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I write about flawed characters as a reflex. I’m more interested in exploring the journey of an alcoholic monster hunter with literal and figurative demons than a white knight. Throughout my life, I’ve seen the effects of substance abuse up close, and while difficult, it helped me find the humanity in flaws. I choose to write about those flaws with a humorous bend, because life is far too long to go through without jokes. As a result, I gravitate towards pithy antiheroes and dark comedy. To feel a character’s pain is human, to laugh in the midst of their darkest moments is divine.
Here is yet another book where at first it seems as though there are no heroes.
Abercrombie writes a masterful world filled with magic, politics, swordfights, and bleak attitudes. One of the main POV characters is a torturer—I mean a full-on break your toes and laugh about it torturer—but even still, I found myself wanting more of his story. He’s certainly not a hero, but he was at one point, and that’s even more intriguing.
The characters drive this fantasy series, but the world is also a gorgeous setting that Abercrombie clearly spent many long nights thinking through. Every detail feels like it matters, and throughout this trilogy, the smallest specks of plot come back to matter.
On top of it all, I loved the audiobook narrator and his particular performances for each character brought the world to life.
Inquisitor Glokta, a crippled and increasingly bitter relic of the last war, former fencing champion turned torturer extraordinaire, is trapped in a twisted and broken body - not that he allows it to distract him from his daily routine of torturing smugglers.
Nobleman, dashing officer and would-be fencing champion Captain Jezal dan Luthar is living a life of ease by cheating his friends at cards. Vain, shallow, selfish and self-obsessed, the biggest blot on his horizon is having to get out of bed in the morning to train with obsessive and boring old men.
I spent the better part of a decade honing my writing skills and pushing the bounds of imagination after my debut fantasy novel Mercury Dagger - A Tale From Kraydenia. When I am not off exploring the wilds of Australia, I am dreaming up new adventures and monsters to cause chaos in a fantastical world filled with twists, loyalty, honour, and great and terrible battles.Originally from South Africa, I have travelled the African continent, visiting numerous countries, seeing first-hand the differences in many cultures who roam the lands and found it fascinating. It is this fascination that inspires my love for creating new characters and finding out what makes them tick.
If you like to be toyed with emotionally, pick up this novel. It will make you want to cry, laugh, turn away in disgust while wanting more. I have never had a book play with my emotions so much, especially when reaching the end and knowing the series was finished. As the tenth and final book of the Malazan book of the fallen, I tip my hat to Steven Erikson for his creation. Some of the best characters I have come to love are from this series. I loved every second of it.
The climax to the epic Malazan Book of the Fallen series that will determine how the world is ruled.
Savaged by the K'Chain Nah'Ruk, the Bonehunters march for Kolanse, where waits an unknown fate. Tormented by questions, the army totters on the edge of mutiny, but Adjunct Tavore will not relent. One final act remains, if it is in her power, if she can hold her army together, if the shaky allegiances she has forged can survive all that is to come. A woman with no gifts of magic, deemed plain, unprepossessing, displaying nothing to instill loyalty or confidence, Tavore…
I spent the better part of a decade honing my writing skills and pushing the bounds of imagination after my debut fantasy novel Mercury Dagger - A Tale From Kraydenia. When I am not off exploring the wilds of Australia, I am dreaming up new adventures and monsters to cause chaos in a fantastical world filled with twists, loyalty, honour, and great and terrible battles.Originally from South Africa, I have travelled the African continent, visiting numerous countries, seeing first-hand the differences in many cultures who roam the lands and found it fascinating. It is this fascination that inspires my love for creating new characters and finding out what makes them tick.
Stunning character visualization and world-building make for a good read. Throw in some good humor, some daring fights and beasts to slay, and a plot filled with twists and you have yourself a great read. Andrzej Sapkowski has done a fantastic job of carving great characters for your enjoyment.
This collection of articles concerning the economic development of Africa was written by a group of scholars who are experienced in African societies and are knowledgeable about African needs. This experience and knowledge allows the authors to improve the focus on subjects like productivity, rural development, and transportation along with social and political issues involved in African developmental problems. The work consists of three parts: a general introduction, a section focusing on theoretical perspectives, and a section on practical problems. Since much of the work is derived from original research, it is unique in its treatment of the subject. The…
I spent the better part of a decade honing my writing skills and pushing the bounds of imagination after my debut fantasy novel Mercury Dagger - A Tale From Kraydenia. When I am not off exploring the wilds of Australia, I am dreaming up new adventures and monsters to cause chaos in a fantastical world filled with twists, loyalty, honour, and great and terrible battles.Originally from South Africa, I have travelled the African continent, visiting numerous countries, seeing first-hand the differences in many cultures who roam the lands and found it fascinating. It is this fascination that inspires my love for creating new characters and finding out what makes them tick.
A tremendous conclusion to the Death Gate Cycle series. All that is needed is to enter the final gate and this brings new and old enemies to their doorstep. Magic has greater meaning than in this tale. A tale of treachery and heroism awaits you, take the leap through the seventh gate…
The Seventh Gate is the thrilling conclusion to the New York Times bestselling Death Gate Cycle by Margaret Weis and Tracy Hickman. In this tale of treachery, power, and heroism, Alfred, Haplo, and Marit embark on a journey of death and discovery as they seek to enter the dreaded Seventh Gate. Encountering enemies both old and new, they unleash a magic no power can control, damning themselves to an apocalypse of unimagined proportion in a final struggle between good and evil.
I have been a huge fan of fantasy since I was a child, starting off with high fantasy before trying out urban. The genre helps me escape from the real world for a while and fires my imagination. I write fantasy books because there is no limit on what you can do with characters and storyline. I write for pleasure and I hope others get enjoyment out of my work. I read a lot, not to get ideas, but just for the pure pleasure of reading. There is just something about the feeling of turning the pages of a printed book you can’t get anywhere else.
This is the first book in a series that goes on and on, following the life of a couple of characters as the world changes around them. Spanning two different worlds, this first book builds up a number of characters you want to keep reading about. As the series continues through time, new threats to the two worlds introduce new characters. What I like most about this series is it keeps moving the worlds forward instead of stagnating.
In the westernmost province of the Kingdom of the Isles, upon the world of Midkemia, an orphan kitchen boy named Pug was made apprentice to the magician Kulgan.
Here starts an adventure that will span lifetimes and worlds. Discover where the story begins.
The world had changed even before I discovered the foreign ship wrecked on the shore below Crydee Castle, but it was the harbinger of the chaos and death that was coming to our door.
War had come to the Kingdom of the Isles, and in the years that followed it would scatter my friends across the world.…
It seems that all of the fictional main characters I create have anti-hero tendencies. There is always some voice in their head telling them to do right when they are expected to do wrong, or to do wrong when it is supposed they will do right. I find this flaw very compelling, and universal for those of us of flesh and blood. Do sneering, evil characters exist? Well, maybe, but they aren’t very interesting, and I think a weak trope.
This book begins with a broken and scorned man, his world having come apart at the seams after contracting leprosy.
Donaldson’s craft at portraying Covenant’s bitterness and vitriol toward life because of his plight is a palpable thing. When Covenant is transported to “The Land” by the magic of his wedding ring, which he refuses to part with despite the emotional pain it engenders, he is hailed as the second coming of Berek Halfhand, a legendary figure in this realm he considers to be a dream.
Such is his weakness, confusion, and rage at his plight in the real world, that when he begins to be healed by the natural powers of “The Land,” he ravages the people around him, even as they push him toward their belief that he is there to save them from The Despiser.
'Comparable to Tolkien at his best' WASHINGTON POST
Instantly recognised as a modern fantasy classic, Stephen Donaldson's uniquely imaginative and complex THE CHRONICLES OF THOMAS COVENANT, THE UNBELIEVER became a bestselling literary phenomenon that transformed the genre.
Lying unconscious after an accident, writer Thomas Covenant awakes in the Land - a strange, beautiful world locked in constant conflict between good and evil.
But Covenant, too, has been transformed: weak, angry, and alone in our world, he now holds powers beyond imagining and is greeted as a saviour. Can this man truly become the hero the Land requires?
I’m the author of more than twenty fantasy novels, including the acclaimed Annals of the Nameless Dwarf series, and the hauntingly dark Sorcerers’ Isle duology. In my capacity as a developmental editor, I’ve worked on almost a hundred books for both traditionally published and independent authors. I was brought up reading classic fantasy and Sword and Sorcery, then spent more time than I perhaps should have playing D&D throughout the late 70s and the 80s. I confess to being an unashamed fan of Thongor. I’m an Englishman abroad, pining for the Sussex Downs and warm beer beside an open fire in a medieval pub I was once wont to visit.
The concept is what initially sold me on this one: the child of a “dark lord” figure. Ultimately, Incursion, the first of five books in The Necromancer’s Key series, is a concatenation of unmaskings as the reader tries to work out who the heir of the Necromancer Queen is—and, be warned, there are some big red herrings.
The protagonist, Anskar DeVantte, is a young man preparing to become a holy knight, yet as he works his way through the trials of initiation, buried powers and a past deliberately hidden from him by his superiors begin to manifest. He becomes involved (against the Order’s rules) with another trainee knight, a woman taken from among the subjugated local population and forced to adopt the ways of her people’s oppressors. They both begin to demonstrate phenomenal sorcerous powers, which draw the attention of the Order’s superiors, as well as that of the…
An immersive and ambitious new series from the Aurealis Award winning author of A Crucible of Souls.
A corrupted power stirs from beyond the grave. A sacred order of knights sworn to protect the world from evil. The Necromancer Queen will rise again.
Seventeen years have passed since the Necromancer Queen Talia was overthrown and slain, and her capital city destroyed by the Knights of the Order of Eternal Vigilance.
Anskar DeVantte, raised in the sacred disciplines of the Order, is now ready to face the brutal initiation trials to become a consecrated knight-sorcerer.
I came of age in the early 80s, in Milwaukee, Wisconsin, not very far from where Gary Gygax and others invented Dungeons and Dragons. I grew up playing role-playing games. When other kids were running around, we were gathered around huge tables, rolling dice, and having fun. But that wasn’t enough. I went on to invent my own games, and build my own worlds. Over the decades, we wove rich tapestries of adventures together into intricate stories that beg to be told. So, seeing no other option, I became an author.
This was the first fantasy series I read, and it changed my life. Elric of Melniboné is a glorious blend of Grimdark and Sword and Sorcery, that starts a satisfying series, which, in and of itself, is the cornerstone of a larger collection of fantasy works.
So many works have borrowed from Elric, you really owe it to yourself to read the original. The books are short, and read quite quickly. There is incredible pathos within the story arc, and a deep, dark creativity to the worldbuilding.
From World Fantasy Lifetime Achievement Award winner Michael Moorcock comes the first book in his famous Elric of Melniboné series, brought to vivid new life with stunning illustrations.
In one of the most well-known and well-loved fantasy epics of the 20th century, Elric is the brooding, albino emperor of the dying Kingdom of Melnibone. With Melnibone’s years of grandeur and decadence long since passed, Elric’s amoral cousin Yrkoon sets his eyes on the throne. Elric, realizing he is his country’s best hope, must face his nefarious cousin in an epic battle for the right to rule.
I love a good fight scene! It doesn’t need to be long and gruesome, but it must be visceral and make me nervous for those involved. Don’t get me wrong, I also love a good first-kiss scene but unfortunately, my past has made me more adept at recognizing and writing one over the other. I started training in martial arts at the age of nine and continued for thirty years. I don’t train much these days but I took up bowmaking a few years back and now spend a lot of time carving English longbows and First Nations’ bows. I recently also took up Chinese archery.
Mathew Harffy has a lot going for him in the historical fiction world. His fight scenes are not overly technical and are easy to follow. They have just the right amount of blood and gore to make you believe the characters are really in danger but are not simply gratuitous violence. What I really love about this book is his voice when he writes descriptions of the forest and the people who live in it. I grew up in the woods of a small town in Canada, and I know how the forest can be a peaceful, tranquil setting one moment and then suddenly transform into a place of shadows and dread. Judging by the cover of this book, I think Harffy knows this as well.
'Harffy's Dunston is a fantastic creation - old, creaking and misanthropic. The forest is beautifully evoked. A treat of a book' The Times.
AD 838. Deep in the forests of Wessex, Dunston's solitary existence is shattered when he stumbles on a mutilated corpse.
Accused of the murder, Dunston must clear his name and keep the dead man's daughter alive in the face of savage pursuers desperate to prevent a terrible secret from being revealed.
Rushing headlong through Wessex, Dunston will need to use all the skills of survival garnered from a lifetime in the wilderness. And if he has any…
I love a good fight scene! It doesn’t need to be long and gruesome, but it must be visceral and make me nervous for those involved. Don’t get me wrong, I also love a good first-kiss scene but unfortunately, my past has made me more adept at recognizing and writing one over the other. I started training in martial arts at the age of nine and continued for thirty years. I don’t train much these days but I took up bowmaking a few years back and now spend a lot of time carving English longbows and First Nations’ bows. I recently also took up Chinese archery.
Bernard Cornwell’s fight scenes are what I would call emotional rather than technical. You feel his fights, the vibration of sword against shield, the panic of your feet slipping in the mud, the fear rising up in your guts that will allow only a half-crazed scream to come out of your mouth. If you’re looking for a manual on sword fighting, Cornwell is not your man. But if you want to be put in a character’s armor while someone is trying to skewer him with a spear, no one does it better. I was drawn to this book because it was about an archer, and I know how hard it is to write fight scenes with archers in them. I am an amateur bowyer and having made more than a few bows I know how much skill it takes to make and use these weapons. Cornwell did a lot of…
Harlequins are lost souls, so loved by the devil that he would not take them to hell, but left them to roam the earth. In French the word is hellequin - the name given to the English archers who crossed the Channel to lay a country to waste.
Thomas of Hookton is one of those archers. When his village is sacked by French raiders, he makes a promise to God: to retrieve the relic stolen from Hookton's church. Escaping his father's ambitions, he becomes a wild youth who delights in the life of an army on the warpath.
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