Here are 98 books that Music and Society in Lowland Scotland in the Eighteenth Century fans have personally recommended if you like
Music and Society in Lowland Scotland in the Eighteenth Century.
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I dropped out of law school to pursue a PhD in music at the University of Glasgow and to write the history of the flute in Scotland. Essentially, I wanted to know that if Scotland was a leader in Enlightenment thought, and if there were hundreds of publications with flute on the title page, and since the flute was the most popular amateur instrument in the eighteenth century, why was nothing written about the flute. I obsessively read Scottish mythology as a child, and was always drawn to the stereotypical wild misty landscapes of Scotland without knowing much about it.
I think understanding the intellectual background to a historical period is always important, and I was introduced to the Scottish Enlightenment at West Virginia Wesleyan College through this book. I have since had the pleasure to meet and work with Alexander Broadie while at Glasgow, and he is a kind, generous, and supportive scholar.
The Scottish Enlightenment covers the significant breakthroughs in the thought of the movement, and the contributions of the characters behind it such as David Hume and Adam Smith. The importance of studying history, morality in civil society, religion, and art. The Enlightenment laid the groundwork for our modern society, so how could anyone not study it?
The Scottish Enlightenment was one of the greatest intellectual and cultural movements that the world has ever seen. Its legacy in philosophy, history, science, music, art, architecture, economics, and many other disciplines cannot be overstated. This book considers the totality of achievements from this most astonishing period of Scottish history and how they still animate and inspire the world today.
I dropped out of law school to pursue a PhD in music at the University of Glasgow and to write the history of the flute in Scotland. Essentially, I wanted to know that if Scotland was a leader in Enlightenment thought, and if there were hundreds of publications with flute on the title page, and since the flute was the most popular amateur instrument in the eighteenth century, why was nothing written about the flute. I obsessively read Scottish mythology as a child, and was always drawn to the stereotypical wild misty landscapes of Scotland without knowing much about it.
I couldn’t make this up: one night masked men broke into the Edinburgh townhouse of Lord and Lady Grange, gagged Lady Grange, bound her to a chair, and carried out of the house to a waiting horse. From there, they travelled across Scotland to the remote islands of St Kilda, where she was left for the next seven years. Lady Grange was by all accounts unbalanced and difficult to live with, so her husband decided to have her abducted, and told his friends she had died. The west of Scotland at the time was essentially a different country from Edinburgh society, complete with an English-Gaelic language barrier. This story is so outrageous that it is difficult to believe it is true. Pair it with any edition of Johnson and Boswell for another look at life in the west of Scotland in the eighteenth century, and read their versions of the…
In the 18th century shotgun weddings were not unusual, but in most cases it wasn't the bride that was holding the gun. So began the stormy marriage between Lord and Lady Grange, a marriage which was to end with Lady Grange's death on the Isle of Skye after 13 years in exile.
The daughter of a convicted murderer, Lady Grange's behaviour, such as her fondness for drink, was so outrageous that her sudden disappearance from public life was not considered surprising. But few knew the true story of her disappearance.
This book reveals, for the first time, how the unfortunate…
I dropped out of law school to pursue a PhD in music at the University of Glasgow and to write the history of the flute in Scotland. Essentially, I wanted to know that if Scotland was a leader in Enlightenment thought, and if there were hundreds of publications with flute on the title page, and since the flute was the most popular amateur instrument in the eighteenth century, why was nothing written about the flute. I obsessively read Scottish mythology as a child, and was always drawn to the stereotypical wild misty landscapes of Scotland without knowing much about it.
This is a collection of essays for a major exhibit at the National Museum of Scotland in 2017. It features essays on aspects of the endurance of the Jacobite cause, and objects associated with Jacobitism (like Bonnie Prince Charlie’s silver picnic set). It also has over 200 pictures. This myth has endured through the writings of Sir Walter Scott through Outlander, and this book presents the much, much larger, and more complex story.
In the summer of 1745 'Bonnie Prince Charlie', grandson of James VII and II landed on the Isle of Eriskay in the Outer Hebrides of Scotland. He would be the Jacobite Stuarts' last hope in the fight to regain the three kingdoms of England, Scotland and Ireland. The Jacobite legend has an enduring fascination and now renewed global interest due to the Outlander books and television series. A major new exhibition on Bonnie Prince Charlie and the Jacobites opens at the National Museum of Scotland on 23 June 2017, and tells a compelling story of love, loss, exile, rebellion and…
I dropped out of law school to pursue a PhD in music at the University of Glasgow and to write the history of the flute in Scotland. Essentially, I wanted to know that if Scotland was a leader in Enlightenment thought, and if there were hundreds of publications with flute on the title page, and since the flute was the most popular amateur instrument in the eighteenth century, why was nothing written about the flute. I obsessively read Scottish mythology as a child, and was always drawn to the stereotypical wild misty landscapes of Scotland without knowing much about it.
Published in 1779, this book shows far more about Enlightenment Edinburgh than it does Edinburgh history, and should be read for that reason. Full of myth, legend, bloody Scottish history, and contemporary events, it is written with the perspective of the historical enquiry of the Enlightenment as described by Broadie. Plus, it’s just fun to see how historic people saw and expressed themselves.
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. Rich in titles on English life and social history, this collection spans the world as…
I was brought up on a farm in the middle of nowhere. Surrounded by standing stones, crypts, and burial mounds of races turned to dust. I started sending sci-fi tales to mags like Uncanny Tales, New Worlds, Astounding Tales, Amazing Stories when I was thirteen, but none were accepted. I left the wilderness for the city, Edinburgh, the “Athens of the North” when fifteen and entered university. All I yearned to do after that was go home. I never did. A little more experience of life behind me, I was first published in Peoples Own and in the same year in New Worlds and then it worked well for me for a while.
Known best for his Waverly novels as well as Ivanhoe and Rob Roy, Sir Walter wrote many of the greatest short tales ever told. “The Highland Widow” is perhaps the greatest short tale ever. A subdued Scotsman living in a foreign London (at that time) and the foremost writer of his time he railed against our English overlords whilst pragmatically trying to maintain the status quo. (The letters of Malachi Malagrowther are a good example, marvellous reading, where he impugns the bank of England with great wit and Scalding rhetoric.)
He gave birth to many volumes of short tales, many under Pseudonyms (such as Malachi Malagrowther) as the English authorities were aware of his influence over the populace of London and his gift for romanticising the “Highland gentleman”. As a writer, he was unsurpassed in his time both in terms of sales by volume and in the quality of…
Scott's short stories have been overshadowed by his novels, yet the title story in this selection has been described as `the first modern short story in English', and R. L. Stevenson considered `The Highland Widow' to be Scott's masterpiece.
History has always been a captivating adventure for me, a stage to rekindle the echoes of times long past. My journey began amid musty archives in Hobart, where I stumbled upon a handwritten prison record about my wife's feisty ancestor, transported in the 1830s. There and then, I resolved to breathe life into the fading embers of her existence, and after extensive research, I wrote my first novel, a tapestry of historical events intertwined with the resurrection of long-forgotten souls. Since then, I've applied lessons from masters like Conan Doyle to create exciting, atmospheric stories that turn us all into time travelers on an exhilarating voyage.
This is an enthralling adventure story that drags the reader across the rugged mountains, glens, and cities of 18th-century Scotland as the hero seeks to recover his stolen inheritance.
The story gallops along with vivid descriptions that transport the reader back to a time when loyalty and honour were really cherished. The character development, as David Balfour and Alan Breck risk all amongst the failed Jacobite uprising, is exceptional. This is another timeless classic that transports the reader to another age.
I love the interplay of real characters and real events with the underlying story, a technique that I use fully in my novels; it adds depth, veracity, and interest. Stevenson’s prose is also exceptional, creating images that make this a compelling and memorable adventure story.
Robert Louis Stevenson's classic, swashbuckling novel about a young boy who is forced to go to sea and who is then caught up in high drama, daring adventure and political intrigue.
Part of the Macmillan Collector's Library; a series of stunning, clothbound, pocket-sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition is introduced by Louise Welsh and features black and white illustrations.
Headstrong David Balfour, orphaned at seventeen, sets out from the Scottish Lowlands to seek his fortune in Edinburgh. Betrayed by his wealthy Uncle…
I’m fascinated by what people make of political events at home and abroad. The rapid expansion of public opinion in later eighteenth-century Britain, in tandem with the explosion of the press—newspapers, books, sermons, plays, poetry, novels, magazines, and cartoons—makes it a wonderful period to explore. People in the past were no less complex and sophisticated than we are; they simply lived in different circumstances, opportunities, and constraints, with different assumptions and priorities. My British Visions of America, 1775–1820 (2013) also deals with the British trying to understand foreign affairs, while The Wodrow-Kenrick Correspondence, 1750–1810, eds Fitzpatrick, Macleod and Page is full of events at home and abroad.
This is very much the oldest of my choices, and there are some great recent books on Scotland in the 1790s, but for me, this one still stands up for detail, excitement, clarity, and pace.
I live in Edinburgh, where much of the central action in this book takes place—there were radical reform societies all over Lowland Scotland in the 1790s, but they sent delegates to national conventions in Edinburgh, and Edinburgh was where many of the state trials for treason and sedition took place.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.
This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank…
I grew up in a strong Scots–speaking environment just before the advent of television, so very much a Scottish village rather than the global village. Speaking several foreign languages and being able to study Scots language and literature at Edinburgh University gave me confidence and the realisation of how special Scots was, and how closely it is tied to the identity of the people and the land. The book is local, national, and international in outlook and is written from the heart and soul, with a strong influence of the Democratic Intellect thrown in to balance the passion. You can also hear me reading the book on Audible.
Another fine novel by a great writer who, like me, hailed from Ayrshire. I quote from it in my book. I became aware of William McIlvanney when I attended Kilmarnock Academy between 1967 and 1969 and his first novel Remedy is None was passed around the students in their final year at the school, before heading for University. Having a living, breathing novelist living in the town was really something, and it made us all think that perhaps we could become writers too! All of his books are excellent but Docherty touched me personally because it describes a mining community, similar to the town I grew up in, Galston. It also explores the linguistic tension between Scots and English which is the experience of most people growing up in the Lowlands of Scotland.
'His face made a fist at the world. The twined remnant of umbilicus projected vulnerably. Hands, feet and prick. He had come equipped for the job.'
Newborn Conn Docherty, raw as a fresh wound, lies between his parents in their tenement room, with no birthright but a life's labour in the pits of his small town. But the world is changing, and, lying next to him, Conn's father Tam has decided that his son's life will be different from his own.
Gritty, dark and tender, McIlvanney's Docherty is a modern classic.
I’m always inspired by nature. I’m sure that’s because my parents always took us to beautiful places on our summer vacations. I enjoyed snorkeling in Florida, hiking in the Rockies, exploring at Yellowstone National Park, to name a few places. I’ve never forgotten how in awe I was at seeing such beauty, and when I started writing romantic suspense novels, it seemed natural to look for a setting that not only inspired me to write but would lend to the suspense and tension aspect of my novels as well as provide an exciting adventure. Even now, when we travel and explore, it’s always setting that inspires me with new story ideas.
This book 2 in the Scottish Lowlands series is set in, well, the Scottish Lowlands. This book transported me to beautiful Scotland. I adore the author’s writing and appreciate the meticulous research she conducted to inform her story.
Before reading this, I knew it was based on the Biblical Jacob, Rachel and Leah’s story, but I was especially curious how the author could possibly depict this tale and transport these characters to Scotland in the late 1700’s.
Fair is the Rose is filled with passion, romance, betrayal, hope, and redemption. Everything a reader could want. I was completely captivated by the story. Fair is the Rose pulled on all my heartstrings. Of course, the stunning setting of Scotland deepened the experience for me.
Ayear has come and gone since Jamie McKie fled for his life, arriving at Auchengray in search of sanctuary and a bonny wife. Young Rose McBride, as fair a lass as any in Scotland, dearly loves her handsome cousin—but so does her older sister, Leana.
Determined to have Jamie all to herself, Rose puts in motion one desperate plan after another, enlisting the aid of Lillias Brown, a wise woman—a wutch, some say—still keen on the old ways. Impetuous Rose ignores the cruel whispers that travel up and down the parish hills, never dreaming of…
After living in Europe for nearly 10 years, I’ve spent more time in planes, trains, and cars than I could ever count. I was able to travel more in that time than I ever dreamed possible, making trips ranging from Gibraltar to Romania to the Isle of Skye. Most of my time was spent all around Ireland where I took tour groups around to help them get beyond Blarney and experience the real Ireland.
Higgs whisks us away to 18th century Scotland in this sweeping, epic historical romance trilogy. The Scottish landscape is practically its own character as we follow the saga of Jaime, Leanna, and Rose in their quest for happiness, justice, and love. You’ll feel the misty air on your cheeks and want to wrap up against the brisk Scottish chill as you read. You’ll dine on delectable cuisine, and be left wanting more of this enchanting country and her people.
Two brothers fight to claim one father’s blessing. Two sisters long to claim one man’s heart.
In the autumn of 1788, amid the moors and glens of the Scottish Lowlands, two brothers and two sisters each embark on a painful journey of discovery. Jamie and Evan McKie both want their father Alec’s flocks and lands, yet only one brother will inherit Glentrool. Leana and Rose McBride both yearn to catch the eye of the same handsome lad, yet only one sister will be his bride.
A thorny love triangle emerges, plagued by lies and deception, jealousy and desire, hidden secrets…
