85 books like Where'd You Go, Bernadette

I'm fascinated by these books about coming of age because they all share elements of my own experience. While I was growing up, I was told by my parents that my life on board our boat Wavewalker was ‘privileged’ and that I was lucky not to live a ‘boring’ life like other children. It took me a long time to question this view, and even longer to find an escape. As an adult looking back, I now know that many of the things I was told by my parents were not true. That experience of growing up and discovering that what you have been told is not right is deeply disturbing, while also being liberating.

My life carries absurd contradictions. A country kid and athlete, I fell in love with theater and literature. I hated school but became a teacher. An outdoorsman and environmentalist, I became a successful advertising executive and an entrepreneur. My novel Getting Huge has similar surprises: a 6’11” minister who hated basketball. He resented Concord, MA as a boy, but he returns to toil in his father’s church for 12 years. He’s never planted a thing, but discovers a passion for giant pumpkins and starts to be an entrepreneur who dreams way too big. I hope readers see how John Crackstone is (like many of us) humanized by comic contradictions.

I have a passion for novels with complex characters and a memorable sense of place. The setting is key to the overall ambiance of a novel: its colors, smells, architecture, terrain, weather, flora, and fauna. My novel, Weaving Dreams In Oaxaca, takes place in Oaxaca, Mexico. The story is unique to the location because it includes the zocalo, cathedrals, outlying pueblos, food, etc. My family and I moved there for six months in 2006, and I fell in love. I sent my mother audio tapes every two weeks describing our adventures as she had become blind. I later transcribed them into twenty-two pages of detailed description of this magical city which I used in my novel.

I have long been drawn to everyday experiences in courts. Since Hurricane Katrina struck in 2005, I’ve been writing and teaching about courts, social welfare, and disasters in a changing climate. Following the disasters requires noticing the routine cases filed, not only the notable constitutional claims the United States Supreme Court hears. That can be hard to do, because all the cases filed are not listed in any one place. In the pandemic, my interest in the more ordinary met the databases that people assembled, gathering as best possible the many cases filed about the pandemic.

When I was a child, I grew up in a very crowded house in suburbia with three sisters. Reading was the best way to escape all the mayhem. By the age of eight I was reading my parents’ novels, whatever books I could find. I wanted to move to a big city like the ones in their novels. At night I would tell myself Cinderella-type stories where I lived in a fabulous apartment and got to be the heroine. I took a class at Harvard Extension, and the professor read my story aloud to the group. From that day on I was hooked.

I'm a publishing executive turned self-help expert who frequents national morning shows to talk about clutter. Full disclosure, I'm a recovering shopaholic with an obsessive need to tidy up people’s homes and offices. My philosophy is simple, I bring order to everything I do, because life shouldn’t be a mess. I've written non-fiction books based on my organizing expertise that has been featured on Oprah, The Today Show, and NPR. I learned that it's never really about the stuff but the journey of self-discovery, a journey that is made easier with a best friend at your side. This journey of the flawed and strong heroine in my latest book, a novel called Best Friend for Hire.

I’ve made a study of being the “big sister” since I was three. I remember standing up in the back seat (pre-seatbelt days), pelting my father with questions as he drove me to my Aunt Florence’s house. The memory is cloudy (maybe faulty, although I can smell that old car and feel the rattle of my dad’s nerves). My little sisters shaped me more than my parents (why did they demand I always be the teacher, no matter my protests of fairness?). Sisterhood was everywhere, from my mom and her twin sister to my dad’s two younger sisters. And so, my fiction often explores the sister bond.

I’ve always been drawn to artists who expose their lives in a way that makes you feel you know them. The best of them have a raw honesty that shows their flaws, their wounds and struggles and hopefully the lessons they learned. Nobody likes bragging, but we’re captivated by accounts that echo our own secrets, embarrassments, and darker emotions, especially if told with a sense of humor. For decades, I’ve been addicted to the confessional lyrics of Joni Mitchell and have always been drawn to the unguarded openness of certain memoirs and the roman-à-clef or thinly disguised autobiography. In showing us their vulnerabilities, these authors have been heroic.  

I’ve always been deeply interested in how people connect to those around them—it is something I write about constantly. My first novel, So Much Love, was about how a community reacts to terrible loss and uncertainty, and my recent book of nonfiction, These Days Are Numbered, is about how my own community—and I—reacted to the Covid-19 pandemic. I am always looking at how humans human, separately and especially together. That is one of the joys of narrative fiction for me—the way we can use it to examine our behaviour and interactions, and how we form relationships and communities. I hope these books enthrall you as much as they did me.

I fell in love with quirky, funny, female protagonists early in my reading life, starting with Ramona Quimby and her unique way of seeing the world. As a kid, I always felt different, you know? I was sensitive, shy, and observant, and I delighted in finding characters in books who also bucked up against what I thought of as typical. As a writer, I love writing interesting, unconventional women, and I love using humor to elevate my characters’ voices. I think humor is one of the best ways to establish voice and also, paradoxically, to navigate tragedy. I hope to write many more quirky, funny female characters in future books.