Here are 100 books that The Essence of Style fans have personally recommended if you like
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I am an award-winning art director, creative mentor, and print and pattern designer with nearly two decades of experience working successfully in the creative industries. As a young person, I loved drama, dance, and art, and was constantly bursting with creative passion. As I grew older, I faced doubt from the people around me about pursuing a creative career. I stubbornly pursued it anyway and ignored the naysayers who told me to “stop dreaming” or to “get a real job.” I am now described as a “powerhouse” in the design world and someone who fearlessly strives forward in her creative career and helps thousands around the world to believe in their own creative power.
As someone who is obsessed with colour, and I mean OBSESSED, diving into this book felt like a colourful dream come true.
Not only does this book delve into so many different colours it also shares stories about how they relate to cultures around the world, and it was so fascinating to learn about. Take my favourite colour, for example, orange. It blew my mind to find out where the word originated and when the term was first used as a colour.
I felt like I was soaking in knowledge at the turn of every page. I can’t tell you how inspired and motivated I felt to start exploring even more colour in my creative practice.
One of USA Today's "100 Books to Read While Stuck at Home During the Coronavirus Crisis"
A dazzling gift, the unforgettable, unknown history of colors and the vivid stories behind them in a beautiful multi-colored volume.
"Beautifully written . . . Full of anecdotes and fascinating research, this elegant compendium has all the answers." -NPR, Best Books of 2017
The Secret Lives of Color tells the unusual stories of seventy-five fascinating shades, dyes, and hues. From blonde to ginger, the brown that changed the way battles were fought to the white that protected against the plague, Picasso's blue period to…
I’m a historian who’s spent far too much time thinking about how the color magenta contributed to climate change and why eighteenth-century humanitarians were obsessed with tobacco enemas. My favorite historical topics—like sensation, color, and truth—don’t initially seem historical, but that’s exactly why they need to be explored. I’ve learned that the things that seem like second nature are where our deepest cultural assumptions and unconscious biases hide. In addition to writing nonfiction, I’ve been lucky enough to grow up on a ranch, live in Paris, work as an interior design writer, teach high school and college, and help stray dogs get adopted.
I had never really given much thought to counting until I read this book, but in the very first chapter, Stone made me rethink everything I thought I knew about “one fish, two fish, red fish, blue fish.” She shows that every time we count, we’re making cultural assumptions. For example, what counts as a fish? And what makes the color of the fish more relevant than other features? Counting reveals that while these choices may seem intuitive, basic, and meaningless, they have very real impacts on people’s lives. Especially when we use numbers to measure things like merit, poverty, race, and productivity, those fundamental assumptions matter more than we care to admit.
Early in her extraordinary career, Deborah Stone wrote Policy Paradox, a landmark work on politics. Now, in Counting, she revolutionises how we approach numbers and shows how counting shapes the way we see the world. Most of us think of counting as a skill so basic that we see numbers as objective, indisputable facts. Not so, says Stone. In this playful-yet-probing work, Stone reveals the inescapable link between quantifying and classifying, and explains how counting determines almost every facet of our lives-from how we are evaluated at work to how our political opinions are polled to whether we get into…
I’m a historian who’s spent far too much time thinking about how the color magenta contributed to climate change and why eighteenth-century humanitarians were obsessed with tobacco enemas. My favorite historical topics—like sensation, color, and truth—don’t initially seem historical, but that’s exactly why they need to be explored. I’ve learned that the things that seem like second nature are where our deepest cultural assumptions and unconscious biases hide. In addition to writing nonfiction, I’ve been lucky enough to grow up on a ranch, live in Paris, work as an interior design writer, teach high school and college, and help stray dogs get adopted.
The French historian Michel Pastoureau is the master of finding topics you never knew could have a history. His research spans from the history of blue to the history of the bear, and everything he writes makes you see the world with new eyes. One of my favorites is this slim volume about the history of stripes. Pastoureau explains why stripes were associated with the devil in the Middle Ages, why sailors and swimmers took to stripes, and why cultural preferences have shifted from horizontal stripes to vertical stripes and back again. He convincingly shows that the history of the stripe is really a history of the impulse to contain social groups and people.
To stripe a surface serves to distinguish it, to point it out, to oppose it or associate it with another surface, and thus to classify it, to keep an eye on it, to verify it, even to censor it. Throughout the ages, the stripe has made its mark in mysterious ways. From prisoners' uniforms to tailored suits, a street sign to a set of sheets, Pablo Picasso to Saint Joseph, stripes have always made a bold statement. But the boundary that separates the good stripe from the bad is often blurred. Why, for instance, were stripes associated with the devil…
I’m a professor at Northland College (WI) and an American environmental historian with specialties in wine, food, and horticulture. I mostly write on alcohol, garden history, botany, and orchids. The history of alcohol is wild, fraught, and charged with power—I’ll never tire of learning about it.
A sensual cultural history mixed with economic history, specifically the rise of capitalism, Schivelbusch launches an interesting argument—that one particular substance, or taste, has often defined the zeitgeist of whole nations for definitive periods. This book is wide-ranging and general in its treatment of alcohol, as well as several other drinks and spices. There are excellent imaginative connections made, and the book invites thinkers to think deeply and broadly about the meaning of intoxicants in history and in their own lives.
From the extravagant use of pepper in the Middle Ages to the Protestant bourgeoisie's love of coffee to the reason why fashionable Europeans stopped sniffing tobacco and starting smoking it, Schivelbusch looks at how the appetite for pleasure transformed the social structure of the Old World. Illustrations.
I have long been struck, as a learner of French at school and later a university professor of French, by how much English borrows from French language and culture. Imagine English without naïvetéand caprice. You might say it would lose its raison d’être…My first book was the history of a single French phrase, the je-ne-sais-quoi, which names a ‘certain something’ in people or things that we struggle to explain.Working on that phrase alerted me to the role that French words, and foreign words more generally, play in English. The books on this list helped me to explore this topic—and more besides—as I was writing Émigrés.
This is a sparklingly funny play. I love its contemporary freshness, its fleetness of foot, and its irreverence. It satirizes the fashion for all things French among London’s social climbers. It sugars the pill of all that satire by bringing a fast-paced plot to a comic ending of marriage and reconciliation. It taught me that writers in seventeenth-century England like the play’s author, John Dryden, were importing words and ideas from France as they sought to trace a middle way between a servile mimicry of French culture and an insular rejection of it.
Dryden's audiences in 1671, both aristocratic and middle-class, would have been quick to respond to the themes of disputed royal succession, Francophilia and loyalty among subjects in his most successful tragicomedy. In the tragic plot, written in verse, young Leonidas has to struggle to assert his place as the rightful heir to the throne of Sicily and to the hand of the usurper's daughter. In the comic plot, written in prose, two fashionable couples (much more at home in London drawing-rooms than at the Sicilian court) play at switching partners in the 'modern' style. The introduction of this edition argues…
I have long been struck, as a learner of French at school and later a university professor of French, by how much English borrows from French language and culture. Imagine English without naïvetéand caprice. You might say it would lose its raison d’être…My first book was the history of a single French phrase, the je-ne-sais-quoi, which names a ‘certain something’ in people or things that we struggle to explain.Working on that phrase alerted me to the role that French words, and foreign words more generally, play in English. The books on this list helped me to explore this topic—and more besides—as I was writing Émigrés.
This is a brilliant essay in literary criticism. It traces English ambivalence towards French language and culture in the centuries that followed the Norman Conquest. It does so by delving into major literary texts—by Chaucer and Shakespeare among others—that explore that ambivalence for what it is: the symptom of a fetish. I like the way Williams writes and I find her inspiring in her desire to remain faithful to the complexity of the texts she studies and their attitudes.
What was the impact of the Norman Conquest on the culture of medieval and early modern England? Deanne Williams answers this question by contending that not only French language and literature, but the idea of Frenchness itself, produced England's literary and cultural identity. Examining a variety of English representations of, and responses to, France and 'the French' in the work of Chaucer, Caxton, Skelton, Shakespeare and others, this book shows how English literature emerged out of a simultaneous engagement with, and resistance to, the pervasive presence of French language and culture in England that was the legacy of the Norman…
I have long been struck, as a learner of French at school and later a university professor of French, by how much English borrows from French language and culture. Imagine English without naïvetéand caprice. You might say it would lose its raison d’être…My first book was the history of a single French phrase, the je-ne-sais-quoi, which names a ‘certain something’ in people or things that we struggle to explain.Working on that phrase alerted me to the role that French words, and foreign words more generally, play in English. The books on this list helped me to explore this topic—and more besides—as I was writing Émigrés.
Ennuiis a hidden gem of a novel. I admire the way it deftly weaves together personal lives and political histories on either side of the Irish Sea. I have come to feel strongly that the author, Maria Edgeworth, is unjustly overlooked by literary history in favour of Jane Austen. Yet Austen drew inspiration from her older contemporary. In this novel,Edgeworth draws on French words and ideas to tell the tale of an over-entitled English lounge lizard who is cured of his fashionable affliction—the ennui of the title—by his travels and travails in Ireland. The result is a cosmopolitan novel crackling with invention and implication.
I have long been struck, as a learner of French at school and later a university professor of French, by how much English borrows from French language and culture. Imagine English without naïvetéand caprice. You might say it would lose its raison d’être…My first book was the history of a single French phrase, the je-ne-sais-quoi, which names a ‘certain something’ in people or things that we struggle to explain.Working on that phrase alerted me to the role that French words, and foreign words more generally, play in English. The books on this list helped me to explore this topic—and more besides—as I was writing Émigrés.
This is a bittersweet comedy of manners in which John le Carré ventures way beyond the spy novels for which he is more famous. For lovers of spy novels—and I am one such—there is much here to savour. Le Carré draws upon the French concept of the naïve – as paired with the sentimental by the German essayist Friedrich Schiller—to inform and enliven the telling of a tale about a love triangle in middle England. Underlying the comic idiom of the novel is an acid dissection of the causes of British failure to be a part of Europe and to help lead Europe out of her darkness. A tale, perhaps, for our times.
From the New York Times bestselling author of Tinker, Tailor, Soldier, Spy; The Spy Who Came in from the Cold; and The Night Manager, now a television series starring Tom Hiddleston.
"I have visited bohemia and got away unscathed."
Aldo Cassidy is an entrepreneurial genius. At thirty-nine, he dominates the baby pram market and rewards his success with a custom Bentley. But Aldo's bourgeois life is upended by a chance encounter with Shamus-a charismatic writer whose first and only novel blazoned across the firmament twenty years earlier. The two develop a passionate friendship that draws Aldo-smitten also with his new…
As a young boy, I dreamed of becoming a novelist. I was fascinated and inspired by Les Années Folles, The Crazy Years of 1920’s Paris, when artists of all disciplines, from countries all around the world came together electrifying the City of Lights with an artistic passion. My mother was French. France is my 2nd country, where I spend a portion of each year. While researching my novel, The Memory of Love, I stayed in the actual atelier of my protagonist Chrysis Jungbluth, a young, largely unknown painter of that era. I visited, too, the addresses of dozens of the artists who bring the era alive again in our imagination.
Due to the title, and the fact that the authors of this book edited my 3rd book, this may seem to be a redundant choice on my part. But I can assure the reader that it is not. Although a fine photo of Kiki also graces the cover, she plays a minor, more metaphoric role in the grand scheme of this large-format work, and only a handful of pages are devoted to her.
On the inside of the cover, and the first thick page to its right, one is presented with 96 roughly 1”x 2” black & white thumbnail photographs, not alphabetically arranged, but as it happens, beginning with a photo image of a portrait of Louis XIV in the top left corner and finishing in the bottom right corner of the following page with a photo of James Joyce. All those photos in between should tip off the reader…
Recreates life in the tumultuous world of 1900-1930 Montparnasse. This book presents photographs of legendary figures, among them the model Kiki, Modigliani, Picasso, Satie, Matisse, Leger, Gertrude Stein, James Joyce and Miro. Gossip and anecdotes aim to bring this world alive.
I love reading novels that take me to another time, place, or adventure (an antithesis to my 30-year career as a professor teaching physiology & pathophysiology to medical and nursing students). I read for entertainment and variety. As an author, I write books I'd like to read! Drawn to history, I've written five historical romances—a woman of courage, intellect, and compassion at the heart of each. I've authored two contemporary espionage thrillers with a woman as the protagonist. I enjoy stepping out of the bounds of empiricism in my novels, blending genres, and stretching the imagination.
This is also a book I read long ago, and it made me want to write historical fiction novels. This is an astounding story of a young peasant woman who is swept up into the Parisian society of King Louis XVI.
The author's attention to historical details in the construction of Versailles and the French Revolution is a standard that I have judged most novels by. It's a beautiful multi-generational story of love and loss, and I'll admit to tears when reading this book. I usually avoid sad books. I want love to never end. Having said that, I'm so glad I read it, and I was amazed at how much French history I learned!
An epic generational tale of loves lost, promises kept, dreams broken, and monarchies shattered, To Dance with Kings is a story of passion and privilege, humble beginnings and limitless ambition.
On a May morning in 1664, in the small village of Versailles, as hundreds of young aristocrats are coming to pay court to King Louis XIV, a peasant fan-maker gives birth to her first and only child, Marguerite. Determined to give her daughter a better life than the one she herself has lived, the young mother vows to break the newborn’s bonds of poverty and ensure that she fulfills her…
