The best novels about complex female friendship

Nothing Special follows Mae, a teenager in 1967, who drops out of school and becomes a typist in Andy Warhol’s Factory studio.

Transcribing taped conversations of Warhol and his contemporaries, Mae feels like she’s entered a new world – along with Shelley, a fellow typist who soon becomes a close friend. But is Shelley all she seems? This is a closely observed psychological novel exploring what it means to truly know another person, and how much we have the right to expect from our friends.

The writing zips along effortlessly, driven by Mae’s poised, ironic voice, which expertly captures the ersatz confidence of being young.  

I devoured Sally Rooney’s debut in a single day when it came out in 2017.

I remember being blown away by her ability to effortlessly convey the depth and complexity of close relationships – particularly the dynamic between narrator Frances, a coolly ironic 21-year-old student, and her ex-girlfriend-now-best-friend-but-maybe-still-romantic-interest, Bobbi.

I loved Conversations with Friends not only for its three-dimensional characters and beautifully precise writing, but also for how true to life it felt. It was the first time I had read a novel that really captured the way my friends and I spoke, thought, and behaved – a thrilling experience. 

If you like lushly written literary fiction about art, desire, friendship, and ambition, you’ll love The Strays.

Lily and Eva meet as children, and Eva – the daughter of a famous modernist artist – soon draws solitary Lily into her avant-garde family life. As the years pass and the two begin to leave childhood behind, their relationship makes new demands of them both.

Although The Strays features a large cast of characters in its makeshift family of artists, the connection between Eva and Lily is the beating heart of the novel, and is by turns tender, destructive, and tragic. 

The Last of Her Kind is an expansive and compelling portrait of the connection between two college roommates, set against the backdrop of 1960s counterculture.

Both main characters – George, who is trying to shed her working-class origins, and Ann, desperate to disavow her wealthy family – are handled with sympathy and nuance. The historical setting is expertly researched without being heavy-handed, and the plot features at least one huge twist that you won’t see coming.

Although this is a long book, I enjoyed it so much that I had to ration myself not to read it all at once.  

While many novels about female friendship focus on young women, The Weekend follows three women in their seventies, whose decades-long friendship has sustained them through illness, infidelity, divorce – and recently the death of their fourth close friend, Sylvie.

Drawn together over a weekend to clear out Sylvie’s house, the remaining women must grapple with their shared past and uncertain future. I loved this glimpse into the lives of older women – a reality not often portrayed in fiction – and admired Wood’s ability to make each of her three narrators flawed, relatable, and human.

If you like immersive character-driven novels, this book won’t disappoint.