100 books like Lord Foul's Bane

J.R.R. Tolkien's masterful storytelling is unmatched, and The Lord of the Rings weaves together moral dilemmas and profound philosophical ideas seamlessly, encouraging me to contemplate the nature of power, the importance of preserving the natural world, and the significance of individual choices.

The book's themes of heroism, friendship, sacrifice, and the struggle between good and evil resonate deeply. In addition, each of his characters feels like an aspect of oneself; the introspection it inspires is brilliant!

The Lord of the Rings instills a sense of wonder, ignites the imagination, and imparts timeless wisdom, which heavily transformed my perspective on life, my values, and my understanding of the human condition.

This may be considered an odd choice on the surface, given the true events of the Trojan War. This was also another I initially struggled with. Nevertheless, despite the factual elements, it’s viewed as one of the earliest epic fantasies in Western literature, along with The Odyssey, which came after.

Centered on just a few days of the ten-year siege of Troy, the lives of humans and their gods are intricately linked. It is one of the earliest examples of pathos with much sympathy actually lying with the enemies, the Trojans, a people based in Asia Minor, and their allies from all over the region. Outside the gods, it also references monsters such as Bellerophon, the Gorgon, and centaurs, with the gods often used as a plot device to refract the emotions and flaws of the characters.

The world-building is vivid and rich in dactylic hexameter, a rhythmic style.… show more.

I came to this book by accident. I had overindulged in fantasy and was tired of recycled plots and worn tropes. I picked it up on holiday as a last resort and found a very different sort of fantasy, which rekindled my enthusiasm for the genre.

Inquisitor Glokta is a character I wanted to hate. He is a torturer, and a cripple, having been tortured himself. He’s ruthless and focused and possibly the meanest of anti-heroes. But I think I came to imagine what it was like to be the dashing hero, loved by everyone, feted by royalty, and then ruined by malice and torture, and yes, as this tale unfolded, I began to like him and the rest of the misfits that populate Joe Abercombie’s world very much indeed.

Who doesn’t want to right the wrongs committed against them? I try to be a grown up and move on with my life when someone antagonizes me, but sometimes I wish there was justice in the world. Who doesn’t, even if sometimes we know we are not being mature? Revenge is the ultimate ending, and Abercrombie’s clever stand-alone novel examines just how cold it really can be. It turns out, not at all. Monza has been screwed over bad. She has every reason to want to get even—which means everyone who tried to kill her needs to end up dead. The bodies certainly pile up but when she reaches victory, Monza finds it more absurd than cold. Entertaining, thought-provoking, and more than a little darkly humorous. Take it with a shadowy laugh.

This book, again by JRR Tolkien, was published in 1977, actually four years after its author’s death. It deals with Middle Earth long before The Hobbit and The Lord of the Rings, both set in the Third Age.

It concerns a foe, Melkor, who is infinitely more powerful than Sauron, the adversary in the later books. Tolkien himself summarises it better than anyone: "The Silmarillion is the history of the War of the Exiled Elves against the Enemy. Several tales of victory and tragedy are caught up in it; but it ends with catastrophe, and the passing of the Ancient World, the world of the long First Age." Tolkien’s son Christopher had to finish something that was not fully complete.

For some, it might be an effort to keep up with the intricate cultural and in-depth world building than anything we see in the Third Age, yet again the… show more.

I love this series of three short novels enough to have read it more times than I can count. The language of the novel is simple and evocative. I love the main character, a young wizard who starts out as proud, angry and arrogant, but becomes deeply compassionate when his hubris leads him to make a tragic and evil use of magic.

I could feel myself grabbed by the world of the novel, a world of men and dragons, of islands dotted in an endless sea, of powerful mages who interfere at their peril with the precarious balance of the world between good and evil. 

Perhaps the most classic work of horror fiction in both literature and cinema. As an English teacher, I find that there is so much fodder for lessons prevalent in this book–nature vs nurture, the dangers of forbidden knowledge and playing God, the arrogance of science, and who the real monster is. I particularly love the difference between The Monster in the novel and the film, its articulation, desires, abilities, and even its physical appearance. Few written works have been more seminal.

Legend and the rest of the Drenai saga were required reading for initiation into a fraternity that I joined many years ago. I can say these books were by far and away the most enjoyable required reading that I have ever been assigned. David Gemmell’s greatest strength is his ability to manage a vast cast of characters and keep the reader’s interest maintained in each and every one. He is an author who is lauded by his peers as one of the best to ever write in the epic fantasy genre and rightfully so.

Dean Koontz doesn’t need an introduction, nor does he need a shout-out, but this book stuck out to me in my younger days. While it may not fall into the same classifications as my previous recommendations, it may have been the first book I read about an average, not entirely special, person with a unique ability he doesn’t understand.

I read this book 20 years ago and still think about it often. The concept of seeing death and knowing when someone is about to die is just an intriguing—and terrifying—prospect. How do you deal with that? Especially knowing there’s nothing you can do to stop it? And then, what do you do when you start seeing Death everywhere? Do you fight it or run for the hills?

The Gentleman Bastards are a fun, exciting group with a connection that feels genuine throughout the story and has, by far, some of the best and most hilarious dialogue I've ever read in a book. I've also learned quite a bit about fantasy storytelling from this story, in that you can craft a compelling fantasy story without huge, world-changing stacks by making the characters emotionally motivated in their goal.

The mystery was also a pleasant surprise, as it incorporated clever clues and plot points that came together nicely for a satisfying conclusion. Actions and choices actually weighed in on the events.