Here are 100 books that Free Love fans have personally recommended if you like
Free Love.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I want to tackle the profound challenges some new mothers face. Who’s read a funny book about postpartum depression? Probably no one! My novel fills the gap. I suffered from postpartum in silence, afraid of the stigma it might bring. I hope this relatable story normalizes postpartum, sparks conversations, and drives change. I also wanted to write something with a Latina in the starring role. People of Latino descent suffer from many hurtful and inaccurate stereotypes. Increasing positively portrayed Latinos in fiction is personal for me. I’m exceedingly proud of my Latino roots and hope it comes through in my writing.
Bernadette can be difficult to like, but that's partly why I love her character. She's unapologetically authentic with sharp edges and a serious dislike of Seattle. Rather than grimace at her put-downs of my hometown, I laughed because she included inside jokes only Seattlites would understand, and there was a granule of truth in all of it.
I'm intensely interested in the challenges and rewards of motherhood. Portraying it as something emotionally draining and frustrating, utterly consuming and ultimately wonderful, Maria Semple captured what many of us experience using Bernadette as her medium.
A misanthropic matriarch leaves her eccentric family in crisis when she mysteriously disappears in this "whip-smart and divinely funny" novel that inspired the movie starring Cate Blanchett (New York Times).
Bernadette Fox is notorious. To her Microsoft-guru husband, she's a fearlessly opinionated partner; to fellow private-school mothers in Seattle, she's a disgrace; to design mavens, she's a revolutionary architect; and to 15-year-old Bee, she is her best friend and, simply, Mom.
Then Bernadette vanishes. It all began when Bee aced her report card and claimed her promised reward: a family trip to Antarctica. But Bernadette's intensifying allergy to Seattle --…
I have always been a romantic at heart, although it took time for me to realize and act on this as I was conditioned from an early age to be scholarly and rational (life-allowing). One of my favorite silent films as a teenager was a love story that focuses on a forbidden relationship between a British girl and a Chinese man at the turn of the twentieth century, called Broken Blossoms; it left an indelible impression. Eventually, I myself became involved in a life-changing romantic relationship with a Chinese man. I now love exploring the vicissitudes of the human heart at the crossroads of cultural differences in my writing.
This book is indeed a “creation of comic genius,” as Nick Hornby blurbed. The movie didn’t do anything for me; I found Renée Zellweger quite blah, and Hugh Grant was playing the British cad as usual. However, the book was so funny I had a hard time putting it down.
Basically, it is about Bridget, a British “Everywoman” who falls into the clutches of her slimy boss, Daniel, while on a quest for the traditional Holy Grail of womanhood—true love. One of the things I most enjoyed about this chick-lit classic was the rather graphic booze-and-smoking sessions, as well as the eccentric minor characters, especially Bridget’s mother. My mother is also a maverick and very much a free spirit, so this really resonated with me.
A dazzlingly urban satire on modern relationships? An ironic, tragic insight into the demise of the nuclear family? Or the confused ramblings of a pissed thirty-something?
As Bridget documents her struggles through the social minefield of her thirties and tries to weigh up the eternal question (Daniel Cleaver or Mark Darcy?), she turns for support to four indispensable friends: Shazzer, Jude, Tom and a bottle of chardonnay.
Welcome to Bridget's first diary: mercilessly funny, endlessly touching and utterly addictive.
Helen Fielding's first Bridget Jones novel, Bridget Jones's Diary, sparked a phenomenon that has seen…
A lover of fiction since my teens, I only really took an interest in history in my 20s. I’m fascinated with WWII and the 1950s due to family histories and having visited key sites, like Bletchley Park and the Command Bunker in Uxbridge, near where I grew up. I’m not especially patriotic, but I am proud of what Britain had to do in 1940, as well as the toll the war took and the years of recovery. But it’s also the time, albeit decreasingly so, when people still alive today can look back at their youth, and we can all have a nostalgia for that time in our lives.
I remember reading this in my student bedsit and being transfixed. I was studying art but had just decided that I wanted to be a novelist. As such, I loved the opening lines: “A story has no beginning or end: arbitrarily one chooses that moment of experience from which to look back or from which to look ahead.”
It is a simple yet beautiful book about love, belief, and betrayal. I’m not religious, but the testing of someone’s faith and how it may make them act stuck with me. Also, the facade of the ‘stiff upper lip,’ but underneath, the vulnerability.
The love affair between Maurice Bendrix and Sarah, flourishing in the turbulent times of the London Blitz, ends when she suddenly and without explanation breaks it off. After a chance meeting rekindles his love and jealousy two years later, Bendrix hires a private detective to follow Sarah, and slowly his love for her turns into an obsession.
Susan Beckham Zurenda taught English for 33 years on the college level and at the high school level to AP students. Her debut novel, Bells for Eli(Mercer University Press, March 2020; paperback edition March 2021), has been selected the Gold Medal (first place) winner for Best First Book—Fiction in the 2021 IPPY (Independent Publisher Book Awards), a Foreword Indie Book Award finalist, a Winter 2020 Okra Pick by the Southern Independent Booksellers Alliance, a 2020 Notable Indie on Shelf Unbound, a 2020 finalist for American Book Fest Best Book Awards, and was nominated for a Pushcart Prize for 2021. She has won numerous regional awards for her short fiction. She lives in Spartanburg, SC.
In this exceptional story that I’ve read twice, Elizabeth Strout places a seemingly ordinary, though distant, mother and her shy teenage daughter in the provincial town of Shirley Falls, Maine, to create a stunning awakening in the daughter Amy and foster the admission of a long-hidden secret by Amy’s mother Isabelle. As much as Amy thinks her development is about her sexuality, it is more about forming a relationship with her lonely mother. After Amy learns her mother’s story, she learns her most important moment of identity has not been sexual initiation, but her self-acceptance. The relationship between mother and daughter fosters Amy’s coming of age.
From the Man Booker Prize longlisted author of My Name is Lucy Barton
Isabelle Goodrow has been living in self-imposed exile with her daughter Amy for 15 years. Shamed by her past and her affair with Amy's father she has submerged herself in the routine of her dead-end job and her unrequited love for her boss. But when Amy, frustrated by her quiet and unemotional mother, embarks on an illicit affair with her maths teacher, the disgrace intensifies the shame Isabelle feels about her own past.
Throughout one long, sweltering summer as the events of the small town ebb and…
I'm a classically trained Shakespearian actor who has spent a lifetime researching Tudor and Stuart times, imbibing their language, customs, and idiosyncrasies. As an actor, I'm trained to get inside my characters' heads and dedicate myself to their intentions. Also, as an actor, I've come to relish language and recognize what makes a good phrase, paragraph, and/or book. I not only perform the Bard, but I've also taught his rhetorical stylings to countless people. I love language and admire writers who use it elegantly. They say, "Write what you know." I know Shakespeare and the Elizabethan era inside and out. One's life can be changed by a book; the ones I've recommended have changed mine.
I loved this book for its humanity and the language she used to pithily emphasize characters and situations. There was not an excess word employed. She compassionately realized every character and gave them wisdom, angst, and a tragic sense of loss. I found it utterly absorbing and have reread it several times.
A New York Times Book of the Year DAILY MAIL 'BEST BOOKS OF THE YEAR TO GIFT FOR CHRISTMAS' SUNDAY EXPRESS' S MAGAZINE 'WINTER WARMERS' GOOD HOUSEKEEPING 'BEST BOOKS OF 2020' ONLINE
'One of the most emotionally truthful novels I have ever read' DAISY BUCHANAN 'Almost every line glows with even-handed wisdom - a superb novel, beautifully put together' DAILY MAIL 'An invaluably moving book' JULIET NICOLSON 'One to read first for the story and then to re-read at leisure and marvel at how real these people feel' ERIN KELLY 'Penetrating, intelligent, humane, funny too ... Smart and powerfully alive'…
I’m the author of the debut novel The Wrong Kind of Woman (Mira/HarperCollins). Publishers Weekly called it “an entrancing debut,” and Bookreporter’s review noted: “It’s a strong, strident message delivered in a valentine of a book ...with enough gentle grit and determination to keep you thinking about Virginia and the Gang of Four long after the last page is read.” I’m a longtime magazine writer, and a graduate of Dartmouth College, Stanford University, and Vermont College of Fine Arts. I live in New Hampshire on an old farm, where I garden in the summer and snowshoe in the winter.
Carol Shields’ last novel, Unless(published after her death) follows forty-something mom Reta Winters: Reta’s three daughters are almost grown, she has decent work translating French writers, and she has a supportive husband. Then oldest daughter Norah disappears, and it turns out Norah is now living on the streets of downtown Toronto, wearing a sign around her neck that reads “goodness,” but not speaking a word. This sounds like a bleak scenario, having one’s daughter reject everything she’s grown up with and refusing to explain. But Unless is a sharp, thoughtful, and even funny novel, one that’s not like any other that I’ve read, and Norah’s disappearance leads Reta to come of age as she questions every aspect of her life.
The dazzling novel from Carol Shields, author of 'The Stone Diaries', winner of the Pulitzer Prize, and 'Larry's Party', winner of the Orange Prize.
All her life, it seems to Reta Winters, she has enjoyed the useful monotony of happiness. She has a loving husband, three bright daughters and supportive friends, and is experiencing growing success as a writer and translator. Then her eldest daughter suddenly withdraws from the world, abandoning university, family and loving boyfriend to sit on a street corner, uncommunicative but for a sign around her neck bearing one word, 'Goodness'. The anguish of her loss leads…
I’m an author and a romantic. Put the two together and it makes sense for me to write love stories. I’ve always been interested in relationships and fascinated by how complex our feelings make us when we fall in love. There’s a love story in all my books, but for the last three novels, a love story has been thestory. I’m a Londoner too, and I like it when a city becomes another character in a book, as I hope London has in The Central Line.
This is a slow-burn of a novel about two couples. Each character struggles to maintain their marriage under the pressure of children and modern life. Each tries to hold on to their own identity while existing inside a family. The novel looks at mental health, infidelity, cooking, and Black culture; it has a soundtrack, with songs that mean something to the characters and capture the essence of the time. The story is resonant with images of modern London. It asks a question about the centrality of the city and the anxiety that comes from leaving it.
Hailed as a "lyrical and glorious writer; a precise poet of the human heart" (Naomi Alderman), London-based author Diana Evans received international acclaim for Ordinary People. In a crooked house in South London, Melissa feels increasingly that she's defined solely by motherhood, while Michael mourns the thrill of their romance. In the suburbs, Stephanie's aspirations for bliss on the commuter belt compound Damian's itch for a bigger life. Longtime friends from the years when passion seemed permanent, the couples have stayed in touch, gathering for births and anniversaries. But as bonds fray, the lines once clearly marked by wedding bands…
I’m an author and a romantic. Put the two together and it makes sense for me to write love stories. I’ve always been interested in relationships and fascinated by how complex our feelings make us when we fall in love. There’s a love story in all my books, but for the last three novels, a love story has been thestory. I’m a Londoner too, and I like it when a city becomes another character in a book, as I hope London has in The Central Line.
I fell in love with this beautifully written book about female friendship, set-in modern-day London. The opening shows us three young women lounging in London Fields one summer, all of them filled with an indisputable sense that they are on the brink of life, their horizons lit up with promise. Ten years later, those promises have failed to materialize. The characters are confused, struggling, and envious of what each of the others has. All three are strong, flawed characters, and their lives, choices, and mistakes feel very real and poignant.
THE MUST-READ SUMMER 2020 RICHARD AND JUDY BOOK CLUB PICK
'If you wished Normal People had tackled female friendship, try Expectation' GRAZIA 'Profoundly intelligent and humane. Deserves to feature on many a prize shortlist' GUARDIAN 'A brilliant exploration of friendship, feminism and thwarted ambition' PANDORA SYKES ______________________
What happened to the women we were supposed to become?
Hannah, Cate and Lissa are young, vibrant and inseparable. Living on the edge of a common in East London, their shared world is ablaze with art and activism, romance and revelry - and the promise of everything to come. They are electric. They…
As someone who has experienced a lot of loss in my life, I’ve done a good amount of research and exploration into the soulful nature in all of us (the living and the dead) through reading nonfiction (Laura Lynn Jackson, Brian Weiss, Edgar Cayce, Jane Roberts, John Edward and Suzane Northrop among them) and fiction that deals with strong soulful connections. Through my own work as an author, I seek to provide the message love, in any form, transcends life and death. We only have to be open to the possibility to know it and experience it. Nothing is a coincidence and we are all connected. I hope these selections open you to the possibility.
Fabiaschi’s story is told from two very different perspectives.
One is from earth and told from the perspectives of a grieving daughter and husband as they grapple with their loss. The other is from purgatory or a stasis from the perspective of the mother/wife who seems to have committed suicide. But everything is not as it seems. From the afterlife, Maddy tries to help her grieving family find answers and closure.
I was fascinated by the way Maddy attempts to affect the lives of her loved ones.
Maddy was a loving, devoted stay-at-home mother... until she committed suicide, which left her husband Brady and her teenage daughter Eve heartbroken and reeling, wondering how they can possibly continue without her. Maddy, however, isn't quite done with them. In an attempt to fulfil her family's needs, Maddy watches and meddles from beyond the grave, determined to find the perfect wife and mother to replace herself and heal her family. That's when she finds Rory: a free-spirited schoolteacher, who Maddy manoeuvres into Eve's confidences, but who turns out to be harbouring a tragedy of her own.
My career path led through tenure as a police detective working multiple death investigations and into forensic medicine, where I worked with the late Dr. Joseph Burton (a person I sensed was the smartest I had ever met) and Dr. Jan Garavaglia of “Dr. G: Medical Examiner” fame. A case of a homeless person’s murder triggered my interest in writing crime thrillers. I was hooked. To date, I have three published novels, received a contract for one, due for release in early 2025, and other manuscripts ready for submission likened to the five novels on my list.
The characters and setting in this story deliver as much realism as if the family moved in next door and invited me to dinner. Once I learned the mother hides a deadly past, I imagined myself looking out a window (a safe distance) while I watched the way she treated her family and everyone who opposed her chapter after chapter.
I enjoy Olsen’s novels, and this one (his first following many of his true-crime books) displays his ability to write authentic page-turners.
“Olsen will scare you—and you’ll love it.” —Lee Child
Hannah Griffin was a girl when tragedy struck. She still remembers the flames reflected against the newly fallen snow and the bodies the police dug up—one of them her mother’s. The killer was never found….
Twenty years later Hannah is a talented CSI investigating a case of child abuse when the past comes hurtling back. A killer with unfinished business is on the hunt. And an anonymous message turns Hannah’s blood cold:
