100 books like All the President's Men

Fenton climbed a mountain here and reached the top. Freddie Gray has died in the back of a police van in Baltimore. Something’s wrong with that picture, but who’s going to question the city’s elite Gun Trace Task Force—a vanguard unit in the war on crime—when most civic leaders hold it in awe? Fenton, a reporter for the Baltimore Sun, digs in, doing the meticulous research and insightful writing that expose powerfully guarded secrets and plant a flag for accountability.

I was wowed by this book. Denton looks beyond the immaculate white fences and princely politics of Lexington, Kentucky’s thoroughbred horse culture and sees into a drug ring run by a thoroughly corrupt former cop. Her account of a lone police investigator’s confrontation with powerful forces bent on keeping their secrets stands the test of time. It’s a look at how justice too often runs offtrack—a harrowing tale well told.

The movie based on this book featured the drama of Mazur’s undercover work as a U.S. Customs agent penetrating the money laundering behemoth known as BCCI, the bank that served crooks and governments around the world. What the film didn’t capture was the difficulty Mazur faced from federal officials who refused to act on the evidence he’d risked his life to obtain. After a state prosecuting attorney finally won indictments that brought down BCCI, Mazur testified that Department of Justice officials had ignored “hundreds of leads” that might have linked the institution to other cases of drug money, arms deals, and secret ownership of American banks.

Ever wonder why, from one end of the world to the other, people are taking to the streets to reclaim their governments from the expanding reach of kleptocrats? Bullough literally follows the money into a realm few of us ever imagine—the rarified, nationless atmosphere where laws written for most mortals do not apply. His picture of Moneyland is a heads-up for the rest of us, a warning that whenever moguls in that world shake hands with public officials we commoners had better take notice.

Like most high school students, I had read and was horrified by John Hersey’s Hiroshima.

For the longest time after reading Hiroshima, I tried to imagine carbonized bodies and human shadows etched in stone, but it was unimaginable. I stopped imagining; easier, safer not to think about the suffering. But then I met Kent and learned the fascinating stories of his Japanese American parents—his mother was incarcerated in the WWII camps; his father had survived the atomic bombing of his city of Hiroshima. 
Since high school, I’ve read Hiroshima many times. Why? To learn from Hersey’s visit to Hiroshima soon after the bombing and his survivor interviews. His meticulously researched, gripping, and compassionate New Yorker article (and later book) is an essential work of journalism and humanized the atomic bombing for the world.

Ida B. Wells was a journalist. She was also an organizer of an anti-lynching campaign.

She’s a wonderful example of a woman who ignored the limitations the world of the time set on her to do what she felt was needed. She and others collected accounts of lynchings, many of them from white newspapers and published them to force society to confront the fact that they were happening.

As a young woman she sued a railroad for physically ejecting her from a carriage because she was African American. She won.

She’s just a great example of a young woman bucking the system. I’m so glad my feminine forebearers did!

I’ll end with a book that started it all for me!

I still remember, in the year 2010, reaching the end of the essay "Goodbye to All That" where the date of publication is noted—1967—and how startled I was to realize something that feels so contemporary and alive had been written decades earlier. As in so much of her work, in this collection Didion offers vivid details from her life and brings her extraordinary powers of analysis to understanding their meaning.

As she once put it herself—in another essay, "Why I Write"—"Had I been blessed with even limited access to my own mind there would have been no reason to write. I write entirely to find out what I'm thinking, what I'm looking at, what I see and what it means.”

Nellie Bly was one of the great muckraking reporters in American history. She pretends to be insane and is admitted to the “mad house.” Along the way, she exposes the horrible treatment of those suffering from mental illness, but of her treatment in a boarding home, where spoiled beef was served.

Many at the Women’s Lunatic Asylum on Roosevelt Island suffered no mental illness; they simply didn’t know how to speak English, she wrote. “I left the insane ward with pleasure and regret—pleasure that I was once more able to enjoy the free breath of heaven; regret that I could not have brought with me some of the unfortunate women who lived and suffered with me, and who, I am convinced, are just as sane as I was and am now myself.”

Her reporting led to a grand jury investigation and reforms inside the asylum.

This is the definitive account of the debacle that was the Vietnam War by New York Times reporter Neil Sheehan, who also obtained the Pentagon Papers from Daniel Ellsberg.

For A Bright Shining Lie, published in 1988, Sheehan won a Pulitzer Prize and National Book Award. It’s worth mentioning that another Pulitzer-winning New York Times reporter, C. J. Chivers, wrote a related and equally powerful book, 2018’s The Fighters, about the wars in Afghanistan and Iraq.

This one was a game-changer for me, taking thinly-disguised characters and events from real life – an obvious Tony Blair-type, fleeing prosecution for war crimes in a clear nod to the Iraq War – Harris wisely ushers us into the world of high-stakes politics via the innocent and unnamed Ghost Writer, hired to write a disgraced Prime Minister’s memoirs.

It’s a brilliant and clever mechanism that makes the reader feel at home. And when murder appears, puts you squarely in the shoes of a terrified man on the run.

As a technical piece of thriller writing, it’s stunning stuff. Harris’s decision to base a fantastical conspiracy around real-life events and characters was inspiring – and it’s something I use in every book.