97 books like Feed

The widening partisan divide between Red and Blue in the United States today gives me nightmares.

I read a lot of history, so I know how closely today’s divisions resemble those before the Civil War. Which is why Omar El Akkad’s American War resonates so deeply with me.

In 2074, four Deep South states secede over the passage of new legislation banning fossil fuels—and a Southerner assassinates the President.

The Red and Blue states are now at war again. And that’s my nightmare brought to life. 

Climate change aside, what scares me the most about technology today is the capacity for bioengineering to run amok.

What happens when scientists monkey around with deadly viruses—and one escapes from the lab? What if some rogue researcher creates an entirely new lifeform that proves toxic to humans? Or some experimental microbe—an effort to save the world’s butterflies, for instance—proves to kill off bees instead?

This novel, which won major awards, depicts a frightening future world wrought by bioengineering. And you wouldn’t want to live there anymore than I do. 

This book is light on hope, but if you’re on the hunt for cli-fi dystopias, Oryx and Crake is a must-read.

The novel’s protagonist, Snowman (previously known as Jimmy), finds himself alone (sort of) after a global societal collapse. His story unfolds on either side of this collapse as he searches for answers about what has happened to the world and why.

This book brings together runaway climate change, an apocalyptic pandemic, uncontrolled genetic engineering, mass extinction, and more, dealing with nostalgia for what’s been lost and reckoning with each person’s individual culpability for that loss. And yet it somehow manages to also be a thrilling puzzle box of a story that ends on a note of cautious hope.

Without a doubt, Neuromancer is the most recognizable, well-known, and highly regarded cyberpunk novel—and rightfully so. 

Published in 1984, Neuromancer was directly inspired by City Come A-Walkin’ and then surpassed it, deepening the technical elements, exploring the ever-more-important aspects of computer networks and hacking (Gibson having coined the phrase, “cyberspace”), and solidifying the literary style of cyberpunk. 

For me, though, the fact that Gibson was responding to Shirley enriches both novels. I love the concept of one artist responding to another’s work; from Horace to Shakespeare, to Dryden to Pope, to Hammett to Chandler, the best art is inspired by art, and the same is true in cyberpunk. It’s a microcosm of the human condition and, come to think of it, so is Neuromancer.

I also love books that combine thrilling adventure stories with the thoughtful exploration of ideas.

The protagonists of this haunting sci-fi/existential horror novel make contact with an alien species that, while highly intelligent, appears to lack any sense of self-awareness. This leads to the scary question: Are the aliens the weird ones in this scenario, or is human consciousness a unique mutation in a universe filled with zombies?

The news is full of stories about chilling developments in artificial intelligence.

And you don’t have to venture into the fantasy world of killer robots to be terrified. Already, “chatbots” are blurring the lines between human and machine intelligence.

It’s gotten to the point that you can’t trust what you see or read online—because it may have been created by some AI designed to cheat or scare you into doing something you really don’t want to do.

Ira Levin’s novel, published in 1970, shows us a world ruled by artificial intelligence. It’s dystopia in the truest sense—and it’s likely to frighten you, as it did me.

The first sci-fi I ever read, plucked from a dusty shelf on a mission compound in Niger. The physics explanations were beyond me, and honestly still are, but the astronomical imagery rewired my nine-year-old brain. This is a book (and series) that melds the rigor of hard SF with the scope and imagination of the best space opera, following the remnants of humanity as they flee inscrutable, implacable AI monstrosities. It makes the universe feel visceral and terrifyingly beautiful, and makes the reader feel like an ant.

Kid books are the most important books. They hook deep into the gray matter right as it’s branching off in all directions, and set the course for a whole new crop of writers. The imagery in this companion to the long-running Animorphs series was off the charts – for example, a moon-spanning hivemind organism that keeps thousands of victims tethered underwater, trepanned by tendrils that let it access their decaying brains. This one is dark, vivid, and capped off by a beautifully understated death. 

Williamson was one of the first people (after me) to critique advertising from a feminist point of view. I could have chosen her earlier book, Decoding Advertisements: Ideology and Meaning in Advertising, which also had a big influence on me, but this one is less academic and more readable.

Her discussion of how advertising channels people’s desire for progressive change into a need for products was one of the themes of my doctoral dissertation (written before this book). There are many gems, such as the fact that the ideal body type for women in ads has sometimes been that of a teenage boy!  

As the marketing landscape is more cluttered than ever and brand marketers are consistently transforming and innovating their marketing to reposition their brand and effectively engage their target consumers, Rachel Lawes immerses us in the powerful influence of visual images in branding, advertising, and marketing.

She highlights how visual imagery is interpreted differently by different genders, cultures, races, and other factors and shares case studies that will inspire future campaign ideation and activation.