Here are 100 books that Expectation fans have personally recommended if you like
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I love to tell stories, a love I discovered ever since I was a kid listening to my family who love to tell stories. Mine defy genres because the voice and characters guide me into how their tales should be told. I've written mysteries, YA and middle-grade books, a graphic novel, and courtroom drama. My newest book is driven by the character of Margaret Adams, who's seeking a new life after years of being buried alive with sometimes hilarious results. I just had to listen...
How can you not love Bridget? How she stumbles through life, all the while trying so hard to be cool. Searching for a second chance at love despite betrayals and humiliations.
Meanwhile, she notes her days and nights in her diary–the fluctuating weight, cigarette and cocktail counts, and the worry about ending up alone and being eaten by wild dogs. The result is a character so human and funny that it hurts. Write on, Bridget.
A dazzlingly urban satire on modern relationships? An ironic, tragic insight into the demise of the nuclear family? Or the confused ramblings of a pissed thirty-something?
As Bridget documents her struggles through the social minefield of her thirties and tries to weigh up the eternal question (Daniel Cleaver or Mark Darcy?), she turns for support to four indispensable friends: Shazzer, Jude, Tom and a bottle of chardonnay.
Welcome to Bridget's first diary: mercilessly funny, endlessly touching and utterly addictive.
Helen Fielding's first Bridget Jones novel, Bridget Jones's Diary, sparked a phenomenon that has seen…
I’ve penned (so far) seventeen novels, most set during some historical conflict or other, all of them revolving around intense personal relationships (loyalty, love, betrayal, those sorts of profound truths). I tend to read the sorts of books I wish to write. I also teach creative writing at a university (VCU); I tell my students that if they want to really know what a character is made of, shoot at them or have them fall in love. In my own work, I do both.
Set during the London Blitz, I found this to be Greene’s most vivid novel.
His characters reel in the face of the power of Hitler’s onslaught on London, yet cling to the possibilities of love, even through the carnage and loss, until the wreckage of London overtakes them in a beautiful and tragic conclusion.
The love affair between Maurice Bendrix and Sarah, flourishing in the turbulent times of the London Blitz, ends when she suddenly and without explanation breaks it off. After a chance meeting rekindles his love and jealousy two years later, Bendrix hires a private detective to follow Sarah, and slowly his love for her turns into an obsession.
I’m an author and a romantic. Put the two together and it makes sense for me to write love stories. I’ve always been interested in relationships and fascinated by how complex our feelings make us when we fall in love. There’s a love story in all my books, but for the last three novels, a love story has been thestory. I’m a Londoner too, and I like it when a city becomes another character in a book, as I hope London has in The Central Line.
It's 1969, Phyllis is married to a kind man, with two children and a large house in suburban London. Her domestic world is not far removed from a dutiful 50s housewife’s. Then a much younger man, dashing, selfish, and a family friend, kisses her in a dark garden, and her life explodes. She abandons her family and moves to a shabby flat in Ladbroke Grove. A new world opens to her – she meets people of colour, artists, activists, drinkers, and idealists. She experiences sexual freedom and romantic love. Phyllis’s teenage daughter joins her in her new life, and mother and daughter must work out a different kind of relationship. I found myself feeling furious with Phyllis at the same time as emphasising with her.
“Tessa Hadley recruits admirers with each book. She writes with authority, and with delicacy: she explores nuance, but speaks plainly; she is one of those writers a reader trusts.”—Hilary Mantel
From the bestselling author of Late in the Day and The Past comes a compulsive new novel about one woman’s sexual and intellectual awakening in 1960s London.
1967. While London comes alive with the new youth revolution, the suburban Fischer family seems to belong to an older world of conventional stability: pretty, dutiful homemaker Phyllis is married to Roger, a devoted father with a career in the Foreign Office. Their…
I’m an author and a romantic. Put the two together and it makes sense for me to write love stories. I’ve always been interested in relationships and fascinated by how complex our feelings make us when we fall in love. There’s a love story in all my books, but for the last three novels, a love story has been thestory. I’m a Londoner too, and I like it when a city becomes another character in a book, as I hope London has in The Central Line.
This is a slow-burn of a novel about two couples. Each character struggles to maintain their marriage under the pressure of children and modern life. Each tries to hold on to their own identity while existing inside a family. The novel looks at mental health, infidelity, cooking, and Black culture; it has a soundtrack, with songs that mean something to the characters and capture the essence of the time. The story is resonant with images of modern London. It asks a question about the centrality of the city and the anxiety that comes from leaving it.
Hailed as a "lyrical and glorious writer; a precise poet of the human heart" (Naomi Alderman), London-based author Diana Evans received international acclaim for Ordinary People. In a crooked house in South London, Melissa feels increasingly that she's defined solely by motherhood, while Michael mourns the thrill of their romance. In the suburbs, Stephanie's aspirations for bliss on the commuter belt compound Damian's itch for a bigger life. Longtime friends from the years when passion seemed permanent, the couples have stayed in touch, gathering for births and anniversaries. But as bonds fray, the lines once clearly marked by wedding bands…
When writing about friendships, it was important for me to highlight the highs and the lows of friendships. This approach takes the reader on a journey with the main character as she remembers the good times while she navigates through the tough times. By sprinkling in humor, a story that could sway to the serious side and stay there is suddenly entertaining and balanced, giving the main character’s plight depth and the reader an engrossing experience.
"The Restoration of Celia Fairchild is wise, witty, and utterly compelling." -Jane Green, New York Times bestselling author of The Friends We Keep
Evvie Drake Starts Over meets The Friday Night Knitting Club in this wise and witty novel about a fired advice columnist who discovers lost and found family members in Charleston, by the New York Times bestselling author of The Second Sister.
Celia Fairchild, known as advice columnist 'Dear Calpurnia', has insight into everybody's problems - except her own. Still bruised by the end of a marriage she thought was her last chance to create a family, Celia…
Having grown up in segregated Knoxville, TN, I've often wondered what having a black friend as a child would have been like. My MFA thesis, in the 1980s, was a novella about just such a friendship. A small group of my (white) MFA classmates insisted that I could not, should not write about black characters. Although I believed them to be mistaken, I put my thesis away and haven’t looked at it since. About ten years ago, I decided to try again. I took an early draft of a new novel to a workshop with John Dufresne, who encouraged me to continue. The result was Beginning with Cannonballs, which received positive reviews and won the 2021 IPPY Silver Medal for Multicultural Fiction.
I loved the way the mystery at the heart of this novel was so slowly and stunningly revealed. Why does Isabelle, an elderly white woman in Texas, want Dorrie, her much younger black hairdresser, to drive her all the way to Ohio for a funeral? It seems a lot to ask of a friend. The answer lies in a secret Isabelle has kept since she was a teenager in 1930s Kentucky.
A moving love story inspired by a true story and perfect for fans of The Help
In a time of hate, would you stand up for love?
Shalerville, Kentucky, 1939. A world where black maids and handymen are trusted to raise white children and tend to white houses, but from which they are banished after dark.
Sixteen-year-old Isabelle McAllister, born into wealth and privilege, finds her ordered life turned upside down when she becomes attracted to Robert, the ambitious black son of her family's housekeeper. Before long Isabelle and Robert are crossing extraordinary, dangerous boundaries and falling deeply in love.…
Eugenia Kim’s debut novel, The Calligrapher’s Daughter, won the 2009 Borders Original Voices Award, was shortlisted for the Dayton Literary Peace Prize, and was a critic’s pick by the Washington Post. For that novel, which is set during the Japanese Colonial Period in Korea, 1910-1945, and for her second novel (below), whose first half is set during the Korean War, 1950-1953, she read more than 500 books and twice traveled to Korea in order to accurately depict these little-known slices of history.
This book will capture you with a heroine who is both irresistible and flawed, and will engross you with increasing twists in a triangle of love and sacrifice. The story explores how a fateful choice colors a decade of marriage, and challenges a young woman’s ambition already constrained by traditional Korean culture. Sam Park paints all the flavors of post-war Korea in this vivid debut, and his understanding and expression of the human heart is universal.
Chamara is difficult to translate from Korean to English: To stand it, to bear it, to grit your teeth and not cry out? To hold on, to wait until the worst is over? Such is the burden Samuel Park's audacious, beautiful, and strong heroine, Soo-Ja Choi, faces in This Burns My Heart, an epic love story set in the intriguing landscape of postwar South Korea. On the eve of marriage to her weak, timid fiance, Soo-Ja falls in love with a young medical student. But out of duty to her family and her culture she turns him away, choosing instead…
As a wealth advisor for over 37 years, I find many people reach retirement lacking clarity and confidence. Traditional financial advice often focuses on things that are unknowable, uncontrollable, and frankly don’t matter that much. While sound technical investment, estate, and tax planning are critical, the soul’s need for meaning and purpose are as important as sound financial plans. The path to true financial peace may be simpler than you think. These books can help you focus on the fewer, more critical things so that you can thrive in retirement and free yourself from financial media which is not in business to support your vision of a meaningful life.
I read this book (a second time) as I was approaching my 50th birthday.
It totally changed the way I viewed the “second half” of my life. While this book is geared to a Christian audience, it offers great encouragement on ways you can “go to the locker room” at halftime and strategically plan the second half so that it is the best half!
Your midlife doesn't have to be a crisis. In fact, the second half of your life can be better than the first. Let bestselling author Bob Buford show you how.
What do you want to do with the rest of your life?
In Halftime, Buford provides encouragement and insight to propel your life on a new course to true significance--and the best years of your life. Buford focuses on this important time of transition to the second half of your life, giving you the tools you need to:
Take stock of your successes and accomplishments thus far
Redefine significance and…
Coaching is a wonderful technology that can help people be a force for change… and is often wrapped up in mystic and woo-woo and privilege that makes it inaccessible and/or unattractive to too many. I want being more coach-like—by which I mean staying curious a little longer, and rushing to action and advice-giving—to be an everyday way of being with one another. Driven by this, I’ve written the best-selling book on coaching this century (The Coaching Habit) and have created training that’s been used around the world by more than a quarter of a million people. I’m on a mission to unweird coaching.
Carl Jung has two quotes that I love. First, “the gold is in the dark.” And second, “I’d rather be whole than good.” Both recognize that we’re complicated, contradictory, and gloriously messy beings. Debbie Ford’s book was the first time I felt I could actually do something with the profound wisdom of Jung. One particular exercise pretty much “cured” me immediately of some long-standing resentment I had with a former boss. Even though the language is sometimes a bit too woo-woo Californian hippy for me, it’s a book with some deeply useful exercises to help you become more whole, kinder to yourself, and ultimately more wholly you.
In this enlightening guide, Debbie Ford explains that the dark side of our personality should not be hidden. By denying our dark side, we reject these aspects of our true natures rather than giving ourselves the freedom to live authentically. Here she shows that it is possible to acknowledge and accept our so-called weaknesses, proving that these qualities may be important, hidden strengths. For example, perhaps some 'selfishness' can save us from exhaustion and resentment.
Full of illuminating stories and practical exercises, Debbie Ford shows us how to reconcile our darker impulses and find the gifts they offer. Your life…
I’m an Australian writer with a passion for literary fiction, especially novels centered on complex and multi-layered power dynamics. To me, relationships between women are particularly ripe for this kind of exploration – my own friendships with other women have been influential and formative, but not always easy! My interest in these darker and more complex dynamics of close friendship eventually led me to write my own novel on the topic. I’ve also published a range of essays, reviews, criticism, and creative nonfiction.
While many novels about female friendship focus on young women, The Weekend follows three women in their seventies, whose decades-long friendship has sustained them through illness, infidelity, divorce – and recently the death of their fourth close friend, Sylvie.
Drawn together over a weekend to clear out Sylvie’s house, the remaining women must grapple with their shared past and uncertain future. I loved this glimpse into the lives of older women – a reality not often portrayed in fiction – and admired Wood’s ability to make each of her three narrators flawed, relatable, and human.
If you like immersive character-driven novels, this book won’t disappoint.
People went on about death bringing friends together, but it wasn't true. The graveyard, the stony dirt - that's what it was like now . . . Despite the three women knowing each other better than their own siblings, Sylvie's death had opened up strange caverns of distance between them.
Four older women have a lifelong friendship of the best kind: loving, practical, frank and steadfast. But when Sylvie dies, the ground shifts dangerously for the remaining three. Can they survive together without her?
They are Jude, a once-famous restaurateur, Wendy, an acclaimed public…
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