the boundless universe beyond the cloud-covered sky. After the departure of the…
From as early as I can remember, I've been fascinated by science and the supernatural. I guess it was the bookcases of my parents and relatives that stoked my imagination as a child. From books about mysteries of the universe, to stories of fairies, nymphs and banshees, all asked questions that I longed to know the answers to. It’s a habit I've maintained throughout my life, always investigating, always challenging my beliefs. I like to think this has given me the skills to write a good, fantasy story. While I create worlds, characters, and rules of magic based on a logic that’s believable, as the world my characters live in is very real to them.
I picked this up in a bookshop due to the cover as it stirred my curiosity. And when I read the first line, "I had reached the age of six hundred and fifty miles," I found myself walking to the cashier to buy it. This is quite an unusual premise by a quite unusual and versatile writer. It breaks a number of rules by switching from first to third person, but I found it worked. I found myself constantly trying to guess what was happening, and where it was going. That may not sound like a recommendation, but I found I couldn’t put it down without knowing why. And when the last chapter delivers the big twist, I turned back to page one and started it all over again! It then becomes a different book and is still enjoyable.
Featured in Science Fiction: The Best 100 Novels Winner of the British Science Fiction Award Nominated for the Hugo Award
The “devilishly entertaining” masterpiece of hard science fiction, set in a city moving through a strange, dystopian world—from the multi-award-winning author of The Prestige (Time Out New York)
The city is winched along tracks through a devastated land full of hostile tribes. Rails must be freshly laid ahead of the city and carefully removed in its wake. Rivers and mountains present nearly insurmountable challenges to the ingenuity of the city’s engineers. But if the city does not move, it will…
I have read SF, starting with the classic Jules Verne, since I was a young teenager. Soon I discovered Bradbury, Asimov, Clarke, Ellison, Zelazny, Dick, all of whom lit up my mind with wondrous and sometimes dangerous visions of possible futures. During the COVID shutdown period, when our university went to online instruction, my wife convinced me to try my hand at writing in my favorite genre. Previously I had written a textbook, How Films Tell Stories (listed here at Shepherd), but never any fiction, so I wrote Temporal Gambit, a time-travel adventure combined with themes of first contact, artificial intelligence, and alternate history. I then followed it with a sequel. I hope you enjoy.
Bradbury remains my favorite author of all time, and this collection of short stories contains some of his best work, including my favorite time travel tale, “A Sound of Thunder.”
Imagine an avid hunter given the opportunity to stalk the king of prehistoric beasts, the monstrous T-Rex. Then imagine that things don’t go exactly as planned. The world will never be the same.
As a woman who writes fantasy, sci-fi, and horror I’m fortunate my family never said “why can’t you be more girly?” Instead I was supported to challenge myself; to study psychology, psychophysiology, and archaeology; and to write about my passions. From that came my love for novels like these: with women who are complicated, difficult heroes, struggling with the same feet of clay as everyone.
Shannon is part of a clandestine division within the Navy utilizing possible versions of the future to solve crimes. But all timelines lead to Terminus, the end of humanity, and whenever Shannon dips into the future Terminus creeps inevitably nearer.
Leaning more heavily into science fiction is The Gone World, another complex but deeply rewarding novel. The story is grounded by Shannon’s lyrical, mournful perspective and her fierce determination to fight the injustice of a murder no matter where it takes her.
The Silence of the Lambs meets Interstellar. The terrifying, thrilling and ingenious science-fiction thriller from Tom Sweterlitsch. Film rights bought by Twentieth Century Fox with Neil Blomkamp (District 9, Elysium) to direct.
'Thrilling . . . [a] dark, page-turning thriller' The Guardian
A murdered family. A missing girl. Time is running out...
1997. Shannon Moss of the Naval Criminal Investigative Service is assigned to solve the murder of a Navy SEAL's family - and to locate the soldier's missing teenage daughter. When Moss discovers that the SEAL was an astronaut aboard the spaceship U.S.S. Libra - a ship assumed lost…
Bold, funny, and shockingly honest, Ambidextrous is like no other memoir of 1950s urban childhood.
Picano appears to his parents and siblings to be a happy, cheerful eleven-year-old possessed of the remarkable talent of being able to draw beautifully and write fluently with either hand. But then he runs into…
I’m Tasmanian. I’ve loved books set in other worlds since I encountered Robert Heinlein’s juveniles in my teens. I often find books set in the mundane world of here-and-now implausible or dull, because the adventures seem contrived or else result from characters doing something stupid or bad. If characters venture to other worlds, or other planets though—that’s a different ballgame! I read a great deal of fantasy and sci-fi, and when I was fourteen, I started writing my own. I enjoy a wide variety of genres, but my favourite stories are those where I can follow relatable characters through wild adventures and believe every line.
Restoree is a stand-alone novel by Anne McCaffrey of the Dragon Riders of Pern fame. The protagonist, Sara, is swept up in a mass kidnapping and carried away to a planet where she ends up in a new body. She is given the job of caring for a man who seems largely unresponsive. Sara and the reader slowly come to understand what’s happening and she makes a bold move to rescue herself, her charge, and the other restorees. Like all the best science fiction, Restoree is less about the trappings and more about the human story.
There was a sudden stench of a dead sea creature. There was the sudden horror of a huge black shape closing over her. There was nothing...
Then there were pieces of memory, isolated fragments that were so horrible her mind refused to accept them. Intense heat and shivering cold; excruciating pain; dismembered pieces of the human body. Sawn bones and searing screams.
And when she awoke she found she was in a world that was not earth, and with a face and body that were not her own. She had become a Restoree...
I love fantasy, particularly comic fantasy. But there's an art to making something that is mind-meltingly silly feel real and meaningful, at the same time. To make it feel solid. If something is too chaotic, too randomly silly, then the narrative integrity disintegrates. You're left feeling, ‘yes, I know that the troll has now mysteriously turned into a chicken; but really, what’s the point?’ On the other hand, if the story isn’t silly enough…well, then it becomes straight fantasy, which is wonderful when it’s done well, but can feel mundane and derivative when it is not. I've deliberately limited this list to include only two Discworld books. To include any more would seem, well—silly.
I first read this when I was a teenager because I loved the TV show. But though the book has a lot of cleverly mad humour, there is more of a melancholy undercurrent here. The science fiction ideas are creatively insane, but they are always brought down to Earth by the palpably flawed characters, which give the whole book a reality it would otherwise lack. This elevates it from whimsical science fantasy to something solid and substantial. For smeg’s sake, give it a read!
Awakening from a drunken spree in a London pub to find himself on one of Saturn's moons, Lister joins the Space Corps and boards the Red Dwarf, determined to return to Earth
Growing up, I’d always been fascinated by science fiction narratives, having been suckered in by Star Warsat a very young age. But it wasn’t until I stumbled upon The Hitchhiker’s GuideTo The Galaxy that I realized stories didn’t have to take everything so seriously. This pivoted to an obsession with comedy, leading me to write skits for the stage and screen in my late 20s as a fun side-gig along with my own comedic sci-fi novel series. I’ve always appreciated stories that lean into the lighter side of things. Reality is grim and dark enough as it is, our escapism doesn’t need to double down on that.
Carmen Loup's The Audacity is the successor to The Hitchhiker’s Guide to the Galaxy that I've been looking for for a long time. Loup takes strands of Hitchhiker's Guide DNA lovingly engineers it into its own unique tale filled with bright, colorful, and snarky characters and a fun, insightful (and, indeed, inciteful) voice that rings incredibly true to an Americanized Douglas Adams (that is, lacking in British poise and restraint). The Audacity is simply an amazing sci-fi comedy from start to finish and feels like a love letter to The Hitchhiker's Guide and, indeed, to all its fans. Plus, the entire first trilogy is available now (with more to come!).
Rocket racing can be deadly, but working in food service is worse.
May’s humdrum life is flung into hyperdrive when she’s abducted, but not all aliens are out to probe her. She’s inadvertently rescued by Xan, an “I Love Lucy” obsessed alien with the orangest rocket ship in the universe.
But you still have to eat in space, and rocket racing is a quick, if life-threatening, way to make a living.
Finally, May has a career she loves and a friend to share her winnings with. Until a Chaos goddess possessing Xan’s ex decides to start a cult on Earth…
To hide a corporation’s failure to properly service a space ship, Captain Jonas Stryker is prosecuted but saved from imprisonment by a dying man, who hires Stryker to collect asteroids for their mineral content. Stryker soon finds he must stop a shadowy corporate group called The Board, who employ space…
Growing up I read a lot of science fiction: HG Wells, Isaac Asimov, John Wyndham; those kind of authors and their inspiring tales. In my early twenties, I penned a few short stories as I worked as an aeronautical engineer. Always being at the leading edge of technology certainly helped shape my dreams of the future. I have an interest in writing novels that place humankind within a universe [or multiverse] we are only just starting to understand. To date, I have written six novels, two of them extensive short story collections. They are light years from each other, but share the future adventures of mankind in an expansive universe as a common theme.
A time travel novel that transcends the ages and carries a strange environmental message.
The secrets of Mars are open slather in this adventurous escape to the past of the solar system. The fact that it involves the canals of Mars lends a delicious irony to this tale, which was published in 1999, after NASA's first-ever Mars rover, dubbed Sojourner, touched down in Chryse Planitia on July 4, 1997, atop the landing vehicle, Pathfinder.
But, of course, this novel is placed in the distant past, when Martians actually existed. Is the alien tree an enemy or is it endeavoring to spread a message?
The year is +1108 Atomic Era. Hanville Svetz, who first appeared in Larry Niven's THE FLIGHT OF THE HORSE, is on his way back from +390, accompanied by a snake for the Secretary-General's private zoo. On his return, however, he learns that his employer has died. But his wasted journey is the least of his concerns. With the new regime comes a new role for Svetz, and hunting down extinct animals is not on the agenda. Instead, Svetz is going to be sent much further back in time. And not to Earth. For the new Secretary-General has greater ambitions. He…
