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I never liked children’s books, even as a child. I like words more than pictures and I always preferred literature that presents a more expansive view of the world. I favored myth, classics of urban sophistication, and stories about people whose lives were unknown or unfathomable. After nearly seventy years of reading, and as a writer and book reviewer, I now seek fiction that features the elders. Not just the shrewd witch or the wise auntie, but those still reaching for grand passions as well as grappling with the challenges of aging. In literature as in life, youth is often wasted on the young.
Imagine a novel with 80-year-old female protagonists!
And what history these friends have at their classic waterside community. They’ve seen it all – lifelong relationships, betrayals, the bonds of a hard marriage, and the challenges of children. Their commitment to each other is the glue that binds.
I have few friends from early childhood, so I was especially touched by their ability to read each other so well, with that kind of radar unique to old friends, even as late-life challenges threaten to tear them apart.
The masterful story of a lifelong friendship between two very different women with shared histories and buried secrets, tested in the twilight of their lives, set across the arc of the 20th century.
Celebrated children's book author Agnes Lee is determined to secure her legacy-to complete what she knows will be the final volume of her pseudonymously written Franklin Square novels; and even more consuming, to permanently protect the peninsula of majestic coast in Maine known as Fellowship Point. To donate the land to a trust, Agnes must convince shareholders to dissolve a generations-old partnership. And one of those shareholders…
I’m an Australian writer with a passion for literary fiction, especially novels centered on complex and multi-layered power dynamics. To me, relationships between women are particularly ripe for this kind of exploration – my own friendships with other women have been influential and formative, but not always easy! My interest in these darker and more complex dynamics of close friendship eventually led me to write my own novel on the topic. I’ve also published a range of essays, reviews, criticism, and creative nonfiction.
While many novels about female friendship focus on young women, The Weekend follows three women in their seventies, whose decades-long friendship has sustained them through illness, infidelity, divorce – and recently the death of their fourth close friend, Sylvie.
Drawn together over a weekend to clear out Sylvie’s house, the remaining women must grapple with their shared past and uncertain future. I loved this glimpse into the lives of older women – a reality not often portrayed in fiction – and admired Wood’s ability to make each of her three narrators flawed, relatable, and human.
If you like immersive character-driven novels, this book won’t disappoint.
People went on about death bringing friends together, but it wasn't true. The graveyard, the stony dirt - that's what it was like now . . . Despite the three women knowing each other better than their own siblings, Sylvie's death had opened up strange caverns of distance between them.
Four older women have a lifelong friendship of the best kind: loving, practical, frank and steadfast. But when Sylvie dies, the ground shifts dangerously for the remaining three. Can they survive together without her?
They are Jude, a once-famous restaurateur, Wendy, an acclaimed public…
I’m not as old as some of the characters in the books I’ve mentioned, but I’m getting there. With age, one learns to hold grief in one hand and gratitude in the other. The importance of friendship and community can hardly be overstated. I love reading books that represent older characters, especially women, as complex, life-embracing individuals without resorting to condescension. I strove to write such a book with Toby’s Last Resort. I’m not always writing about older characters, but in all my work, I want to dive below the surface, discover meaning in the ordinary, and treat my characters with respect.
Lillian is an 84-years old woman walking around New York City on New Year’s Eve.
She loves the city, made her way there as a young woman in advertising in the 30s, became well-known as a poet of light verse. She alternately reminisces about her life and encounters people you would not expect.
She remembers her life in pieces, the way one does, so the reader puts together the mystery.
I found her to be a delightful and refreshing character. The book is a beautiful lacing of the past with the promise of unexpected things to come.
A love letter to city life in all its guts and grandeur, Lillian Boxfish Takes a Walk by Kathleen Rooney paints a portrait of a remarkable woman across the canvas of a changing America: from the Jazz Age to the onset of the AIDS epidemic; the Great Depression to the birth of hip-hop.
“In my reckless and undiscouraged youth,” Lillian Boxfish writes, “I worked in a walnut-paneled office thirteen floors above West Thirty-Fifth Street…”
She took 1930s New York by storm, working her way up writing copy for R.H. Macy’s to become the highest paid…
Two women, a century apart, seek to rebuild their lives after leaving their homelands. Arriving in tropical Singapore, they find romance, but also find they haven’t left behind the dangers that caused them to flee.
Haunted by the specter of terrorism after 9/11, Aislinn Givens leaves her New York career and joins her husband in Southeast Asia when he takes a job there. She acquires several paintings by a colonial-era British artist that she believes are a warning.
The artist, Elizabeth Pennington, tells her own tumultuous story through diary entries that end when World War I reaches the colony with catastrophic results. In the present, Aislinn and her husband learn that terrorism takes many shapes when they are ensnared by local political upheaval and corruption.
"Aislinn Givens leaves a settled life in Manhattan for an unsettled life in Singapore. That painting radiates mystery and longing. So does Clifford Garstang's vivid and simmering novel, The Last Bird of Paradise." –John Dalton, author of Heaven Lake and The Inverted Forest
Two women, nearly a century apart, seek to rebuild their lives when they reluctantly leave their homelands. Arriving in Singapore, they find romance in a tropical paradise, but also find they haven't left behind the dangers that caused them to flee.
In the aftermath of 9/11 and haunted by the specter of terrorism, Aislinn Givens leaves her…
I’m not as old as some of the characters in the books I’ve mentioned, but I’m getting there. With age, one learns to hold grief in one hand and gratitude in the other. The importance of friendship and community can hardly be overstated. I love reading books that represent older characters, especially women, as complex, life-embracing individuals without resorting to condescension. I strove to write such a book with Toby’s Last Resort. I’m not always writing about older characters, but in all my work, I want to dive below the surface, discover meaning in the ordinary, and treat my characters with respect.
The narrator of this story is a writer whose friend is dying of cancer.
The friend asks the narrator to accompany her through her final days, including the contemplation of suicide. The writer reluctantly agrees.
One unusual thing about this novel is that none of the characters have names; they’re referred to as the daughter, the ex, or the friend. This jarred me at first, but I grew used to it.
The narrator takes mental excursions about many topics, musing as a writer. While this sounds like a depressing set-up, I found this story to be a thoughtful and tender statement about connection.
The two women become surprisingly close while sharing this intimate part of life.
'I was totally overwhelmed by this extraordinary novel. A total joy - and laugh-out-loud funny' DEBORAH MOGGACH
The New York Times-bestselling, National Book Award-winning author of THE FRIEND brings her singular voice to a story about the meaning of life and death, and the value of companionship.
The woman at the heart of this extraordinary novel finds that everyone she meets has a common need: the urge to talk about themselves and to have an audience for their experiences. And so she tries to pay attention, to imagine and listen to what those around her are going through. But then…
Amidst COVID-19, HIV/AIDS is a touchpoint for journalists, scholars, writers, and a public who seek a usable past in understanding the present and making an uncertain future less so. The challenge of how to love, live, and survive amidst pandemics isn't new, I play here on the title of one of the first safer sex books,How to Have Sex in an Epidemic. As someone who studies how activists document their work and how they bring those materials to life today, I'm both fascinated and troubled by pandemic comparisons. These books offer crucial stories and productive tools to think with as we navigate questions of how to survive, and maybe even thrive amidst intersecting pandemics.
One of the best academic books written at convergence of the HIV/AIDS and COVID-19 pandemics isThe Virus Touch.
Here, Bishnupriya Ghosh showcases how “epidemic media” inform how epidemics are understood and experienced—making this text so relevant right now. She looks at how media—images, numbers, and digital models—whether generated by scientists, artists, or activists enable us to see and understand viruses and bear witness to their effects in new ways.
What is unique about Ghosh’s scholarship is how looks to the environment to study health which illustrates the complex and tangled relationships between epidemics, humans, animals, and media. Ghosh’s rich examples, ranging from modelling viruses to reading test results to tracking infection rates and mortality numbers, ensure that Virus Touch speaks to diverse readers.
In The Virus Touch Bishnupriya Ghosh argues that media are central to understanding emergent relations between viruses, humans, and nonhuman life. Writing in the shadow of the HIV/AIDS and COVID-19 global pandemics, Ghosh theorizes "epidemic media" to show how epidemics are mediated in images, numbers, and movements through the processes of reading test results and tracking infection and mortality rates. Scientific, artistic, and activist epidemic media that make multispecies relations sensible and manageable eschew anthropocentric survival strategies and instead recast global public health crises as biological, social, and ecological catastrophes, pushing us toward a multispecies politics of health. Ghosh trains…
As a researcher at Wake Forest University School of Medicine and a college professor who has taught biology and anatomy & physiology, I have a unique insight into the mysteries of the human body and how existing and emerging viruses can wreak havoc on the world’s populations. In light of the COVID pandemic that killed millions and
the threat of older and increasingly virulent pathogens, I find it terrifying that viruses could be unleashed that leave us defenseless. Despite all our advances and knowledge, medical mysteries continue to intrigue us and spark our imaginations. We are drawn to them, now more than ever, hoping that the fiction we read about will not become reality.
I find it scary that pandemics and viral mutations are becoming more likely than ever.
In this book, a Doomsday Germ has mutated to the point that it is resistant to all known antibiotics, and as a former biomedical researcher, nothing is more frightening to me than knowing that deadly microbes unleashed on mankind are not only possible but probable.
I really like that the author, a physician who knows a thing or two about epidemics and the danger of antibiotic resistance, was adept at bringing me along for the ride, explaining what’s possible with today’s medical advances and the real dangers of crossing the line.
They are the most ruthless enemy we have ever faced. And they are one millionth our size. Deep in an Atlanta research laboratory, the world's deadliest germs lie in wait. Dr Lou Welcome knows only too well the destruction they could unleash in the wrong hands and when a research scientist working on a top-secret case is kidnapped, Lou's fears become reality. Soon Lou is locked in a deadly race, from hospital wards to the top corridors of power, to stop a lethal epidemic breaking out. With his best friend's life in the balance, Lou must confront his own demons…
I have long been drawn to everyday experiences in courts. Since Hurricane Katrina struck in 2005, I’ve been writing and teaching about courts, social welfare, and disasters in a changing climate. Following the disasters requires noticing the routine cases filed, not only the notable constitutional claims the United States Supreme Court hears. That can be hard to do, because all the cases filed are not listed in any one place. In the pandemic, my interest in the more ordinary met the databases that people assembled, gathering as best possible the many cases filed about the pandemic.
The 1918 flu killed millions, including 675,000 in the United States. It rapidly killed young people. The president of the United States never spoke of it.
The United States was at war, and officials claimed speaking of the flu would undermine the war effort. Not speaking of the flu fit well with widespread suppression of speech, which officials also justified by pointing to the war. Civil rights and liberties claims linked to that pandemic as it did in COVID-19.
Mr. Barry’s sprawling story includes many actors. Mr. Barry argues that managing a pandemic requires trust. In the COVID-19 pandemic, trust could still be hard to come by, even as medical care, labor, insurance, schooling, and the place of courts had changed over the intervening one hundred years.
At the height of WWI, history's most lethal influenza virus erupted in an army camp in Kansas, moved east with American troops, then exploded, killing as many as 100 million people worldwide. It killed more people in twenty-four months than AIDS killed in twenty-four years, more in a year than the Black Death killed in a century. But this was not the Middle Ages, and 1918 marked the first collision of science and epidemic disease. Magisterial in its breadth of perspective and depth of research and now revised to reflect the growing danger of the avian flu, "The Great Influenza"…
As a researcher at Wake Forest University School of Medicine and a college professor who has taught biology and anatomy & physiology, I have a unique insight into the mysteries of the human body and how existing and emerging viruses can wreak havoc on the world’s populations. In light of the COVID pandemic that killed millions and
the threat of older and increasingly virulent pathogens, I find it terrifying that viruses could be unleashed that leave us defenseless. Despite all our advances and knowledge, medical mysteries continue to intrigue us and spark our imaginations. We are drawn to them, now more than ever, hoping that the fiction we read about will not become reality.
From the first chapter, I could not put this book down.
When a lethal and highly transmittable virus turns its victims blue, and the Russians blame America for unleashing a deadly virus, I knew I was about to dive into a true medical thriller. I also thought the timing of this novel was disturbing, reminding me all too well of recent disease outbreaks and then taking me on a journey into a world where plagues and pandemics can easily become commonplace.
To his credit, Lawrence Wright managed to weave science and fiction into a plot that frightened as well as entertained.
NEW YORK TIMES BESTSELLER • From the Pulitzer Prize-winning author of The Looming Tower—a riveting thriller and “all-too-convincing chronicle of science, espionage, action and speculation” (The Wall Street Journal).
At an internment camp in Indonesia, forty-seven people are pronounced dead with acute hemorrhagic fever. When epidemiologist Henry Parsons travels there on behalf of the World Health Organization to investigate, what he finds will have staggering repercussions. Halfway across the globe, the deputy director of U.S. Homeland Security scrambles to mount a response to the rapidly spreading pandemic leapfrogging around the world, which she believes may be the result of an…
I'm the author of short stories and novels including my young adult debut, Pandemic, which continues to be a timely read about surviving a widespread deadly virus. After the H1N1 pandemic of 2009 (commonly called Swine Flu), I was fascinated with the idea of a global illness that could be much, much worse. I researched historical diseases, interviewed public health officials, and the idea for my novel was born. Written and published before COVID-19, some of the details are eerily predictive of coronavirus. Pandemic won SCBWI’s Crystal Kite Award the year after its publication, and a June 2022 reissue of the original novel includes updated resources and backmatter.
This collection of short stories by
twenty different authors explores how a fictional deadly disease affects a
range of people, from scientists to government officials to everyday teens. (My
contribution is chapter 13, “Escape to Orange Blossom.”) What I especially
enjoyed about this anthology is the way that the characters from one story
might appear in another. Using a single incident to drive the plot, the
collaborative nature sets this collection apart.
From the imaginations of twenty authors of dystopian and post-apocalyptic fiction comes PREP FOR DOOM - an integrated collection of short stories that tell the tale of a single catastrophe as experienced by many characters, some of whom will cross paths.
What begins with a seemingly innocuous traffic accident soon spirals into a global pandemic. The release of Airborne Viral Hemorrhagic Fever upon New York City’s unsuspecting populace brings bloody suffering within hours, death within a day, and spreads worldwide within a month.
An online community called Prep For Doom has risen to the top of a recent doomsday preparation…
I’ve been fascinated by epidemiology since I was a little kid first reading about the Black Death, and that interest only grew as I learned more about it over the years. Diving into the study of environmental history was especially fascinating for me, as I learned how under-emphasized the role of epidemics and pandemics has been in history, as if humans were trying to pretend that history was actually under our own control. This eventually culminated in me writing The Wrack, my own plague novel which, for better or worse, ended up coming out at the beginning of the Covid-19 pandemic. (Slightly awkward timing, there.)
A slice-of-life epidemiological fantasy novel set in the small town of Balam, as it deals with a mysterious illness accompanied by strange insectoid monsters intent on stealing the corpses of the victims. One of the weirder books on the list, with a setting heavily inspired by the Final Fantasy game series and lower stakes than most of the others – but still well worth a read.
Balam is a sleepy town on the eastern coast of Atlua, surrounded by forest and sea. It’s a village where nothing happens and everybody knows each other. But now, people are dying.
School is out for the spring, and schoolteacher Theodore Saen is ready to spend the next few months relaxing with his family. But when the town’s resident white mage falls ill and several townspeople begin to show similar symptoms, they must call on a new mage. Aava has freshly graduated from the nearby mage academy when she is swiftly hired to deduce the cause of the unknown illness…
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