Here are 100 books that The French Fetish from Chaucer to Shakespeare fans have personally recommended if you like
The French Fetish from Chaucer to Shakespeare.
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I have long been struck, as a learner of French at school and later a university professor of French, by how much English borrows from French language and culture. Imagine English without naïvetéand caprice. You might say it would lose its raison d’être…My first book was the history of a single French phrase, the je-ne-sais-quoi, which names a ‘certain something’ in people or things that we struggle to explain.Working on that phrase alerted me to the role that French words, and foreign words more generally, play in English. The books on this list helped me to explore this topic—and more besides—as I was writing Émigrés.
This is cultural history with a difference and of a difference. It teaches you a lot about the reputation for fashionable culture that France enjoyed for centuries all over the world and continues to enjoy to this day. How much of all that is already packed into the book’s subtitle! The rest of the book is just as accessible and lively and unwilling ever to take itself too seriously.
What makes fashionistas willing to pay a small fortune for a particular designer accessory? Why does a special occasion only become really special when a champagne cork pops? Why are diamonds the status symbol gemstone, instantly signifying wealth, power, and even emotional commitment? Writing with great elan, one of the foremost authorities on seventeenth-century French culture provides the answer to these and other fascinating questions in her account of how, at one glittering moment in history, the French under Louis XIV set the standards of sophistication, style, and glamour that still rule our lives today. Joan DeJean takes us back…
I have long been struck, as a learner of French at school and later a university professor of French, by how much English borrows from French language and culture. Imagine English without naïvetéand caprice. You might say it would lose its raison d’être…My first book was the history of a single French phrase, the je-ne-sais-quoi, which names a ‘certain something’ in people or things that we struggle to explain.Working on that phrase alerted me to the role that French words, and foreign words more generally, play in English. The books on this list helped me to explore this topic—and more besides—as I was writing Émigrés.
This is a sparklingly funny play. I love its contemporary freshness, its fleetness of foot, and its irreverence. It satirizes the fashion for all things French among London’s social climbers. It sugars the pill of all that satire by bringing a fast-paced plot to a comic ending of marriage and reconciliation. It taught me that writers in seventeenth-century England like the play’s author, John Dryden, were importing words and ideas from France as they sought to trace a middle way between a servile mimicry of French culture and an insular rejection of it.
Dryden's audiences in 1671, both aristocratic and middle-class, would have been quick to respond to the themes of disputed royal succession, Francophilia and loyalty among subjects in his most successful tragicomedy. In the tragic plot, written in verse, young Leonidas has to struggle to assert his place as the rightful heir to the throne of Sicily and to the hand of the usurper's daughter. In the comic plot, written in prose, two fashionable couples (much more at home in London drawing-rooms than at the Sicilian court) play at switching partners in the 'modern' style. The introduction of this edition argues…
I have long been struck, as a learner of French at school and later a university professor of French, by how much English borrows from French language and culture. Imagine English without naïvetéand caprice. You might say it would lose its raison d’être…My first book was the history of a single French phrase, the je-ne-sais-quoi, which names a ‘certain something’ in people or things that we struggle to explain.Working on that phrase alerted me to the role that French words, and foreign words more generally, play in English. The books on this list helped me to explore this topic—and more besides—as I was writing Émigrés.
Ennuiis a hidden gem of a novel. I admire the way it deftly weaves together personal lives and political histories on either side of the Irish Sea. I have come to feel strongly that the author, Maria Edgeworth, is unjustly overlooked by literary history in favour of Jane Austen. Yet Austen drew inspiration from her older contemporary. In this novel,Edgeworth draws on French words and ideas to tell the tale of an over-entitled English lounge lizard who is cured of his fashionable affliction—the ennui of the title—by his travels and travails in Ireland. The result is a cosmopolitan novel crackling with invention and implication.
I have long been struck, as a learner of French at school and later a university professor of French, by how much English borrows from French language and culture. Imagine English without naïvetéand caprice. You might say it would lose its raison d’être…My first book was the history of a single French phrase, the je-ne-sais-quoi, which names a ‘certain something’ in people or things that we struggle to explain.Working on that phrase alerted me to the role that French words, and foreign words more generally, play in English. The books on this list helped me to explore this topic—and more besides—as I was writing Émigrés.
This is a bittersweet comedy of manners in which John le Carré ventures way beyond the spy novels for which he is more famous. For lovers of spy novels—and I am one such—there is much here to savour. Le Carré draws upon the French concept of the naïve – as paired with the sentimental by the German essayist Friedrich Schiller—to inform and enliven the telling of a tale about a love triangle in middle England. Underlying the comic idiom of the novel is an acid dissection of the causes of British failure to be a part of Europe and to help lead Europe out of her darkness. A tale, perhaps, for our times.
From the New York Times bestselling author of Tinker, Tailor, Soldier, Spy; The Spy Who Came in from the Cold; and The Night Manager, now a television series starring Tom Hiddleston.
"I have visited bohemia and got away unscathed."
Aldo Cassidy is an entrepreneurial genius. At thirty-nine, he dominates the baby pram market and rewards his success with a custom Bentley. But Aldo's bourgeois life is upended by a chance encounter with Shamus-a charismatic writer whose first and only novel blazoned across the firmament twenty years earlier. The two develop a passionate friendship that draws Aldo-smitten also with his new…
I am a Lecturer in English Language and Literature at the University of Oxford, where I specialize in early modern drama (including Shakespeare) and book history. Since my undergraduate degree, I have been fascinated by historical drama, poetry, prose, and the often-porous boundary between ’truth’ and fiction during the sixteenth and seventeenth centuries. Most of my research–including a major project on ‘Wartime Shakespeare’ that produced two books and a public exhibition at The National Army Museum in London–explores the profound impact of the stories we tell about the past and what they reveal about concerns and interests in the present.
This volume of essays about Shakespeare and historical drama catalyzed my doctoral research and my first book. It has been, without a doubt, the single most influential book on my research and early career as an academic.
The contributions are all distinctive, engaging, and carefully researched–and the volume offers an excellent introduction to the contexts of historical drama and writing ‘history’ during the sixteenth and seventeenth centuries, covering a wide range of plays and other primary texts.
It is often one of my top recommendations for students who are starting to work on historical culture. After each encounter with this book, my mind is still left brimming with ideas to explore.
This four-volume Companion to Shakespeare's Works, compiled as a single entity, offers a uniquely comprehensive snapshot of current Shakespeare criticism.
Brings together new essays from a mixture of younger and more established scholars from around the world - Australia, Canada, France, New Zealand, the United Kingdom, and the United States.
Examines each of Shakespeare's plays and major poems, using all the resources of contemporary criticism, from performance studies to feminist, historicist, and textual analysis.
Volumes are organized in relation to generic categories: namely the histories, the tragedies, the romantic comedies, and the late plays, problem plays and poems.
Each volume…
Privately and professionally, I've always been addicted to literature and history and stirred by the experiences that these studies reveal. Yet as a novelist (retired from college lecturing) I instinctively assume the comic or satirical mode. Whereas in analysing the poetry of perhaps T.S. Eliot, I'm totally serious, when creating a story I start to giggle. Psychiatrists might label this a defence mechanism – but I suspect it's the result of formative years spent reading social satirists such as Huxley, Greene, Wodehouse, and Waugh. While certainly no imitator, I feel that this type of literature has become insidiously bred in the bone – hence my listed choices being socially directed and often comic or acerbic.
Probably four of my writers would not have suffered the mortification described here, but the scenarios certainly resonated with this pen-pusher!
Seventy contemporary authors – novelists, poets, biographers – describe in wincing detail the embarrassment they had sometimes felt in the course of promotional appearances: book signings, talks, interviews, etc. Their anecdotes are at once funny and cringingly painful. Distinguished names as diverse as Margaret Attwood, Val McDermid, Michael Holroyd, Edna O’Brian, Colm Tóibín, Willian Boyd, poets Thom Gunn and Simon Armitage, and a host of other literary heroes, bravely and vividly recount their worst moments under the public gaze. In some ways the humorous revelations are reassuring – evidently the eminent can be as vulnerable as the lesser known. But in reading this book, comradely laughter is tinged with a frisson of fear!
A collection of stories from some of the world’s greatest writers about their own public humiliation.
Humiliation is not, of course, unique to writers. However, the world of letters does seem to offer a near-perfect micro-climate for embarrassment and shame. There is something about the conjunction of high-mindedness and low income that is inherently comic; something about the very idea of deeply private thoughts – carefully worked and honed into art over the years – being presented to a public audience of dubious strangers that strays perilously close to tragedy.
Here, in over eighty contributions, are stories about the writer’s…
I have always been fascinated with the macabre and things that go bump in the night. My parents took me to see my first horror movie when I was a month old. It was the 1974 version of It’s Alive. I have been a horror lover ever since. I read my first Stephen King novel, Pet Semetary, at age nine. Then I moved on to Salem’s Lot and The Shining, devouring all three books before I was ten. I have had experiences of things moving in my bedroom when I am the only one there. I believe in the things that go bump in the night.
This book has all of his tales and poems in it. Even his poems get your heart racing and reference things that go bump in the night. Never read it before bed, you will be listening for every little sound, wondering just what may be coming to visit you in the dark.
From Edgar Allan Poe - "Those who dream by day are cognizant of many things which escape those who dream only by night."
The Essential Edgar Allan Poe Collection Contains 76 Poems Written by Poe from 1824 - 1849, as well as 23 of his most Popular and Well-Loved Stories and Tales.
Tales In This Collection Includes:
Morella
The Devil in the Belfry
The Fall of the House of Usher
The Murders in the Rue Morgue
The Masque of the Red Death
The Pit and the Pendulum
The Black Cat
The Tell-Tale Heart
The Purloined…
Ken began his career as an Assistant Professor of German Studies at the University of North Carolina. After ten years in academe, he went to the Harvard Business School, following which he embarked on a 36-year career banking.
Ken worked at Shawmut Bank, Bank of New England, and from 1990 through 2019 at Silicon Valley Bank.
Mr. Wilcox earned a master’s degree in business administration from Harvard Business School, as well as a PhD in German studies Ohio State University.
He published Leading Through Culture: How Real Leaders Create Cultures that Motivate People to Achieve Great Things and soon he'll be publishing a second book One Bed Two Dreams: When Western Companies Fail in China.
People often ask themselves, why study literature. What’s the use?
This is the only book I have ever read that attempts to show how literature applies to leadership and management. The authors, one a professor of Shakespearian literature, and the other a management consultant, attempts to show how Shakespeare’s play contain practical lessons for leaders.
The chapter I liked most talks about how and why the CEO doesn’t always want their successor to succeed, and how they sometimes sabotage their successor’s success.
What Can Shakespeare teach us about effective leadership? Everything, according to John Whitney, leading professor at Columbia Business School, and Tina Packer, founder, president and artistic director of the critically acclaimed theatre group Shakespeare & Company. Whether we are dealing with an indecisive Hamlet or a corporate Lear, this innovative approach to management helps us tap into the timeless wisdom and profitable genius of the Bard. The issues fuelling the intricate plots of Shakespeare's 400-year-old plays are the same common yet complex issues that business leaders contend with today. John Whitney and Tina Packer compare Shakespeare's plays with management techniques,…
When I first saw Shakespearean text, I could not get how anyone related to things written so many centuries ago. It took me several years before my soul awakened to these words that now felt fresh, like they could have been whispered to me that very day by a best friend who understood all the pain and all the laughter of my life. Very little is known about the man himself leaving writers a lot of room to create their own version of Shakespeare. I know my Shakespeare is just that: my magical, enigmatic, wise Shakespeare. It’s exciting to see how others give him life in their own stories.
I love anything that explores issues of identity, how we define ourselves and others. Throw in a subtle questioning of the ‘truth’ of our most treasured memories, and I am completely hooked. Jorge Louis Borges does all that in this irresistible short story where it is possible for a person to have access to Shakespeare’s memory. As wondrous as this sounds for scholars of Shakespeare’s work, the reality is actually much more mundane and troubling.
The acclaimed translation of Borges's valedictory stories, in its first stand-alone edition
Jorge Luis Borges has been called the greatest Spanish-language writer of the twentieth century. Now Borges's remarkable last major story collection, The Book of Sand, is paired with a handful of writings from the very end of his life. Brilliantly translated, these stories combine a direct and at times almost colloquial style coupled with Borges's signature fantastic inventiveness. Containing such marvelous tales as "The Congress," "Undr," "The Mirror and the Mask," and "The Rose of Paracelsus," this edition showcases Borges's depth of vision and superb image-conjuring power.
I am passionate about solving problemsof any type. I have a long history of solving Computer problems that are known traditionally as “bugs”. After retiring, I turned my attention to other problems & mysteries, discovering I had a talent for historical detective work too! I wasn’t satisfied with the - very unconvincing - traditional “chocolate box” narrative of Shakespeare’s family and life. He musthave had much more impact on the wider world than is currently known and I believe, after 450 years, I finally cracked it!
This book can be glanced at just on a day to day basis, mostly for fun!
Each date of the year has a page dedicated to one particular aspect of the Bard’s works, meaning you can add to your knowledge of the Bard a day at a time. I keep it by my bedside and look at it each morning before getting up!
From Allie Esiri, editor of the bestselling A Poem for Every Day of the Year and A Poem for Every Night of the Year, comes this beautiful gift anthology of Shakespeare's works.
William Shakespeare wrote at least 37 plays, 154 sonnets and a handful of longer poems and you can discover them all here. Each page of this unique collection contains an extract, which might be a famous poem, quote or scene, matched to the date. Allie Esiri's introductions give her readers a new window into the work, time and life of the greatest writer in the English language.
