Here are 100 books that Lillian Boxfish Takes a Walk fans have personally recommended if you like
Lillian Boxfish Takes a Walk.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
For the last decade, I’ve spent the majority of each year traveling. I’ve been to 60 countries across 6 continents and every US state. My love of travel was inspired and encouraged by my parents from a very early age. I’ve also been inspired by a wide variety of other sources, like movies, TV, photography, and, of course, books. Often, I’ll plan an adventure around a cool location I saw or read about and then just go. I’ll just show up and see what happens. All it takes is that little initial nudge, like what I found in these books.
This is the quintessential American road trip travelogue by one of America’s greatest novelists. Written towards the end of his life, after driving literally around the country with his faithful poodle Charley, it’s a remarkable, if sometimes probably fictionalized or at least embellished, snapshot of the country in late 1960.
Some language and aspects throughout are definitely “of its time,” but so many insights and perspectives could have easily been written about the modern US. It’s a testament to the power and wonder of a good road trip that is sometimes funny, sometimes nostalgic, sometimes heart-wrenching, but always captivating.
An intimate journey across America, as told by one of its most beloved writers
To hear the speech of the real America, to smell the grass and the trees, to see the colors and the light-these were John Steinbeck's goals as he set out, at the age of fifty-eight, to rediscover the country he had been writing about for so many years.
With Charley, his French poodle, Steinbeck drives the interstates and the country roads, dines with truckers, encounters bears at Yellowstone and old friends in San Francisco. Along the way he reflects on the American character, racial hostility, the…
I have been a lover of all things outdoors since I was a boy. After my father was killed at a young age, my brothers and I took his love for outdoor adventure and made it our own. Fully aware of all that can go wrong, my brothers and I went into our ventures with a keen sense of humor. Camping, fishing, and kayaking all come with their own challenges and requisite hilarious moments. It is these moments of adversity, and personal risk, that are sometimes lightened by a good dose of laughter and levity.
This book minces no words about the difficulties of hiking the Appalachian Trail. Bryson does a brilliant job laying out the reality that despite extensive planning and, in the case of his hiking partner, Steven Katz, differing motives, things can go wrong.
Bryson does an amazing job keeping the story light with side-splitting humor. The blend of humor and adventure play roles as some of the primary inspirations behind my own writing.
From the author of "Notes from a Small Island" and "The Lost Continent" comes this humorous report on his walk along the Appalachian Trail. The Trail covers 14 states and over 2000 miles, and stretches along the east coast of America from Maine in the north to Georgia in the south. It is famous for being the longest continuous footpath in the world. It snakes through some of the wildest and most specactular landscapes in America, as well as through some of its most poverty-stricken and primitive backwoods areas.
As an active senior who seeks outdoor adventures and who cringes whenever I hear someone say, “I’m too old to [fill in the blank]…”, I love both writing and reading books with older characters who believe instead, “You’re never too old.” I’m drawn to stories where older folks defy stereotypes and continue to relish new experiences, especially those involving the things I most enjoy: camping, hiking, and climbing. Toss in some fun and laughter and I’m there!
What a great combination – time travel and an adventure in a classic RV!
In my opinion, this book is the best of Nortman’s fun Time Travel Trailer series, combining suspense, nostalgia, and time travel with a delightful trip down memory lane – or I should say, a trip along the original Route 66.
Lynne McBriar swore her vintage trailer would stay in a museum where it would be safe from further time travel. But when a museum in Texas wants to borrow it, she determines that she must deliver it herself. Her husband Kurt convinces her to take it along Route 66 for research he is doing. What starts out as a family vacation soon turns deadly. Travel can be dangerous any time, but when your trip involves the Time Travel Trailer, who knows where (or when) you will end up?
As an active senior who seeks outdoor adventures and who cringes whenever I hear someone say, “I’m too old to [fill in the blank]…”, I love both writing and reading books with older characters who believe instead, “You’re never too old.” I’m drawn to stories where older folks defy stereotypes and continue to relish new experiences, especially those involving the things I most enjoy: camping, hiking, and climbing. Toss in some fun and laughter and I’m there!
Young Lewis is a believable and relatable character and the aging Chester Wheeler is a classic curmudgeon (at first). Their highly unusual cross-country journey in an old RV is an absolute delight, with both the young man and the old man demonstrating that age is not a barrier to friendship and personal growth.
Unlikely road trip companions form an unexpected bond in an uplifting novel about the past-lost and found-by the New York Times and #1 Amazon Charts bestselling author.
Lewis Madigan is young, gay, out of work, and getting antsy when he's roped into providing end-of-life care for his insufferable homophobic neighbor, Chester Wheeler. Lewis doesn't need the aggravation, just the money. The only requirements: run errands, be on call, and put up with a miserable old churl no one else in Buffalo can bear. After exchanging barbs, bickering, baiting, and pushing buttons, Chester hits Lewis with the big ask.
I never liked children’s books, even as a child. I like words more than pictures and I always preferred literature that presents a more expansive view of the world. I favored myth, classics of urban sophistication, and stories about people whose lives were unknown or unfathomable. After nearly seventy years of reading, and as a writer and book reviewer, I now seek fiction that features the elders. Not just the shrewd witch or the wise auntie, but those still reaching for grand passions as well as grappling with the challenges of aging. In literature as in life, youth is often wasted on the young.
Imagine a novel with 80-year-old female protagonists!
And what history these friends have at their classic waterside community. They’ve seen it all – lifelong relationships, betrayals, the bonds of a hard marriage, and the challenges of children. Their commitment to each other is the glue that binds.
I have few friends from early childhood, so I was especially touched by their ability to read each other so well, with that kind of radar unique to old friends, even as late-life challenges threaten to tear them apart.
The masterful story of a lifelong friendship between two very different women with shared histories and buried secrets, tested in the twilight of their lives, set across the arc of the 20th century.
Celebrated children's book author Agnes Lee is determined to secure her legacy-to complete what she knows will be the final volume of her pseudonymously written Franklin Square novels; and even more consuming, to permanently protect the peninsula of majestic coast in Maine known as Fellowship Point. To donate the land to a trust, Agnes must convince shareholders to dissolve a generations-old partnership. And one of those shareholders…
I am an author who also penned a novel during the pandemic, with a timeline that stretched into the first six months of the pandemic–against the advice of my agent and the publishing industry at large. I know many authors choose not to write about intense political and social happenings, but that “life will never be the same again” feeling was something I couldn’t avoid. The pandemic threw people together and kept us apart at the same time. I was intensely interested in its incubator effect as well as the silo aspect quarantining had on all of our lives.
Elizabeth Strout is perfecting a practice I’m sold on–the literary recasting of characters from one novel to the next.
In this book, I got to return to Lucy Barton and her ex-husband, William, who were thrown together in a cabin in Maine due to the pandemic. Writing the novel from the first-person perspective of the protagonist, Strout includes this pragmatic character’s interior musings, specifically the things we increasingly noticed as time slowed down during COVID.
I could so relate to Lucy’s quirky character: give me ornery, critical, and desperate any day! Weren’t we all?
NEW YORK TIMES BESTSELLER • From Pulitzer Prize–winning author Elizabeth Strout comes a poignant, pitch-perfect novel about a divorced couple stuck together during lockdown—and the love, loss, despair, and hope that animate us even as the world seems to be falling apart.
“No novelist working today has Strout’s extraordinary capacity for radical empathy. . . . May droves of readers come to feel enlarged, comforted, and genuinely uplifted by Lucy’s story.”—The Boston Globe
ONE OF THE BEST BOOKS OF THE YEAR: The New York Times Book Review, The New Yorker, Oprah Daily, Entertainment Weekly, San Francisco Chronicle, NPR, Time, The…
I’m an Australian writer with a passion for literary fiction, especially novels centered on complex and multi-layered power dynamics. To me, relationships between women are particularly ripe for this kind of exploration – my own friendships with other women have been influential and formative, but not always easy! My interest in these darker and more complex dynamics of close friendship eventually led me to write my own novel on the topic. I’ve also published a range of essays, reviews, criticism, and creative nonfiction.
While many novels about female friendship focus on young women, The Weekend follows three women in their seventies, whose decades-long friendship has sustained them through illness, infidelity, divorce – and recently the death of their fourth close friend, Sylvie.
Drawn together over a weekend to clear out Sylvie’s house, the remaining women must grapple with their shared past and uncertain future. I loved this glimpse into the lives of older women – a reality not often portrayed in fiction – and admired Wood’s ability to make each of her three narrators flawed, relatable, and human.
If you like immersive character-driven novels, this book won’t disappoint.
People went on about death bringing friends together, but it wasn't true. The graveyard, the stony dirt - that's what it was like now . . . Despite the three women knowing each other better than their own siblings, Sylvie's death had opened up strange caverns of distance between them.
Four older women have a lifelong friendship of the best kind: loving, practical, frank and steadfast. But when Sylvie dies, the ground shifts dangerously for the remaining three. Can they survive together without her?
They are Jude, a once-famous restaurateur, Wendy, an acclaimed public…
I’m not as old as some of the characters in the books I’ve mentioned, but I’m getting there. With age, one learns to hold grief in one hand and gratitude in the other. The importance of friendship and community can hardly be overstated. I love reading books that represent older characters, especially women, as complex, life-embracing individuals without resorting to condescension. I strove to write such a book with Toby’s Last Resort. I’m not always writing about older characters, but in all my work, I want to dive below the surface, discover meaning in the ordinary, and treat my characters with respect.
The narrator of this story is a writer whose friend is dying of cancer.
The friend asks the narrator to accompany her through her final days, including the contemplation of suicide. The writer reluctantly agrees.
One unusual thing about this novel is that none of the characters have names; they’re referred to as the daughter, the ex, or the friend. This jarred me at first, but I grew used to it.
The narrator takes mental excursions about many topics, musing as a writer. While this sounds like a depressing set-up, I found this story to be a thoughtful and tender statement about connection.
The two women become surprisingly close while sharing this intimate part of life.
'I was totally overwhelmed by this extraordinary novel. A total joy - and laugh-out-loud funny' DEBORAH MOGGACH
The New York Times-bestselling, National Book Award-winning author of THE FRIEND brings her singular voice to a story about the meaning of life and death, and the value of companionship.
The woman at the heart of this extraordinary novel finds that everyone she meets has a common need: the urge to talk about themselves and to have an audience for their experiences. And so she tries to pay attention, to imagine and listen to what those around her are going through. But then…
I'm fascinated by stories about complicated friendships because they speak to our eternal need to be part of something. Everyone wants to have friends, especially when we’re young, but what if those friendships aren’t good for us? What happens when self-interest motivates our social choices? It seems there’s often a fragile boundary between love and hate. This volatile intensity becomes addictive. I'm a Canadian writer with a BA in English from the University of Ottawa. When writing fiction, I love exploring the toxic threads of jealousy, ambition, and obsession that both bind us together and tear us apart.
I adored Charlotte and Rose’s heartbreaking friendship.
First, Charlotte and Rose come of age in the late nineties, a perfect pair with an inseparable bond taking on New York City. As they grow up, it’s their individual problems and decisions that loosen the bolts holding them together. Some friendships shape us into who we are, so losing a friend brings grief and anger.
Charlotte and Rose are both rich, fully realized characters with goals that don’t always align. Bauer’s brilliant prose makes this a book I could read again and again.
'The instant feminist classic our generation has been waiting for' Ada Calhoun, author of Why We Can't Sleep
What happens when growing up means growing apart?
1997. New York.
Earnest, bookish Rose.
Brash, extrovert Charlotte.
When they moved to New York in the late nineties, coffee cost less than a dollar and you could still smoke in bars. You could stay up drinking all night, sat in vinyl booths patched up with duct tape.
Everyone has their own New York, and for Rose and Charlotte it was a place to feed their ambition, a place to dance and party and…
As a teenager, I didn’t have the lack of inhibition or abundant self-confidence to excel in high school drama. Like Sadie in Bit Players, I finally wowed the directors at my senior year audition, only to learn the lead was promised in advance to someone else. I recovered and stayed involved in theater: cast, crew, and front-of-house jobs for a summer theater program; the box office for Cornell’s MFA program; and supporting my kids’ drama activities. Performing in a show is different from any other experience. If you’ve been in a show, you know this. If you haven’t, read on to enter the magical world of theatre.
I like the grittiness and real-life issues addressed in this story. The pressures and joys of being students at an elite performing arts high school are described through the eyes of five friends: two actors, one writer/director, and two dancers. Aspirations, disintegrating friendships, budding romances, vengeance, and addiction interweave as the students forge ahead to the career-making (or breaking) Senior Showcase. Tragedy enfolds the friends in a dark ending as the dangers of the outside world pierce their high school bubble.
Theatre Quotient: Medium. Plot is split between dance and theater, and the show gets minimal pages.
It's always been you - you know that, right? At a prestigious New York City performing arts school, five friends connect over one dream of stardom. But for Joy, Diego, Liv, Ethan, and Dave, that dream falters under the pressure of second semester, senior year. Ambitions shift and change, new emotions rush to the surface, and a sense of urgency pulses among them: Their time together is running out. Diego hopes to get out of the friend zone. Liv wants to escape, losing herself in fantasies of the new guy. Ethan conspires to turn his muse into his girlfriend. Dave…
