100 books like My Side of the Mountain

I have always been drawn to narratives where a group of individuals needs to collectively overcome a seemingly insurmountable challenge. And, as someone who loves reasonable outdoor challenges such as whitewater rafting trips, I love stories that combine the two. I have been lucky enough to partake in two private float trips of the Colorado River in the Grand Canyon. With no internet, or electricity for 16 days at a time, a carefully crafted book list is key for any river descend. All these books at their core are narratives of individuals digging in deep, and cultivating that collective human superpower known as teamwork, to overcome challenges many thought could not be overcome.

Elizabeth Flann is a history and literature major who worked for over twenty years in the publishing industry in England and Australia before moving into teaching literature, scriptwriting and editing to postgraduate students at Deakin University, Melbourne. She is a co-author of The Australian Editing Handbook and was awarded a PhD in 2001 for her thesis entitled Celluloid Dreaming: Cultural Myths and Landscape in Australian Film. Now retired, she is able to give full rein to her true love—writing fiction. Her first novel, Beware of Dogs, was awarded the Harper Collins Banjo Prize for a Fiction Manuscript. She now lives in a peaceful rural setting in Victoria, Australia, close to extended family and nature.

My boys greedily consumed books until middle school when screens began to pull them away. I still brought home piles of books, especially stories that stirred empathy, hoping they would pick them up (especially during enforced no-screen times). My then-5th grader complained that I brought home too many “sad books about kids having a really hard time,” and that’s when I realized I was choosing titles I liked and wanted them to read. The novels I had written thus far were heavy stories for teens, but after this little episode with my boy, I decided to pay attention to what they really wanted to read. And to write one they might like.  

I was named after my father’s aunt, who moved from Canada to Switzerland in the 1920s to join a travelling church. Family lore remembers she rode a bicycle in the mountains and when she was dying, her sisters sent her maple leaves in the mail to remind her where she started. As a child, I was fascinated by this mysterious other Katie. Why did my father choose her name for me? Would I be like her? Did I get to choose? As a novelist, I love choosing names. Their power is subtle but strong, and when a writer gives a character more than one name, new layers emerge and stories bloom.

I grew up hiking and camping with my family in the national parks of Washington. Isn’t that what everyone did in summer? Later, I learned how wrong I was. That most people had never seen a glacier, stood on a mountaintop, walked through a rainforest, gazed at the size of a grizzly, skied past erupting geysers, or rafted a rushing river. These experiences have shaped who I am. I return to the haunts of national parks, from deserts to mountains and remote islands, because they wow me and feed my soul. 

I always wanted to be a writer but never thought I’d become a travel writer. And like many British teenagers, I also had a passion for the USA – its movies, its music, its writers – but never imagined I would end up living in Arizona. I’ve now traveled in the US widely and understand why its landscapes, its people, and its culture have produced so much good travel writing. It’s a country that’s inspiring and surprising in equal measure, ever-changing, vast, and even though I didn’t grow up there it certainly made me who I am. 

I’ve always been a daydreamer on the lookout for my entry into another world. I spent a good chunk of my early elementary years imagining I was a flying pony who could travel to distant lands and perform dazzling deeds. I never got my wings—but I did discover a way to reach those distant lands. Today, I have the pleasure of creating worlds of my own as the author of three published middle-grade novels: The Mutant Mushroom Takeover, Attack of the Killer Komodos, and The Legend of Greyhallow. 

As a child, one of my favorite places was in the top branches of a tree. From up there I could watch the world pass by, remaining invisible. I could make up stories about the world below and no one would challenge me. The second best place for me was inside the story of a book, the kind that took you to magical places where children always found a way to win the day. I knew when I “grew up” I would write one of those empowering books. I became a middle school teacher and have since read many wonderful books for this age. Enjoy my list of favorites.  

I have a passion for novels with complex characters and a memorable sense of place. The setting is key to the overall ambiance of a novel: its colors, smells, architecture, terrain, weather, flora, and fauna. My novel, Weaving Dreams In Oaxaca, takes place in Oaxaca, Mexico. The story is unique to the location because it includes the zocalo, cathedrals, outlying pueblos, food, etc. My family and I moved there for six months in 2006, and I fell in love. I sent my mother audio tapes every two weeks describing our adventures as she had become blind. I later transcribed them into twenty-two pages of detailed description of this magical city which I used in my novel.

Growing up in California, I was enchanted by the idea of New York City—largely due to the visions of it I found in the books on this list. I’ve now lived in NYC for 20 years and love matching real locations with their versions in my imagination. In my time in the city I’ve been a staff writer for Newsweek Magazine, an editor at Scholastic, and a freelancer for many publications including The New York Times and The Washington Post. I’m currently working on a second novel.