Here are 100 books that Love in a Dark Time fans have personally recommended if you like
Love in a Dark Time.
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I am the author of three books, all featuring characters who feel like outsiders; some are queer, many are artists, most are people of color. I was lucky enough to grow up around artists, in a community where creativity was valued. I wrote poems and invented card games, put on plays in our living room, and made up stories to fall asleep at night. I knew I was an artist before I knew the word queer. When I came out, my outsider status doubled; I wanted to know how other queer artists and writers navigated these dual identities—how they not only survived but thrived. Their stories are my story.
I was obsessed with this novel when it first came out, and every time I go back to it, it offers me another gift.
The writing is lean yet elegant, a perfect combination to tell such a heartbreaking story—of three women connected through time by Virginia Woolf’s singular novelMrs. Dalloway.
It’s a book about how to sustain ourselves through challenging times—how to literally survive—but it’s also a treatise on creating remarkable characters, the call to be an artist, and a rare glimpse into the imagined writing process of one of the English language’s greatest wordsmiths. (I’m referring to Woolf, but I could just as easily be talking about Cunningham.)
The structure is inventive and compelling, but it is really what he shows us of the characters, how he opens their hearts and whispers their secret sorrows into our eager ears, desires they barely understand themselves, that makes this…
Winner of the 1999 Pulitzer Prize and Pen Faulkner prize. Made into an Oscar-winning film, 'The Hours' is a daring and deeply affecting novel inspired by the life and work of Virginia Woolf.
In 1920s London, Virginia Woolf is fighting against her rebellious spirit as she attempts to make a start on her new novel.
A young wife and mother, broiling in a suburb of 1940s Los Angeles, yearns to escape and read her precious copy of 'Mrs Dalloway'.
And Clarissa Vaughan steps out of her smart Greenwich village apartment in 1990s New York to buy flowers for a party…
I studied French language and literature from the time I was 13 until I graduated from college. Alongside that work, I also became more interested in African American literary and artistic histories, so I studied that as well. I realized there was a lot of overlap as many Black American artists would flee to Europe to “escape” American racism. Learning more about these historical writers throughout my graduate school journey made me very interested in researching further and writing my own take on the subject for young people.
I loved that this classic by one of America’s greatest literary minds gave me answers about what it would be like if I did what I always dreamed of doing: leaving America behind and moving to France. One of the important things I came to realize was that The Great Escape would not solve your problems, but it would help give you a fresh perspective on things.
'A masterwork... an almost unbearable, tumultuous, blood-pounding experience' Washinton Post
When Another Country appeared in 1962, it caused a literary sensation. James Baldwin's masterly story of desire, hatred and violence opens with the unforgettable character of Rufus Scott, a scavenging Harlem jazz musician adrift in New York. Self-destructive, bad and brilliant, he draws us into a Bohemian underworld pulsing with heat, music and sex, where desperate and dangerous characters betray, love and test each other to the limit.
'In Another Country, Baldwin created the essential American drama of the century' Colm Toibin
I am the author of three books, all featuring characters who feel like outsiders; some are queer, many are artists, most are people of color. I was lucky enough to grow up around artists, in a community where creativity was valued. I wrote poems and invented card games, put on plays in our living room, and made up stories to fall asleep at night. I knew I was an artist before I knew the word queer. When I came out, my outsider status doubled; I wanted to know how other queer artists and writers navigated these dual identities—how they not only survived but thrived. Their stories are my story.
This novel broke my heart the first time I read it, as much as it thrilled me, and I wanted to step into the book and hug all of the main characters.
They felt so alive—through their pain and desperation, their anger—and it showed me how to weave a layered, complex plot with multiple points of view into a cohesive, meaningful, single story. It follows a jazz musician with a huge secret, one revealed only after his death, which threatens to destroy the family he’s made, on and off the stage.
I love a good family saga, especially one dealing with issues of identity, class, culture, and sexuality—but if that doesn’t grab you, read it for the simple pleasure of Kay’s writing.
Skilled at the art of concision, she imbues this novel with both lyrical and concrete imagery, leaving the reader with portraits so crisp and profound you will feel…
"Supremely humane.... Kay leaves us with a broad landscape of sweet tolerance and familial love." —The New York Times Book Review
In her starkly beautiful and wholly unexpected tale, Jackie Kay delves into the most intimate workings of the human heart and mind and offers a triumphant tale of loving deception and lasting devotion.
The death of legendary jazz trumpeter Joss Moody exposes an extraordinary secret, one that enrages his adopted son, Colman, leading him to collude with a tabloid journalist. Besieged by the press, his widow Millie flees to a remote Scottish village, where she seeks solace in memories…
I am the author of three books, all featuring characters who feel like outsiders; some are queer, many are artists, most are people of color. I was lucky enough to grow up around artists, in a community where creativity was valued. I wrote poems and invented card games, put on plays in our living room, and made up stories to fall asleep at night. I knew I was an artist before I knew the word queer. When I came out, my outsider status doubled; I wanted to know how other queer artists and writers navigated these dual identities—how they not only survived but thrived. Their stories are my story.
To call this book a biography threatens to diminish the power and force of the story telling.
Yes, it covers the biographical details—the troubled family life, the delayed yet ferocious sexuality, the prodigious talent—but what makes this book extraordinary is the alchemy that occurs on the page; the blending of Williams’ voice with Lahr’s narrative focus gives us a deeply researched and insightful dive into the mind (and heart) of one of the greatest playwrights the American theatre has ever produced.
People today call everything “epic,” but this book truly is; it delves into Williams’ process, introduces his demons and muses, and shows the challenges all writers face of how to balance the people we’re committed to in our real lives with the characters we’re devoted to on the page.
The gift here is not in the gossip (though there’s plenty of great dish), it’s in the time travelling: to…
John Lahr has produced a theater biography like no other. Tennessee Williams: Mad Pilgrimage of the Flesh gives intimate access to the mind of one of the most brilliant dramatists of his century, whose plays reshaped the American theater and the nation's sense of itself. This astute, deeply researched biography sheds a light on Tennessee Williams's warring family, his guilt, his creative triumphs and failures, his sexuality and numerous affairs, his misreported death, even the shenanigans surrounding his estate.
With vivid cameos of the formative influences in Williams's life-his fierce, belittling father Cornelius; his puritanical, domineering mother Edwina; his demented…
When I was a teenager, I didn’t have romance in my life. I was so extremely shy that I could barely look at people I thought were cute, let alone talk to them. I lived vicariously through books. Now that I’m older (and way less shy), I still love reliving that time of my life through books. How would I have reacted differently in the same situation? How would things have been different if I had been more outgoing? Only recently, I realized that I was queer, and I’ve been slowly dipping my toes into that world as well.
This was my first read of Jason’s work, and I was pleasantly surprised by just how much I loved it.
The mythology of the world was incredibly well-built, and I loved it when the humans got involved, too. The fat rep was incredible. It’s amazing to read about characters described like myself. The non-binary rep was excellent.
Overall, this was a fun read that I borrowed from the library and then bought because I loved it.
From Jason June, author of the breakout teen debut novel Jay's Gay Agenda, comes Out of the Blue, a stand-alone dual POV queer rom-com that asks if love is enough to change everything you've grown up believing. Perfect for fans of Cemetery Boys by Aiden Thomas and Deep Blue by Jennifer Donnelly.
Crest is not excited to be on their Journey: the month-long sojourn on land all teen merfolk must undergo. The rules are simple: Help a human within one moon cycle and return to Pacifica to become an Elder-or fail and remain stuck…
Saleem Haddad was born in Kuwait City to an Iraqi-German mother and a Palestinian-Lebanese father. He has worked with Médecins Sans Frontières and other international organisations in Yemen, Syria, Iraq, Libya, Lebanon, and Egypt. His first novel, Guapa, is a political and personal coming-of-age story of a young gay man living through the 2011 Arab revolutions. The novel received critical acclaim from the New Yorker, The Guardian, and others. It was awarded a Stonewall Honour and won the 2017 Polari First Book Prize. His directorial debut, Marco, premiered in March 2019 and was nominated for the 2019 Iris Prize for ‘Best British Short Film’.
Written from the perspective of one of the victims of the infamous 2001 Queen Boat scandal, when 52 men were arrested and put on trial in Egypt during a raid on a gay party, In the Spider’s Room is an intense depiction of living in a society that fears and rejects any form of queerness. Unflinching, claustrophobic, and suffocating, Abdelnaby does not shy away from exploring what happens when one is presented with no avenues for expressing their desires and sense of self.
A sensitive and courageous account of life as a gay man in Egypt and Winner of the 2019 Prix de la Littérature Arabe
Hani was out for an evening stroll near Cairo’s Tahrir Square when a heavy hand landed on his shoulder. An informant had identified him, and he was thrown into the back of a police truck. There began a seven-month nightmare as he was swept up, along with fifty other men, in the infamous Queen Boat affair that targeted Egypt’s gay community.
Finally free, but traumatized into speechlessness, Hani writes down the events of his life―his first sexual…
I have been writing about LGBTQ+ culture for magazines and newspapers for almost a decade, and am a voracious consumer of queer stories. Queer literature makes our various needs and desires as a community come alive on the page, and helps us to connect with and understand one another. Reading LGBTQ+ books is a way to learn about contemporary queer life, and work out what more we can be doing to help those more marginalised than us.
Gay Bar is an imaginative history of gay bar culture in London, San Francisco, and LA – where the author has lived, over several decades. It is both personal and more widely historical, blending anecdotes and “overheard” with in-depth research to uncover the importance and also problems that come with these spaces, which are increasingly becoming extinct, as gay bars in major cities struggle to stay in business.
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY: The New York Times * NPR * Vogue * Gay Times * Artforum *
“Gay Bar is an absolute tour de force.” –Maggie Nelson
"Atherton Lin has a five-octave, Mariah Carey-esque range for discussing gay sex.” –New York Times Book Review
As gay bars continue to close at an alarming rate, a writer looks back to find out what’s being lost in this indispensable, intimate, and stylish celebration of queer history.
Strobing lights and dark rooms; throbbing house and drag queens on counters; first…
I’m a Midwest-based speaker, writer, and theatre-maker. I received my Creative Writing Master's from the University of Oxford where I was given a grant to travel to all 50 states to research my first book, 50 States of Mind: A Journey to Rediscover American Democracy and started the companion podcast 50 States of Mind. I'm a contributor for The Infatuation and have been published in USA Today, The Fulcrum, and The Oxford Political Review. You may have seen me chatting with Helen Mirren as a Slytherin contestant on Harry Potter: Tournament of Houses. I’m currently the Senior Managing Editor at The Trevor Project, overseeing editorial strategy to end suicide among LGBTQ young people.
With America's increasingly divisive political climate around LGBTQ issues, Real Queer America takes on renewed importance as Samantha Allen explores the resilient LGBTQ communities in red states.
Allen takes readers on a road trip through often-overlooked regions of the United States and challenges preconceived notions by showing LGBTQ communities thriving in places like Mississippi, Utah, and Indiana. I was inspired by Allen’s ability to curate personal storytelling alongside journalistic interviews with queer community leaders.
Allen strikes the perfect balance between travelogue and memoir – through her vulnerability in writing about her own coming out journey in America, she allows the reader to better understand what fueled the interest in red state queer communities and conveys the idea that the personal is always political.
Ten years ago, Samantha Allen was a suit-and-tie-wearing Mormon missionary. Now she's a senior Daily Beast reporter happily married to another woman. A lot in her life has changed, but what hasn't changed is her deep love of Red State America, and of queer people who stay in so-called "flyover country" rather than moving to the liberal coasts.
In Real Queer America, Allen takes us on a cross-country road-trip stretching all the way from Provo, Utah to the Rio Grande Valley to the Bible Belt to the Deep South. Her motto for the trip: "Something gay every day." Making pit…
I don’t know if I have an expertise in queer indie fantasy (quite the opposite, in fact). I just know as a queer person who loves magical worlds, I want to help elevate as many of them as possible. Over the past few years, I’ve aimed to read almost exclusively queer books with a focus on indie books (well, any indie books really). My hope is for other people to find and uplift indie books. There are so many beautiful hidden gems that just need a little more exposure to find their reader homes.
This falls more on the Sci-fi side of SFF, but it really is just such a fun ride. What I loved the most about this one is how it seemed to have such a fascinating world of technology but was completely closed off from the world.
It takes place in a mansion, a very small setting, and very character-driven until BAM—suddenly you’re thrown into this big mysterious world with all the clues of technology advancements and government, etc (har har).
Watching the two main characters navigate their way through this dangerous world, and the way it shapes each of them is spectacular. My eyes watered for sure during this one.
Cinderella meets the Matrix in this LGBTQ fantasy perfect for fans of Becky Chambers, TJ Klune, and Martha Wells.
Eke lives in a nice house, in a wealthy neighborhood, with an upstanding family: Mr. and Mrs. Kensworth and their three children. But Eke is not family; Eke is property. He’s an AI whose job is to keep the house clean and organized, and no matter how much Eke secretly wishes to be allowed outside to see the stars or to make a real friend, he’s either ignored or bullied by the family that owns him.…
I’m a queer writer who is passionate about getting good awareness of gender, sexuality, relationships and mental health out there into the world. I create comics, zines, blog posts, and self-help style books to try to reach as wide an audience as possible, bringing together the work of activists, scholars, therapists, and creators - and drawing on a diverse range of knowledge and experiences - in the hope of helping us all understand ourselves and our world better.
No Straight Lines brings together multiple comic creators from four decades of comics by and about LGBTQ+ people. If you want to get a sense of how the queer community has developed and changed over time, and how comics have reflected - and impacted - that, then this anthology is definitely the place to go.
From early underground gay and lesbian comics, through responses to the AIDS crisis, to more recent webcomics and trans memoirs, this book takes the reader on a historical journey and introduces them to many creators of fictional and non-fictional comics who they may well want to read more from.
Collecting the world's greatest LGBT comics under one cover.
Queer cartooning encompasses some of the best and most interesting comics of the last four decades, with creators tackling complex issues of identity and a changing society with intelligence, humor, and imagination. This book celebrates this vibrant artistic underground by gathering together a collection of excellent stories that can be enjoyed by all.
No Straight Lines showcases major names such as Alison Bechdel (whose book Fun Home was named Time Magazine’s 2006 Book of the Year), Howard Cruse (whose groundbreaking Stuck Rubber Baby is now back in print), and Ralf Koenig…
