Fans pick 100 books like Challenging the News

One of the defining accounts of the original political scandal, Watergate, ultimately brought down US President Richard Nixon; Bernstein and Woodward’s book (later superbly adapted as a film starring Dustin Hoffman and Robert Redford) is partly so intriguing because it conveys the energy of a 1970s newsroom and the surprising level of access to the Nixon administration.

Ultimately, though, this book is still vital because it brings together several themes crucial in understanding the Official Record: secrecy and its corrosive impact on democracy, whistleblowers, perceived impunity, and the impact that determined and courageous journalists can exert on the powerful.

This hugely enjoyable book introduced me to the work of Nellie Bly, and for that alone I will forever be in debt to David Randall. Nellie Bly is just one of 13 great reporters discussed – others include William Howard Russell and James Cameron – but it was her exploits that most captured my imagination. She specialised in going undercover to expose wrongdoing, and her targets included those in positions of power responsible for everything from unsafe factory conditions to the inhumane asylums in which women were locked up for suspected insanity. Her stories were written in straightforward language but were genuinely sensational, raising awareness and helping to change social conditions for the better. As Randall concludes: "Nellie Bly was the very antithesis of cynicism."

Thriller writer and contemporary ‘queen of crime’ Val McDermid draws deeply on her own years as a tabloid journalist to bring fictional reporter Allie Burns to life during the winter of discontent. This unputdownable tale of a newspaper investigation into matters of life, death, and corruption is so evocative of a 1970s Glasgow newsroom that I could practically smell the fags and taste the whisky. More Allie Burns stories are promised, and I for one can’t wait.

If fictional journalists are your thing, then this book will almost certainly introduce you to some you’ve never heard of as well as those you (really should) have. Lonsdale insightfully identifies and dissects themes that crop up time after time in creative writing about journalists, from swashbuckling rogues to unethical scumbags. In the process, she has plenty to say about the craft of journalism itself and its enduring value to society. There is humour too, as when she quotes the immortal line of Stella Gibbons (author of Cold Comfort Farm): "The life of the journalist is poor, nasty, brutish and short. So is his style." Lovely.

I worked in local papers at the start of my career and was always amazed at why a network that had so many talented writers produced so few books about the hilarious things and the tragic things we experienced. I think it's partly because local newspapers are often seen as a stepping stone, we focus on the famous at the pinnacle of their career, editing a national newspaper for example, when in fact local news careers could and should be an end in themselves.

Roger Lytollis is not only a brilliant writer, but his book is remarkably personal in the way he faces his own demons and how journalism helped him cope with extreme shyness and depression. Coupled with hilarious stories, I couldn't put it down.

This book explores the relationship between writer and subject and provides a lesson on the lengths one should go in exercising one’s craft. An ironic twist comes in the form of Finkel himself being a victim of a crime, which gives rise to the thrust of this story. As a fan of memoirs and true crime, this book kept my interest all of the way through.

The book Washington chronicles the significant career of Meg Greenfield, an editorial page editor of The Washington Post. Greenfield, a winner of the Pulitzer Prize for commentary, wrote the book during the last two years of her life. Greenfield’s boss and close friend Katharine Graham contributed the foreword which provides context. Greenfield came to Washington in 1961 and was hired by the Post a few years later. Her editorials at the Post and her columns in Newsweek were witty and smart. Her stories provide a political picture of Washington, D.C. at the end of the American century. She was often at the place where change happened and tells the stories well. Greenfield’s book is a fascinating read about politics, journalism, and history.

One of the things I like about this type of book is that the main characters often have a secret identity.

To their classmates or teachers or parents, they’re just an ordinary kid—but when they’re not being watched, they’re doing something important and impactful. I love the tension of worrying that their secret identity might get found out. In this series, the main character’s secret identity is that she’s an accomplished and influential restaurant critic and no one knows, not even her parents. 

Before Life there was the Saturday Evening Post, a roaring success capturing the spirit of Middle America at a time when Middle America defined the cultural ethos of the nation. But by the late 1950s the potent reach of television advertising undermined the general-interest magazine business model, and the Post slipped into an inexorable spiral of decline that its top executives could never quite handle or even understand. There’s plenty of pathos and human drama as they struggle with forces beyond their control. 

I had the privilege of talking with Angèle at an event and discussing our different book projects.

The wonderful thing about this book it is reveals that the interaction between technology and journalism is incredibly culturally specific. We tend to think that every newsroom engages with technology in the same way, but Angèle shows that long-standing national journalistic cultures influence how technologies are adopted and used.

The book is also an ethnography, which means that it offers a wonderful insight into the day-to-day practices of the newsroom.