For four decades, I have written about art for publications in the U.S., Europe, and Asia. I have interviewed, among other artists, Frank Stella, Mary Ellen Mark, Dale Chihuly, Deng Lin (the daughter of Deng Xiaoping), the most celebrated Vietnamese contemporary painters, and the leading Japanese ceramicists. My ideal vacation is to wander the cobblestone streets of Italy, walking into a church to see the art of Caravaggio, Raphael, and Bernini. On a trip to Venice, I saw the immense illusionist ceiling painting by Giovanni Fumiani in the church of San Pantalon. Looking up at angels swirling in heaven, the idea for my second novel was born.
I have never been able to look at Renaissance paintings of the Madonna and child the same after reading this brilliant and controversial book. I promise your eyes will be opened as well. These paintings were not simple religious decoration. Christ’s genitalia, exposed or covered, was a visible element in theological arguments in the Renaissance about the humanity of Christ. In our secular world, Steinberg argues, we have lost sight of the sexual component of these images. Steinberg’s breadth of learning is astounding, and the extensive footnotes are as stimulating as the text.
Steinberg argues in this work that the artists regarded the deliberate exposure of Christ's genitalia as an affirmation of kinship with the human condition. Christ's lifelong virginity, understood as potency under check, and the first offer of blood in the circumcision, both required acknowledgment of the genital organ. More than exercises in realism, these unabashed images underscore the crucial theological import of the Incarnation.
Over the past several months, I have had the pleasure to work with amazing authors who, like me, have debut children's books that were released in 2021. These books range in topics, from overcoming your fears to transgender to history, to cute rats that will let your imagination run wild. Being a kid myself, my parents read every night to me. These are books that like mine, are filled
with representation that was lacking in those books that were read to me.
This book will not only teach you history about different people from diverse backgrounds, it will give you tips on how to write so that you can start changing the world with your own words. This book is a great bedtime book so that your children can learn about some of history's great writers.
Throughout history, people have picked up their pens and wielded their words--transforming their lives, their communities, and beyond. Now it's your turn! Representing a diverse range of backgrounds and experiences, Mightier Than the Sword connects over forty inspiring biographies with life-changing writing activities and tips, showing readers just how much their own words can make a difference. Readers will explore nature with Rachel Carson, experience the beginning of the Reformation with Martin Luther, champion women's rights with Sojourner Truth, and many more. These richly illustrated stories of inspiring speechmakers, scientists, explorers, authors, poets, activists, and even other kids and young…
Middle grade always takes a big portion of my TBR pile. I love the hopefulness that kids this age have. And for a child reader, a book can be a way to work out big emotions in a place far removed from their own life. I love the function of a portal in taking the reader that much further away from their reality. As a child, the fantasy A Wrinkle in Time got me through a difficult period. This love of fantasy and children’s literature is the reason I started writing in the first place. And why I got an MFA in writing specifically for children and young adults.
This is a “big” book in that it is reminiscent of Rick Riordan’s Percy Jackson series.
It is epic in scope, in action, and in humor—it is laugh-out-loud funny! The portals are many and, to further complicate things, have guardians. I loved the mixture of Hindu mythology with modern-day references (there are a lot!) along with a very modern kid sensibility. A thrill ride of an adventure.
Best-selling author Rick Riordan introduces this fantasy adventure by New York Times best-selling author, Roshani Chokshi, inspired by the great epics she grew up on.
Named one of 100 Best Fantasy Books of All Time by Time magazine!
Twelve-year-old Aru Shah has a tendency to stretch the truth in order to fit in at school. While her classmates are jetting off to family vacations in exotic locales, she'll be spending her autumn break at home, in the Museum of Ancient Indian Art and Culture, waiting for her mom to return from her latest archeological trip. Is it any wonder that…
I study cultural contagion and how it influences people to help bridge the academic-practitioner gap for companies (from “blue-chip” brands to non-profits) that aim to put ideas in the world that inspire people to take action. When I’m not putting ideas in the world as the Head of Strategy at Wieden+Kennedy New York, I put people in the world as a Clinical Marketing Professor at the Ross School of Business, University of Michigan. My entire career has centered on getting people to move, and I’ve been fortunate enough to work on some of the most notable campaigns in the past years that have created both cultural and commercial impact.
Working in social media marketing and studying the behavior sciences taught me how influence people are on other people.
However, Situations Matter, on the other hand, taught me how influential the environment—both literally and figuratively—is on our behavioral.
As Sommers argues, just as the museum visitor pays little heed to the influence that the frame has on the painting we view, we pay little heed to the context of the environment and its sway on our behavior.
I found that to be so powerful as a reframe of my scholarly work and a broadening of my marketing practice.
An "entertaining and engaging" exploration of the invisible forces influencing your life-and how understanding them can improve everything you do.
The world around you is pulling your strings, shaping your innermost instincts and your most private thoughts. And you don't even realize it.
Every day and in all walks of life, we overlook the enormous power of situations, of context in our lives. That's a mistake, says Sam Sommers in his provocative new book. Just as a museum visitor neglects to notice the frames around paintings, so do people miss the influence of ordinary situations on the way they think…
Shirley Jackson award-winner Kaaron Warren published her first short story in 1993 and has had fiction in print every year since. She was recently given the Peter McNamara Lifetime Achievement Award and was Guest of Honour at World Fantasy 2018, Stokercon 2019 and Geysercon 2019. She has also been Guest of Honour at Conflux in Canberra and Genrecon in Brisbane.
She has published five multi-award winning novels (Slights, Walking the Tree, Mistification, The Grief Hole and Tide of Stone) and seven short story collections, including the multi-award winning Through Splintered Walls. Her most recent short story collection is A Primer to Kaaron Warren from Dark Moon Books. Her most recent novella, Into Bones Like Oil (Meerkat Press), was shortlisted for a Shirley Jackson Award and the Bram Stoker Award, winning the Aurealis Award. Her stories have appeared in both Ellen Datlow’s and Paula Guran’s Year’s Best anthologies.
This
book looks at thieves, liars, manipulators and of course the art itself.
There’s a section on damaged goods, which taps into one of my obsessions about
the difference in time and effort creation versus destruction takes.
It’s
full of pictures, ironic given that most of the pieces depicted are lost, never
to be found. The Gallery of Missing Art is beautifully reproduced, and includes
such masterpieces as Strindberg’s “Night of Jealousy”, so we can look at the
works and marvel. But knowing that these pieces are…somewhere? Hidden away for
a small audience, or perhaps destroyed? That’s heart-breaking.
The masterpieces of art that have been stolen could fill a museum. Museum of the Missing offers readers a rare glimpse of the greatest gallery that never was. Simon Houpt brilliantly recounts the story of its valuable holdings and investigates some of the men and women involved in the thefts. Filled with beautiful illustrations and rarely seen photographs, this intriguing book is also a celebration of the ingenious few who are trying to get these treasures back.
Growing up in California, I was enchanted by the idea of New York City—largely due to the visions of it I found in the books on this list. I’ve now lived in NYC for 20 years and love matching real locations with their versions in my imagination. In my time in the city I’ve been a staff writer for Newsweek Magazine, an editor at Scholastic, and a freelancer for many publications including The New York Times and The Washington Post. I’m currently working on a second novel.
In this book, a sister and brother escape the horrors of suburban Connecticut and take refuge in the Metropolitan Museum of Art, where they discover an art mystery that leads them to a wealthy surrogate grandmother. Beyond the iconic setting, this story has an irresistible only-in-New York feeling to it, so that you can’t help believing it all might have really happened, or still could happen.
I have a passion for character bonds which come from my day-to-day “normal” life.
Outside of being a writer, I’ve been working at one of our city’s busiest hospitals for the past 7 years as a communications operator. Every day, I interact with people who are facing challenges, struggling, and in need of help. With that being said, I also interact with people who are supportive, grateful and overall happy. I find myself drawn to how people come together in both the good and the bad times.
In my opinion, you need to be able to relate to the characters in order for the story to become a success.
I love a good underdog, especially one who’s out craving their own life path and is not railing at the fate over the hand who dealt it to them. Personally, I can relate to this. I saw myself as the heroine.
Pets in novels are underrated, and the inclusion of one in this story was wonderful. He was mischievous and adorable at the same time.
The male lead in the novel was also really refreshing. I enjoyed his long-term planning and ability to be one step ahead of everyone except for the female. I really resonated with the combination of personalities.
The overall story spoke to me as well. I felt really lost in the world of Harmony and the secrets it hides.
Welcome to Harmony-where the rules are a little different.
Life is tough these days for Lydia Smith, licensed para-archaeologist. Seriously stressed-out from a nasty incident in an alien tomb, she is obliged to work part-time in Shrimpton's House of Ancient Horrors, a very low-budget museum. She has a plan to get her career back on track, but it isn't going well. Stuff keeps happening.
Take the dead body that she discovered in one of the sarcophagus exhibits. Who needed that? Finding out that her new client, Emmett London, is one of the most dangerous men in the city isn't helping…
After hurricane Katrina, I was shocked by the scale of displacement and devastation, and the failed government response. I decided to use my planning classes at MIT to assist with rebuilding efforts. Over the next ten years, my students and I worked with several dozen organizations across New Orleans and provided ongoing assistance to three neighborhoods. Through this work and my relationships with many New Orleanians, I learned so much about the city and came to appreciate how special New Orleans, its way of life and people are.
Unique cultural and social traditions are a big part of what makes New Orleans a special place.
This book helped me gain a much deeper appreciation of how these traditions build and sustain communities, serve as artistic and political expression and draw on New Orleans’ African and Caribbean connections.
The House of Dance and Feathers is a rare and beautiful book that presents the Mardi Gras Indians, Social Aid and Pleasure Clubs, Second Line parades (and a lot more) from a practitioners’ perspective as told by Ronald W. Lewis, founder of the museum of the book’s title.
The scores of photos by Lewis and others provide rich documentation of the arts, crafts, practices, and communities that constitute these traditions.
In the Lower Ninth Ward of New Orleans, Ronald W. Lewis has assembled a museum to the various worlds he inhabits. Built in 2003, the House of Dance & Feathers represents many New Orleans societies: Mardi Gras Indians, Social Aid and Pleasure Clubs, Bone Gangs, and Parade Krewes. More than just a catalogue of the artifacts in the museum, this full-color book is a detailed map of these worlds as experienced by Ronald W. Lewis.
It took me a long time to realize that the books I write have always (always) been about trauma. (I write fantasy, so the link wasn’t immediately apparent to me.) But now that I’ve seen it, I can’t unsee it. Likewise, it took me a long time to notice that all my favorite magical books were the ones that seemed to be trying to find a new language for the terrible things that can happen to and around us. Magic provides a powerful language for psychological pain. It can make it more real. It can make it more digestible. It can help us to see it more clearly. Fiction tells lies that make reality bearable and understandable—and magical fiction is no different. Which is why it will probably always be my favorite kind.
Karen Foxlee is—hands down—one of my favorite writers ever. She writes so beautifully and compassionately about what it feels like to be lost or sad or afraid, and Ophelia and the Marvelous Boy is no exception. This retelling of The Snow Queen takes place in a snowbound museum filled with arcane objects. The main character, Ophelia, is grieving the loss of her mother. And even though she doesn’t consider herself very brave, she volunteers for a quest that will change the world—and begin to heal her heart. I love this book for its gentleness, its beauty, its snowy cosiness, and its powerful portrayal of a girl moving within—and through—grief.
“Magic is “messy and dangerous and filled with longing,” we learn in this brave tale of grief, villainy and redemption that borrows from the story of the Snow Queen. Set in a vast, chilly museum, the tale brings together a valiant girl, a charmed boy, a magical sword and a clock ticking down to the end of the world.”—The Wall Street Journal
This is the story of unlikely heroine Ophelia Jane Worthington-Whittard who doesn't believe in anything that can't be proven by science. She and her sister Alice are still grieving for their dead mother when their father takes a…
My twin passions are the fictional stories of Sherlock Holmes, and American history as told on the battlefields of the Civil War—and I have long thought that we make history boring, focusing on battles and dates, and not on the individuals who made it happen (Lincoln above all). So why not shake it up? In One Must Tell the Bees, the rational but very fictional Sherlock Holmes brings to life the accomplishments of the shrewd, incisive but very real Abraham Lincoln in a way that I hope adds to our understanding of Lincoln’s accomplishments, even as our country struggles to reassess the meaning of that portion of our history.
From a heartrending photograph of “Slave Shackles Intended for a Child” to Abraham Lincoln’s signature on a congressional resolution for the 13th Amendment abolishing slavery—and 48 other objects in between...
This book provides a fascinating, wide-ranging portrait of the Civil War that reminds readers how Lincoln managed to abolish slavery while also preserving the Union, something not many American politicians thought possible when he was first elected President.
The American companion to A History of the World in 100 Objects, a fresh, visual perspective on the Civil War
From a soldier's diary with the pencil still attached to John Brown's pike, the Emancipation Proclamation, and the leaves from Abraham Lincoln's bier, here is a unique and surprisingly intimate look at the Civil War.
Lincoln scholar Harold Holzer sheds new light on the war by examining fifty objects from the New-York Historical Society's acclaimed collection. A daguerreotype of an elderly, dignified ex-slave; a soldier's footlocker still packed with its contents; Grant's handwritten terms of surrender at Appomattox-the stories these…
