100 books like Alternate Channels

The short version: I just really love television! The slightly longer version is that, in my career, I’ve had a very unusual perspective on both entertainment and activism. My first jobs out of college were at companies like Lucasfilm and The Jim Henson company, where I saw first-hand just how important pop culture and fandom can be for audiences. And I also worked extensively on queer causes, eventually making activism my full-time job when I joined the team that brought marriage equality to the US Supreme Court. Through that work, I became more and more interested in the ways that pop culture – particularly television – has been a tool for advancing civil rights. 

The short version: I just really love television! The slightly longer version is that, in my career, I’ve had a very unusual perspective on both entertainment and activism. My first jobs out of college were at companies like Lucasfilm and The Jim Henson company, where I saw first-hand just how important pop culture and fandom can be for audiences. And I also worked extensively on queer causes, eventually making activism my full-time job when I joined the team that brought marriage equality to the US Supreme Court. Through that work, I became more and more interested in the ways that pop culture – particularly television – has been a tool for advancing civil rights. 

The short version: I just really love television! The slightly longer version is that, in my career, I’ve had a very unusual perspective on both entertainment and activism. My first jobs out of college were at companies like Lucasfilm and The Jim Henson company, where I saw first-hand just how important pop culture and fandom can be for audiences. And I also worked extensively on queer causes, eventually making activism my full-time job when I joined the team that brought marriage equality to the US Supreme Court. Through that work, I became more and more interested in the ways that pop culture – particularly television – has been a tool for advancing civil rights. 

The short version: I just really love television! The slightly longer version is that, in my career, I’ve had a very unusual perspective on both entertainment and activism. My first jobs out of college were at companies like Lucasfilm and The Jim Henson company, where I saw first-hand just how important pop culture and fandom can be for audiences. And I also worked extensively on queer causes, eventually making activism my full-time job when I joined the team that brought marriage equality to the US Supreme Court. Through that work, I became more and more interested in the ways that pop culture – particularly television – has been a tool for advancing civil rights. 

Growing up in an eccentric, liberal family, as a member of the Church of England, under the shadow of the British Government’s homophobic Section 28, the messages I received were distinctly mixed. If I’d heard the word ‘bisexual’ before the age of twenty my life might have been very different. And to this day, the most common assumption is that one can’t be simultaneously queer and Christian. As I’ve discovered, and as these books show, that isn’t true – and moving beyond that assumption reveals new and fascinating horizons.

I’ve adored holiday love stories ever since I was a kid watching Hallmark movies. There’s something about the magic of the holidays that makes two people falling in love even more special. That’s why I chose a contemporary holiday romance for my debut. And we see so much straight romance on TV and in bookstores, but I want to contribute to the queer community with my writing. I write a mix of sexualities; Make the Yuletide Gay features two lesbian women. All that to say, I just love queer holiday romances!

I loved books as a kid, especially fantasy books, but could never find anyone like me within their pages. I’m a lesbian Chinese writer who adores stories about messed-up, complicated queer people. I’m thrilled by the range of books available now that feature queer, messy characters. We all deserve representation, and to me that means representation that’s complex, that encompasses the ugly and the beautiful. One of my goals as an author is to make you fall in love with monsters—brutal, flawed women who may not deserve love, but who demand it all the same.

As someone who’s never been allowed to drive, but gets motion-sick reading in a bus or car, I’ve been a lover of audiobooks since I had my Walkman and a backpack full of audiobook cassettes. As a queer man, I’m always looking for more immersive stories about people like me. Finding queer voices and queer narratives is so important to me as a way to offset how queer people don’t have an inherited continuance of our culture as most marginalized people do; books are a way to fill that gap. I do own a rescued husky, and there’s nothing like an engrossing audiobook to get me through those minus-forty Canadian winter walks with a dog.

I’ve been writing stories and poems with erotic themes since I first entered the spoken word scene in 1980s San Francisco. As a young queer boy, raised in the highly eroticized Catholic Church, I was actually comfortable talking about and writing about sex and eros as I’d been stigmatized by it, and it got me fascinated with what the big deal was and why writers were afraid to approach it or why they did so in a corny/predictable/idealized and/or often dishonest and clumsy way. Soon I was teaching erotic writing and have been integrating it into my writing in honest, fresh, and enlivening ways—and helping others do so—ever since.

I’ve always been a big fan of sci-fi and fantasy, especially anything involving superheroes or D&D-style adventure. For the longest time, I had to find queer representation through subtle glances and creative readings of characters. I loved these stories for the sci-fi and fantasy elements, but it was frustrating that every love story that came up was straight. It didn’t feel possible for queer love to be a part of a plot, and even when there was a queer character it had a “very special episode” vibe to it. Finally, queer characters are becoming part of the story, and it doesn’t have to be a “big deal.”