Here are 100 books that Amy and Isabelle fans have personally recommended if you like
Amy and Isabelle.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
As a goth chick from the American South, I’m obsessed with stories of old evil from the past finding its way into the present. I even live in a haunted house, a disintegrating Craftsman built in 1901. Our ghosts are very cozy, two cat-loving maiden ladies who were co-presidents of the local temperance society. We’ve given up on keeping liquor in our liquor cabinet; bottles cracking and leaking, glassware broken for no reason. And we’ve gotten so used to seeing and hearing their famous cat, Tom, we barely react anymore—a huge orange tabby tomcat who runs past our feet and jumps on the foot of our bed.
Reading this book made me stop writing my own Southern gothic ghost book in the middle, rethink it completely, and start over again from scratch, and I wasn’t even mad about it. It’s just that good. It’s about thirteen-year-old Jojo and his family—his much-loved and very much dying grandmother, his strong, silent, and protective grandfather, his wild child mother, Leonie, his baby sister, Kayla, who looks to Jojo to keep her safe, and his white father, Michael, who just got out of jail. Everybody has secrets, and everybody sees ghosts. This literary novel won the National Book Award, but I promise you, horror readers, it will scare you silly and break your heart.
SHORTLISTED FOR THE WOMEN'S PRIZE FOR FICTION 2018
WINNER OF THE NATIONAL BOOK AWARD 2017
ONE OF BARACK OBAMA'S BEST BOOKS OF 2017
SELECTED AS A BOOK OF THE YEAR BY THE NEW YORK TIMES, THE NEW STATESMAN, THE FINANCIAL TIMES, THE NEW YORK TIMES BOOK REVIEW, TIME AND THE BBC
Finalist for the PEN/Faulkner Award for Fiction
Finalist for the Kirkus Prize
Finalist for the Andrew Carnegie Medal
Finalist for the National Book Critics Circle Award
'This wrenching new novel by Jesmyn Ward digs deep into the not-buried heart of the American nightmare. A must' Margaret Atwood
'A powerfully…
I want to tackle the profound challenges some new mothers face. Who’s read a funny book about postpartum depression? Probably no one! My novel fills the gap. I suffered from postpartum in silence, afraid of the stigma it might bring. I hope this relatable story normalizes postpartum, sparks conversations, and drives change. I also wanted to write something with a Latina in the starring role. People of Latino descent suffer from many hurtful and inaccurate stereotypes. Increasing positively portrayed Latinos in fiction is personal for me. I’m exceedingly proud of my Latino roots and hope it comes through in my writing.
Bernadette can be difficult to like, but that's partly why I love her character. She's unapologetically authentic with sharp edges and a serious dislike of Seattle. Rather than grimace at her put-downs of my hometown, I laughed because she included inside jokes only Seattlites would understand, and there was a granule of truth in all of it.
I'm intensely interested in the challenges and rewards of motherhood. Portraying it as something emotionally draining and frustrating, utterly consuming and ultimately wonderful, Maria Semple captured what many of us experience using Bernadette as her medium.
A misanthropic matriarch leaves her eccentric family in crisis when she mysteriously disappears in this "whip-smart and divinely funny" novel that inspired the movie starring Cate Blanchett (New York Times).
Bernadette Fox is notorious. To her Microsoft-guru husband, she's a fearlessly opinionated partner; to fellow private-school mothers in Seattle, she's a disgrace; to design mavens, she's a revolutionary architect; and to 15-year-old Bee, she is her best friend and, simply, Mom.
Then Bernadette vanishes. It all began when Bee aced her report card and claimed her promised reward: a family trip to Antarctica. But Bernadette's intensifying allergy to Seattle --…
I’ve always believed in magic, the kind that’s just around the corner, out of view. I loved books and libraries. So, it was no surprise that I became a teacher, and later, a poet and novelist. Now, as the author of four novels, I want my books to capture what I love best from poetry and teaching: beautiful, unexpected language, a touch of wonder, and themes that probe the big questions of life. A library shows up in most of my novels along with a bit of the fantastic.
Wow. The voice in this book takes my breath away. I’ve never read anything else quite like it.
There’s a plot full of adventure, tragedy, and healing, but mostly, there is Rueben Land and his sister Swede, two of the most compelling characters in literature. The story begins with a miracle when Rueben’s father commands his newly stillborn son to breathe.
Questions about miracles, hope, faith, and redemption pepper the story with no easy answers, again asking: What does it mean to be human? That’s a question all great literature grapples with.
When Israel Finch and Tommy Basca, the town bullies, break into the home of school caretaker Jeremiah Land, wielding a baseball bat and looking for trouble, they find more of it than even they expected. For seventeen-year-old Davey is sitting up in bed waiting for them with a Winchester rifle. His younger brother Reuben has seen their father perform miracles, but Jeremiah now seems as powerless to prevent Davey from being arrested for manslaughter, as he has always been to ease Reuben's daily spungy struggle to breathe. Nor does brave and brilliant nine-year-old Swede, obsessed as she is with the…
From the time I was a girl, I’ve loved stories that put a lump in my throat even as I’m laughing. As a fiction writer, that funny-sad tone is the one I go for in my own work. I gravitate toward female protagonists of all ages who break the mold—women who are intelligent and strong but who also have unconventional, quirky personalities. Women who can be hilarious, infuriating, and heartbreaking—sometimes all at once. Because they are complex and unique, these women tend to struggle with life’s challenges more than their contemporaries. That’s what makes their stories so interesting, and why I have chosen the books on this list.
When Mar’s husband divorces her, she reacts by abandoning everything in her past: her home, her friends, even her name. Though it's not easy starting over, she’s ready for new adventures—as long as she can keep things casual. Each month, Mar goes from one acquaintance to the next: a fellow gym member down on her luck, a flirty hip-hop instructor, a bossy but comical consultant. . . and a handsome novelist who wants more than she can give. Mar learns from each encounter. But can she open herself up to true connection?
Surrounded by quirky, endearing characters, Mar navigates her…
"A fun, entertaining novel! I can't imagine anyone who wouldn't enjoy this book as much as I did." -Leslie A. Rasmussen, award-winning author
When Mar Meyer's husband divorces her for another woman, she reacts by abandoning everything in her past: her home, her friends, even her name. Though it's not easy to start over, Mar is young-looking, fit, and ready for new adventures-as long as she can keep things casual.
With each passing month, Mar goes from one acquaintance to the next. Among them: a fellow gym member down on her luck, a flirty hip-hop instructor, a bossy but comical…
I’m an author and a romantic. Put the two together and it makes sense for me to write love stories. I’ve always been interested in relationships and fascinated by how complex our feelings make us when we fall in love. There’s a love story in all my books, but for the last three novels, a love story has been thestory. I’m a Londoner too, and I like it when a city becomes another character in a book, as I hope London has in The Central Line.
It's 1969, Phyllis is married to a kind man, with two children and a large house in suburban London. Her domestic world is not far removed from a dutiful 50s housewife’s. Then a much younger man, dashing, selfish, and a family friend, kisses her in a dark garden, and her life explodes. She abandons her family and moves to a shabby flat in Ladbroke Grove. A new world opens to her – she meets people of colour, artists, activists, drinkers, and idealists. She experiences sexual freedom and romantic love. Phyllis’s teenage daughter joins her in her new life, and mother and daughter must work out a different kind of relationship. I found myself feeling furious with Phyllis at the same time as emphasising with her.
“Tessa Hadley recruits admirers with each book. She writes with authority, and with delicacy: she explores nuance, but speaks plainly; she is one of those writers a reader trusts.”—Hilary Mantel
From the bestselling author of Late in the Day and The Past comes a compulsive new novel about one woman’s sexual and intellectual awakening in 1960s London.
1967. While London comes alive with the new youth revolution, the suburban Fischer family seems to belong to an older world of conventional stability: pretty, dutiful homemaker Phyllis is married to Roger, a devoted father with a career in the Foreign Office. Their…
I'm a classically trained Shakespearian actor who has spent a lifetime researching Tudor and Stuart times, imbibing their language, customs, and idiosyncrasies. As an actor, I'm trained to get inside my characters' heads and dedicate myself to their intentions. Also, as an actor, I've come to relish language and recognize what makes a good phrase, paragraph, and/or book. I not only perform the Bard, but I've also taught his rhetorical stylings to countless people. I love language and admire writers who use it elegantly. They say, "Write what you know." I know Shakespeare and the Elizabethan era inside and out. One's life can be changed by a book; the ones I've recommended have changed mine.
I loved this book for its humanity and the language she used to pithily emphasize characters and situations. There was not an excess word employed. She compassionately realized every character and gave them wisdom, angst, and a tragic sense of loss. I found it utterly absorbing and have reread it several times.
A New York Times Book of the Year DAILY MAIL 'BEST BOOKS OF THE YEAR TO GIFT FOR CHRISTMAS' SUNDAY EXPRESS' S MAGAZINE 'WINTER WARMERS' GOOD HOUSEKEEPING 'BEST BOOKS OF 2020' ONLINE
'One of the most emotionally truthful novels I have ever read' DAISY BUCHANAN 'Almost every line glows with even-handed wisdom - a superb novel, beautifully put together' DAILY MAIL 'An invaluably moving book' JULIET NICOLSON 'One to read first for the story and then to re-read at leisure and marvel at how real these people feel' ERIN KELLY 'Penetrating, intelligent, humane, funny too ... Smart and powerfully alive'…
I’m the author of the debut novel The Wrong Kind of Woman (Mira/HarperCollins). Publishers Weekly called it “an entrancing debut,” and Bookreporter’s review noted: “It’s a strong, strident message delivered in a valentine of a book ...with enough gentle grit and determination to keep you thinking about Virginia and the Gang of Four long after the last page is read.” I’m a longtime magazine writer, and a graduate of Dartmouth College, Stanford University, and Vermont College of Fine Arts. I live in New Hampshire on an old farm, where I garden in the summer and snowshoe in the winter.
Carol Shields’ last novel, Unless(published after her death) follows forty-something mom Reta Winters: Reta’s three daughters are almost grown, she has decent work translating French writers, and she has a supportive husband. Then oldest daughter Norah disappears, and it turns out Norah is now living on the streets of downtown Toronto, wearing a sign around her neck that reads “goodness,” but not speaking a word. This sounds like a bleak scenario, having one’s daughter reject everything she’s grown up with and refusing to explain. But Unless is a sharp, thoughtful, and even funny novel, one that’s not like any other that I’ve read, and Norah’s disappearance leads Reta to come of age as she questions every aspect of her life.
The dazzling novel from Carol Shields, author of 'The Stone Diaries', winner of the Pulitzer Prize, and 'Larry's Party', winner of the Orange Prize.
All her life, it seems to Reta Winters, she has enjoyed the useful monotony of happiness. She has a loving husband, three bright daughters and supportive friends, and is experiencing growing success as a writer and translator. Then her eldest daughter suddenly withdraws from the world, abandoning university, family and loving boyfriend to sit on a street corner, uncommunicative but for a sign around her neck bearing one word, 'Goodness'. The anguish of her loss leads…
I came to writing later in life – at age forty-two. Writing was something I had always wanted to do. Still, it wasn’t until I experienced something that was in some ways extraordinary and in some ways prevalent–the inadequate treatment of maternal mental health and maternal health in general–that I felt my story had to be told. While maternal mental illnesses are expected, there is a shortage of books on the topic. When I was deep inside my illness, I searched for any story that might mirror my own and had difficulty finding one. With this list, I hope to help anyone who needs a hand to reach out to.
I picked this book up at 3 o’clock on a Saturday afternoon and didn’t put it down until I finished the last page at 1 o’clock on a Sunday morning.
This unique thriller explores what happens when you don’t become the mother you expected to be and struggle to connect with your child. It is all at once brilliant, nuanced, and propulsive.
Audrain lays bare the complexities of the nature of maternal love, generational trauma, and skirting the fine line between sanity and madness.
A Good Morning America Book Club Pick | A New York Times bestseller!
"Utterly addictive." -Paula Hawkins, author of The Girl on the Train
"Hooks you from the very first page and will have you racing to get to the end."-Good Morning America
A tense, page-turning psychological drama about the making and breaking of a family-and a woman whose experience of motherhood is nothing at all what she hoped for-and everything she feared
Blythe Connor is determined that she will be the warm, comforting mother to her new baby Violet that she herself never had.
I am a forty-five-year career educator, sharing my classrooms with students from primary school through graduate programs in creative writing. What I love most in every classroom I enter is sharing the books and stories and poems I love with my students. The best days: when I’m reading one of my favorite parts of the book out loud to the group and I look up and they laugh or gasp, or I look up and see their eyes full of joy. If it’s my own work I’m reading from, all the better!
Ah, these juvenile narrators: they think they know it all. Lucille Odem has it all figured out. She can fix her broken family and heal her parent’s broken hearts—because of course she can. For me, the pleasure of a great young adult narrator is watching as even the smartest of these smarty pants comes to learn that we all have blind spots and that it’s often the things we can’t see or don’t know that are the most important part of the equation. What a sweet book this is.
At the age of seventeen, Lucille Odom finds herself in the middle of an unexpected domestic crisis. As she helps guide her family through its discontent, Lucille discovers in herself a woman rich in wisdom, rich in humor, and rich in love.
Susan Beckham Zurenda taught English for 33 years on the college level and at the high school level to AP students. Her debut novel, Bells for Eli(Mercer University Press, March 2020; paperback edition March 2021), has been selected the Gold Medal (first place) winner for Best First Book—Fiction in the 2021 IPPY (Independent Publisher Book Awards), a Foreword Indie Book Award finalist, a Winter 2020 Okra Pick by the Southern Independent Booksellers Alliance, a 2020 Notable Indie on Shelf Unbound, a 2020 finalist for American Book Fest Best Book Awards, and was nominated for a Pushcart Prize for 2021. She has won numerous regional awards for her short fiction. She lives in Spartanburg, SC.
Though I have read and relished all of Alice McDermott’s novels,Child of my Heartis my favorite. Theresa, age 15, is East Hampton’s most sought-after babysitter when her favorite cousin, eight-year-old Daisy, comes to spend the summer in this gorgeous coming-of-age novel. Though Theresa and Daisy share a magical world, Theresa eventually realizes the ongoing bruises on Daisy’s feet and body mean she is seriously ill. While the cousins intuitively conceal Daisy’s condition, Theresa becomes aroused by and wary of her sexual attraction to the father of Flora, a toddler she babysits. Through the haunting presence of death and her dawning sexuality for a much-older man, Theresa crosses into adulthood.
On the cusp of fifteen, pretty Theresa is the town's most sought-after babysitter - cheerful, beloved, adored by children and animals, but also a solitary soul with an already complex understanding of human nature. She is Titania among her fairies, the one person to call on for help with a child in extreme distress. Theresa does not doubt her power over the fathers of her adoring charges either, like the elderly artist whose signature and doodles may fetch a fortune, but whose potential lechery Theresa toys with like a kitten with yarn. Yet, during this unforgettable summer, it is her…
I’m an award-winning author of two novels, the most recent of which, The Nine, is set on a fictional New England boarding school campus. Although a secret society’s antics and a scandal on campus keeps readers turning the page, at the heart of the novel is the evolution of a mother-son relationship. Even before my three children began considering boarding schools, I was a fan of the campus novel. Think classics like A Separate Peace or Catcher in the Rye. My fascination surrounding these little microcosms—their ideals, how they self-govern, who holds power—only increased after experiencing their weird and wily ways as a mother.
One of Anita Shreve’s lesser-known novels, I love Testimony for the contemporary conundrum it introduces. No more sweeping things under the rug; administrations must deal with transgressions in a public manner. In Testimony, students at another New England boarding school behave badly, capturing a lewd act on film. No matter how you code it, a crime has been committed, and the school must deal with it.
While the novel explores multiple points of view, the perspective of the accused student’s mother had the greatest effect on me: “You stand up… You get into your car and back out of your driveway and make the turn onto the street and immediately a new set of pictures darts in front of you like small boys on bicycles. Rob in a helmet on a skateboard… A boy with a bad haircut holding up his Cub Scout handbook…” The second-person technique wonderfully conveys…
At a New England boarding school, a sex scandal is about to break. Even more shocking than the sexual acts themselves is the fact that they were caught on videotape. A Pandora's box of revelations, the tape triggers a chorus of voices -- those of the men, women, teenagers, and parents involved in the scandal -- that details the ways in which lives can be derailed or destroyed in one foolish moment.
Writing with a pace and intensity surpassing even her own greatest work, Anita Shreve delivers in Testimony a gripping emotional drama with the impact of a thriller. No…
