Here are 100 books that Trumpet fans have personally recommended if you like
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I am the author of three books, all featuring characters who feel like outsiders; some are queer, many are artists, most are people of color. I was lucky enough to grow up around artists, in a community where creativity was valued. I wrote poems and invented card games, put on plays in our living room, and made up stories to fall asleep at night. I knew I was an artist before I knew the word queer. When I came out, my outsider status doubled; I wanted to know how other queer artists and writers navigated these dual identities—how they not only survived but thrived. Their stories are my story.
I was obsessed with this novel when it first came out, and every time I go back to it, it offers me another gift.
The writing is lean yet elegant, a perfect combination to tell such a heartbreaking story—of three women connected through time by Virginia Woolf’s singular novelMrs. Dalloway.
It’s a book about how to sustain ourselves through challenging times—how to literally survive—but it’s also a treatise on creating remarkable characters, the call to be an artist, and a rare glimpse into the imagined writing process of one of the English language’s greatest wordsmiths. (I’m referring to Woolf, but I could just as easily be talking about Cunningham.)
The structure is inventive and compelling, but it is really what he shows us of the characters, how he opens their hearts and whispers their secret sorrows into our eager ears, desires they barely understand themselves, that makes this…
Winner of the 1999 Pulitzer Prize and Pen Faulkner prize. Made into an Oscar-winning film, 'The Hours' is a daring and deeply affecting novel inspired by the life and work of Virginia Woolf.
In 1920s London, Virginia Woolf is fighting against her rebellious spirit as she attempts to make a start on her new novel.
A young wife and mother, broiling in a suburb of 1940s Los Angeles, yearns to escape and read her precious copy of 'Mrs Dalloway'.
And Clarissa Vaughan steps out of her smart Greenwich village apartment in 1990s New York to buy flowers for a party…
I studied French language and literature from the time I was 13 until I graduated from college. Alongside that work, I also became more interested in African American literary and artistic histories, so I studied that as well. I realized there was a lot of overlap as many Black American artists would flee to Europe to “escape” American racism. Learning more about these historical writers throughout my graduate school journey made me very interested in researching further and writing my own take on the subject for young people.
I loved that this classic by one of America’s greatest literary minds gave me answers about what it would be like if I did what I always dreamed of doing: leaving America behind and moving to France. One of the important things I came to realize was that The Great Escape would not solve your problems, but it would help give you a fresh perspective on things.
'A masterwork... an almost unbearable, tumultuous, blood-pounding experience' Washinton Post
When Another Country appeared in 1962, it caused a literary sensation. James Baldwin's masterly story of desire, hatred and violence opens with the unforgettable character of Rufus Scott, a scavenging Harlem jazz musician adrift in New York. Self-destructive, bad and brilliant, he draws us into a Bohemian underworld pulsing with heat, music and sex, where desperate and dangerous characters betray, love and test each other to the limit.
'In Another Country, Baldwin created the essential American drama of the century' Colm Toibin
I am the author of three books, all featuring characters who feel like outsiders; some are queer, many are artists, most are people of color. I was lucky enough to grow up around artists, in a community where creativity was valued. I wrote poems and invented card games, put on plays in our living room, and made up stories to fall asleep at night. I knew I was an artist before I knew the word queer. When I came out, my outsider status doubled; I wanted to know how other queer artists and writers navigated these dual identities—how they not only survived but thrived. Their stories are my story.
The brilliant, searing insights of this book are hard to oversell.
Tóibín is a writer who defies category, and the book—part mini-biographies, part literary criticism, all heart—is a book for anyone who loves writers (not just writing).
He has an incisive yet tender eye for analysis, of not just literature, but of an author’s—dare I say it—soul, and he taught me more about writers I already knew and loved, like James Baldwin and Elizabeth Bishop, while introducing me to authors I’d only heard of, like Thom Gunn and Thomas Mann.
The sections on Oscar Wilde and Roger Casement blew my mind wide open. This book is a must-read for all queer authors writing today—to appreciate how far we’ve come and to celebrate where we’re going.
Colm Tóibín knows the languages of the outsider, the secret keeper, the gay man or woman. He knows the covert and overt language of homosexuality in literature. In Love in a Dark Time, he also describes the solace of finding like-minded companions through reading.
Colm Tóibín examines the life and work of some of the greatest and most influential writers of the past two centuries, figures whose homosexuality remained hidden or oblique for much of their lives, either by choice or necessity. The larger world couldn't know about their sexuality, but in their private lives, and in the spirit of…
Secrets, misunderstandings, and a plethora of family conflicts abound in this historical novel set along the Brazos River in antebellum Washington County, East Texas.
It is a compelling story of two neighboring plantation families and a few of the enslaved people who serve them. These two plantations are a microcosm…
I am the author of three books, all featuring characters who feel like outsiders; some are queer, many are artists, most are people of color. I was lucky enough to grow up around artists, in a community where creativity was valued. I wrote poems and invented card games, put on plays in our living room, and made up stories to fall asleep at night. I knew I was an artist before I knew the word queer. When I came out, my outsider status doubled; I wanted to know how other queer artists and writers navigated these dual identities—how they not only survived but thrived. Their stories are my story.
To call this book a biography threatens to diminish the power and force of the story telling.
Yes, it covers the biographical details—the troubled family life, the delayed yet ferocious sexuality, the prodigious talent—but what makes this book extraordinary is the alchemy that occurs on the page; the blending of Williams’ voice with Lahr’s narrative focus gives us a deeply researched and insightful dive into the mind (and heart) of one of the greatest playwrights the American theatre has ever produced.
People today call everything “epic,” but this book truly is; it delves into Williams’ process, introduces his demons and muses, and shows the challenges all writers face of how to balance the people we’re committed to in our real lives with the characters we’re devoted to on the page.
The gift here is not in the gossip (though there’s plenty of great dish), it’s in the time travelling: to…
John Lahr has produced a theater biography like no other. Tennessee Williams: Mad Pilgrimage of the Flesh gives intimate access to the mind of one of the most brilliant dramatists of his century, whose plays reshaped the American theater and the nation's sense of itself. This astute, deeply researched biography sheds a light on Tennessee Williams's warring family, his guilt, his creative triumphs and failures, his sexuality and numerous affairs, his misreported death, even the shenanigans surrounding his estate.
With vivid cameos of the formative influences in Williams's life-his fierce, belittling father Cornelius; his puritanical, domineering mother Edwina; his demented…
I am a journalist, author, guitarist, singer, and songwriter who has spent my career spreading the gospel of the music I love, notably the Allman Brothers Band and the blues masters. I’ve been a Guitar World writer and editor since 1991, profiled countless musicians for The Wall Street Journal, and lived in Beijing for four years, forming a blues band with three Chinese musicians that toured the country, recorded an album, and won awards. That experience has informed everything I’ve done since, including forming Friends of the Brothers, the premier celebration of the music of the Allman Brothers Band.
Mile Davis is unflinching in this memoir, written with the great poet Quincy Troupe, detailing his drug addiction and the foul racism that undergirded too much of his life.
What I find most compelling is his in-depth discussion of music and musical legends who were his bandmates, notably Charlie Parker, Dizzy Gillespie, John Coltrane, Charles Mingus, and Thelonious Monk.
This is a mandatory reading for all fans of the golden era of jazz.
Miles: The Autobiography, like the man himself, holds nothing back. He talks about his battles against drugs and racism, and discusses the many women in his life. But above all, Miles talks about music and musicians, including the legends he has played with over the years: Bird, Dizzy, Monk, Trane, Mingus and many others. The man who has given us the most exciting music of recent times has now given us a fascinating and compelling insight into his extraordinary life. 'An engrossing read ...gives fascinating insights into the cult phenomenon' Miles Copeland, Weekend Telegraph 'Magnificently truthful, action packed, raw and…
When I stepped off the ferry onto Mainland Orkney, a piece of myself I never knew was missing suddenly slotted into place. Orkney became my geographic soulmate and I knew that The Darkest Court trilogy’s final book—and final battle—would have to take place there. Whenever I find myself longing to return, I pick up one of these books and throw myself back into the stories and histories that caught hold of my imagination all those years ago. I hope they stir your sense of magic and wonder the same way.
The best way to learn a new place is to read its folk tales. Muir’s curated collection not only gives a sense of the community values found throughout the wide spread of Orkney islands, but also of magic and wonder that pervades the place. You can easily take a tour to the specific locations mentioned in the stories, and I can assure you that rereading the stories in those places, with Muir’s charming, poetic prose, makes them come to life in fascinating new ways.
The Orkney Islands are a place of mystery and magic, where the past and the present meet, ancient standing stones walk and burial mounds are the home of the trows. Orkney Folk Tales walks the reader across invisible islands that are home to fin folk and mermaids, and seals that are often far more than they appear to be. Here Orkney witches raise storms and predict the outcome of battles, ghosts seek revenge and the Devil sits in the rafters of St Magnus Cathedral, taking notes! Using ancient tales told by the firesides of the Picts and Vikings, storyteller Tom…
Ava Winston likes her life of routine in Lexington, Kentucky. Then a tornado blows it away. Ava is safe in the basement, but when she emerges, only one corner of her home stands. Rather than crumbling under the loss, she feels a load lifted. Maybe something beyond the familiar is…
Hans Offringa has written 25 books about whisky in one way or another, among which the international bestseller A Field Guide to Whisky. He has been contributing editor of Whisky Magazine and American Whiskey for a number of years, and is a Keeper of the Quaich, Kentucky Colonel, Lifetime International Ambassador of the Spirit of Speyside Whisky Festival, Founder of International Whisky Day, Honorary Ambassador of the Scotch Malt Whisky Society, and Patron of the Whisky Festival North Netherlands. Together with his American spouse Becky Lovett Offringa, who is co-author and contributing photographer to at least ten of Hans’ books, he conducts tastings and presentations.
Charles MacLean MBE is without any doubt the number one expert on Scotch whisky in the world. His writings are always a joy to read. Charlie, as he is known by friends and family, has a penchant for history and pouring it in highly entertaining sentences, avoiding facts like figures cluttering up the story line. He has been researching and writing whisky books & articles since 1981, and shares his enthusiasm and knowledge by giving talks and tastings around the world, by leading ‘whisky expeditions’ in Scotland and by presenting training programmes and Masterclasses for whisky companies, clubs and individuals. Without wanting to pay short on his many other books, Scotch Whisky: A liquid history, is a seminal work.
Whisky is widely considered the finest spirit in the world and its history has evolved against a fascinating backdrop. This is the story of a traditional spirit with an intriguing past. The book explores and unfolds, decade by decade, the history, secrets and untold tales surrounding one of the world's most popular tipples. Beginning as far back as 2000 BC, the tale moves through the centuries to the present day, looking at the fascinating characters who smuggled, bribed, conspired and advertised with a vengeance to turn whisky from a common man's drink into an integral and admired part of popular…
My debut novel was geared toward Young Adults because I’m fascinated by young people discovering themselves in different environments. Although I enjoy reading and writing other genres, I'm arguably more interested in YA. This is a genre that is in need of good writers because it is like an introduction to youngsters who pick up novels that they deem safe for their ages and consumption. It is a fun and exciting genre. I’m trying to contribute to it and hopefully lessen the bad reviews out there for YA books.
Although Finding Fraser features an older character, Emma, her youthful quirks and adventure are relatable to a younger audience. The travel to Scotland in search of Jamie Fraser (a character from a popular series) makes this book a dose of fun. I like the adventure and mishaps along the way due to being in unfamiliar territory. The friendships and relationships bring about both the good and worst of Emma’s behavior. It’s a nice balance for this chic-lit.
“Jamie Fraser would be Deeply Gratified at having inspired such a charmingly funny, poignant story—and so am I.”—Diana Gabaldon, #1 New York Times bestselling author of the Outlander series
Escape to Scotland with the delightful novel that readers have fallen in love with—inspired by Diana Gabaldon’s #1 New York Times bestselling Outlander series.
I met Jamie Fraser when I was nineteen years old. He was tall, redheaded, and, at our first meeting at least, a virgin. He was, in fact, the perfect man.That he was fictional hardly entered into it...
On the cusp of thirty, Emma Sheridan is desperately in…
I’m a historian who is endlessly curious about the past lives of the things that I love. My fondness for wine began when I lived in Paris after finishing my PhD, and it deepened when I taught in Cambridge and sampled my college’s vast cellar. My first books were on imperial history and this perspective made me wonder: was it a coincidence that New World wine producers are former European colonies? I spent a decade researching Imperial Wine, consulting archives in five countries, and proved that wine was an arm of colonial strategy. I’m a Professor of History at Trinity College in Connecticut, USA, and I love teaching wine and history.
Ludington’s book is exciting because it disproves pervasive ideas about wine consumption. One of the big assumptions in the history of commodities is that middle-class people want to imitate elites, and that taste trickles down the social ladder.
Ludington shows that the opposite was true 250 years ago in England and Scotland: aristocrats started changing their wine-buying habits to appear more sympathetic to the middling sort. This trickle-up is an eighteenth-century equivalent of affluent hipsters drinking Pabst Blue Ribbon or fashionistas buying $400 jeans.
I’m the type of reader who finishes each sentence thinking yeah, but how do we know that?, so I find Ludington’s generous footnotes and detailed cellar inventories to be deeply satisfying. This is not an easy read, but it’s a thoroughly enriching one.
A unique look at the meaning of the taste for wine in Britain, from the establishment of a Commonwealth in 1649 to the Commercial Treaty between Britain and France in 1860 - this book provides an extraordinary window into the politics and culture of England and Scotland just as they were becoming the powerful British state.
Emmitt’s plans collapse when his wife, Mirai, suddenly backs out of purchasing their dream home. Disappointed, he’s surprised to discover her subtle pursuit of a life and career in Tokyo.
In his search for a meaningful life in Japan, and after quitting his job, he finds himself helping his mother-in-law…
I dropped out of law school to pursue a PhD in music at the University of Glasgow and to write the history of the flute in Scotland. Essentially, I wanted to know that if Scotland was a leader in Enlightenment thought, and if there were hundreds of publications with flute on the title page, and since the flute was the most popular amateur instrument in the eighteenth century, why was nothing written about the flute. I obsessively read Scottish mythology as a child, and was always drawn to the stereotypical wild misty landscapes of Scotland without knowing much about it.
I’ll go ahead and admit that taking issue with David Johnson is one of my favorite pastimes. However, his work is the only work focused on eighteenth-century Scottish music, and as such is a major contribution. Johnson gives a very readable, very enjoyable (one needn’t know music…) overview of what was then known (1972) about Scottish musical culture. Arts and Enlightenment went hand in hand in Scotland, so read Broadie for the ideas and then Johnson for what these same philosophers were doing for entertainment.
