100 books like Child of My Heart

Reading this book made me stop writing my own Southern gothic ghost book in the middle, rethink it completely, and start over again from scratch, and I wasn’t even mad about it. It’s just that good. It’s about thirteen-year-old Jojo and his family—his much-loved and very much dying grandmother, his strong, silent, and protective grandfather, his wild child mother, Leonie, his baby sister, Kayla, who looks to Jojo to keep her safe, and his white father, Michael, who just got out of jail. Everybody has secrets, and everybody sees ghosts. This literary novel won the National Book Award, but I promise you, horror readers, it will scare you silly and break your heart. 

Wow. The voice in this book takes my breath away. I’ve never read anything else quite like it.

There’s a plot full of adventure, tragedy, and healing, but mostly, there is Rueben Land and his sister Swede, two of the most compelling characters in literature. The story begins with a miracle when Rueben’s father commands his newly stillborn son to breathe.

Questions about miracles, hope, faith, and redemption pepper the story with no easy answers, again asking: What does it mean to be human? That’s a question all great literature grapples with.

In this exceptional story that I’ve read twice, Elizabeth Strout places a seemingly ordinary, though distant, mother and her shy teenage daughter in the provincial town of Shirley Falls, Maine, to create a stunning awakening in the daughter Amy and foster the admission of a long-hidden secret by Amy’s mother Isabelle. As much as Amy thinks her development is about her sexuality, it is more about forming a relationship with her lonely mother. After Amy learns her mother’s story, she learns her most important moment of identity has not been sexual initiation, but her self-acceptance. The relationship between mother and daughter fosters Amy’s coming of age. 

Ah, these juvenile narrators: they think they know it all. Lucille Odem has it all figured out. She can fix her broken family and heal her parent’s broken hearts—because of course she can. For me, the pleasure of a great young adult narrator is watching as even the smartest of these smarty pants comes to learn that we all have blind spots and that it’s often the things we can’t see or don’t know that are the most important part of the equation. What a sweet book this is.  

The opening of this book knocked me out, and I was hooked.

I usually veer toward literary, slower, familial dramas, but this book combined what I love in literary family dynamics with the frightening premise of an inexplicable disaster occurring in the outside world. The suspicion we were quick to possess about others during the early days of the pandemic is heightened to a new level with two couples pitted against each other, one preoccupied with the welfare and antics of their children.

I loved the construct that had even spouses second-guessing each other. The intensity of the situation brought out the worst and eventually the better sides of all the characters, a phenomenon that resonated as I read this book during the first year of the pandemic, at the same time rioters invaded our nation’s capital.  

This is an evocative mystery with not one but two atmospheric settings: Long Island’s Suffolk County, and Ireland’s County Clare. When an Irish national is found dead on a Long Island beach, Detective Maggie D’arcy’s planned vacation to Ireland becomes a tense investigation into the mysterious victim’s death, and a fight to keep her young daughter safe both abroad and back at home. I found A Distant Grave to be deeply chilling and impossible to put down. 

First published in 1980, Gaywyck was the first historical gay gothic romance. Virga, whose day job for forty years was as photo editor, turns his extraordinary eye on turn-of-the-last century New York.

The tangled lives, dark secrets, and mad love – all conventions of the romance genre – are stood on their heads in this reimagining. “I realized genre has no gender,” Virga says, and set about cannily reversing roles and inverting tropes to fashion a puzzle wrapped in an enigma of requited and unrequited love.

Gaywyck stands the test of time and remains a modern classic.   

Steinbeck is one of my favorite novelists (Willa Cather, the other) but boy did he run off the rails with this, his final book.

He describes an American society locked in irreversible decline, with everything getting worse and our polity doomed. Sixty years later the United States remains the envy of the world and almost every America today lives better materially, with more freedom and security, than almost everyone of 1961.

The novel is a reminder of the extent to which ideological negativity is ubiquitous in literature.

We both devoured Taffy Brodesser-Akner’s last book, Fleishman Is in Trouble, and the wonderful TV adaptation of the same name. So, when we saw that she was writing another one, we both not only hit the preorder button but reached out to her publisher to get advanced reader copies. The book doesn’t come out until July 9. Still, we’ve both already read it and can confidently say it’s a delightful summer read about a wealthy Jewish family, the Fletchers, grappling with grief, repressed trauma, and the sudden slipping away of their family fortune.

The book grabs you instantly with a violent kidnapping and then jumps forward and back in time to explore the psyches of each of the Fletcher children as they process what has become of their family in the wake of their grandmother’s death. And wait until you discover what the “Long Island Compromise” is. 

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The Gate House is a sequel to DeMille’s successful novel The Gold Coast, which I really enjoyed. Who wouldn’t like a tale of seduction, betrayal, and violence set about a Mafia don moving into a wealthy WASP enclave on Long Island’s North Shore.

I found The Gate House to be even better. The narrating hero of The Gold Coast returns ten years later. He’s older, wiser, but no less sly, cynical, and funny. His ex-wife is also back, and despite his thinking that she is more than a little crazy (and maybe a bit homicidal), he’s still attracted to her. To top things off, the Mafia don’s son, now himself the don, is looking for vengeance. The Gate House is full of sex, humor, and ultimately, violence.