Here are 100 books that Trees of Britain and Northern Europe fans have personally recommended if you like
Trees of Britain and Northern Europe.
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I am passionate about the selected books because they have a unique way of broadening one's horizons and inspiring change in life. Their diverse narratives and profound insights invite all of us to discover new perspectives, challenge our beliefs, and deepen our understanding of the world.
I enjoyed this book specifically because it illustrates trees as social creatures, talking and sharing with each other and building relationships. Peter Wohlleben really opened my eyes to the hidden underground network in forests.
The way Peter tells the story of trees' lives makes it so relatable. He tells the story of trees' unique lives in such an approachable and familiar way, describing how they "feel" pain, "taste" chemicals, and "hear" sounds.
I found the way Wohlleben animates complex scientific ideas through captivating prose most appealing. Deepening my personal relationship with nature.
"A paradigm-smashing chronicle of joyous entanglement that will make you acknowledge your own entanglement in the ancient and ever-new web of being."--Charles Foster, author of Being a Beast Are trees social beings? In this international bestseller, forester and author Peter Wohlleben convincingly makes the case that, yes, the forest is a social network. He draws on groundbreaking scientific discoveries to describe how trees are like human families: tree parents live together with their children, communicate with them, support them as they grow, share nutrients with those who are sick or struggling, and even warn each other of impending dangers. Wohlleben…
I’ve always wanted to travel and have always been obsessed with exploring the natural world with my camera. Over the past 30 years I’ve been lucky to film in 120+ countries and meet thousands of inspiring people in the most unlikely of places. Experience has taught me that there are certain core positive traits that unify us all and help bind us to the natural world within which we live. The books I’ve chosen remind me of how complicated, beautiful, and precious; and how full of wonder and mystery our planet is. They have helped inspire me to pack my bags and get out there to explore it for myself.
Chatwin’s classic is a must read for anyone interested in the concept of the human relationship with landscape and spirituality.
A deeply thoughtful book that made me think very hard about my own place in the world, about how I connect to and interact with nature, and where my life’s journey may be leading me. By focusing on the quality of journey the destination will take care of itself.
This Moleskine-bound edition is sold together with a blank Moleskine notebook, for recording your own thoughts and adventures. Perfect for the travel writers of the future.
The Songlines is Bruce Chatwin's magical account of his journey across the length and breadth of Australia, following the invisible and ancient pathways that are said to criss-cross the land. Chatwin recorded his travels in his favourite notebook, which he would usually buy in bulk in a particular stationery shop in Paris. But when the manufacturer went out of business, he was told "Le vrai moleskine n'est plus". A decade after its publication, on…
I’ve always wanted to travel and have always been obsessed with exploring the natural world with my camera. Over the past 30 years I’ve been lucky to film in 120+ countries and meet thousands of inspiring people in the most unlikely of places. Experience has taught me that there are certain core positive traits that unify us all and help bind us to the natural world within which we live. The books I’ve chosen remind me of how complicated, beautiful, and precious; and how full of wonder and mystery our planet is. They have helped inspire me to pack my bags and get out there to explore it for myself.
Newby’s adventure classic tells the story of two unassuming friends who decide to go mountaineering in one of the world’s most remote and forbidding regions.
This book helped show me that anything is possible; all you need is the positivity of spirit and focus of drive to take on seemingly overwhelming physical and mental challenges.
His self-deprecating humour and ability to communicate and share the grandeur and beauty of Afghanistan is a must read for anyone who would rather make up their own mind about an oft maligned and feared region of the world.
A classic of travel writing, A Short Walk in the Hindu Kush is Eric Newby's iconic account of his journey through one of the most remote and beautiful wildernesses on earth.
It was 1956, and Eric Newby was earning an improbable living in the chaotic family business of London haute couture. Pining for adventure, Newby sent his friend Hugh Carless the now-famous cable - CAN YOU TRAVEL NURISTAN JUNE? - setting in motion a legendary journey from Mayfair to Afghanistan, and the mountains of the Hindu Kush, north-east of Kabul.
Inexperienced and ill prepared (their preparations involved nothing more than…
I cannot remember a time when I wasn’t captured by nature. Growing up in coastal Devon, UK, I loved immersing myself, sometimes literally, in the landscapes and nature of my surroundings. It was inevitable I would become a biologist, and I think also inevitable that I would be drawn to the field of ecology, the study of the relationships that exist within nature. I have expanded my horizons over the past decade or so, developing a deep love for the landscapes and nature of southern Africa, but the rockpools and lanes of Devon are never far away.
I am a biologist and I have a passion, a deep love indeed, of the natural world. I always have. It boosts me and nurtures me–body, mind and spirit. But at the moment, with everything that is happening to the world, I think it is easy to lose hope.
Feral is everything you would expect from Monbiot–elegant prose and well thought out ideas building on solid knowledge. But it is more than that. It is a book that brings hope and makes me feel that, even if Monbiot’s vision isn’t the way, there most certainly is a way through the mess we are creating.
Positivity, action, hope–these are things we need more of right now.
To be an environmentalist early in the twenty-first century is always to be defending, arguing, acknowledging the hurdles we face in our efforts to protect wild places and fight climate change. But let’s be honest: hedging has never inspired anyone.
So what if we stopped hedging? What if we grounded our efforts to solve environmental problems in hope instead, and let nature make our case for us? That’s what George Monbiot does in Feral, a lyrical, unabashedly romantic vision of how, by inviting nature back into our lives, we can simultaneously cure our “ecological boredom” and begin repairing centuries of…
I'm a self-taught artist and sometimes a sculptor. I'm best known for illustrating the Discworld novels of Sir Terry Pratchett which I have been working on for almost 30 years. Not having had formal training, looking at the work of other artists was an important part of my learning. I have a large collection of art books and have been inspired by all sorts of creatives ranging from Leonardo Da Vinci to Jamie Hewlett. I'm often drawn to draughts-people who have a scientific approach to their work and limited use of colour. If I can’t escape to a gallery for inspiration I can always turn to the pages of a book.
This book contains exquisite pencil and ink drawings by Dr. Sarah Simblet who teaches at The Ruskin and Christ Church, at Oxford University. Her observational work is second to none and through it, she explores the relationship between science, history, and art. She is dedicated to sharing visual intelligence and promoting understanding through art. This is complemented perfectly with the text by Gabriel Hemery who gives an in-depth insight into the value of one of our most treasured assets – the trees of our land.
"Beautiful, useful, inspirational" BBC Wildlife Book of the Month
"A delight on every page" Evening Standard
In 1664, the horticulturist and diarist John Evelyn wrote Sylva, the first comprehensive study of British trees. It was also the world's earliest forestry book, and the first book ever published by the Royal Society. Evelyn's elegant prose has a lot to tell us today, but the world has changed dramatically since his day. Now authors Gabriel Hemery and Sarah Simblet, taking inspiration from the original work, have masterfully created a contemporary version - The New Sylva. The result is a fabulous resource that…
As a child I was drawn to the forest by its aesthetics. I felt as if I were wandering through a masterpiece painting. As I grew older, I wanted to know more about the many working parts of nature. I quickly learned this: If I wanted to know nature intimately, I needed to know what the Native Americans knew. After years of study and honing skills, I undertook seasonal, self-imposed “survival trips” in remote areas of the National Forest. As an adult I served as a naturalist for the Georgia Conservancy, wilderness director for High Meadows Camp, and as director of my own wilderness school – Medicine Bow – in the Appalachian Mountains.
Because Mr. Newcomb’s book (above) covers only herbs, shrubs, and vines, the survival student needs a good tree identifier (field guide) to cover “the standing people.” (The Cherokee name for “trees.”) Because I live in Georgia, this book serves me well. If you live outside of the Southeast, you’ll want to find a book germane to your area. Trees of Georgia contains good photographs of leaves, bark, flowers, buds, and fruits of over 200 species.
This field guide identifies 205 species and varieties, with plant descriptions that highlight differences between similar taxa. It also includes range maps and botanical keys for summer and winter.
For decades, I have been identified as a poet-farmer—I have a friendship with the earth forged through many seasons of cultivation, husbandry, and harvest. Enrolled in an MFA program abroad in creative writing, I found my way to Ireland, Oxford, and eventually to Cornwall, England, where I learned the art of cliff meadow farming. Returning to America, I became part of an agricultural revival called Community Supported Agriculture. I continued to write and teach poetry, enlivened by literature and the silt-loam soil of the Long Island peninsula. The language of the garden and the language of poetry and prose in sympathy with the earth, for me, are inseparable.
I feel the same about this book as Barry Lopez—who wrote a most wonderful introduction—when he notes that throughout his reading of the text, he often had to take a break to walk outside; the writing was just so stimulating.
Appealing to me as a poet, this is a slim book—about 90 pages—really a meditative essay that I return to again and again. I am fascinated by the originality of the author’s thought process, his supple prose, and his discussion of the polarities that exist between cultivated nature and wildness.
One singular sentence in this book (“The wood waits…”) has such resonance for me that I chose it as an epigraph for a book of my own.
John Fowles' writing life was dominated by trees. From the orchards of his childhood in suburban Essex,to the woodlands of wartime Devon, to his later life on the Dorset coast, trees filled his imagination and enriched his many acclaimed and best-selling novels.Told through his lifelong relationship with trees, blending autobiography, literary criticism, philosophy and nature writing, The Tree is a masterly, powerful work that laid the literary foundations for nature-as-memoir, a genre which has seen recent flourishings in Roger Deakin's Wildwood, Richard Mabey's Nature Cure, Robert Macfarlane's The Old Ways and Helen Macdonald's H is for Hawk.As lyrical and precise…
I fell in love with reading as a child and have carried that sense of magic and possibility with me ever since. As an adult and a writer, I believe passionately in the power of story to foster empathy, understanding, and greater human connection – and I still turn to children’s literature whenever I need reminding of all that we are capable of becoming and doing as human beings. This list has a strong environmental bent to it – partly because Wildoak is a book about caring for the natural world, and partly because I believe that stories shape our sense of purpose.
This is a gorgeous picture book! It’s poetic and lyrical and bridges the distance between science and story. I especially love the center spread – it brought me right back to that feeling of climbing a strong, solid tree as a child, of being held by a tree. It’s the kind of book that I would want to share with little ones because it’s inspiring and hopeful. I’m a big fan of Dr. Jane Goodall and believe in her mission of inspiring hope when it comes to caring for the environment.
A lyrical, gorgeously illustrated look at the majesty of trees-and what humans can learn from them
Stand tall.
Stretch your branches to the sun.
Be a tree!
We are all like trees: our spines, trunks; our skin, bark; our hearts
giving us strength and support, like heartwood. We are fueled by air and
sun.
And, like humans, trees are social. They "talk" to spread
information; they share food and resources. They shelter and take care
of one another. They are stronger together.
In this gorgeous and
poetic celebration of one of nature's greatest creations, acclaimed
author Maria Gianferrari and illustrator…
I did a master's in Environmental Policy, and at the end of that year, I thought, "this is all very well, but there’s no point designing these policies if no one wants them." My response to the environmental crisis is to try to open people’s eyes to the beauty and wonder of Nature. If you pay close attention, you start to develop an expansive sense of the ordinary: Creation is stranger, more mysterious, and more wonderful than we can imagine. This in turn helps us to love the world more deeply, and we tend to look after things that we love.
This was the book that made me look again at trees, seeing them for the incredible organisms that they are. Deakin goes on an amazing adventure from Suffolk to Kazakhstan, Australia, and beyond, trying to get to the heart of why wood and trees have such profound meaning for us. If you like Wildwood, you could also try Waterlog, in which he wild-swims his way through the British Isles. He’s the perfect companion for the armchair adventurer, and a very genial writer.
Here, published for the first time in the United States, is the last book by Roger Deakin, famed British nature writer and icon of the environmentalist movement. In Deakin's glorious meditation on wood, the "fifth element" -- as it exists in nature, in our culture, and in our souls -- the reader accompanies Deakin through the woods of Britain, Europe, Kazakhstan, and Australia in search of what lies behind man's profound and enduring connection with trees.
Deakin lives in forest shacks, goes "coppicing" in Suffolk, swims beneath the walnut trees of the Haut-Languedoc, and hunts bushplums with Aboriginal women in…
I’ve been fascinated by horror since childhood–when Scooby-Doo: Where Are You! and Doctor Who were my favorite TV shows. I specifically remember watching the Doctor Who serial, The Seeds of Doom, and the 1962 film Day of the Triffids–both about killer plants! As I finished graduate school and then took jobs in higher education, I gravitated back to horror and the gothic, which I am now fortunate enough to teach and research. I’ve written academically about all kinds of horror (most recently folk horror)–and in 2015, myself and two others founded a website, Horror Homeroom, where I write about horror for more popular audiences.
I read Kiernan’s book only recently and found it entrancing. It’s a novel that defies any easy description. In a way, it’s about a grieving writer who takes up residence in an isolated house to try to recover from the death of her partner and to try to start writing again. Nothing more happens except her occasional drives to the local village and walks to the nearby red tree. But the book bursts with richness–with complex storytelling and, we slowly realize, with an increasingly unreliable narrator. As the narrator finds, reads, and transcribes a manuscript of local folklore she found in the house, the novel increasingly blurs the boundaries between past and present, reality and delusion. At times, I found myself unsure of where I was or whose words I was reading. All the stories converge, though, on the red tree, which exerts some force over those that come within…
Sarah Crowe left Atlanta—and the remnants of a tumultuous relationship—to live in an old house in rural Rhode Island. Within its walls she discovers an unfinished manuscript written by the house’s former tenant—an anthropologist obsessed with the ancient oak growing on a desolate corner of the property.
Tied to local legends of supernatural magic, as well as documented accidents and murders, the gnarled tree takes root in Sarah’s imagination, prompting her to write her own account of its unsavory history.
And as the oak continues to possess her dreams and nearly almost all her waking thoughts, Sarah risks her health…
