Here are 100 books that Dueling fans have personally recommended if you like
Dueling.
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I am a social and legal historian of late 19th and early 20th Century Latin America, and the majority of my work is about the emergence of the middle class. I first got interested in researching dueling because I had the idea that the duel probably played a role in creating and enforcing a social dividing line between the upper elite and the middle class. But once I got immersed in the historical documents I realized how wrong my initial hypothesis had been, how little dueling had to do with social class, and how much it was about maintaining—or sometimes gaming for advantage—the norms of decorum in politics and the press.
This is one of the books that inspired and provided source material for the musical Hamilton. Freeman is a Pulitzer prize-winning historian of post-1776 United States. This masterful history of the early American republic shows how dueling needs to be understood as politics by other means, as part of the mad scramble for power and prestige in the context of never-ending “paper wars” in the partisan press. They say you can’t judge a book by its cover, but I’ll never forget how much the cover art captured my imagination, and how brilliantly it reflects what you will find inside.
This book is not just about duels; it also covers political alliances, gossip, insults, and elections. But that is Freeman’s whole point, that they are all interconnected, and dueling is just one piece of a larger picture.
A major reassessment of American political culture in the days of Jefferson, Hamilton, and Burr
"[A] landmark study of Hamilton and the founders."-Jeff Sharlet, Chronicle of Higher Education
"Demands the attention of everyone with a serious interest in the history of American politics."-Pauline Maier, Washington Post
In this extraordinary book, Joanne Freeman offers a major reassessment of political culture in the early years of the American republic. By exploring both the public actions and private papers of key figures such as Thomas Jefferson, Aaron Burr, and Alexander Hamilton, Freeman reveals an alien and profoundly unstable political world grounded on the…
I am a social and legal historian of late 19th and early 20th Century Latin America, and the majority of my work is about the emergence of the middle class. I first got interested in researching dueling because I had the idea that the duel probably played a role in creating and enforcing a social dividing line between the upper elite and the middle class. But once I got immersed in the historical documents I realized how wrong my initial hypothesis had been, how little dueling had to do with social class, and how much it was about maintaining—or sometimes gaming for advantage—the norms of decorum in politics and the press.
This study of Italian dueling from 1860s unification to 1930s Fascism makes a convincing case that the duel was not some holdover from an aristocratic past, but a modern phenomenon that arose out of liberal politics and a free press. The book covers Italy’s long and active debate about how to curb a practice that clearly violated the law but was rarely ever punished in practice. When I first read this book I was in the middle of my own research, and Hughes was the first writer who seemed to get everything right, or at least to have discovered for Italy the same things that I was finding for South America. A great window into dueling and an even better window into liberal Italy and its politics.
Following its creation as a country in 1861, Italy experienced a wave of dueling that led commentators to bemoan a national “duellomania” evidenced by the sad spectacle of a duel a day. Pamphlets with titles like “Down with the Duel” and “The Shame of the Duel” all communicated the passion of those who could not believe that a people supposedly just returned to the path of progress and civilization had wholeheartedly embraced such a “barbaric” custom. Yet these critics were consistently countered by sober-minded men of rank and influence who felt that the duel was necessary for the very health…
I am a social and legal historian of late 19th and early 20th Century Latin America, and the majority of my work is about the emergence of the middle class. I first got interested in researching dueling because I had the idea that the duel probably played a role in creating and enforcing a social dividing line between the upper elite and the middle class. But once I got immersed in the historical documents I realized how wrong my initial hypothesis had been, how little dueling had to do with social class, and how much it was about maintaining—or sometimes gaming for advantage—the norms of decorum in politics and the press.
A recognized classic, and one of the first books to bring gender theory, masculinity studies, and the new cultural history to the academic study of dueling. Nye looks at French dueling in the nineteenth and early twentieth centuries as a manifestation of evolving ideals and norms of masculine honor, at a time when France was becoming less aristocratic and more bourgeois. This is the book that first convinced me that dueling could be a legitimate topic for serious historical research, and not just some quirky random sideshow.
After a decade of works on women's history, historians are becoming aware of the dearth of literature on men's history. Professor Nye addresses this gap in a study of evolving definitions of masculinity in France since the eighteenth century. He examines specifically the aristocratic ethos of male honour, rooted in a society of landlords, hunters, and warriors, adapted to a society motivated by utilitarian values, urban life, and rational law. He focuses on the cultural practices and mentality of middle and upper class men and the appeal of their codes to men throughout French society.
I am a social and legal historian of late 19th and early 20th Century Latin America, and the majority of my work is about the emergence of the middle class. I first got interested in researching dueling because I had the idea that the duel probably played a role in creating and enforcing a social dividing line between the upper elite and the middle class. But once I got immersed in the historical documents I realized how wrong my initial hypothesis had been, how little dueling had to do with social class, and how much it was about maintaining—or sometimes gaming for advantage—the norms of decorum in politics and the press.
Covers some of the same ground as Joanne Freeman, regarding dueling, reputation, politics, and the press in the antebellum U.S.A. But what I really like about this book is how it makes those historical issues relatable to our contemporary era by drawing parallels and connections between the politicized press of the 19th century and present-day debates about free speech in social media. If modern Twitter warriors had lived in the 1800s, they would have needed to know how to handle a sword.
This book argues that dueling should be looked at as a fundamental part of the history of journalism. By examining the nineteenth century Code Duello, the accepted standards under which a duel could be conducted, the author examines the causes of combative responses between journalists. Each chapter examines an aspect of this relationship from the nineteenth century until the present, including the connections between the ritualized aggression of the nineteenth century and the feuding among blog journalists today. A comprehensive bibliography as well as an overview of accepted practices under the Code of Honor as faced by nineteenth century journalists…
When I find a big story that has not come out, which has massive relevance for history and for the entire world, I go all out to bring it to light, as I have done with this book. Most of the books I have written have been devoted to telling big, unknown stories that concern the world. (Examples: alien intelligence, the origins of ancient civilisations, the Chinese contribution to the history of inventions, the existence of optical technology in antiquity, who were the people who tried and executed King Charles I and why did they do it.) I simply had to expose this information to the public.
This crucial book was originally published by Putnam’s, New York, in 1941.
Riess admitted in his autobiography (which exists only in German) that the book was largely a compilation of material from various sources, much of it handed to him personally by Robert Vansittart, the head of British Intelligence at the time. Large portions of the book were in fact written by Heinrich Pfeifer, and supplied to British Intelligence, part of it on Pfeifer’s two trips to London, and part passed across via Vansittart’s agent Walker in Lucerne.
Riess was a Jewish refugee from Germany who was trusted by Vansittart to aid him in helping to persuade the American public to enter the War against Germany. The book is one of the most astonishing books of its kind ever written, full of breathtaking revelations. It deserves to be widely known and to be a classic text for historical studies.
Total Espionage was first published shortly before Pearl Harbor and is fresh in its style, retaining immediacy unpolluted by the knowledge of subsequent events. It tells how the whole apparatus of the Nazi state was geared towards war by its systematic gathering of information and dissemination of disinformation. The author, a Berlin journalist, went into exile in 1933 and eventually settled in Manhattan in where he wrote for the Saturday Evening Post. He maintained a network of contacts throughout Europe and from inside the regime to garner his facts. The Nazis made use of many people and organizations: officers' associations…
I am an author, illustrator, and designer who has always been passionate about books, and especially picture books. As a child I loved to look at the pictures, listen to my mom read them out loud to me, and dream about them. Today I am making my own! Knowing that now it’s my books that kids are reading, gives me a true sense of purpose and joy. A few of the things I care about (other than books) are spending time in nature with my cute senior dog, learning new things, riding my bike, neurodiversity, climate advocacy, and new ways of thinking and problem-solving.
I wanted to introduce a book and author who is very famous in Germany but practically unheard of here in North America. This one was one of my favourites when I was a little kid. In Little Tiger, Get Well Soon, Tiger is not feeling well and Bear takes care of him. When Bear brings Tiger to the hospital, it turns out one of the tiger's stripes has gotten dislocated and needs to be adjusted. A touching and hilarious story about two friends who are always there for each other but also about how going to the hospital doesn’t have to be scary at all!
The World At War, the first and arguably best documentary about the Second World War, was on television when I was 14. It fuelled my interest in history, especially about the reasons for the rise of the Nazis. History has many lessons to teach–if we are willing to listen–and one of the great teachers is Germany between the wars. It was a time of extremes: economic crises, social unrest, much of which was caused by the Nazis, and a flourishing bohemian, liberal culture. This febrile environment in which characters struggle with their personal conflict makes for great story-telling potential.
One of Rory Clements’ many writing skills is the ability to create tension and explore an angle of an historical event.
It’s London 1936, and the king is about to abdicate. A woman is murdered in Berlin, and a fascist-leaning couple in Britain are killed. I liked how Clements joins these seemingly separate tragedies into a memorable story. I liked his hero, an academic drawn into the world of spying, Professor Tom Wilde.
I think a great novel's elements are believable characters, forensic attention to detail, and terrific tension, and they are all here.
A gripping spy thriller for fans of ROBERT HARRIS and WILLIAM BOYD from award-winning Sunday Times bestseller Rory Clements and author of the 2018 CWA HISTORICAL DAGGER WINNER, NUCLEUS
1936. Europe is in turmoil. The Nazis have marched into the Rhineland. In Russia, Stalin has unleashed his Great Terror. Spain has erupted in civil war.
In Berlin, a young Englishwoman evades the Gestapo to deliver vital papers to a Jewish scientist. Within weeks, she is found dead, a silver syringe clutched in her fingers.
In an exclusive London club, a conspiracy is launched that threatens the very heart of government.…
Humor is based on surprise and the ‘foreign’ is often surprising. As I traveled all over the world for work, I searched out local authors and found myself laughing. It started with At Swim Two Birds and has never stopped.
This short 1962 Austrian novel is a scream, literally and figuratively.
The Austrians don’t really know what to do with Bernhardt, who hated the country so trenchantly and yet is its finest twentieth-century writer. If you enjoy spending time in the S. Beckett’s zip code, you’ll love this book.
LRB BOOKSHOP'S AUTHOR OF THE MONTH ONE OF THE GUARDIAN'S BEST BOOKS OF 2019 WITH A NEW AFTERWORD BY BEN LERNER, AUTHOR OF THE TOPEKA SCHOOL
'If you haven't read Bernhard, you will not know of the most radical advance in fiction since Joyce ... My advice: dive in.' Lucy Ellmann
'I absolutely love Bernhard: he is one of the darkest and funniest writers ... A must read for everybody.' Karl Ove Knausgaard
It is 1967. Two men lie bedridden in separate wings of a Viennese hospital. The narrator, Thomas Bernhard, is stricken with a lung ailment; his friend Paul,…
As a historian at the University of Amsterdam, one of my concerns is to understand why so many Germans supported and participated in Adolf Hitler’s atrocious political project. I am equally interested in the other side: the Nazis’ political opponents and victims. In two decades of researching, writing, and teaching, I have read large numbers of official documents, newspapers, diaries, novels, and memoirs. These contemporary texts have made me vividly aware of how different people lived through the Nazi years, how they envisioned their lives, and how they remembered them after World War II. The questions they faced and the solutions they found continue to challenge and disconcert me.
How do people react when a dictatorship forces them to make choices? To learn more, read this brilliant memoir by a journalist looking back on his life in 1930s Berlin. Happily focused on his legal training and circle of friends, Sebastian Haffner at first showed little interest in politics and rejected the Nazis out of instinct rather than principle. Disgusted but powerless, he was content to keep a low profile under the new regime. To his own lasting shame, however, he one day answered “yes” when an SA stormtrooper demanded to know if he was “Aryan.” But Haffner’s friendships and liaisons with Jews, and his belief in the rule of law, ultimately made him realize that he couldn’t live in Nazi Germany. His final choice? Exile in Britain.
An absolute classic of autobiography and history - one of the few books to explore how and why the Germans were seduced by Hitler and Nazism.
'If you have never read a book about Nazi Germany before, or if you have already read a thousand, I would urge you to read DEFYING HITLER. It sings with wisdom and understanding' DAILY MAIL
Sebastian Haffner was a non-Jewish German who emigrated to England in 1938. This memoir (written in 1939 but only published now for the first time) begins in 1914 when the family summer holiday is cut short by the outbreak…
The American-born son of Jewish refugees, I would have every reason to revile the erstwhile capital of The Third Reich. But ever since my first visit, as a Fulbright Fellow in 1973, Berlin, a city painfully honest about its past, captured my imagination. A bilingual, English-German author of fiction, nonfiction, plays, poetry, travel memoir, and translations from the German, Ghost Dance in Berlin charts my take as a Holtzbrinck Fellow at the American Academy in Berlin in a villa on Wannsee, Berlin’s biggest lake, an experience marked by memorable encounters with derelicts, lawyers, a taxi driver, a hooker, et al, and with cameo appearances by Henry Kissinger and the ghost of Marlene Dietrich.
This idiosyncratic biography of Rahel Levin Varnhagen, a 19th-century German-Jewish Berlin literary salon hostess may at first seem esoteric to the general reader. A prickly, contradictory character, Arendt’s portrayal of Rahel’s outsider status as a Jew in a largely hostile Christian society, her proto-feminist self-affirmation of her womanhood at a time when women were essentially groomed for marriage, and her paradoxical mix of intellectual self-assurance and crippling emotional insecurities make for a riveting read. You don’t have to be Jewish or a woman to appreciate the complexities of this prototypical Berliner.
Born in 1771 as the daughter of a Jewish merchant, Rahel Varnhagen would come to host one of the most prominent salons of the late 18th and early 19th centuries. Hannah Arendt discovered her writings some time in the mid-1920s, and soon began to re-imagine Rachel's inner life and write her biography. Arendt draws a lively and complex portrait of a woman during the period of the Napoleonic wars and the early emancipation of the Jews, a figure who met and corresponded with some of the most celebrated authors, artists, and politicians of her time. She documents Rahel's attempts to…
