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That moment when you realize, whew, you’ve survived the catastrophe, but the greater challenge lies ahead? That intrigues me. Maybe that’s because my grandmother was struck by a Vespa in Italy when I was five years old, and we traveled home by ship through a hurricane that rocked much of the East Coast. Stories about “What’s next?” and “How do we push the rubble away?” are my go-to now, as they were during the years I worked as a journalist, first as a reporter, then for much longer as an editor. After my husband’s death in 2011, clearing the rubble yielded the first two installments of my vampire trilogy.
I used to be paid to ponder the end of the world as we know it: I was a health editor during the early years of the COVID pandemic; at the same time, I was editing environmental stories.
What I loved most about this book is that the worst has already occurred, and the protagonist, a teenager, chooses her own new way to navigate what’s still to come. I was engaged by the concepts of resilience as a survival skill, reinvention as a necessity, and rebirth as an act of personal and global faith.
I am not a fan of religion as such, but this book made me believe.
The extraordinary, prescient NEW YORK TIMES-bestselling novel.
'If there is one thing scarier than a dystopian novel about the future, it's one written in the past that has already begun to come true. This is what makes Parable of the Sower even more impressive than it was when first published' GLORIA STEINEM
'Unnervingly prescient and wise' YAA GYASI
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We are coming apart. We're a rope, breaking, a single strand at a time.
America is a place of chaos, where violence rules and only the rich and powerful are safe. Lauren Olamina, a young woman with the extraordinary power to…
I consider myself a topologist of story, ever fascinated by the shapes stories take, and how those underlying forms—as much as their specific content—guide our reactions and our emotions. In a social-media-saturated age, it’s more important than ever that we practice the skills of comprehending story landscapes so that we can understand who benefits from them—and who doesn’t. Ditch the GPS: whether memoir, reportage, or fiction, these books showcase some of the map-and-compass skills we all need to navigate a complicated new era.
During a group summer vacation on a beachy East Coast hideaway, the age-old dynamics of young vs. old—and the have-a-lots vs. the have-less—are in full play. The result sounds like any number of 20th-century American literary dramas, until it becomes clear that the disasters that loom are far larger than any single-family or community. Millet’s playful, snarky novel is a portrayal of what may come as the young realize how thoroughly older generations have sold out their future. The adults may be lost, but the kids are alright.
Pulitzer Prize finalist Lydia Millet's sublime new novel-her first since the National Book Award-longlisted Sweet Lamb of Heaven- follows a group of eerily mature children on a forced vacation with their parents at a lakeside mansion. Contemptuous of their elders, who pass their days in a hedonistic stupor, the children are driven out into a chaotic landscape after a great storm descends. The story's narrator, Eve, devotes herself to the safety of her beloved little brother as events around them begin to mimic scenes from his cherished picture Bible.
Millet, praised as "unnervingly talented" (San Francisco Chronicle), has produced a…
I’ve always loved fairytales, whimsical stories, and mysteries. Plus, I’m passionate about mind-expanding, heart-opening books that offer me new ways to understand myself and the Universe we live in. And I particularly like books that show me ways to have more of what brings me joy and pleasure. When I can get all of this in a novel I’m in heaven.
This is a very original book with deep wisdom delivered through a most unique relationship about a man and the Gorilla who becomes his Guru!
One of the most life-changing concepts I took from the book is that there are two kinds of people in the world: leavers and takers. I recognized that I am essentially a taker, but the book made me realize that to be a better person it was time for me to become a leaver.
One of the most beloved and bestselling novels of spiritual adventure ever published, Ishmael has earned a passionate following. This special twenty-fifth anniversary edition features a new foreword and afterword by the author.
“A thoughtful, fearlessly low-key novel about the role of our species on the planet . . . laid out for us with an originality and a clarity that few would deny.”—The New York Times Book Review
Teacher Seeks Pupil. Must have an earnest desire to save the world. Apply in person.
It was just a three-line ad in the personals section, but it launched the adventure of…
When I began writing my first novel, the words “what happens next is up to all of us” became my guiding mantra. I have just completed my second novel with the same theme, The Space Between Dark and Light. It will be released early in 2023. During the years between the two books, I have become a speaker on topics related to the environment and peace. In 2020, I received an award as a Creative Environmental and Peace Activist from Visioneers International Network. It is the thought of the world our grandchildren (and generations after them) will inherit from us that makes me care passionately about the future.
This novel intrigued me because of Robin, a young boy who cares deeply about endangered animals. Powers uses the child as a device to make readers think about our earth and its inhabitants. I did the same with the character in my novel. Both children agonize over how to make adults pay attention to the crisis we face.
While the plot centers on a father’s intense devotion to his struggling son, Powers succeeds in portraying nature’s magnificence and its increasing fragility. I am in awe of his ability to create such a page-turning plot in a message-driven book.
The astrobiologist Theo Byrne searches for life throughout the cosmos while single-handedly raising his unusual nine-year-old, Robin, following the death of his wife. Robin is a warm, kind boy who spends hours painting elaborate pictures of endangered animals. He's also about to be expelled from third grade for smashing his friend in the face. As his son grows more troubled, Theo hopes to keep him off psychoactive drugs. He learns of an experimental neurofeedback treatment to bolster Robin's emotional control, one that involves training the boy on the recorded patterns of his mother's brain...
I’m a storyteller. I’ve told stories through journalism, theater, film, and comics. When I was the editor of a film magazine, Scenario: “The Magazine of the Art of Screenwriting” I interviewed filmmakers about the craft of telling a great story. As a journalist, I love original sources and voices, for the way they tell a personal version of history. They say history is told by the winners. I prefer the reverse angle—history told, not by the “losers” but by true, strong, authentic voices. I somehow want to read, reveal, recommend, and illuminate marginalized voices.
This book is quietly hilarious. I loved being “inside” Patricia Lockwood’s mind. As a fellow lapsed Catholic, I resonated with her upbringing and living in the strange shadow of religion. Lockwood weaves a contradictory coming-of-age story with profound wit and lyricism.
She also explores the complexities of what she calls “The Portal”—the internet of things that boggle the mind even as they bring solace. I loved how Lockwood used “the portal” to understand her conservative upbringing and eventually find her own irreverent path in the world.
The book led me to follow her online presence too, and helped me learn new ways to “be” online. As Lockwood writes in Priestdaddy: “Part of what you have to figure out in this life is, who would I be if I hadn’t been frightened? What hurt me, and what would I be if it hadn’t?”
'Glorious' Sunday Times 'Laugh-out-loud funny' The Times 'Extraordinary' Observer 'Exceptional' Telegraph 'Electric' New York Times 'Snort-out-loud' Financial Times 'Dazzling' Guardian 'Do yourself a favour and read this memoir!' BookPage
The childhood of Patricia Lockwood, the poet dubbed' The Smutty-Metaphor Queen of Lawrence, Kansas' by The New York Times, was unusual in many respects. There was the location: an impoverished, nuclear waste-riddled area of the American Midwest. There was her mother, a woman who speaks almost entirely in strange riddles and warnings of impending danger. Above all, there was her gun-toting, guitar-riffing,…
As a writer and editor, I spend a lot of time thinking about what prose—especially first-person nonfiction, which is mostly what I edit—does, and how it sets out to accomplish its project. Across forms, I tend to think humor is largely underused! No matter how serious the subject, there’s always a place for it to sharpen the critique. My book engages with topics like systemic discrimination and inequity, but throughout, I always stay attuned to the comic absurdity of my subject—both as a way to give more pleasure to the reader, and as a way to cut to the heart of what I want to express.
Tolentino’s essay collection is already a contemporary classic. In it, she lays bare—with surgical precision—the illusions and compromises of late-capitalist subjectivity, but pairs that existential dread with a sharp eye for the comic absurdity of it all. It explains so much of our contemporary life, and why that contemporary life so often feels bad. It stayed with me for the clarity of its arguments, but also for a truly hilarious scene involving escaped bodily air and a yoga class.
A Times book of the year
A Guardian book of the year
'Magnificent'The Times
'Dazzling' New Statesman
'It filled me with hope' Zadie Smith
What happens to our behaviour when we live most of our lives online? What does it mean to 'always be optimising'? And what is it about scams and the millennial generation?
Offering nuanced and witty reflections on feminism, reality TV, the internet, drugs, identity and more, Trick Mirror is a multifaceted, thought-provoking and entertaining response to our zeitgeist - a must-read for anyone interested in the way we live and think today.
As a writer and editor, I spend a lot of time thinking about what prose—especially first-person nonfiction, which is mostly what I edit—does, and how it sets out to accomplish its project. Across forms, I tend to think humor is largely underused! No matter how serious the subject, there’s always a place for it to sharpen the critique. My book engages with topics like systemic discrimination and inequity, but throughout, I always stay attuned to the comic absurdity of my subject—both as a way to give more pleasure to the reader, and as a way to cut to the heart of what I want to express.
I love the boldness of putting “comedy” right there in the subtitle, and Pyae Moe Thet War absolutely delivers. This memoir-in-essays, about being a millennial woman in Myanmar, has one of the strongest voices I’ve encountered in recent essay collections. She writes back against the expectation that racialized and minoritized writers perform their trauma for the reader, or must be restricted to certain topics and tones. You’ve Changedsets a precedent I know other writers will feel empowered to follow.
In this electric debut essay collection, a Myanmar millennial playfully challenges us to examine the knots and complications of immigration status, eating habits, Western feminism in an Asian home, and more, guiding us toward an expansive idea of what it means to be a Myanmar woman today
What does it mean to be a Myanmar person—a baker, swimmer, writer and woman—on your own terms rather than those of the colonizer? These irreverent yet vulnerable essays ask that question by tracing the journey of a woman who spent her young adulthood in the US and UK before returning to her hometown…
As a writer and editor, I spend a lot of time thinking about what prose—especially first-person nonfiction, which is mostly what I edit—does, and how it sets out to accomplish its project. Across forms, I tend to think humor is largely underused! No matter how serious the subject, there’s always a place for it to sharpen the critique. My book engages with topics like systemic discrimination and inequity, but throughout, I always stay attuned to the comic absurdity of my subject—both as a way to give more pleasure to the reader, and as a way to cut to the heart of what I want to express.
Whether in her book or her writing for BuzzFeed, Koul’s voice and humor are always instantly recognizable. Their distinctive tone is right there in the title. In her debut collection, Koul explores growing up as a South Asian woman in Canada, braiding her personal narrative with deft cultural critique. Essay collections rarely have such a strong sense of characters as this one does—Koul’s parents, especially, are deeply felt and sharply rendered figures who appear across the essays as sources of humor, pathos, and exasperation.
A DEBUT COLLECTION OF FIERCE, FUNNY ESSAYS ABOUT GROWING UP THE DAUGHTER OF INDIAN IMMIGRANTS IN WESTERN CULTURE, ADDRESSING SEXISM, STEREOTYPES, AND THE UNIVERSAL MISERIES OF LIFE
In One Day We’ll All Be Dead and None of This Will Matter, Scaachi Koul deploys her razor-sharp humor to share all the fears, outrages, and mortifying moments of her life. She learned from an early age what made her miserable, and for Scaachi anything can be cause for despair. Whether it’s a shopping trip gone awry; enduring awkward conversations with her bikini waxer; overcoming…
Since I was introduced to many authors published by Grove Press, I have been intrigued by transgressive literary fiction, especially stories and novels that feature narrators and protagonists whose unreliability and moral culpability fuel plots to surprising yet inevitable climaxes. Lesser writers of such works use the shocking and revolting as crutches for vapid prose, failing to lead readers to revelations that can be found in the darkest places and in the unlikeliest of people. What better accomplishment can any writer ask for except getting readers, in some way, to identify with characters whom they would avoid in real life?
Cline’s novel is one of the most unsettling books I read this summer.
Readers follow the protagonist as she slowly and inescapably sinks lower and lower, all while losing her grip on reality. In almost every chapter, she disrupts, if not ruins, the lives of the people she uses in various schemes in the hopes of convincing the older rich man whom she had been sleeping with to take her back.
The novel has a languid pace, but there are so many exquisite passages peppered throughout the creeping dread as you watch the protagonist’s increasingly destructive choices play out.
* A TIMES 'Book of 2023' * 'Addictive' STYLIST Books to Look Out For 2023 * 'Destined to be the status read of 2023' HARPER'S BAZAAR BEST NEW FICTION * 'The perfect summer read' CULTURE WHISPER * An EVENING STANDARD 'Best New Books for Spring' * A Financial Times Best Summer Read 2023 *
Summer is coming to a close on Long Island, and Alex is no longer welcome...
One misstep at a dinner party and the older man she's been staying with dismisses her with a ride to the train station and a ticket back to the city. With…
As an author, I write both serious nonfiction and literary fiction. As a journalist, I have lifelong associations with The Atlanticand the Washington Monthly.I didn’t plan it, but four of my nonfiction books make an extended argument for the revival of optimism as intellectually respectable. A Moment on the Earth(1995) argued environmental trends other than greenhouse gases actually are positive, The Progress Paradox(2003) asserted material standards will keep rising but that won’t make people any happier, Sonic Boom (2009), published during the despair of the Great Recession, said the global economy would bounce back and It’s Better Than It Looks (2018) found the situation objectivity good on most major issues.
Steinbeck is one of my favorite novelists (Willa Cather, the other) but boy did he run off the rails with this, his final book.
He describes an American society locked in irreversible decline, with everything getting worse and our polity doomed. Sixty years later the United States remains the envy of the world and almost every America today lives better materially, with more freedom and security, than almost everyone of 1961.
The novel is a reminder of the extent to which ideological negativity is ubiquitous in literature.
The Nobel committee claimed that while giving John Steinbeck the 1962 Nobel Prize in Literature that he had "resumed his place as an independent expounder of the truth, with an unbiased feel for what is authentically American" with The Winter of Our Discontent.The main character of Steinbeck's final book, Ethan Allen Hawley, is a clerk at a grocery shop that his ancestors formerly ran. Ethan's wife is restless now that he is no longer a member of Long Island's aristocratic society, and his teenagers are pining for the enticing material comforts he is unable to supply. Then, one day, in…
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