Here are 100 books that Tennessee Williams fans have personally recommended if you like
Tennessee Williams.
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I am the author of three books, all featuring characters who feel like outsiders; some are queer, many are artists, most are people of color. I was lucky enough to grow up around artists, in a community where creativity was valued. I wrote poems and invented card games, put on plays in our living room, and made up stories to fall asleep at night. I knew I was an artist before I knew the word queer. When I came out, my outsider status doubled; I wanted to know how other queer artists and writers navigated these dual identities—how they not only survived but thrived. Their stories are my story.
I was obsessed with this novel when it first came out, and every time I go back to it, it offers me another gift.
The writing is lean yet elegant, a perfect combination to tell such a heartbreaking story—of three women connected through time by Virginia Woolf’s singular novelMrs. Dalloway.
It’s a book about how to sustain ourselves through challenging times—how to literally survive—but it’s also a treatise on creating remarkable characters, the call to be an artist, and a rare glimpse into the imagined writing process of one of the English language’s greatest wordsmiths. (I’m referring to Woolf, but I could just as easily be talking about Cunningham.)
The structure is inventive and compelling, but it is really what he shows us of the characters, how he opens their hearts and whispers their secret sorrows into our eager ears, desires they barely understand themselves, that makes this…
Winner of the 1999 Pulitzer Prize and Pen Faulkner prize. Made into an Oscar-winning film, 'The Hours' is a daring and deeply affecting novel inspired by the life and work of Virginia Woolf.
In 1920s London, Virginia Woolf is fighting against her rebellious spirit as she attempts to make a start on her new novel.
A young wife and mother, broiling in a suburb of 1940s Los Angeles, yearns to escape and read her precious copy of 'Mrs Dalloway'.
And Clarissa Vaughan steps out of her smart Greenwich village apartment in 1990s New York to buy flowers for a party…
I studied French language and literature from the time I was 13 until I graduated from college. Alongside that work, I also became more interested in African American literary and artistic histories, so I studied that as well. I realized there was a lot of overlap as many Black American artists would flee to Europe to “escape” American racism. Learning more about these historical writers throughout my graduate school journey made me very interested in researching further and writing my own take on the subject for young people.
I loved that this classic by one of America’s greatest literary minds gave me answers about what it would be like if I did what I always dreamed of doing: leaving America behind and moving to France. One of the important things I came to realize was that The Great Escape would not solve your problems, but it would help give you a fresh perspective on things.
'A masterwork... an almost unbearable, tumultuous, blood-pounding experience' Washinton Post
When Another Country appeared in 1962, it caused a literary sensation. James Baldwin's masterly story of desire, hatred and violence opens with the unforgettable character of Rufus Scott, a scavenging Harlem jazz musician adrift in New York. Self-destructive, bad and brilliant, he draws us into a Bohemian underworld pulsing with heat, music and sex, where desperate and dangerous characters betray, love and test each other to the limit.
'In Another Country, Baldwin created the essential American drama of the century' Colm Toibin
I am the author of three books, all featuring characters who feel like outsiders; some are queer, many are artists, most are people of color. I was lucky enough to grow up around artists, in a community where creativity was valued. I wrote poems and invented card games, put on plays in our living room, and made up stories to fall asleep at night. I knew I was an artist before I knew the word queer. When I came out, my outsider status doubled; I wanted to know how other queer artists and writers navigated these dual identities—how they not only survived but thrived. Their stories are my story.
The brilliant, searing insights of this book are hard to oversell.
Tóibín is a writer who defies category, and the book—part mini-biographies, part literary criticism, all heart—is a book for anyone who loves writers (not just writing).
He has an incisive yet tender eye for analysis, of not just literature, but of an author’s—dare I say it—soul, and he taught me more about writers I already knew and loved, like James Baldwin and Elizabeth Bishop, while introducing me to authors I’d only heard of, like Thom Gunn and Thomas Mann.
The sections on Oscar Wilde and Roger Casement blew my mind wide open. This book is a must-read for all queer authors writing today—to appreciate how far we’ve come and to celebrate where we’re going.
Colm Tóibín knows the languages of the outsider, the secret keeper, the gay man or woman. He knows the covert and overt language of homosexuality in literature. In Love in a Dark Time, he also describes the solace of finding like-minded companions through reading.
Colm Tóibín examines the life and work of some of the greatest and most influential writers of the past two centuries, figures whose homosexuality remained hidden or oblique for much of their lives, either by choice or necessity. The larger world couldn't know about their sexuality, but in their private lives, and in the spirit of…
I am the author of three books, all featuring characters who feel like outsiders; some are queer, many are artists, most are people of color. I was lucky enough to grow up around artists, in a community where creativity was valued. I wrote poems and invented card games, put on plays in our living room, and made up stories to fall asleep at night. I knew I was an artist before I knew the word queer. When I came out, my outsider status doubled; I wanted to know how other queer artists and writers navigated these dual identities—how they not only survived but thrived. Their stories are my story.
This novel broke my heart the first time I read it, as much as it thrilled me, and I wanted to step into the book and hug all of the main characters.
They felt so alive—through their pain and desperation, their anger—and it showed me how to weave a layered, complex plot with multiple points of view into a cohesive, meaningful, single story. It follows a jazz musician with a huge secret, one revealed only after his death, which threatens to destroy the family he’s made, on and off the stage.
I love a good family saga, especially one dealing with issues of identity, class, culture, and sexuality—but if that doesn’t grab you, read it for the simple pleasure of Kay’s writing.
Skilled at the art of concision, she imbues this novel with both lyrical and concrete imagery, leaving the reader with portraits so crisp and profound you will feel…
"Supremely humane.... Kay leaves us with a broad landscape of sweet tolerance and familial love." —The New York Times Book Review
In her starkly beautiful and wholly unexpected tale, Jackie Kay delves into the most intimate workings of the human heart and mind and offers a triumphant tale of loving deception and lasting devotion.
The death of legendary jazz trumpeter Joss Moody exposes an extraordinary secret, one that enrages his adopted son, Colman, leading him to collude with a tabloid journalist. Besieged by the press, his widow Millie flees to a remote Scottish village, where she seeks solace in memories…
Raised crisscrossing America, I developed a ceaseless wanderlust that took me around the world many times. En route, I collected the stories and characters that make up my work. Polish cops and Greek fishermen, mercenaries and arms dealers, child prostitutes and wannabe terrorists: I hung with them all in an unparalleled international career that had me smuggle banned plays from behind the Iron Curtain, maneuver through Occupied Territories, and stowaway aboard a ‘devil’s barge’ for a three-day crossing from Cape Verde that landed me in an African jail. Greece, where I’ve spent some seven years total, stole my heart 50 years ago.
If there is something written by Tennessee Williams that I’ve not read, I’d be surprised. All I’ve known about his personal life is that he was gay, but what that meant to him, or how he expressed it, were mysteries to me until I read Leading Men, a fictionalized account of Tennessee Williams’s 30-year love affair with Frank Merlo.
Set largely in Italy, it’s filled with dazzling characters and backstage intrigue. It’s also a heartbreaking novel about life in the shadows of greatness.
A book that hasn’t left me since I read it and I’m sure to read it again.
An expansive yet intimate story of desire, artistic ambition, and fidelity, set in the glamorous literary and film circles of 1950s Italy
In July of 1953, at a glittering party thrown by Truman Capote in Portofino, Italy, Tennessee Williams and his longtime lover Frank Merlo meet Anja Blomgren, a mysterious young Swedish beauty and aspiring actress. Their encounter will go on to alter all of their lives.
Ten years later, Frank revisits the tempestuous events of that fateful summer from his deathbed in Manhattan, where he waits anxiously for Tennessee to visit him one final time. Anja, now legendary film…
Horror films, radio shows, books, magazines, and comics have been my life ever since I was eight years old. I saw the Texas Chainsaw Massacre one late night on Channel 9, when TVs had but 13 channels. It was love at first scream. The genre put the boogieman outside my window, under my bed, and in my closet. It was terrifying, but there was also a high to be had. An addiction to scaring oneself that I couldn't get enough of. This adrenaline rush got me interested in scaring others. Four movies, sixteen shorts, two novels, I too, am a dark dreamer looking to scare kindred spirits.
Masterpieces of Terror and the Supernatural is, hands down, the best collection of over fifty short stories, novellas, and poems I've ever read in one, skin-prickling book.With authors like Bram Stoker, Sheridan Lefanu, Edgar Allan Poe, Richard Matheson, Isaac Asimov, A.M. Burrage, Robert Bloch, and H.P. Lovecraft, you're in for many sleepless nights. My personal favorites include; "Last Respects" by Dick Baldwin, a story of two morticians preparing a body for a wake, only the body doesn't seem to be quite at rest; "The Quest for Blank Claveringi" by Patricia Highsmith, a story that proves snails can be terrifying. This one had me short on breath halfway through; and most disturbing of all, "His Unconquerable Enemy" by W.C. Morrow. It's about a rajah that has a surgeon amputate his servant Neranya's limbs off, then keeps the poor man in a small pen of open ironwork above his bed for…
This exceptional compilation contains more than fifty short stories, novellas and poems, both classic and modern, by some of the most distinguished writers of all time. Masterful works by Bram Stoker, H.P. Lovecroft, Mary Shelley, Sheridan LeFanu, Isaac Bashevis Singer, Tennessee Williams, Isaac Asimov, J.R.R. Tolkien, in addition to little-known masterpieces of fantasy and terror by such authors as Stanley Ellin, Patricia Highsmith, John Dickson Carr and Damon Runyon, make this one of the most wide-ranging, outstanding collections of its kind. Marvin Kaye provides fascinating prefatory notes to each selection and an annotated bibliography of other recommended reading, as well…
As a child, finding reality both overwhelming and boring, I was drawn to movies. My father, a New York City disc jockey also at odds with reality, had contacts at a sixteen-millimeter movie rental company. He often brought films home, shown in a makeshift screening room he set up in our basement. Singin’ in the Rain, the classic musical, made a great impression there. Its funny first scene at a movie premiere featured a pompous star’s ennobling account of his early days, comically contradicted by the tacky, scrounging, painfully undignified truth. What lay behind Hollywood's glamor, smiles, and success soon became as interesting to me as what was on the screen.
Gavin Lambert adapted the works of D. H. Lawrence and Tennessee Williams for the films Sons and Lovers and The Roman Spring of Mrs. Stone. He directed one interesting, low-budget, Paul Bowles-like movie, Another Sky. His prose work is insightful about the behind-the-scenes world of the movies.
The linked stories in this book memorably spotlight hangers-on and working-class people on the edges of entertainment. Also of interest is Inside Daisy Clover, his novel about a teen tomboy star which became an affected, bombastic, entertaining Natalie Wood movie.
The land along Pacific Palisades is apt to slip away without warning, hence the road-side signs - SLIDE AREA. Narrated by a script-writer, Lambert's widely-acclaimed 1959 Hollywood classic of lonely souls marooned on a glittering wasteland is a perceptive and sensitive study of human emotion.
My love of mysteries began with Nancy Drew books. As I read more mysteries over the years, I finally decided it was time for me to write my own. A setting came to me immediately—New Orleans. I fell in love with the city through the Anne Rice and Julie Smith’s books. To write my cozy mystery series, I read all kinds of books. I read them for pleasure, but to make sure the details are correct in my books, The French Quarter Mysteries. I’m able to enjoy New Orleans through my sleuth, Samantha. It’s the next best thing to being there myself.
No matter where I visit, I always try to buy a book about the town.
I never come home from a trip to New Orleans with one. It doesn’t matter whether it’s non-fiction or fiction, novels or short stories. French Quarter Fiction is a collection of short stories featuring my favorite part of the city, The French Quarter.
The variety of authors and stories is incredible and features such different views and aspects of this amazing neighborhood.
"Branching across every genre, from mystery and romance to flash fiction and prose poetry, this anthology of works by preeminent writers on the heart of New Orleans features a previously unpublished story by Tennessee Williams, as well as stories by Richard Ford, Ellen Gilchrist, Robert Olen Butler, Andrei Codrescu, Barry Gifford, Poppy Z. Brite, Julie Smith, John Biguenet, Nancy Lemann, and Valerie Martin, among others. The characters in these works find themselves everywhere from Sarajevo on the eve of the First World War to Algiers Point just across the Mississippi River, but their stories are all anchored in the French…
I adore all things ghostly, from TV shows to books to movies. I immerse myself. For me, I think it began as a young girl with poems from my grandmother’s favorite book and films or programs we’d watch together. The what-if factor and the vast unknown is addicting. It chronically makes us think or sit at the edge of our seats. I’ve even visited haunted locations before and had a couple of experiences. Romance ties into that for me. We all strive for it and hope to find it. It can be as elusive as fog. By combining the two genres, readers like me get the best of all worlds.
Though a romantic suspense, this book’s setting in my home state of South Carolina is hauntingly chilling and pays homage to the sins of our past. There’s just something innately real about a small-town story that could be right next door. The heroine has visions, adding the psychic factor, plus the bump-in-the-night brushes bring an almost gothic ghostly quality. Nora has been a dominating force in the romance world for decades, and with good reason. Whether suspense, paranormal, or contemporary, no one writes a story like she can.
#1 New York Times bestselling author Nora Roberts presents a novel of redemption and suspense, as a woman haunted by the unsolved murder of her childhood friend returns to her small South Carolina hometown...
Tory Bodeen grew up in a run-down house where her father ruled with an iron fist and a leather belt-and where her dreams and talents had no room to flourish. Her one escape was her neighbor Hope, whose friendship allowed Tory to be the child she wasn't allowed to be at home. Then Hope was brutally murdered, and everything fell apart.
Bruce Hunt is a native Floridian writer and photographer. He has authored eleven Florida travel and history books, and over the last three decades has written and photographed hundreds of articles for magazines and newspapers. For five years he was a regular feature writer and photographer for DuPont Registry Tampa Bay Magazine. His work has also appeared in The St. Petersburg Times (Tampa Bay Times), Tampa Tribune, The Visit Tampa Bay Official Visitors Guide, Backpacker Magazine, Rock & Ice Magazine, Skydiving Magazine, Florida Trend Magazine, Celebrity Car Magazine, Coastal Living Magazine, and Southern Living Magazine, among others.
William McKeen’s account of the evolution of 1960s–1970s Key West reads like a novel. Based largely on his interviews with Tom Corcoran (who was there then and knew everybody), McKeen tells the wild tales of some of Key West’s most eccentric and now famous characters from that era, like Tennessee Williams, Thomas McGuane, Margot Kidder, Jim Harrison, Hunter Thompson, and Jimmy Buffett.
For Hemingway and Fitzgerald, there was Paris in the twenties. For others, later, there was Greenwich Village, Big Sur, and Woodstock. But for an even later generation-one defined by the likes of Jimmy Buffett, Tom McGuane, and Hunter S. Thompson-there was another moveable feast: KeyWest, Florida.
The small town on the two-by-four-mile island has long been an artistic haven, a wild refuge for people of all persuasions, and the inspirational home for a league of great American writers. Some of the artists went there to be literary he-men. Some went to re-create themselves. Others just went to disappear-and succeeded. No…
