10 books like It Can't Happen Here

This is a highly relevant book for our time.

Conceived in 1948, Orwell reversed numbers to envision a dystopic world in 1984. I remember how it was in 1984, when I felt some sense of relief that the world “wasn’t as bad” as Orwell had predicted. But, in today’s politics? This novel told of a political party with the slogan “Ignorance is strength”. How far is that from silencing the history of racism in this country and trying to keep people from waking up (“woke”) to the injustices of the world?

The “Big Lie,” first practiced by Adolph Hitler, was standard fare in 1984, and has deeply infected our politics today. I take the warnings of this book seriously. 

Recent authoritarian trends and attempts to re-establish white supremacy are not new in America.

In this novel, Philip Roth envisions an alternate history where Charles Lindbergh has defeated Franklin D. Roosevelt in the 1940 Presidential election. He then proceeds to collude with Adolph Hitler and seeks to establish anti-Semitism throughout the country.

The novel is based on the actual attitudes which Lindbergh had toward Jews and other minorities. Of course, this is not truly an insurrection. Still, it is a portrayal of how extreme right-wing attitudes can seek to rob people of our hard-won democracy.

I was raised with a deep respect for freedom for all people in this country. My family had several Jewish friends and we loved and learned from them.

There is a reason Ann Patchett called Evicted “among the very best of the social justice books.” In it, Matt Desmond chronicles the painful sagas of eight low-income Milwaukee families who struggle continually to stay housed – some in a trailer park, others in an inner-city neighborhood. He gives us a fly-on-the-wall perspective that includes the hairy balancing act of their landlords. These are real people – adults and children – who are caught up in an endless loop that zig zags from hope to despair and back again. If you read this from the security of a place you can comfortably afford, you’ll feel lucky and perhaps confounded by the problem of soaring rents and homelessness facing this nation.   

Written in 1966, Make Room! Make Room! was the basis for the 1973 film Soylent Green—it’s one of those great books that (like The Exorcist) was totally overshadowed by its equally great film version. It’s set in 1999, in a grossly overpopulated and polluted world in which people are scrambling for ever-diminishing resources. It mainly follows the life of NYC detective Andy Rusch and his elderly roommate Sol—who has finagled a bicycle-powered generator to run the TV and refrigerator in their small apartment. Rusch falls in love with Shirl, the young mistress of a rich man whose murder Rusch is investigating, but Shirl dumps him when she realizes she has better options with the rich rather than the poor.

Make Room! Make Room! is a cautionary tale about unchecked population, and it’s driven not so much by plot as by what Harry Harrison had on his mind: pollution,… show more.

Late in the 20th Century, an ‘accident’ occurred whereby nuclear bombs detonated in orbit above earth—the resulting radiation has rendered mankind sterile. Algy Timberlane—aka ‘Greybeard’—is in his mid-50’s, a veritable stripling in an increasingly geriatric world. He, his wife Martha, and a few aging friends set off on an odyssey down the river Thames, to explore what’s left of their crumbling, dying world—and maybe find some spark of hope for the future.

Greybeard is a marvel to behold.  It’s one of the few books that’s not only about the hideous injustices of growing old, but also about a world that’s grown old and is facing death. What would people do if they knew that theirs was literally the last generation, that there would be no one to carry on their work? It’s an unsettling question to wrap your mind around—but Greybeard faces it without flinching, and with moving, thought-provoking… show more.

Ira Levin wrote 7 novels; I wish he’d written more. He was that very rare bird: a literary writer who wrote for readers, and not for himself. He’s all story, never showmanship—his beautiful flourishes are stunning because they’re so rare.  

This Perfect Day is one of his novels that hasn’t been turned into a film (the only other one is Son of Rosemary, his sequel to Rosemary’s Baby). This is a head-scratcher to me just because it’s easily his most cinematic novel—in the sense of lending itself to stunning visuals. It’s very much in the same school of dystopian sci-fi as Aldous Huxley’s Brave New World—both depict a futuristic, technological dystopia in which people are perpetually drugged into complaisance and compliance. In the world of This Perfect Day, races have been merged into one, there is only one language, and the world is run by… show more.

I grew up listening to my elders about the 1930s. I’ve read dozens of books about that decade,  and this is the best in terms of the documentation of average Americans. We absolutely must understand the 1930s to deal with what faces us in the nation and world in the 2020s. Adamic was an immigrant who believed in the potential of America, and about half of this book is his reporting around America, with a focus on the working class. The other half is memoir. The reporting is deep, the writing beautiful. 

This is the best book on the precarity facing American workers today—especially women. Bruder lived it, first in a tent, then in a van, following the itinerant workers of today, many of them older women. She embedded deeply, working in an Amazon warehouse and at the sugar beet harvest in North Dakota, mainstay jobs for these new itinerants. Two of the powerful women Bruder documented ended up appearing in the Oscar-winning film, Nomadland, which was based on the book. 

This is a short, urgently written handbook for the heart-stopping moments when you hear the sounds of fascism downstairs and realize you forgot to lock the window. “To abandon facts is to abandon freedom. If nothing is true, then no one can criticize power, because there is no basis upon which to do so. If nothing is true, then all is spectacle. The biggest wallet pays for the most blazing light.” Fake news, Fox News, alternative facts, the Big Lie, QAnon, the replacement theory, the MAGA movement, evangelical theocracy, and fascism have made their way into our house and are creeping up the stairs and we wait, foolishly believing it will listen to reason.

Jason Lutes spent decades creating this masterpiece—a graphic novel that brilliantly reconstructs life in Berlin in the years before Hitler became Chancellor. The characters are fully dimensional, a diverse and compelling collection of individuals, reeling from World War I, struggling to face the fall of Weimar and the cold hands of fascism tightening around their necks. This is a perfect melding of art, narrative, and political urgency that speaks eloquently to our perilous age.