Here are 92 books that Days Without End fans have personally recommended if you like
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I have always loved historical fiction as a reader, but my passion to write it caught fire during the years I lived in Venice, Italy, when I discovered the curious institution of the ballot boy within the Byzantine complexities of the thousand-year Venetian Republic. Since ballot boys were randomly chosen over a period of six hundred years, choosing my particular Doge and ballot boy required a survey of the entire field before I circled in on Venice, 1368, IMHO the peak brilliance of that maritime empire. It is a peculiarity of history that the names of all 130 doges of Venice are recorded, but none of their ballot boys are mentioned. The challenge was irresistible.
It’s not Hadrian’s love affair with the beautiful boy Antinous that swept me off my feet, nor the way Hadrian makes him a god after his mysterious death and builds a city dedicated to worshiping him.
That’s only a small part of a book overflowing with the emperor’s interior life, his fears and doubts and dreams. Yourcenar spent most of her life on and off writing this book, her life’s work. Filled with the exhilaration and perplexity of achieving absolute power and then holding onto it, we experience Hadrian as a profoundly paradoxical genius from the inside out.
Framed as a letter from the Roman Emperor Hadrian to his successor, Marcus Aurelius, Marguerite Yourcenar's Memoirs of Hadrian is translated from the French by Grace Frick with an introduction by Paul Bailey in Penguin Modern Classics.
In her magnificent novel, Marguerite Yourcenor recreates the life and death of one of the great rulers of the ancient world. The Emperor Hadrian, aware his demise is imminent, writes a long valedictory letter to Marcus Aurelius, his future successor. The Emperor meditates on his past, describing his accession, military triumphs, love of poetry and music, and the philosophy that informed his powerful…
I am a retired university professor who taught creative writing at the Faculty of Philology, University of Belgrade, and a not-yet-retired author, although I have on several occasions solemnly stated that I have written my last prose book. I believe these two qualities make me competent to create a list of 5 books that I have reread the most often.
I don't think there is an author who hasn't at least once wished that he was the one who wrote a book by another author. Ever since I first read Umberto Eco's masterpiece, I wished I had written it. That wish only intensified whenever I reread it—and I did it many times. It is a perfect novel by all standards. It is a superb literary work based on storytelling virtuosity and a colossal erudition.
The detective narrative drive is a background of the main theme—how the Renaissance was borne. No other novel in the history of literature has managed to depict a long-gone century in such an impeccably authentic way. Among many authors who influenced my writing, Umberto Eco is certainly the most prominent.
The year is 1327. Franciscans in a wealthy Italian abbey are suspected of heresy, and Brother William of Baskerville arrives to investigate. When his delicate mission is suddenly overshadowed by seven bizarre deaths, Brother William turns detective.
William collects evidence, deciphers secret symbols and coded manuscripts, and digs into the eerie labyrinth of the abbey where extraordinary things are happening under the cover of night. A spectacular popular and critical success, The Name of the Rose is not only a narrative of a murder investigation but an astonishing chronicle of the Middle Ages.
I have studied nineteenth-century American literature and culture for more than thirty years. My friends roll their eyes when I excitedly share a passage from Charles Chesnutt, Henry James, Herman Melville, or Kate Chopin. I wrote this book because I realized that nineteenth-century thinkers and writers have a lot to teach us about tyranny, particularly the dangers it presents to our nation. I hope you’ll find the challenge of these books as important as I do!
This book imagines a world where the United States succumbs to authoritarianism. Subsequent writers have explored this theme, but I love Lewis’s novel because it captures a precarious historical moment (the 1930s) that has a lot in common with the present day.
“Buzz” Winthrop, the politician turned dictator, whips up fears about threats to America, stressing the need to get back to the nation’s “true” values. It’s a chilling portrait of a nation that loses its way.
“The novel that foreshadowed Donald Trump’s authoritarian appeal.”—Salon
It Can’t Happen Here is the only one of Sinclair Lewis’s later novels to match the power of Main Street, Babbitt, and Arrowsmith. A cautionary tale about the fragility of democracy, it is an alarming, eerily timeless look at how fascism could take hold in America.
Written during the Great Depression, when the country was largely oblivious to Hitler’s aggression, it juxtaposes sharp political satire with the chillingly realistic rise of a president who becomes a dictator to save the nation from welfare cheats, sex, crime, and a liberal press.
I have always loved historical fiction as a reader, but my passion to write it caught fire during the years I lived in Venice, Italy, when I discovered the curious institution of the ballot boy within the Byzantine complexities of the thousand-year Venetian Republic. Since ballot boys were randomly chosen over a period of six hundred years, choosing my particular Doge and ballot boy required a survey of the entire field before I circled in on Venice, 1368, IMHO the peak brilliance of that maritime empire. It is a peculiarity of history that the names of all 130 doges of Venice are recorded, but none of their ballot boys are mentioned. The challenge was irresistible.
First published in 1980, Gaywyck was the first historical gay gothic romance. Virga, whose day job for forty years was as photo editor, turns his extraordinary eye on turn-of-the-last century New York.
The tangled lives, dark secrets, and mad love – all conventions of the romance genre – are stood on their heads in this reimagining. “I realized genre has no gender,” Virga says, and set about cannily reversing roles and inverting tropes to fashion a puzzle wrapped in an enigma of requited and unrequited love.
Gaywyck stands the test of time and remains a modern classic.
Gaywyck is the first gay Gothic novel. Long out of print, this classic proved that genre knows no gender. Young, innocent Robert Whyte enters a Jane-Eyre world of secrets and deceptions when he is hired to catalog the vast library at Gaywyck, a mysterious ancestral mansion on Long Island, where he falls in love with its handsome and melancholy owner, Donough Gaylord. Robert's unconditional love is challenged by hidden evil lurking in the shadowy past crammed with dark sexual secrets sowing murder, blackmail, and mayhem in the great romantic tradition. As Armisted Maupin urged, “Read the son of a bitch!…
My father’s ancestors had deep ties to the South, owning slaves in North Carolina and fighting for the Confederacy. Raised in a household that was also home to a paternal grandmother born in Nashville in 1885, I grew up fascinated by the troubled, complicated world of the Old South. Over the years I have written nine books, all of which chronicle the intersections of race and politics in the nineteenth century. Since 1987 I have had the pleasure of teaching about the Civil War era to students in my home institution of Le Moyne College, but also at Colgate University, Cornell University, and the University College Dublin. Those classes never witnessed a dull moment.
James McPherson, the dean of Civil War scholars, is known to most readers as the author of Battle Cry of Freedom: The Civil War Era, far and away the best single-volume history of the conflict. But this volume, which came out roughly a decade later in 1997, was one of the first military histories to move beyond generals and commanders and examine why common soldiers enlisted and remained loyal to their fellows even as the bloody conflict dragged on.
After reading tens of thousands of letters and diaries of more than one thousand U.S. and C.S.A. soldiers, McPherson opens previously shuttered windows into their hearts and minds. Their letters home reveal both the tedium and terror of numerous campaigns, and most of all, show how common soldiers were forced to wrestle with the issue of slavery, with northern soldiers, rather like their commander-in-chief, increasingly committed to ending the South’s…
General John A. Wickham, commander of the famous 101st Airborne Division in the 1970s and subsequently Army Chief of Staff, once visited Antietam battlefield. Gazing at Bloody Lane where, in 1862, several Union assaults were brutally repulsed before they finally broke through, he marveled, `You couldn't get American soldiers today to make an attack like that.' Why did those men risk certain death, over and over again, through countless bloody battles and four long, awful years ? Why did the conventional wisdom - that soldiers become increasingly cynical and disillusioned as war progresses - not hold true in the Civil…
A long-time professor of history at Marquette University, James Marten is a past president of both the Society of Civil War Historians and the Society for the History of Children and Youth. He’s written or edited over twenty books and scores of articles and has been interviewed on National and Wisconsin Public Radio and for numerous local and national publications. He writes about the ways in which big events affect normal people, from children and families to soldiers and veterans.
Accounts of the common soldier are part of a long tradition in Civil War history—but this is not your typical study. Carmichael sets out not to examine motivations or ideology, but to explore "the life of the rank and file as it was lived." The war forced soldiers in the North and South to bridge the gulf between two competing impulses. "Sentimentalism" helped soldiers understand war as a series of hardships and sacrifices that could be endured through faith, courage, and patriotism. Confronting this conventional approach was a "pragmatism" that guided soldiers desperately seeking to survive with honor the filth, blood, and despair that they actually experienced. Carmichael makes his argument through careful, moving, and fascinating narratives of men trying to explain the war to their loved ones and to themselves.
How did Civil War soldiers endure the brutal and unpredictable existence of army life during the conflict? This question is at the heart of Peter S. Carmichael's sweeping new study of men at war. Based on close examination of the letters and records left behind by individual soldiers from both the North and the South, Carmichael explores the totality of the Civil War experience-the marching, the fighting, the boredom, the idealism, the exhaustion, the punishments, and the frustrations of being away from families who often faced their own dire circumstances. Carmichael focuses not on what soldiers thought but rather how…
I grew up in a medical family, my father and brother both surgeons and my mother a nurse. My parents met while serving in WW2 and that combination of compassion and horror in the field hospitals of Europe have stayed with me ever since. In fact, my first novel A Dangerous Act of Kindness, is set during WW2. I’m also a career hypochondriac. I avoid reading about illnesses or injuries I may suffer from myself, but I am fascinated by disease and pioneering surgery, thus The Summer Fields revolves around a disease that has now been eradicated (smallpox) and pre-anaesthetic surgery, something I hope I shall never have to face.
You may know this strange story as a film, but the different narrators in this gothic tale of John McBurney, a wounded Union soldier being washed and nursed by a group of young girls in Martha Farnworth’s remote school is full of the same sexual tension I hoped to conjure up in my book. What could be more beguiling than the juxtaposition of sheltered women carrying out intimate tasks on a man weakened by injury?
The basis for the major motion picture directed by Sofia Coppola-named best director at the Cannes Film Festival for The Beguiled-and starring Nicole Kidman, Colin Farrell, Kirsten Dunst, and Elle Fanning
"[A] mad gothic tale . . . The reader is mesmerized with horror by what goes on in that forgotten school for young ladies." -Stephen King, in Danse Macabre
Wounded and near death, a young Union Army corporal is found in the woods of Virginia during the height of the Civil War and brought to the nearby Miss Martha Farnsworth Seminary for Young Ladies. Almost immediately he sets about…
I am an author, editor, and former history teacher and curriculum writer with a special interest in Southern history, particularly the Confederate era. I have written and published two books on lesser-known aspects of the Confederacy, the civilian government (Confederate Cabinet Departments and Secretaries), and religious work in the Confederate armies (Christ in Camp andCombat: Religious Work in the Confederate Armies). I taught on various levels, from junior high through college, and have B.S. and M.S. degrees with post-graduate work in Southern history and religion.
Although many (even most) historians relegate religion to the periphery of the history of the war, Nichols-Belt shows it to be a critical ingredient of that history. Moreover, although historians who admit the importance of religion to the South’s conduct of the war, most of them focus primarily on the armies in the East. Nichols-Belt shines a light on the just-as-important influence of religion in the armies of the Western theater, specifically the Army of Tennessee.
The Civil War was trying, bloody and hard-fought combat for both sides. What was it, then, that sustained soldiers low on supplies and morale? For the Army of Tennessee, it was religion. Onward Southern Soldiers: Religion and the Army of Tennessee in the Civil War explores the significant impact of religion on every rank, from generals to chaplains to common soldiers. It took faith to endure overwhelming adversity. Religion united troops, informing both why and how they fought and providing the rationale for enduring great hardship for the Confederate cause. Using primary source material such as diaries, letters, journals and…
After a life of teaching and writing, I have been reading widely in the literature on the Civil War North to set the stage for my next project, a book on the life and times of my great-grandfather, who has loomed over my imagination since I was a boy during the years of the Civil War Bicentennial. Both a soldier and politician, he emerged as one the most militant of the Radical Republicans in the early years of Reconstruction. What follows is my personal list of very important, very readable, recent books on the Northern experience of the war that I will have by my side as I start writing.
What were the politics of the Union army during the grinding years of the war? How did fighting soldiers, one slice of the complexity of the northern population, feel about the Union and the rising questions of slavery and emancipation? And how was this opinion shaped by a generally conservative officer corps, especially the West Point elite who had trained and served with men who were now leading the Confederate army?
In a prize-winning book, Zachery Fry carefully examines these questions in the Army of the Potomac. He found a consensus on union and a great gradient of opinion on slavery. West Pointers suppressed antislavery views, while antislavery opinion grew in formations led by men coming from the ranks of state militias, either already inclined toward abolitionism or radicalized by their experience of the realities of slavery in the South.
In the end, what unified many Union soldiers in the…
The Army of the Potomac was a hotbed of political activity during the Civil War. As a source of dissent widely understood as a frustration for Abraham Lincoln, its onetime commander, George B. McClellan, even secured the Democratic nomination for president in 1864. But in this comprehensive reassessment of the army's politics, Zachery A. Fry argues that the war was an intense political education for its common soldiers. Fry examines several key "crisis points" to show how enlisted men developed political awareness that went beyond personal loyalties. By studying the struggle between Republicans and Democrats for political allegiance among the…
I love to read and write historical fiction—seeing, hearing, smelling, tasting, and feeling the past—revealing the thoughts and emotions of characters real and imagined through psychological insights. My mentor Fawn Brodie wrote non-fiction, specifically psychobiography. Her Thomas Jefferson: an Intimate History introduced the world to the enslaved Sally Hemings. The seeds of my first novel The Woman Who Loved John Wilkes Booth were sown in Fawn Brodie’s UCLA lecture hall. I can only imagine what her historical fiction might’ve been. Now I wait for novels from historians Imani Perry South to America and Isabel Wilkerson Caste. Meantime there are so many wonderful novelists writing history.
When recommending Geraldine Brooks’ multi-layered and intricately crafted March, another book must always be mentioned. Louisa May Alcott’s Little Women. March is the Pulitzer Prize-winning historical fiction rooted in Alcott’s classic novel that’s been read and loved for centuries. The March of the title is Jo March’s father in Little Women. In real life, his name was Amos Bronson Alcott. And he was the father of Louisa May Alcott. Brooks tells March’s fictitious story masterfully and with great historical acumen. Her depictions of Henry David Thoreau and Ralph Waldo Emerson are truly historic. Geraldine Brooks is not a historian. Her husband Tony Horwitz was. In Brooks’ case it seems that to fall in love with a historian is to fall in love with history as well. March is the beautiful proof.
From the author of the acclaimed YEAR OF WONDERS, a historical novel and love story set during a time of catastrophe, on the front lines of the American Civil War. Set during the American Civil War, MARCH tells the story of John March, known to us as the father away from his family of girls in LITTLE WOMEN, Louisa May Alcott's classic American novel. In Brooks' telling, March emerges as an abolitionist and idealistic chaplain on the front lines of a war that tests his faith in himself and in the Union cause when he learns that his side, too,…
