Fans pick 100 books like The Byline Bible

This was probably the most easily digestible book on investing that I’ve ever read. To me, the most difficult part of investing is simply getting over the fear of doing it, and Morgan Housel gives genuine motivation for overcoming that fear.

The chapters are purposefully short, which allowed me to absorb the main takeaways without getting too in the weeds on details (a necessary downside of a lot of nonfiction). I loved that it included very clear examples of how our brains work against us when it comes to our finances, as well as clear advice on how to counteract that.

I could not predict this book. I love how dark and disturbing it was. It led me down a path of psychological vertigo. By the end, I had exhausted all possible predictions and guessed wrong.

The shock of the twist wrung me out dry. I’m a big fan of books that can take you on a turbulent journey and then deposit you onto uneven ground, leaving you to question your own reality. Was it all real, or was it a part of some awful, waking dream?

This is an incredibly touching book! Mitch Albom is the author of other excellent books, but Finding Chika has become my favorite. The story of how he and his wife brought a little Haitian child into their orphanage in Haiti, and then eventually when it was discovered she had brain cancer, into their own home, was hard to put down. As an author who has visited Haiti many times and played with children orphaned by the 2010 earthquake, I strongly empathized with this story of a suffering Haitian child. Albom’s prose is flawless, and his ability to draw in the reader is inspiring, and you will not regret checking this book out. 

Humor often comes from putting normal people in absurd situations. That’s what Kevin Wilson does here—setting the lovable loser Lillian in her rich friend’s home, where she’s asked to care for her two young children. Children who, when agitated, tend to burst into flames. This frightens everyone but leaves the kids unhurt.

I found myself laughing and caring at the same time. That’s a neat trick for any author. 

The book Out on Assignment examines the careers of overlooked women who wrote for major metropolitan newspapers at the beginning of the twentieth century. Using archival materials, Alice Fahs describes a community of female journalists from numerous American cities. These newspaper women were part of a wave of women seeking a journalism career although their options were often limited. Although a few female journalists found hard-news reporting jobs in stunt work and undercover assignments, most found work in the women’s pages.

In these sections, they interviewed celebrities, advice columns, and suffrage news. Very little research has been done on women’s page journalism; this book provides an excellent foundation.

Journalism takes many forms, and this readable study by a journalist-turned-academic examines some of the more alternative styles and outlets that operate beyond the corporate mainstream media industries. Alternative they may be, but the projects studied by Forde produce proper journalism rather than the uninformed commentary or aggressive shouting adopted by some who like to style themselves as ‘alternative media.’ None of the journalists she interviews would see themselves as heroes but, by defying the odds to produce independent reporting in the cause of social justice around the world, they engage in countless small acts of heroism every day. 

At the end of a busy day, which is always almost 12 hours long, it is often difficult to wind down, and a David Gemmell book with its inspirational lessons was always perfect until the books ran out. Rereading them can only be done so many times, and reluctantly, I decided to try one of the two books he wrote in a genre I am never usually interested in.

Many people forget that he used to be a journalist and wrote two books that draw on that experience, but this one is by far my favorite. The PR blurb fails to mention that at the heart of this story, it is about propaganda in the media, and Gemmell is a master storyteller. His journalism experience makes it highly authentic in his portrayal of local journalism struggling to survive, and if you are a Gemmell sword and sorcery fan, you will… show more.

Before Life there was the Saturday Evening Post, a roaring success capturing the spirit of Middle America at a time when Middle America defined the cultural ethos of the nation. But by the late 1950s the potent reach of television advertising undermined the general-interest magazine business model, and the Post slipped into an inexorable spiral of decline that its top executives could never quite handle or even understand. There’s plenty of pathos and human drama as they struggle with forces beyond their control. 

As a former professor of sociology and media studies at the University of Virginia, I was (and, of course, remain!) interested in the history of communication. In this book, I discovered the backstory to the creation of well-known documents that fueled the American Revolution and fostered lively debate in the ensuing decades.

I also enjoyed reading about writers, publishers, and printers (often, one and the same) whose literary works raised mudslinging to an art form and deepened divisions that threatened to upend the grand experiment of democracy in its infancy. But somehow, the incendiary press of the late eighteenth century became “the basis of a humane and enduring society.”

First published in 1990 – based on a series of articles originally written for The New Yorker, this book is a warning to true crime authors the world over about the morality of reaching out and writing with and about murderers. 

The journalist in question is Joe McGinniss and the murderer is the former Special Forces Captain Dr Jeffrey MacDonald who became the subject of McGinniss’s 1983 book Fatal Vision. Is it ethical to collaborate with someone who has been accused of murder? What are the pitfalls that need to be managed? And, at the end of the day, who is conning who – the journalist or the murderer?