62 books like Best Served Cold

The world-building in The Hundred Thousand Kingdoms explores how the powering of societies can come at a human cost—though in this case, the humans have outsourced that cost to the gods. Enslaved by the Arameri aristocratic family that rules over the Hundred Thousand Kingdoms, gods and godlings power the Arameri’s control of the city of Sky, allowing the city to flourish but at the expense of the common people’s or the gods’ agency. Compared to the other books listed here, this tale is more concerned with the structures of class and authority (and less so utility) that help turn the gears of society, but its examinations of these aspects of civics are still insightful and, ultimately, optimistic.

There is not a thing about this book that I don’t love.

Marshall (a pseudonym for Jesse Bullington) tells the story of Zosia – Cold Cobalt, The Banshee with a Blade, First Villain – who is just a few steps past her prime. Twenty-some years have passed since she led her notorious band of generals – The Five Villains – in a war that put her on the throne. A throne she walked away from.

She was done with it all until fate and mistake shattered her retirement, drawing her back into the world and war. Marshall does some really cool things with gender norms, looks aging right in the face with an unvarnished mirror, and gives readers a cold religion, bug-drugs, and all the violence you could want.

But he also gives readers the sort of anti-heroes that you can’t help but cheer for, a cast of minor and… show more.

I loved this book since before it was published.

I gave a quote for the cover of the first printing of it, in fact. Fifteen years later, it still remains a book that can carry me away to a world where magic is not a gift but a challenge to overcome.

Kristen had a fresh idea here, but it still folded into my love of adventure and magic and finding out who we are inside.

That’s a story that will always get my attention, and the writing in this one is also lush enough to make me want to pause and re-read lines.

Gideon the Ninth lit up the sky of the science fiction/fantasy world when it was published, launching the Locked Tomb series (which is ongoing, and great; third volume Nona the Ninth is especially lovely).

It's been described as "lesbian necromancers in space" but it's more "lesbian necromancer and swordsperson on various weird planets in the far future with a god-emperor who uses death magic to fight planet-sized spectral monsters...." for a start.

The whole series is enigmatic, complex, and laced through with humor, action, and yearning, but the first book is notable for the power of Gideon's voice.

This book begins with a broken and scorned man, his world having come apart at the seams after contracting leprosy.

Donaldson’s craft at portraying Covenant’s bitterness and vitriol toward life because of his plight is a palpable thing. When Covenant is transported to “The Land” by the magic of his wedding ring, which he refuses to part with despite the emotional pain it engenders, he is hailed as the second coming of Berek Halfhand, a legendary figure in this realm he considers to be a dream.

Such is his weakness, confusion, and rage at his plight in the real world, that when he begins to be healed by the natural powers of “The Land,” he ravages the people around him, even as they push him toward their belief that he is there to save them from The Despiser.

From the moment I spied the cover, I knew I had to read this book. 

It featured an armored soldier on horseback leading a group of weary travelers on a dark, foreboding night. It whispered of danger and mystery–two things all good fantasy contains. The group, inspired by prophecy, battles against unworldly creatures, eyeless monsters, and enigmatic foes in their quest to defeat the dark one.

I loved the clear delineation between the creator and the dark one and their contrasting visions for the world.

The best description of sainthood I have ever found. In The Curse of Chalion, Bujold starts from a world of visceral reality with a new religion based on family archetypes. 

In her world, these gods are real and play very specific roles within the society, and well-constructed prayer opens up a space for the gods to use one for their purposes. As the main character learns what it means to be a saint, to allow miracles to flow through him (as he says, “like a mule being whipped up the mountain pass”), we see the difference between supportive and unsupportive roles, how failure can lead one astray and how the journey home can be long and difficult. 

Warning: This book contains scenes and situations not suitable for children.

Odalisque blew me away. I did not expect this author to produce such a raw and dark series. Set in a time where brutality was the norm, I loved exploring Ana’s journey as she fought to regain not only her freedom from slavery, but the epic lengths she went to—to gain power in a world ruled by strength and deception. Fiona draws out the reader’s emotions and will cast you into a scene right out of history. Revenge and honour, sex and murder all take place in the desert, so keep your eye out for this book.

Guy Gavriel Kay is widely known and admired for his sweeping, epic fantasy novels, all set in fantastical version of real historical countries—but before he turned to that genre, he wrote the Fionavar Trilogy. 

Think Lord of the Rings with critical differences: the characters all have a wry sense of humor and an appreciation of irony and many of those characters are women, strong, intelligent, fierce, complex women. Kay also goes for broke as a storyteller here; you can almost hear him wondering, “Can I pull this off?” And he does it every single time.

I loved this book for its combination of fantasy and sci-fi, the gritty and grim world Lawrence has created, and the high-energy and higher-stakes action sequences that fill the book.

I loved that it was unexpected. Lawrence's post-apocalyptic world concept was unique and fresh, compellingly combining the technology of a dying world with supernatural themes. I certainly did not expect the convent setting and nun-in-training protagonist in a sci-fi storyline, and yet that’s what I got in his main character, Nona Grey.

I love the tension and suspense created in the frequent action sequences Nona finds herself in, which left me wanting more and more. This leads to the last thing I really loved about this book: that it continued across two more books: Grey Sister and Holy Sister.