Here are 100 books that Gaywyck fans have personally recommended if you like
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I have always loved historical fiction as a reader, but my passion to write it caught fire during the years I lived in Venice, Italy, when I discovered the curious institution of the ballot boy within the Byzantine complexities of the thousand-year Venetian Republic. Since ballot boys were randomly chosen over a period of six hundred years, choosing my particular Doge and ballot boy required a survey of the entire field before I circled in on Venice, 1368, IMHO the peak brilliance of that maritime empire. It is a peculiarity of history that the names of all 130 doges of Venice are recorded, but none of their ballot boys are mentioned. The challenge was irresistible.
It’s not Hadrian’s love affair with the beautiful boy Antinous that swept me off my feet, nor the way Hadrian makes him a god after his mysterious death and builds a city dedicated to worshiping him.
That’s only a small part of a book overflowing with the emperor’s interior life, his fears and doubts and dreams. Yourcenar spent most of her life on and off writing this book, her life’s work. Filled with the exhilaration and perplexity of achieving absolute power and then holding onto it, we experience Hadrian as a profoundly paradoxical genius from the inside out.
Framed as a letter from the Roman Emperor Hadrian to his successor, Marcus Aurelius, Marguerite Yourcenar's Memoirs of Hadrian is translated from the French by Grace Frick with an introduction by Paul Bailey in Penguin Modern Classics.
In her magnificent novel, Marguerite Yourcenor recreates the life and death of one of the great rulers of the ancient world. The Emperor Hadrian, aware his demise is imminent, writes a long valedictory letter to Marcus Aurelius, his future successor. The Emperor meditates on his past, describing his accession, military triumphs, love of poetry and music, and the philosophy that informed his powerful…
I became fascinated with history when I moved to Gloucester in the nineties. The city is hugely historical from the early Roman settlers through to the industrial age of the nineteenth century. What is more fascinating is that many of the streets and buildings I write about still exist in the city today. I carried out extensive research when writing my first historical fiction novel to immerse myself in the medieval city as it would have been in 1497. When I came to write my second novel, listed below, the first book in the Hebraica Trilogy, I already had a good idea of the layout of the city.
I loved this book because it’s a medieval detective story set in 1327 in Italy. I learned a lot about the intrigue and corruption of religious life in the medieval period and how closed and isolated communities could lose their way with murderous consequences.
It’s a fascinating insight into the world of a monk’s life in 14th-century Italy, packed full of the atmosphere of religious life inside the abbey. It is a dark and gothic tale of corruption, murder, and power-grabbing at all costs.
The year is 1327. Franciscans in a wealthy Italian abbey are suspected of heresy, and Brother William of Baskerville arrives to investigate. When his delicate mission is suddenly overshadowed by seven bizarre deaths, Brother William turns detective.
William collects evidence, deciphers secret symbols and coded manuscripts, and digs into the eerie labyrinth of the abbey where extraordinary things are happening under the cover of night. A spectacular popular and critical success, The Name of the Rose is not only a narrative of a murder investigation but an astonishing chronicle of the Middle Ages.
I have studied nineteenth-century American literature and culture for more than thirty years. My friends roll their eyes when I excitedly share a passage from Charles Chesnutt, Henry James, Herman Melville, or Kate Chopin. I wrote this book because I realized that nineteenth-century thinkers and writers have a lot to teach us about tyranny, particularly the dangers it presents to our nation. I hope you’ll find the challenge of these books as important as I do!
This book imagines a world where the United States succumbs to authoritarianism. Subsequent writers have explored this theme, but I love Lewis’s novel because it captures a precarious historical moment (the 1930s) that has a lot in common with the present day.
“Buzz” Winthrop, the politician turned dictator, whips up fears about threats to America, stressing the need to get back to the nation’s “true” values. It’s a chilling portrait of a nation that loses its way.
“The novel that foreshadowed Donald Trump’s authoritarian appeal.”—Salon
It Can’t Happen Here is the only one of Sinclair Lewis’s later novels to match the power of Main Street, Babbitt, and Arrowsmith. A cautionary tale about the fragility of democracy, it is an alarming, eerily timeless look at how fascism could take hold in America.
Written during the Great Depression, when the country was largely oblivious to Hitler’s aggression, it juxtaposes sharp political satire with the chillingly realistic rise of a president who becomes a dictator to save the nation from welfare cheats, sex, crime, and a liberal press.
I have always loved historical fiction as a reader, but my passion to write it caught fire during the years I lived in Venice, Italy, when I discovered the curious institution of the ballot boy within the Byzantine complexities of the thousand-year Venetian Republic. Since ballot boys were randomly chosen over a period of six hundred years, choosing my particular Doge and ballot boy required a survey of the entire field before I circled in on Venice, 1368, IMHO the peak brilliance of that maritime empire. It is a peculiarity of history that the names of all 130 doges of Venice are recorded, but none of their ballot boys are mentioned. The challenge was irresistible.
Barry, Irish, conjures a vision of the Civil War era American West that redefines the American experience.
A young Irish refugee fleeing the Great Famine which has wiped out his family, ends up in Missouri where he hooks up with another orphan and a lifelong love affair begins. The two boys survive by dressing as girls and entertaining at the local saloon in a town low on women.
As soon as they are old enough, they escape into the army, fighting in the Indian and Civil Wars, always together despite the amazing and terrible things that happen, steadfast in their love and their indomitable will to survive the crazy hand life has dealt them.
"A true leftfield wonder: Days Without End is a violent, superbly lyrical western offering a sweeping vision of America in the making."—Kazuo Ishiguro, Booker Prize winning author of The Remains of the Day and The Buried Giant
From the two-time Man Booker Prize finalist Sebastian Barry, “a master storyteller” (Wall Street Journal), comes a powerful new novel of duty and family set against the American Indian and Civil Wars
Thomas McNulty, aged barely seventeen and having fled the Great Famine in Ireland, signs up for the…
Ever since we were kids, we associated the summer with voracious reading. We loved competing in those Summer Reading Challenges to see who could read the most while school was out. (Lauren often won; Rachel was a slower but equally enthusiastic reader.) As we grew up, we realized that a specific type of book exists that aligns with the summer mood–like a bikini, but make it literature. Summer reads can be emotional but not too heavy and contain moments of sadness without dragging us into the abyss. (For winter, we recommend the collected works of the Nobel Prize-winning Icelandic novelist Halldór Laxness.)
We both devoured Taffy Brodesser-Akner’s last book, Fleishman Is in Trouble, and the wonderful TV adaptation of the same name. So, when we saw that she was writing another one, we both not only hit the preorder button but reached out to her publisher to get advanced reader copies. The book doesn’t come out until July 9. Still, we’ve both already read it and can confidently say it’s a delightful summer read about a wealthy Jewish family, the Fletchers, grappling with grief, repressed trauma, and the sudden slipping away of their family fortune.
The book grabs you instantly with a violent kidnapping and then jumps forward and back in time to explore the psyches of each of the Fletcher children as they process what has become of their family in the wake of their grandmother’s death. And wait until you discover what the “Long Island Compromise” is.
'Everything I was dreaming it would be - shocking, tender, profound and delicious' EMILY MAITLIS
'Both enjoyable and funny while also substantive and profound' CATHY RENTZENBRINK
From the Sunday Times bestselling author of Fleishman Is in Trouble comes Long Island Compromise, a darkly exhilarating novel about an American family and its inheritance - the safety and wealth that they fought for, and the precarity of their survival that is their legacy.
In 1980, a wealthy businessman named Carl Fletcher is kidnapped from his driveway in the nicest part of the nicest part of Long Island. He is brutalised, held for…
I have been a voracious reader all my life. As a child, my happy place was the public library. I realized quickly that not all novels had the same effect. Most stories were enjoyable, but there were some books that told a story to make a point. These were stories with characters that I couldn’t forget, and I was challenged, encouraged, and inspired by what I read. These novels changed me for the better. I am grateful for authors who wrote stories with purpose. Now I have an opportunity to tell a story that will have an impact and make a difference in the lives of those who read it.
“Of all the kids in the seventh grade at Camillo Junior High, there was one kid that Mrs. Baker hated with heat whiter than the sun. Me.”
When I read that first line, I assumed The Wednesday Wars was going to be another shallow story with the typical conflict between a mean teacher and a student victim. But I was wrong. Completely wrong.
The Wednesday Wars will make you smile a real smile, not a teacher smile. It will make you laugh as you learn Shakespearean curses. It will make you cry when a student earns the high praise of “chrysanthemum” from a teacher who is no longer an enemy but a friend. This won’t make sense until you read the book, and it’s definitely worth reading this book.
In this Newbery Honor–winning novel, Gary D. Schmidt tells the witty and compelling story of a teenage boy who feels that fate has it in for him, during the school year 1968-69.
Seventh grader Holling Hoodhood isn't happy. He is sure his new teacher, Mrs. Baker, hates his guts. Holling's domineering father is obsessed with his business image and disregards his family. Throughout the school year, Holling strives to get a handle on the Shakespeare plays Mrs. Baker assigns him to read on his own time, and to figure out the enigmatic Mrs. Baker. As the Vietnam War turns lives…
I am an author who also penned a novel during the pandemic, with a timeline that stretched into the first six months of the pandemic–against the advice of my agent and the publishing industry at large. I know many authors choose not to write about intense political and social happenings, but that “life will never be the same again” feeling was something I couldn’t avoid. The pandemic threw people together and kept us apart at the same time. I was intensely interested in its incubator effect as well as the silo aspect quarantining had on all of our lives.
The opening of this book knocked me out, and I was hooked.
I usually veer toward literary, slower, familial dramas, but this book combined what I love in literary family dynamics with the frightening premise of an inexplicable disaster occurring in the outside world. The suspicion we were quick to possess about others during the early days of the pandemic is heightened to a new level with two couples pitted against each other, one preoccupied with the welfare and antics of their children.
I loved the construct that had even spouses second-guessing each other. The intensity of the situation brought out the worst and eventually the better sides of all the characters, a phenomenon that resonated as I read this book during the first year of the pandemic, at the same time rioters invaded our nation’s capital.
As an author, I write both serious nonfiction and literary fiction. As a journalist, I have lifelong associations with The Atlanticand the Washington Monthly.I didn’t plan it, but four of my nonfiction books make an extended argument for the revival of optimism as intellectually respectable. A Moment on the Earth(1995) argued environmental trends other than greenhouse gases actually are positive, The Progress Paradox(2003) asserted material standards will keep rising but that won’t make people any happier, Sonic Boom (2009), published during the despair of the Great Recession, said the global economy would bounce back and It’s Better Than It Looks (2018) found the situation objectivity good on most major issues.
Steinbeck is one of my favorite novelists (Willa Cather, the other) but boy did he run off the rails with this, his final book.
He describes an American society locked in irreversible decline, with everything getting worse and our polity doomed. Sixty years later the United States remains the envy of the world and almost every America today lives better materially, with more freedom and security, than almost everyone of 1961.
The novel is a reminder of the extent to which ideological negativity is ubiquitous in literature.
The Nobel committee claimed that while giving John Steinbeck the 1962 Nobel Prize in Literature that he had "resumed his place as an independent expounder of the truth, with an unbiased feel for what is authentically American" with The Winter of Our Discontent.The main character of Steinbeck's final book, Ethan Allen Hawley, is a clerk at a grocery shop that his ancestors formerly ran. Ethan's wife is restless now that he is no longer a member of Long Island's aristocratic society, and his teenagers are pining for the enticing material comforts he is unable to supply. Then, one day, in…
Susan Beckham Zurenda taught English for 33 years on the college level and at the high school level to AP students. Her debut novel, Bells for Eli(Mercer University Press, March 2020; paperback edition March 2021), has been selected the Gold Medal (first place) winner for Best First Book—Fiction in the 2021 IPPY (Independent Publisher Book Awards), a Foreword Indie Book Award finalist, a Winter 2020 Okra Pick by the Southern Independent Booksellers Alliance, a 2020 Notable Indie on Shelf Unbound, a 2020 finalist for American Book Fest Best Book Awards, and was nominated for a Pushcart Prize for 2021. She has won numerous regional awards for her short fiction. She lives in Spartanburg, SC.
Though I have read and relished all of Alice McDermott’s novels,Child of my Heartis my favorite. Theresa, age 15, is East Hampton’s most sought-after babysitter when her favorite cousin, eight-year-old Daisy, comes to spend the summer in this gorgeous coming-of-age novel. Though Theresa and Daisy share a magical world, Theresa eventually realizes the ongoing bruises on Daisy’s feet and body mean she is seriously ill. While the cousins intuitively conceal Daisy’s condition, Theresa becomes aroused by and wary of her sexual attraction to the father of Flora, a toddler she babysits. Through the haunting presence of death and her dawning sexuality for a much-older man, Theresa crosses into adulthood.
On the cusp of fifteen, pretty Theresa is the town's most sought-after babysitter - cheerful, beloved, adored by children and animals, but also a solitary soul with an already complex understanding of human nature. She is Titania among her fairies, the one person to call on for help with a child in extreme distress. Theresa does not doubt her power over the fathers of her adoring charges either, like the elderly artist whose signature and doodles may fetch a fortune, but whose potential lechery Theresa toys with like a kitten with yarn. Yet, during this unforgettable summer, it is her…
Atmosphere can play a critical role in crime fiction, and I always find the most satisfying and memorable stories convey a strong sense of place. My own mysteries are set in the Thousand Islands, where many residents live in island homes built by gilded age titans of industry, and this setting is integral to Death in the Family and the entire Shana Merchant series. For twenty years I’ve been a regular visitor to the area, which extends from Upstate New York to Ontario, Canada. The human dangers in my books may be imagined, but the remote and rugged nature of the region always contributes to my contemporary, Agatha Christie-style plots.
This is an evocative mystery with not one but two atmospheric settings: Long Island’s Suffolk County, and Ireland’s County Clare. When an Irish national is found dead on a Long Island beach, Detective Maggie D’arcy’s planned vacation to Ireland becomes a tense investigation into the mysterious victim’s death, and a fight to keep her young daughter safe both abroad and back at home. I found A Distant Grave to be deeply chilling and impossible to put down.
In the follow up to the critically acclaimed The Mountains Wild, Detective Maggie D'arcy tackles another intricate case that bridges Long Island and Ireland in A Distant Grave.
Long Island homicide detective Maggie D'arcy and her teenage daughter, Lilly, are still recovering from the events of last fall when a strange new case demands Maggie's attention. The body of an unidentified Irish national turns up in a wealthy Long Island beach community and with little to go on but the scars on his back, Maggie once again teams up with Garda detectives in Ireland to find out who the man…
