I first learned about life in 1930s Vienna from my grandfather’s memoir: Reminiscences of the Vienna Circle and the Mathematical Colloquium. I was fascinated by the time and place and began to read more about the era, which ultimately served as a setting for myforthcoming novel, The Expert of Subtle Revisions.
Roaming turtles are branded with swastikas and Nazi soldiers burn synagogues to the ground in Veza Canetti’s The Tortoises, which follows Eva and her husband Andreas, who are trapped in the country without departure visas.
Informed by her experience of the time and place (Canetti wrote the novel shortly after she herself left Vienna in 1938), Canetti paints a vivid and terrible picture of life under Nazi occupation. Published posthumously many years after her death, the novel’s road to publication is a story in and of itself.
A renowned writer and his wife live quietly in a beautiful villa outside Vienna, until the triumphant Nazis start subjecting their Jewish "hosts" to ever greater humiliations. Veza Canetti focuses on seemingly ordinary people to epitomize the horror: one flag-happy German kills a sparrow before a group of little children; another, more entrepreneurial Nazi brands tortoises with swastikas to sell as souvenirs commemorating the Anschluss.
Though written in the 1930s,Am I a Redundant Human Being?was not published until 2001, several decades after Hartwig’s death in 1967 (the English translation appeared in 2010).
The novel’s narrator, Aloisia Schmidt, reflects on her desire for external validation and a more exciting life, as well as the constant feeling of invisibility. Though she is only about thirty in 1930 Vienna, her ambition is constrained by disappointment, and the coming decade promises more of the same.
For the first time in English, a contemporary and friend of Virginia Woolf and Stefan Zweig gives us the definitive portrait of a woman lost on the margins of modern life.
When David Edmunds writes, “We live during a time where phrases like post-truth andfake newsare bandied around” and “empiricism is more relevant than ever,” he is introducing a fascinating and beautifully written book about… Vienna in the 1930s!
Although the book’s focus is the Vienna Circle and logical empiricism, Edmunds also does a wonderful job painting the times in which the Circle both flourished and fell, capturing the rising political extremism.
From the author of Wittgenstein's Poker and Would You Kill the Fat Man?, the story of an extraordinary group of philosophers during a dark chapter in Europe's history
On June 22, 1936, the philosopher Moritz Schlick was on his way to deliver a lecture at the University of Vienna when Johann Nelboeck, a deranged former student of Schlick's, shot him dead on the university steps. Some Austrian newspapers defended the madman, while Nelboeck himself argued in court that his onetime teacher had promoted a treacherous Jewish philosophy. David Edmonds traces the rise and fall of the Vienna Circle-an influential group…
In the mood for a graphic novel starring Bertrand Russell and a supporting cast of famous thinkers like Whitehead, Frege, Gödel, and Wittgenstein? Logicomix is for you!
Flip to Chapter Six, “Incompleteness,” for a peek of Vienna in the 1930s. The logic and philosophy illustrated throughout provide a great context for the work of Vienna’s famous philosophical circle led by Moritz Schlick, whose 1936 murder provides a chilling contrast to the intellectual pursuits of that time.
This brilliantly illustrated tale of reason, insanity, love and truth recounts the story of Bertrand Russell's life. Raised by his paternal grandparents, young Russell was never told the whereabouts of his parents. Driven by a desire for knowledge of his own history, he attempted to force the world to yield to his yearnings: for truth, clarity and resolve. As he grew older, and increasingly sophisticated as a philosopher and mathematician, Russell strove to create an objective language with which to describe the world - one free of the biases and slippages of the written word. At the same time, he…
Spanning seven years in six hundred pages, Gainham’s Night Falls On The City is a richly detailed depiction of the stress and madness of life in Vienna after the German annexation.
Onstage or off, the novel’s protagonist, Julia Homburg, must always act, and the strain of this performance, under escalating violence and increasingly difficult circumstances, takes a harsh toll. A compelling and memorable story.
Vienna, 1938. Beautiful actress Julia Homburg and her politician husband Franz Wedeker embody all the enlightened brilliance of their native city. But Wedeker is Jewish, and just across the border the tanks of the Nazi Reich are primed for the Anschluss.
When the SS invades and disappearances become routine, Franz must be concealed. With daring ingenuity, Julia conjures a hiding place. In the shadow of oppression, a clear conscience is a luxury few can afford, and Julia finds she must strike a series of hateful bargains with the new order if she and her husband are to survive.
In 1664 Dr. Olaf van Schuler flees the Old World and arrives in New Amsterdam with his lunatic mother, two bags of medical implements, and a carefully guarded book of his own medicines. He is the first in what will become a long line of peculiar physicians. Plagued by madness and guided by an intense desire to cure human affliction, each generation of this unusual family is driven by the science of its day: spontaneous combustion, phrenology, animal magnetism, electrical shock treatment, psychosurgery, genetic research. As they make their way in the world, New York City, too, evolves—from the dark and rough days of the seventeenth century to the towering, frenetic metropolis of today.
My book is fantastical historical fiction about two characters who're wrestling with the monstrosity of their grief.
It takes you into London high society, where Ambrose tries to forget about how much he misses Bennett and how much he dreads becoming as cold as their Grandfather. It takes you to the family's country manor house, where Mattie isolates and old ghosts start to come out of the woodwork.
It's a story about loss and depression; it's a story about friends who don't let you walk through the valley of death alone.
Ambrose Bancroft returns to London society with his younger sister, hoping they'll leave ghosts of memory behind. They have only each other left. While Ambrose attempts to draw Mattie out, dragging her to balls and threatening to seek suitors for her, his sister recoils from his meddling. Finally, when Ambrose compels her to attend art class before she's ready, Mattie paints something horrific enough to banish them from society in public disgrace.
At Linwood Manor, Mattie and Ambrose aren't as alone as they think. Taking advantage of Mattie's desperate need to find freedom, a vanishing room lures Ambrose's sister into…
