Here are 99 books that Trumpet fans have personally recommended if you like
Trumpet.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I am the author of three books, all featuring characters who feel like outsiders; some are queer, many are artists, most are people of color. I was lucky enough to grow up around artists, in a community where creativity was valued. I wrote poems and invented card games, put on plays in our living room, and made up stories to fall asleep at night. I knew I was an artist before I knew the word queer. When I came out, my outsider status doubled; I wanted to know how other queer artists and writers navigated these dual identities—how they not only survived but thrived. Their stories are my story.
I was obsessed with this novel when it first came out, and every time I go back to it, it offers me another gift.
The writing is lean yet elegant, a perfect combination to tell such a heartbreaking story—of three women connected through time by Virginia Woolf’s singular novelMrs. Dalloway.
It’s a book about how to sustain ourselves through challenging times—how to literally survive—but it’s also a treatise on creating remarkable characters, the call to be an artist, and a rare glimpse into the imagined writing process of one of the English language’s greatest wordsmiths. (I’m referring to Woolf, but I could just as easily be talking about Cunningham.)
The structure is inventive and compelling, but it is really what he shows us of the characters, how he opens their hearts and whispers their secret sorrows into our eager ears, desires they barely understand themselves, that makes this…
Winner of the 1999 Pulitzer Prize and Pen Faulkner prize. Made into an Oscar-winning film, 'The Hours' is a daring and deeply affecting novel inspired by the life and work of Virginia Woolf.
In 1920s London, Virginia Woolf is fighting against her rebellious spirit as she attempts to make a start on her new novel.
A young wife and mother, broiling in a suburb of 1940s Los Angeles, yearns to escape and read her precious copy of 'Mrs Dalloway'.
And Clarissa Vaughan steps out of her smart Greenwich village apartment in 1990s New York to buy flowers for a party…
I studied French language and literature from the time I was 13 until I graduated from college. Alongside that work, I also became more interested in African American literary and artistic histories, so I studied that as well. I realized there was a lot of overlap as many Black American artists would flee to Europe to “escape” American racism. Learning more about these historical writers throughout my graduate school journey made me very interested in researching further and writing my own take on the subject for young people.
I loved that this classic by one of America’s greatest literary minds gave me answers about what it would be like if I did what I always dreamed of doing: leaving America behind and moving to France. One of the important things I came to realize was that The Great Escape would not solve your problems, but it would help give you a fresh perspective on things.
'A masterwork... an almost unbearable, tumultuous, blood-pounding experience' Washinton Post
When Another Country appeared in 1962, it caused a literary sensation. James Baldwin's masterly story of desire, hatred and violence opens with the unforgettable character of Rufus Scott, a scavenging Harlem jazz musician adrift in New York. Self-destructive, bad and brilliant, he draws us into a Bohemian underworld pulsing with heat, music and sex, where desperate and dangerous characters betray, love and test each other to the limit.
'In Another Country, Baldwin created the essential American drama of the century' Colm Toibin
I am the author of three books, all featuring characters who feel like outsiders; some are queer, many are artists, most are people of color. I was lucky enough to grow up around artists, in a community where creativity was valued. I wrote poems and invented card games, put on plays in our living room, and made up stories to fall asleep at night. I knew I was an artist before I knew the word queer. When I came out, my outsider status doubled; I wanted to know how other queer artists and writers navigated these dual identities—how they not only survived but thrived. Their stories are my story.
The brilliant, searing insights of this book are hard to oversell.
Tóibín is a writer who defies category, and the book—part mini-biographies, part literary criticism, all heart—is a book for anyone who loves writers (not just writing).
He has an incisive yet tender eye for analysis, of not just literature, but of an author’s—dare I say it—soul, and he taught me more about writers I already knew and loved, like James Baldwin and Elizabeth Bishop, while introducing me to authors I’d only heard of, like Thom Gunn and Thomas Mann.
The sections on Oscar Wilde and Roger Casement blew my mind wide open. This book is a must-read for all queer authors writing today—to appreciate how far we’ve come and to celebrate where we’re going.
Colm Tóibín knows the languages of the outsider, the secret keeper, the gay man or woman. He knows the covert and overt language of homosexuality in literature. In Love in a Dark Time, he also describes the solace of finding like-minded companions through reading.
Colm Tóibín examines the life and work of some of the greatest and most influential writers of the past two centuries, figures whose homosexuality remained hidden or oblique for much of their lives, either by choice or necessity. The larger world couldn't know about their sexuality, but in their private lives, and in the spirit of…
I am the author of three books, all featuring characters who feel like outsiders; some are queer, many are artists, most are people of color. I was lucky enough to grow up around artists, in a community where creativity was valued. I wrote poems and invented card games, put on plays in our living room, and made up stories to fall asleep at night. I knew I was an artist before I knew the word queer. When I came out, my outsider status doubled; I wanted to know how other queer artists and writers navigated these dual identities—how they not only survived but thrived. Their stories are my story.
To call this book a biography threatens to diminish the power and force of the story telling.
Yes, it covers the biographical details—the troubled family life, the delayed yet ferocious sexuality, the prodigious talent—but what makes this book extraordinary is the alchemy that occurs on the page; the blending of Williams’ voice with Lahr’s narrative focus gives us a deeply researched and insightful dive into the mind (and heart) of one of the greatest playwrights the American theatre has ever produced.
People today call everything “epic,” but this book truly is; it delves into Williams’ process, introduces his demons and muses, and shows the challenges all writers face of how to balance the people we’re committed to in our real lives with the characters we’re devoted to on the page.
The gift here is not in the gossip (though there’s plenty of great dish), it’s in the time travelling: to…
John Lahr has produced a theater biography like no other. Tennessee Williams: Mad Pilgrimage of the Flesh gives intimate access to the mind of one of the most brilliant dramatists of his century, whose plays reshaped the American theater and the nation's sense of itself. This astute, deeply researched biography sheds a light on Tennessee Williams's warring family, his guilt, his creative triumphs and failures, his sexuality and numerous affairs, his misreported death, even the shenanigans surrounding his estate.
With vivid cameos of the formative influences in Williams's life-his fierce, belittling father Cornelius; his puritanical, domineering mother Edwina; his demented…
I am a journalist, author, guitarist, singer, and songwriter who has spent my career spreading the gospel of the music I love, notably the Allman Brothers Band and the blues masters. I’ve been a Guitar World writer and editor since 1991, profiled countless musicians for The Wall Street Journal, and lived in Beijing for four years, forming a blues band with three Chinese musicians that toured the country, recorded an album, and won awards. That experience has informed everything I’ve done since, including forming Friends of the Brothers, the premier celebration of the music of the Allman Brothers Band.
Mile Davis is unflinching in this memoir, written with the great poet Quincy Troupe, detailing his drug addiction and the foul racism that undergirded too much of his life.
What I find most compelling is his in-depth discussion of music and musical legends who were his bandmates, notably Charlie Parker, Dizzy Gillespie, John Coltrane, Charles Mingus, and Thelonious Monk.
This is a mandatory reading for all fans of the golden era of jazz.
Miles: The Autobiography, like the man himself, holds nothing back. He talks about his battles against drugs and racism, and discusses the many women in his life. But above all, Miles talks about music and musicians, including the legends he has played with over the years: Bird, Dizzy, Monk, Trane, Mingus and many others. The man who has given us the most exciting music of recent times has now given us a fascinating and compelling insight into his extraordinary life. 'An engrossing read ...gives fascinating insights into the cult phenomenon' Miles Copeland, Weekend Telegraph 'Magnificently truthful, action packed, raw and…
I grew up in a strong Scots–speaking environment just before the advent of television, so very much a Scottish village rather than the global village. Speaking several foreign languages and being able to study Scots language and literature at Edinburgh University gave me confidence and the realisation of how special Scots was, and how closely it is tied to the identity of the people and the land. The book is local, national, and international in outlook and is written from the heart and soul, with a strong influence of the Democratic Intellect thrown in to balance the passion. You can also hear me reading the book on Audible.
I received this as a prize at school when I was fifteen and passages like this spoke to me: “...you wanted the words they'd known and used, forgotten in the far‑off youngness of their lives, Scots words to tell to your heart, how they wrung it and held it.” My Ayrshire community spoke Scots so it was life changing to read this message by an author from a different time and a different place who was intensely relevant to my own situation. Being discouraged or even punished for speaking Scots in school, led us to learn English pretty quickly and this bi-lingual tension gave us an advantage learning other languages like French and German which I studied at University. But I will always be grateful to Sunset Song for making me aware of how important the Scots language was to our identity as Scots: “And the next minute that passed…
'Left me scorched' Ali Smith 'Unforgettable' Guardian
Faced with a choice between a harsh farming life and the world of books and learning, Chris Guthrie chooses to remain in her rural community, bound by her intense love of the land. But everything changes with the arrival of the First World War and Chris finds her land altered beyond recognition.
One of the greatest and most heartbreaking love stories ever told,, Sunset Song offers a powerful portrait of a land and people in turmoil.
I was brought up on a farm in the middle of nowhere. Surrounded by standing stones, crypts, and burial mounds of races turned to dust. I started sending sci-fi tales to mags like Uncanny Tales, New Worlds, Astounding Tales, Amazing Stories when I was thirteen, but none were accepted. I left the wilderness for the city, Edinburgh, the “Athens of the North” when fifteen and entered university. All I yearned to do after that was go home. I never did. A little more experience of life behind me, I was first published in Peoples Own and in the same year in New Worlds and then it worked well for me for a while.
Known best for his Waverly novels as well as Ivanhoe and Rob Roy, Sir Walter wrote many of the greatest short tales ever told. “The Highland Widow” is perhaps the greatest short tale ever. A subdued Scotsman living in a foreign London (at that time) and the foremost writer of his time he railed against our English overlords whilst pragmatically trying to maintain the status quo. (The letters of Malachi Malagrowther are a good example, marvellous reading, where he impugns the bank of England with great wit and Scalding rhetoric.)
He gave birth to many volumes of short tales, many under Pseudonyms (such as Malachi Malagrowther) as the English authorities were aware of his influence over the populace of London and his gift for romanticising the “Highland gentleman”. As a writer, he was unsurpassed in his time both in terms of sales by volume and in the quality of…
Scott's short stories have been overshadowed by his novels, yet the title story in this selection has been described as `the first modern short story in English', and R. L. Stevenson considered `The Highland Widow' to be Scott's masterpiece.
When I stepped off the ferry onto Mainland Orkney, a piece of myself I never knew was missing suddenly slotted into place. Orkney became my geographic soulmate and I knew that The Darkest Court trilogy’s final book—and final battle—would have to take place there. Whenever I find myself longing to return, I pick up one of these books and throw myself back into the stories and histories that caught hold of my imagination all those years ago. I hope they stir your sense of magic and wonder the same way.
The best way to learn a new place is to read its folk tales. Muir’s curated collection not only gives a sense of the community values found throughout the wide spread of Orkney islands, but also of magic and wonder that pervades the place. You can easily take a tour to the specific locations mentioned in the stories, and I can assure you that rereading the stories in those places, with Muir’s charming, poetic prose, makes them come to life in fascinating new ways.
The Orkney Islands are a place of mystery and magic, where the past and the present meet, ancient standing stones walk and burial mounds are the home of the trows. Orkney Folk Tales walks the reader across invisible islands that are home to fin folk and mermaids, and seals that are often far more than they appear to be. Here Orkney witches raise storms and predict the outcome of battles, ghosts seek revenge and the Devil sits in the rafters of St Magnus Cathedral, taking notes! Using ancient tales told by the firesides of the Picts and Vikings, storyteller Tom…
I’m an Australian writer and journalist. I’ve written several humour books, as well as a history of Australia in the 1960 and 1970s called The Land Before Avocado. I also write for the Sydney Morning Herald and The Washington Post and present a radio show on ABC Radio Sydney. Of the books I’ve written, the one that’s closest to my heart is my memoir Flesh Wounds.
A young boy, already knowing he’s gay, is growing up in a Scottish slum. The rest of the household consists of people who are drunk, violent, and unemployed. Then, watching the TV, tiny Damian sees Margaret Thatcher, the then British Prime Minister, emerging from the smoke and destruction caused by the IRA’s bombing of the 1984 Conservative Party Conference. Maggie doesn’t have a hair out of place. This little ill-treated boy, sitting on his filthy couch, thinks: “If only she could come here, she’d sort this lot out....” Maggie & Me is so fresh, unlikely, and hilarious, I can’t think of anyone who wouldn’t be moved by the story.
A unique, tender and witty memoir of surviving the tough streets of small town Scotland during the Margaret Thatcher years
________________________
'Shocking and funny in equal measure, and will have you weeping with laughter and sorrow' Independent on Sunday
'A work of stealthy genius' Maggie O'Farrell
'Certain memoirs catch a moment and seem to define it, bottle it ... hugely entertaining' Sunday Times
It's 12 October 1984. An IRA bomb blows apart the Grand Hotel in Brighton. Miraculously, Margaret Thatcher survives. In small-town Scotland, eight-year-old Damian Barr watches in horror as his mum rips her wedding ring off and packs…
I dropped out of law school to pursue a PhD in music at the University of Glasgow and to write the history of the flute in Scotland. Essentially, I wanted to know that if Scotland was a leader in Enlightenment thought, and if there were hundreds of publications with flute on the title page, and since the flute was the most popular amateur instrument in the eighteenth century, why was nothing written about the flute. I obsessively read Scottish mythology as a child, and was always drawn to the stereotypical wild misty landscapes of Scotland without knowing much about it.
I think understanding the intellectual background to a historical period is always important, and I was introduced to the Scottish Enlightenment at West Virginia Wesleyan College through this book. I have since had the pleasure to meet and work with Alexander Broadie while at Glasgow, and he is a kind, generous, and supportive scholar.
The Scottish Enlightenment covers the significant breakthroughs in the thought of the movement, and the contributions of the characters behind it such as David Hume and Adam Smith. The importance of studying history, morality in civil society, religion, and art. The Enlightenment laid the groundwork for our modern society, so how could anyone not study it?
The Scottish Enlightenment was one of the greatest intellectual and cultural movements that the world has ever seen. Its legacy in philosophy, history, science, music, art, architecture, economics, and many other disciplines cannot be overstated. This book considers the totality of achievements from this most astonishing period of Scottish history and how they still animate and inspire the world today.
